Sound
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The document discusses different types of sounds that can be used in films, including selective sound to emphasize key elements, ambient sound to create atmosphere, and sound bridges to help with transitions between sequences. It also describes diegetic sounds whose source is visible or implied and non-diegetic sounds like music that create atmosphere, as well as synchronous sounds that match the action and asynchronous sounds from outside the film.
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Sound definitions
Film sound is carefully mixed to emphasize important sounds and set the right atmosphere. Selective sound highlights key elements while ambient sound creates a sense of place. Sound bridges help transitions and effects create impact. Diegetic sound exists in the film world and is visible or implied, while non-diegetic sound comes from outside and narrates. Synchronous sound matches actions while asynchronous comes from outside reality, and contrapuntal noise creates alternative meanings.
Media sound terminology
This document defines various types of sounds used in film and media production, including ambient sounds, incidental music, sound perspective, dialogue, voice overs, sound effects, synchronous and asynchronous sounds, diegetic and non-diegetic sounds, empathetic sounds, and the audio-visual contract. It discusses background sounds, music, the positioning of sounds, sound mixing, conversations, narration, imitative sounds, the synchronization of sounds and actions, sounds heard by characters versus the audience, conveying mood, and agreeing to suspend disbelief of the medium.
06. sound notes sheet
This document discusses different elements of sound design in film. It identifies various types of sounds that can be used, including diegetic sounds that come from within the story world and non-diegetic sounds from outside the story world. Selective sounds are used to emphasize key elements, while ambient sounds create atmosphere. Sound bridges help transitions and sound effects add realism or psychological impact. The document also discusses voiceovers, theme music, musical scores, silence and how identifying these elements can enhance analysis of films like Sherlock Holmes.
Sound Notes Sheet
Film sound is carefully designed and plays an important role in the overall film. There are two main types of sound - diegetic sound that comes from within the story world and non-diegetic sound from outside. Sound can be used to emphasize important elements, set atmosphere, and help with transitions. During production, most sound is recorded separately from the visuals and mixed later to enhance the film experience.
Sound notes sheet
Film sound is carefully designed and mixed in post-production to emphasize important sounds and set the atmosphere. There are two main types of sound: diegetic sounds that exist within the film's world, and non-diegetic sounds from outside it, like music and effects. Sound can also be synchronous, matching visuals, or asynchronous like musical scores. Elements of sound design include selective sounds, ambient atmosphere, sound bridges between scenes, effects, voiceovers, theme music, and silence to build tension. In Sherlock Holmes, the asynchronous musical score plays for most scenes, and characters have distinct music - Sherlock's is heroic while his nemesis Lord Blackwood's is menacing.
Sound
Film sound is carefully designed and added during post-production to emphasize important elements and set the atmosphere. There are two main types of sound: diegetic, which exists within the world of the film, and non-diegetic, which comes from outside the film like music or added effects. Sound can also be synchronous, matching the visuals to reinforce a scene, or asynchronous using effects that don't match. Elements like voiceovers, theme music, and silence are also used to guide the narrative, set the tone, and provoke audience reactions.
Sound notes sheet
A documentation of my notes from studying sound, plus analysis of sound from the Sherlock Holmes opening scene.
03 sound notes sheet
Film sound is carefully designed and plays an important role similar to visual elements. Most film sound is added during post-production rather than being recorded on set. Sound is mixed to emphasize important sounds and create the right atmosphere for each scene. There are different types of sounds, including diegetic sounds that come from visible or implied sources within the story and non-diegetic sounds from outside the story. Film sounds can also be synchronous to match actions, asynchronous from outside the story world, or contrapuntal to create different meanings by clashing with the visuals. Sound designers use a variety of techniques to guide the audience and reinforce narrative elements and character personalities.
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Sound definitions
Film sound is carefully mixed to emphasize important sounds and set the right atmosphere. Selective sound highlights key elements while ambient sound creates a sense of place. Sound bridges help transitions and effects create impact. Diegetic sound exists in the film world and is visible or implied, while non-diegetic sound comes from outside and narrates. Synchronous sound matches actions while asynchronous comes from outside reality, and contrapuntal noise creates alternative meanings.
Media sound terminology
This document defines various types of sounds used in film and media production, including ambient sounds, incidental music, sound perspective, dialogue, voice overs, sound effects, synchronous and asynchronous sounds, diegetic and non-diegetic sounds, empathetic sounds, and the audio-visual contract. It discusses background sounds, music, the positioning of sounds, sound mixing, conversations, narration, imitative sounds, the synchronization of sounds and actions, sounds heard by characters versus the audience, conveying mood, and agreeing to suspend disbelief of the medium.
06. sound notes sheet
This document discusses different elements of sound design in film. It identifies various types of sounds that can be used, including diegetic sounds that come from within the story world and non-diegetic sounds from outside the story world. Selective sounds are used to emphasize key elements, while ambient sounds create atmosphere. Sound bridges help transitions and sound effects add realism or psychological impact. The document also discusses voiceovers, theme music, musical scores, silence and how identifying these elements can enhance analysis of films like Sherlock Holmes.
Sound Notes Sheet
Film sound is carefully designed and plays an important role in the overall film. There are two main types of sound - diegetic sound that comes from within the story world and non-diegetic sound from outside. Sound can be used to emphasize important elements, set atmosphere, and help with transitions. During production, most sound is recorded separately from the visuals and mixed later to enhance the film experience.
Sound notes sheet
Film sound is carefully designed and mixed in post-production to emphasize important sounds and set the atmosphere. There are two main types of sound: diegetic sounds that exist within the film's world, and non-diegetic sounds from outside it, like music and effects. Sound can also be synchronous, matching visuals, or asynchronous like musical scores. Elements of sound design include selective sounds, ambient atmosphere, sound bridges between scenes, effects, voiceovers, theme music, and silence to build tension. In Sherlock Holmes, the asynchronous musical score plays for most scenes, and characters have distinct music - Sherlock's is heroic while his nemesis Lord Blackwood's is menacing.
Sound
Film sound is carefully designed and added during post-production to emphasize important elements and set the atmosphere. There are two main types of sound: diegetic, which exists within the world of the film, and non-diegetic, which comes from outside the film like music or added effects. Sound can also be synchronous, matching the visuals to reinforce a scene, or asynchronous using effects that don't match. Elements like voiceovers, theme music, and silence are also used to guide the narrative, set the tone, and provoke audience reactions.
Sound notes sheet
A documentation of my notes from studying sound, plus analysis of sound from the Sherlock Holmes opening scene.
03 sound notes sheet
Film sound is carefully designed and plays an important role similar to visual elements. Most film sound is added during post-production rather than being recorded on set. Sound is mixed to emphasize important sounds and create the right atmosphere for each scene. There are different types of sounds, including diegetic sounds that come from visible or implied sources within the story and non-diegetic sounds from outside the story. Film sounds can also be synchronous to match actions, asynchronous from outside the story world, or contrapuntal to create different meanings by clashing with the visuals. Sound designers use a variety of techniques to guide the audience and reinforce narrative elements and character personalities.
Sound notes
Filmsound is carefully crafted in post-production to emphasize important sounds and create the right atmosphere for scenes. There are different types of sounds, including diegetic sounds that exist in the world of the film and non-diegetic sounds from outside. Sounds are used selectively to highlight key elements, create ambience and atmosphere, and help transitions between scenes flow smoothly. Effects add realism or psychological impact, while synchronous effects reinforce actions and asynchronous music guides the narrative.
Sound
Sound is used in several ways in films, including to emphasize key elements, create atmosphere, and help with transitions. There are different types of sounds like diegetic sounds whose source is visible or implied, non-diegetic sounds from outside the film's world, and synchronous or asynchronous sounds matched or not matched to the visuals. Different sounds are also used like voiceovers, theme music, musical scores, and silence is occasionally used for effect.
Sound notes sheet
Film sound is carefully designed and added during post-production to emphasize important elements and set the atmosphere. There are different types of sounds that can be used including selective sounds to highlight keys elements, ambient sounds to create a sense of place, and sound bridges to smoothly transition between sequences. Sound can be diegetic, existing within the film's world, or non-diegetic coming from outside the world, such as voiceovers, theme music, or musical scores which provide additional information or atmosphere.
Sound presntation
Diegetic sound refers to all sound in a film whose source is visible or implied to be present in the scene, such as voices, music from within the story, or sounds made by objects. Non-diegetic sound includes any sound that seems to come from outside the story world, like narration, sound effects added for drama, or mood music. The document also defines other sound-related film terms like synchronous sound, sound effects, sound motifs, sound bridges, dialogue, voiceovers, sound mixing, sound perspective, and soundtrack.
Sound
The document analyzes the sound used in a film clip, listing various sound effects used throughout the sequence. It then defines key terms related to sound in film, including selective sound to emphasize elements, ambient sound to set atmosphere or place, and sound bridges to help transitions between sequences flow more smoothly. Digetic sounds have a visible or implied source in the scene, while non-digetic sounds like added music do not originate from within the film's world.
03 sound notes sheet
Film sound is carefully designed and added during post-production to emphasize important elements and set the atmosphere. There are two types of sound: diegetic, which exists within the fictional world, and non-diegetic, which comes from outside it (like music and effects). Sound can also be synchronous, matching the visuals to reinforce them, or asynchronous/contrapuntal, coming from outside the fictional world or juxtaposed to create new meanings. Elements like voiceovers, theme music, and silence are also used to guide the audience and develop characters and narratives.
Sound 3 october
The document discusses different types of sounds that can be used in films, including selective sound to emphasize key elements, ambient sound to set atmosphere, and sound bridges to help transitions between scenes. It also defines diegetic sounds that come from visible or implied sources in the story, versus non-diegetic sounds that are added for effect without a story source. Synchronous sounds match visuals, while asynchronous sounds come from outside the story world, like musical scores.
06. sound notes sheet
Film sound is carefully designed and plays an important role in storytelling. Sound can be diegetic, originating from visible or implied sources within the film, or non-diegetic, added in post-production from outside the world of the film. Sound is used selectively to emphasize key elements or create atmosphere, and is mixed carefully to maintain the correct atmosphere for each sequence. Film sound can be synchronous to match actions, asynchronous to come from outside the diegetic world, or contrapuntal to create alternative meanings by juxtaposing noise with visuals.
03 sound notes sheet
Film sound is carefully designed and plays an important role similar to visual elements. While some sound is recorded on set, most sound is added later in post-production. Film sound is mixed to emphasize important sounds and create the right atmosphere for each scene. Sound can be either diegetic, having a source in the story, or non-diegetic, coming from outside the story, and is used selectively or ambiently. Elements of film sound design include sound bridges, effects, voiceovers, theme music, and score.
03 sound notes sheet
Film sound is carefully designed and added during post-production to emphasize important elements and set the atmosphere. There are two main types of sound: diegetic, which exists within the film's world, and non-diegetic, which comes from outside. Sound can be used to help transitions, create realism or psychological impact, and reinforce visuals through synchronous effects or provide alternative meanings through asynchronous or contrapuntal sounds. Filmmakers employ a variety of sound elements like ambient noise, sound bridges, effects, and voiceovers to subtly shape the audience's experience.
Sound notes sheet
Film sound is carefully designed and mixed in post-production to emphasize important sounds and set the atmosphere for scenes. There are different types of sounds, including selective sounds that highlight key audio elements and ambient sounds that create a sense of place. Film sound can be diegetic, originating from within the story, or non-diegetic, coming from outside the story, and it can be synchronous to match the visuals or asynchronous to provide another meaning. Proper use of sound effects, music, and silence is important for storytelling and emotional impact.
06. sound notes sheet
Film sound is carefully designed and added during post-production to emphasize important elements and set the atmosphere. There are different types of sounds that serve different purposes - selective sounds highlight key elements while ambient sounds create a sense of place. Sound can also be diegetic, existing within the film's world, or non-diegetic from outside the world, like music or narration. During mixing, sounds are made synchronous or asynchronous to images and dialogue to reinforce or alter their meaning. Elements like voiceovers, theme music, and musical scores are also used to guide the narrative or set mood, while silence can build tension.
06. sound notes sheet (1)
The document discusses different elements of sound design in film. It identifies various types of sounds that can be used, including diegetic sounds that exist within the world of the film and non-diegetic sounds from outside the world. Film sound is carefully crafted in post-production to emphasize important sounds and create the right atmosphere. Examples of different sound techniques are provided, such as using sound bridges between scenes, synchronous sounds that match the visuals, and asynchronous non-diegetic music. The document also gives examples of diegetic and non-diegetic sounds identified in Sherlock Holmes.
sound notes sheet
This document discusses different types of sound used in films, including diagetic sounds that come from within the world of the film and non-diagetic sounds like film soundtracks. It describes how film sound is carefully crafted in post-production to emphasize important sounds and set the right atmosphere. Specific techniques mentioned include selective sound to highlight key elements, ambient sound to create a sense of place, sound bridges to smoothly transition scenes, and sound effects to add realism or psychological impact. The document also provides examples of diagetic and non-diagetic sound from the film Sherlock Holmes.
Sound
Sound in film and TV must be carefully mixed to emphasize key sound elements, create particular atmospheres, and provide smooth transitions between scenes. Selective sound focuses on important audio, while ambient sound sets the setting. Diegetic sound has a visible source on screen, whereas non-diegetic sound does not and is not part of the film's world. Elements like voiceovers, theme music, and musical scores can develop characters and storylines or offer information, while silence is sometimes used to provoke audiences.
Sound sheet
The document discusses different elements of sound design in films. It identifies various sounds that can be heard in a film clip, such as piano music, horse carriages, drums, and gunshots. It explains that while some sound is recorded on set, most film sound is added during post-production. Film sound is carefully mixed and edited to emphasize important sounds and create the proper atmosphere for each sequence. Some other elements of sound design discussed are diegetic versus non-diegetic sound, synchronous versus asynchronous sound, voiceovers, theme music, and musical scores.
06. sound notes sheet
This document discusses different elements of sound design in film. It identifies different types of sounds that can be used, including diegetic sounds that exist within the world of the film and non-diegetic sounds from outside the film. Selective sounds are used to emphasize key elements, while ambient sounds create atmosphere. Sound can also be synchronous, asynchronous, or contrapuntal to image. Other elements discussed include voiceovers, theme music, musical scores, and silence. Careful use of these sound elements is important for atmosphere, narrative, and audience experience.
03 sound notes sheet
Film sound is carefully designed and mixed in post-production to emphasize important sounds and set the atmosphere. There are different types of sounds: diegetic sounds exist within the film's world while non-diegetic sounds come from outside. Synchronous sounds match the visuals while asynchronous sounds come from outside the diegetic reality, like musical scores. Other elements include voiceovers, theme music to introduce characters, and silence which is sometimes used provoke a reaction.
Sound notes sheet
Film sound is carefully designed and added in post-production to emphasize important sounds and create the right atmosphere for scenes. There are different types of sounds that can be either diegetic, existing in the world of the film, or non-diegetic, coming from outside the film. Sounds can also be synchronous to match the visuals, asynchronous from outside the film reality, or contrapuntal to create alternative meanings by not matching the visuals. Other elements of sound design include voiceovers, theme music, musical scores, and strategic use of silence.
Sound
Film sound is carefully designed and added during post-production to enhance the visuals and atmosphere. Sound can be diegetic, naturally occurring sounds from within the scene, or non-diegetic, sounds added from outside the scene like music or effects. Film sound is mixed and edited to emphasize important sounds and maintain the intended atmosphere through selective sound, ambient sound, sound bridges, and effects. It can also be synchronous to match actions, asynchronous like music scores, or contrapuntal to create alternative meanings.
03 sound notes sheet
Film sound is carefully designed and added during post-production to emphasize important elements and set the atmosphere. Sound can be either diegetic, existing within the film's world, or non-diegetic, coming from outside the world. Selective sound is used to emphasize key sounds, while ambient sound creates a sense of place. Sound bridges and effects are also used to aid transitions and make actions more impactful.
different types of sound
The document discusses different elements of sound design in films. It begins by listing various sounds heard in a film clip, then explains that sound is carefully crafted in post-production similar to visual elements. Film sound is mixed to emphasize important sounds and maintain the intended atmosphere. There are different types of sounds like selective sounds used to highlight key elements, and ambient sounds that create a sense of place. Other elements discussed include sound bridges, sound effects, diegetic sounds from within the film world versus non-diegetic sounds from outside it, synchronous versus asynchronous sound, and the uses of voiceovers, theme music, musical scores, and silence.
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Sound notes
Filmsound is carefully crafted in post-production to emphasize important sounds and create the right atmosphere for scenes. There are different types of sounds, including diegetic sounds that exist in the world of the film and non-diegetic sounds from outside. Sounds are used selectively to highlight key elements, create ambience and atmosphere, and help transitions between scenes flow smoothly. Effects add realism or psychological impact, while synchronous effects reinforce actions and asynchronous music guides the narrative.
Sound
Sound is used in several ways in films, including to emphasize key elements, create atmosphere, and help with transitions. There are different types of sounds like diegetic sounds whose source is visible or implied, non-diegetic sounds from outside the film's world, and synchronous or asynchronous sounds matched or not matched to the visuals. Different sounds are also used like voiceovers, theme music, musical scores, and silence is occasionally used for effect.
Sound notes sheet
Film sound is carefully designed and added during post-production to emphasize important elements and set the atmosphere. There are different types of sounds that can be used including selective sounds to highlight keys elements, ambient sounds to create a sense of place, and sound bridges to smoothly transition between sequences. Sound can be diegetic, existing within the film's world, or non-diegetic coming from outside the world, such as voiceovers, theme music, or musical scores which provide additional information or atmosphere.
Sound presntation
Diegetic sound refers to all sound in a film whose source is visible or implied to be present in the scene, such as voices, music from within the story, or sounds made by objects. Non-diegetic sound includes any sound that seems to come from outside the story world, like narration, sound effects added for drama, or mood music. The document also defines other sound-related film terms like synchronous sound, sound effects, sound motifs, sound bridges, dialogue, voiceovers, sound mixing, sound perspective, and soundtrack.
Sound
The document analyzes the sound used in a film clip, listing various sound effects used throughout the sequence. It then defines key terms related to sound in film, including selective sound to emphasize elements, ambient sound to set atmosphere or place, and sound bridges to help transitions between sequences flow more smoothly. Digetic sounds have a visible or implied source in the scene, while non-digetic sounds like added music do not originate from within the film's world.
03 sound notes sheet
Film sound is carefully designed and added during post-production to emphasize important elements and set the atmosphere. There are two types of sound: diegetic, which exists within the fictional world, and non-diegetic, which comes from outside it (like music and effects). Sound can also be synchronous, matching the visuals to reinforce them, or asynchronous/contrapuntal, coming from outside the fictional world or juxtaposed to create new meanings. Elements like voiceovers, theme music, and silence are also used to guide the audience and develop characters and narratives.
Sound 3 october
The document discusses different types of sounds that can be used in films, including selective sound to emphasize key elements, ambient sound to set atmosphere, and sound bridges to help transitions between scenes. It also defines diegetic sounds that come from visible or implied sources in the story, versus non-diegetic sounds that are added for effect without a story source. Synchronous sounds match visuals, while asynchronous sounds come from outside the story world, like musical scores.
06. sound notes sheet
Film sound is carefully designed and plays an important role in storytelling. Sound can be diegetic, originating from visible or implied sources within the film, or non-diegetic, added in post-production from outside the world of the film. Sound is used selectively to emphasize key elements or create atmosphere, and is mixed carefully to maintain the correct atmosphere for each sequence. Film sound can be synchronous to match actions, asynchronous to come from outside the diegetic world, or contrapuntal to create alternative meanings by juxtaposing noise with visuals.
03 sound notes sheet
Film sound is carefully designed and plays an important role similar to visual elements. While some sound is recorded on set, most sound is added later in post-production. Film sound is mixed to emphasize important sounds and create the right atmosphere for each scene. Sound can be either diegetic, having a source in the story, or non-diegetic, coming from outside the story, and is used selectively or ambiently. Elements of film sound design include sound bridges, effects, voiceovers, theme music, and score.
03 sound notes sheet
Film sound is carefully designed and added during post-production to emphasize important elements and set the atmosphere. There are two main types of sound: diegetic, which exists within the film's world, and non-diegetic, which comes from outside. Sound can be used to help transitions, create realism or psychological impact, and reinforce visuals through synchronous effects or provide alternative meanings through asynchronous or contrapuntal sounds. Filmmakers employ a variety of sound elements like ambient noise, sound bridges, effects, and voiceovers to subtly shape the audience's experience.
Sound notes sheet
Film sound is carefully designed and mixed in post-production to emphasize important sounds and set the atmosphere for scenes. There are different types of sounds, including selective sounds that highlight key audio elements and ambient sounds that create a sense of place. Film sound can be diegetic, originating from within the story, or non-diegetic, coming from outside the story, and it can be synchronous to match the visuals or asynchronous to provide another meaning. Proper use of sound effects, music, and silence is important for storytelling and emotional impact.
06. sound notes sheet
Film sound is carefully designed and added during post-production to emphasize important elements and set the atmosphere. There are different types of sounds that serve different purposes - selective sounds highlight key elements while ambient sounds create a sense of place. Sound can also be diegetic, existing within the film's world, or non-diegetic from outside the world, like music or narration. During mixing, sounds are made synchronous or asynchronous to images and dialogue to reinforce or alter their meaning. Elements like voiceovers, theme music, and musical scores are also used to guide the narrative or set mood, while silence can build tension.
06. sound notes sheet (1)
The document discusses different elements of sound design in film. It identifies various types of sounds that can be used, including diegetic sounds that exist within the world of the film and non-diegetic sounds from outside the world. Film sound is carefully crafted in post-production to emphasize important sounds and create the right atmosphere. Examples of different sound techniques are provided, such as using sound bridges between scenes, synchronous sounds that match the visuals, and asynchronous non-diegetic music. The document also gives examples of diegetic and non-diegetic sounds identified in Sherlock Holmes.
sound notes sheet
This document discusses different types of sound used in films, including diagetic sounds that come from within the world of the film and non-diagetic sounds like film soundtracks. It describes how film sound is carefully crafted in post-production to emphasize important sounds and set the right atmosphere. Specific techniques mentioned include selective sound to highlight key elements, ambient sound to create a sense of place, sound bridges to smoothly transition scenes, and sound effects to add realism or psychological impact. The document also provides examples of diagetic and non-diagetic sound from the film Sherlock Holmes.
Sound
Sound in film and TV must be carefully mixed to emphasize key sound elements, create particular atmospheres, and provide smooth transitions between scenes. Selective sound focuses on important audio, while ambient sound sets the setting. Diegetic sound has a visible source on screen, whereas non-diegetic sound does not and is not part of the film's world. Elements like voiceovers, theme music, and musical scores can develop characters and storylines or offer information, while silence is sometimes used to provoke audiences.
Sound sheet
The document discusses different elements of sound design in films. It identifies various sounds that can be heard in a film clip, such as piano music, horse carriages, drums, and gunshots. It explains that while some sound is recorded on set, most film sound is added during post-production. Film sound is carefully mixed and edited to emphasize important sounds and create the proper atmosphere for each sequence. Some other elements of sound design discussed are diegetic versus non-diegetic sound, synchronous versus asynchronous sound, voiceovers, theme music, and musical scores.
06. sound notes sheet
This document discusses different elements of sound design in film. It identifies different types of sounds that can be used, including diegetic sounds that exist within the world of the film and non-diegetic sounds from outside the film. Selective sounds are used to emphasize key elements, while ambient sounds create atmosphere. Sound can also be synchronous, asynchronous, or contrapuntal to image. Other elements discussed include voiceovers, theme music, musical scores, and silence. Careful use of these sound elements is important for atmosphere, narrative, and audience experience.
03 sound notes sheet
Film sound is carefully designed and mixed in post-production to emphasize important sounds and set the atmosphere. There are different types of sounds: diegetic sounds exist within the film's world while non-diegetic sounds come from outside. Synchronous sounds match the visuals while asynchronous sounds come from outside the diegetic reality, like musical scores. Other elements include voiceovers, theme music to introduce characters, and silence which is sometimes used provoke a reaction.
Sound notes sheet
Film sound is carefully designed and added in post-production to emphasize important sounds and create the right atmosphere for scenes. There are different types of sounds that can be either diegetic, existing in the world of the film, or non-diegetic, coming from outside the film. Sounds can also be synchronous to match the visuals, asynchronous from outside the film reality, or contrapuntal to create alternative meanings by not matching the visuals. Other elements of sound design include voiceovers, theme music, musical scores, and strategic use of silence.
Sound
Film sound is carefully designed and added during post-production to enhance the visuals and atmosphere. Sound can be diegetic, naturally occurring sounds from within the scene, or non-diegetic, sounds added from outside the scene like music or effects. Film sound is mixed and edited to emphasize important sounds and maintain the intended atmosphere through selective sound, ambient sound, sound bridges, and effects. It can also be synchronous to match actions, asynchronous like music scores, or contrapuntal to create alternative meanings.
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03 sound notes sheet
Film sound is carefully designed and added during post-production to emphasize important elements and set the atmosphere. Sound can be either diegetic, existing within the film's world, or non-diegetic, coming from outside the world. Selective sound is used to emphasize key sounds, while ambient sound creates a sense of place. Sound bridges and effects are also used to aid transitions and make actions more impactful.
different types of sound
The document discusses different elements of sound design in films. It begins by listing various sounds heard in a film clip, then explains that sound is carefully crafted in post-production similar to visual elements. Film sound is mixed to emphasize important sounds and maintain the intended atmosphere. There are different types of sounds like selective sounds used to highlight key elements, and ambient sounds that create a sense of place. Other elements discussed include sound bridges, sound effects, diegetic sounds from within the film world versus non-diegetic sounds from outside it, synchronous versus asynchronous sound, and the uses of voiceovers, theme music, musical scores, and silence.
06. sound notes sheet
This document discusses the use of sound in film. It explains that sound is carefully controlled and added during post-production even if recorded on set. Film sound is mixed to emphasize important sounds and maintain the proper atmosphere for each sequence. There are different types of sounds like selective sounds to highlight key elements, ambient sounds to set the mood or place, and sound bridges to smoothly transition between scenes. Sound can be diegetic, existing in the world of the film, or non-diegetic, coming from outside the film like voiceovers or scores. Synchronous sound reinforces actions while asynchronous comes from outside the narrative.
03 sound notes sheet
Film sound is carefully designed and added during post-production to emphasize important elements and set the atmosphere. There are different types of sounds that can be used including selective sounds to highlight key audio, ambient sounds to establish setting, and sound bridges to smoothly transition between scenes. Sound can be either diegetic, existing within the film's world, or non-diegetic coming from outside the story like music or narration. Proper use of synchronous, asynchronous, and contrapuntal sounds further enhance the visuals and create meaning.
Sound notes sheet
Film sound is carefully designed and added in post-production to emphasize important sounds and set the atmosphere. Sound can be either diegetic, existing within the film's world, or non-diegetic, coming from outside the world. Film sound aims to be synchronous to reinforce actions or asynchronous to add musical scores. Elements like selective sound, ambient sound, sound bridges, and silence are used to immerse viewers and guide their experience of the film.
03 sound notes sheet
Film sound is carefully designed and plays an important role similar to visual elements. While some sound is recorded on set, most is added during post-production mixing to emphasize important sounds and set the atmosphere. Sound can be diegetic, existing within the film's world, or non-diegetic from outside the world, like soundtracks. It can also be synchronous matching the action, asynchronous separate from visuals, or contrapuntal juxtaposed for alternative meaning. Other elements include sound bridges, effects, and music to transition or link scenes, while silence is sometimes used to provoke audiences.
Sounds
This document defines and describes different types of sounds that can be used in films, including selective sounds to emphasize key elements, ambient sounds to set the atmosphere or sense of place, and sound bridges to help transitions flow more smoothly. It also discusses diegetic sounds whose source is visible or implied, non-diegetic background sounds, synchronous sounds matched to actions, asynchronous soundtrack music, contrapuntal sounds that create alternative meanings, voiceovers, theme music, musical scores, and the use of silence.
Sound
There are several types of sounds that can be used in films and television to achieve different effects. Selective sound emphasizes key audio elements, ambient sound creates atmosphere, and sound bridges provide fluidity between shots. Diegetic sounds come from visible or implied sources while non-diegetic sounds do not. Synchronous sound reinforces visuals while asynchronous sound provides alternative meaning. Theme music and musical scores set tone and guide narrative or characters. Silence is sometimes used to provoke audience reaction.
sound
Film sound is carefully designed and added during post-production to emphasize important elements and set the atmosphere. There are two main types of sound: diegetic, which exists within the world of the film, and non-diegetic, which comes from outside the film like music or enhanced effects. Sound can also be synchronous to match actions, asynchronous to come from outside the story, or contrapuntal to create a different meaning by clashing with the visuals. Other sound elements include voiceovers, theme music, musical scores, and strategic use of silence.
Sound Notes Sheet
Film sound is carefully designed and mixed in post-production to emphasize important sounds and set the atmosphere for scenes. Sound can be either diegetic, existing within the film's world, or non-diegetic, coming from outside the world. Selective sound is used to highlight key audio elements while ambient sound creates a sense of place. Elements like sound bridges, effects, and voiceovers can help transitions, add realism or psychological impact, and guide the audience.
03 sound notes sheet
Film sound is carefully designed in post-production to emphasize important sounds and create the right atmosphere for scenes. Selective sound is used to highlight key audio elements, while ambient sound helps establish a sense of place. Sound can be diegetic, existing within the film's world, or non-diegetic, coming from outside it, such as music soundtracks. Proper use of synchronous, asynchronous, and contrapuntal sounds reinforces visuals and creates alternative meanings. Voiceovers, theme music, score, and strategic use of silence are also important elements of sound design.
Sound sheet
Film sound is carefully designed and added in post-production to emphasize important elements and set the atmosphere. There are different types of sounds: selective sounds emphasize key elements while ambient sounds create a sense of place. Film sound can be diegetic, originating from within the film's world, or non-diegetic from outside the world like soundtracks. It can also be synchronous matching the action, asynchronous from outside the diegetic reality, or contrapuntal not matching the visuals to create alternative meaning. Silence is also used strategically to create dramatic effect.
06. sound notes sheet
The document discusses different elements of sound design in films. It defines diegetic and non-diegetic sound, with diegetic sound existing within the world of the film and non-diegetic coming from outside. Film sound is carefully crafted in post-production to emphasize important sounds and maintain atmosphere. Selective sound is used to highlight key audio, while ambient sound creates a sense of place. Sound bridges and effects also help with transitions and realism.
Sounds
The document discusses different types of sounds used in film and TV production, including diegetic sounds that originate from visible on-screen sources; non-diegetic sounds that are not part of the story world; synchronous sounds that match visual events; asynchronous sounds that do not match; contrapuntal sounds that contradict the visuals; voiceovers; theme music; musical scores; and the strategic use of silence. Selective sounds, ambient sounds, and sound bridges are also mentioned as techniques for emphasis, atmosphere, and smooth transitions between sequences.
Sound - Theory
Film sound is carefully designed and mixed in post-production to emphasize important sounds and set the atmosphere. There are different types of sounds that serve different purposes. Selective and ambient sounds are used to highlight key elements or create a sense of place, while sound bridges help transitions. Diegetic sounds come from within the film's world, while non-diegetic sounds like music or effects come from outside. Synchronous sounds match the visuals, while asynchronous or contrapuntal sounds are used to create alternative meanings. Elements like voiceovers, theme music, and silence are also employed to guide the narrative or provoke audience reactions.
Sound Notes Sheet
Film sound is carefully designed in post-production to emphasize important sounds and create the right atmosphere for scenes. There are two main types of sound: diegetic sounds that come from visible or implied sources within the story, and non-diegetic sounds from outside the story like music or narration. Sound can also be synchronous to match visuals, asynchronous to come from outside the story, or contrapuntal to create a different meaning by not matching visuals. Film sound is a crucial element used to guide audiences and develop themes, characters and atmosphere.
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Evaluation: Question 1
In what ways does your product use, develop or challenge forms and conventions of real media products?
Target audience
This document discusses target audiences for comedy films. It notes that the most successful comedy films are PG and PG-13 rated, appealing to both children and teenagers. While some R-rated comedies like "The Hangover" can also be very successful by targeting only adults. Children's animated comedies tend to be family-friendly and universally accessible. PG-13 rated comedies appeal to teenagers seeking more mature humor. The target audience for the film being produced is 13-18 year olds, as the action and violence is not suitable for children but comedies at this rating are very popular with teenagers and appeal to both genders.
Target audience
This document discusses target audiences for comedy films. It notes that the most successful comedy films in the US are rated PG and PG-13, appealing to both children and teenagers. While some R-rated films like The Hangover also do well targeting solely adults, family-friendly animated films are very popular due to having no age restrictions. PG-13 films appeal to teenagers seeking more mature humor. The target audience for the film being produced is 13-18 year olds, as the action and violence is not suitable for children but will appeal to stereotypical male teenage interests, though the comedy aims to appeal to both genders.
Genre Analysis
Comedy is a genre that aims to elicit laughter through entertaining stories and characters, though some comedies address serious topics. The genre has evolved over time, from slapstick silent films to verbal humor films to modern hybrid genres that blend comedy with action, horror, or drama. Successful comedies rely on humor, strong casting, reputable production studios, and wide distribution to become popular at the box office.
Script
1. Brian, a 17-year-old boy, accidentally causes Anthony, a 21-year-old drug kingpin, to shoot and kill one of his customers during an argument over an unpaid debt.
2. Distraught by what happened, Brian panics about the consequences while Anthony tries to calm him down and devise a plan to dispose of the body.
3. The scene then flashes back to show Brian as a well-behaved churchgoing boy who wants to change his image to gain respect from older kids at his new school. He sets out to become a "badass" but his actions lead to the deadly mistake at Anthony's house.
Film opening analysis austin powers
The opening sequence parodies classic James Bond films through exaggeration and comedic elements. It establishes Dr. Evil as the villain plotting his evil plan from his bizarre lair outside Las Vegas with his cat Mr. Bigglesworth. Dr. Evil then dispatches incompetent assassins to kill Austin Powers, spoofing Bond villains. The scene cuts to London where British stereotypes like double decker buses, schoolgirls, and Austin's bad teeth create humor by playing up 1960s UK culture. Austin is swarmed by admiring crowds and does a fake front flip into a Bond-style car, lampooning the coolness of James Bond.
Production schedule
The document outlines the production schedule and requirements for a film project taking place from December 2015 to February 2016. It details the dates, locations, people and equipment needed for pre-production, production, post-production and evaluation. Key dates include filming on December 28-29 at Brian's house, interrogation scenes on January 3-4, and editing from January 15 to February 5. The filmmaker Stanley Gulliford and others will use a Canon 1100D camera and Adobe Premier Pro to film and edit the project at various local locations like Ringwood School.
Film opening analysis anchor man
The opening scene of Anchor Man immediately establishes that the film is a satire of televised news in the 1970s. Ron Burgundy is introduced as the legendary but egotistical anchor of the news team in San Diego. While he is good at his job, he acts very immaturely, drinking and shouting at work. The scene is edited to look and feel like it is from an old television through the use of cameras, costumes, props, and music from the 1970s. This sets up Ron Burgundy as the narrator to satirize gender roles and the birth of televised news at the time through his character.
Equipment list
The equipment list includes a Canon 1100D camera for shooting decent quality images despite lacking audio support, a tripod to stabilize shots and allow panning movements, a 32GB class 10 SD card with high storage and fast transfer speeds, and Adobe Premier Pro software for editing layers of sound and footage using effects suited to the genre.
Script
1. Brian, a 17-year-old boy, accidentally causes Anthony, a 21-year-old drug kingpin, to shoot and kill one of his customers during an argument over an unpaid debt.
2. Distraught by what happened, Brian panics about the consequences while Anthony tries to calm him down and devise a plan to dispose of the body.
3. The scene then flashes back to Brian 6 years earlier, depicting him as a normal boy growing up in a small town. He narrates that he wants to change his image and gain respect by becoming a "bad boy".
Equipment list
The document provides an equipment list for filming, including a Canon 1100D camera with no audio support due to limited supply but capable of decent quality images, a tripod to stabilize the camera except for adding tension, a 32GB SD card for storing large amounts of footage, and Adobe Premier Pro for editing and adding multiple sound layers and transition effects.
Cast, costumes and props
The document discusses casting, costumes, and props for a film. It describes casting the director's brother Albert as the younger version of Brian due to their resemblance. It also describes casting the director, Stanley Gulliford, as the older Brian for convenience, and their friend Jake Witherington as the intimidating drug dealer Anthony. The costumes are chosen to reflect the characters' personalities - Brian's failed attempt to be cool, Anthony's threatening image, and Rosie's drug-addicted scruffiness. Props include a recorder, piano, gun, and Brian's bike to emphasize backstory and provide comic relief.
Shot list
The document provides a shot list for a film or video project containing 21 shots with descriptions of the shot type, camera movement, location, and sound for each shot. The shots include establishing shots, medium shots, close ups, subjective point of view shots, and more from various locations like Anthony's house, Brian's bedroom, the town entrance, a church, and Brian's house and driveway. The sound listed is primarily non-diegetic narration and dialogue.
Production schedule
The production schedule outlines five filming days from December 28th to January 9th. On the 28th and 29th, scenes will be filmed at Brian's house and childhood locations featuring Stanley and Albert Gulliford. On January 3rd and 4th, interrogation scenes will be filmed at Anthony's house with Stanley, Jake Witherington, and Rosie Patton. The final day on January 9th will film scenes of Brian's driveway and him cycling down the road. An 1100D camera and tripod are needed for all shoots.
Recce
This document discusses potential filming locations for the movie RECCE, including Brian's bedroom to show his childhood innocence, the church to show his traditional upbringing, Anthony's house for a dark integration scene at the beginning, and the driveway where Brian exits looking cool on his bike to end the opening scene.
Script
1. Brian, a 17-year-old boy, accidentally causes Anthony, a 21-year-old drug kingpin, to shoot and kill one of his customers during an argument over an unpaid debt.
2. Brian panics at what has happened, worrying about going to jail and what his mother will think. Anthony tries to reassure Brian that they can cover up the crime.
3. The story then flashes back to show Brian as a normal teenager six years earlier, but who is trying to change his image and gain respect by acting "badass." It sets up how a small mistake on Brian's part leads to a much larger crisis.
Script
1. Brian, a 17-year-old boy, accidentally causes Anthony, a 21-year-old drug kingpin, to shoot and kill one of his customers during an argument over an unpaid debt.
2. Anthony slaps Brian in a panic over what has happened, as Brian screams that they are all going to die.
3. The scene then flashes back to show Brian 6 years earlier as a normal boy, before transitioning to the present day where Brian narrates that he is going to try becoming a "bad boy" to gain respect, not knowing it will lead to the worst mistake of his life.
Floor plans
The document provides directions for camera shots and locations for filming a story about a character named Brian. It describes shooting inside and outside Anthony's house, including the garden, corridor, table, bedroom and driveway. It also includes directions for shooting inside a church, with Brian facing the altar and a shot of young Brian entering. The camera will film Brian cycling away and his childhood as well as him getting ready in the present day.
Target audience
This document discusses including both male and female viewers in an analysis of comedy films because different genres of comedy appeal to different genders. It also includes a 13-year-old to represent teenagers, who enjoy popular PG-13 comedy films. An 18-year-old is included to represent adult comedy consumers, as R-rated comedy films are also very popular and only viewable by adults. The outfit chosen for the 13-year-old depicts a typical casual weekend outfit for teenagers.
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Sound
- 1. Sound Selective sound- is used to emphasise key sound elements Ambient Sound- used to create atmosphere (e.g. a bird chirping to add realismto the scene) Sound Bridges- The use of sound to help transitions between sequences more fluidly Sound Effects- are these used to create a sense of realismor to create some physiological impact or effects Diegetic Sound- sound whose source is visible on the screen or whose source is implied to be present by the action of the film: voice of characters, sounds made by objects in the story, music represented as coming from instruments in the story space. Non-Diegetic- Sound which is not in the world which is used to create atmosphere like music. Also any voice over/narration. Also sound effects for things like gun shots or explosions Synchronous sound-This is when the sound matches the action-reinforces the effect Asynchronous sound- This is when sound originates from outside the filmlike musical soundtracks Contrapuntal- noise or sound effect which doesn’t match the visuals, often juxtaposed to create alternative meaning Voiceover- This is the “voice” of a character. This voice often guides the audience Theme Music- This is the music that introduces, develops throughout the film to add personality to the film Musical Score- used to create atmosphere, to link shots or sequences, to help create narrative or to offer information about characters Silence- film/TV are very rarely completely silent vut is used occasionaly