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So Many Shades of Grey
Using Your Judgement to Answer Copyright Queries
Claire Sewell
Research Support Skills Coordinator
Office of Scholarly Communication
May 2019
This is not legal advice!
This webinar is for advisory purposes
only and you should check with your
local legal services team if unsure
Topics
1. Copyright recap
2. Key copyright concepts
3. Managing copyright
4. Where to turn for help
Copyright recap1
Copyright conditions
LITERARY DRAMATIC MUSICAL
ARTISTIC FILM BROADCAST
WORK
SOUND
RECORDING
• The work should be original
• It should be produced in a
fixed form
• It should meet one of seven
key conditions
• Economic & moral
rights
Intellectual property
Copyright
How does copyright law work?
The Case of
the Copyright
Monkey
Self-portraitbythedepictedMacacanigrafemale.PublicDomain,https://commons.wikimedia.org/w/index.php?curid=36464057
Key copyright concepts2
Copyright duration
Format Duration
Literary, artistic, dramatic
and musical
Author life + 70 years OR
1st publication/performance
+ 70 years
Sound recording Date of recording + 70
years
Film 50 after last to die of
director, producer,
screenplay author,
composer
Broadcast Date of broadcast + 50
years
Typographical work Publication + 25 years
Unpublished work Author life + 70 years OR
31 December 2039
AdaptedfromSecker&Morrison:CopyrightandE-learning,Facet,2016
Layers of copyright
Text
2075 Illustrations
2071
Cover art
2071
Typography
2020
Compilation = author 1 = R.I.P. 2000 = 2075
Compilation = author 2 = R.I.P. 2009 = 2084
Compilation = author 3 = R.I.P. 2011 = 2086
Copyright licences
Copyright Licensing Agency (CLA)
Covers books and magazines
Educational Recording Agency (ERA)
Covers TV broadcasts
Design and Artists Copyright Society
(DACS)
Covers artistic images and photographs
Newspaper Licensing Agency (NLA)
Covers newspapers
Copyright exceptions
Research and private study
(Section 29)
Limited copies for
personal educational
use
Quotation, criticism and review
(Section 30)
Portions of a work can
be used in private
academic work
Illustration for instruction
(Section 32)
Limited extracts can be
used for teaching
purposes
Educational copying
(Section 36)
Limited copies can be
made for educational
purposes if no licence
exists
Accessible copies
(Section 31A & 31B)
Copies can be made for
users with disabilities
Fair dealing
• Non-commercial research
and private study
• Quotation, criticism and
review
• Reporting of news
• Government administration
• Illustration for instruction
• Caricature, parody and
pastiche
“How would a fair minded and honest person deal with the
work?”
Fair dealing
• Non-commercial research
and private study
• Quotation, criticism and
review
• Reporting of news
• Government administration
• Illustration for instruction
• Caricature, parody and
pastiche
“How would a fair minded and honest person deal with the
work?”
Fair dealing
• Non-commercial research
and private study
• Quotation, criticism and
review
• Reporting of news
• Government administration
• Illustration for instruction
• Caricature, parody and
pastiche
“How would a fair minded and honest person deal with the
work?”
Academic assignments, teaching
purposes, printed theses
Uploading to a VLE, publication,
online theses
Fair Dealing
Fact Sheet
Check out our Fair Dealing
Fact Sheet for more
information
(Psst – these can be
printed out and given to
your library users!)
http://bit.ly/RS_HandyGuides
Third party copyright
Material that has been created by other people
Long extracts of text
Tables, figures and diagrams
Musical scores
Maps and charts
Video and audio
Illustrations and images
Self-plagiarism – may include work that a researcher
has authored and published
Seeking permission
Find out who the copyright holder is
Start asking for permission early
Get permission in writing
Explain what you want to use, why & how
Keep trying … but not too hard
Managing copyright3
Copyright as risk assessment
• Think of copyright in terms of
risk
• What are the consequences if
things go wrong?
• It’s a balancing act!
Where to turn for help4
Useful resources: Books
Graham Cornish:
Copyright
Jane Secker & Chris Morrison:
Copyright & E-Learning
Useful resources:
Websites
Create
https://www.create.ac.uk/
CopyrightUser
https://www.copyrightuser.org
UK Copyright Literacy
https://copyrightliteracy.org/
Help is here!
Email the Cambridge University Libraries
Copyright Group
copyright-help@lib.cam.ac.uk
Use the Copyright for Researchers LibGuide
bit.ly/CopyrightForResearchersLibGuide
THANKS FOR WATCHING

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So Many Shades of Grey: Using Your Judgement to Answer Copyright Queries

  • 1. So Many Shades of Grey Using Your Judgement to Answer Copyright Queries Claire Sewell Research Support Skills Coordinator Office of Scholarly Communication May 2019
  • 2. This is not legal advice! This webinar is for advisory purposes only and you should check with your local legal services team if unsure
  • 3. Topics 1. Copyright recap 2. Key copyright concepts 3. Managing copyright 4. Where to turn for help
  • 5. Copyright conditions LITERARY DRAMATIC MUSICAL ARTISTIC FILM BROADCAST WORK SOUND RECORDING • The work should be original • It should be produced in a fixed form • It should meet one of seven key conditions • Economic & moral rights
  • 7. How does copyright law work?
  • 8. The Case of the Copyright Monkey Self-portraitbythedepictedMacacanigrafemale.PublicDomain,https://commons.wikimedia.org/w/index.php?curid=36464057
  • 10.
  • 11. Copyright duration Format Duration Literary, artistic, dramatic and musical Author life + 70 years OR 1st publication/performance + 70 years Sound recording Date of recording + 70 years Film 50 after last to die of director, producer, screenplay author, composer Broadcast Date of broadcast + 50 years Typographical work Publication + 25 years Unpublished work Author life + 70 years OR 31 December 2039 AdaptedfromSecker&Morrison:CopyrightandE-learning,Facet,2016
  • 12. Layers of copyright Text 2075 Illustrations 2071 Cover art 2071 Typography 2020 Compilation = author 1 = R.I.P. 2000 = 2075 Compilation = author 2 = R.I.P. 2009 = 2084 Compilation = author 3 = R.I.P. 2011 = 2086
  • 13. Copyright licences Copyright Licensing Agency (CLA) Covers books and magazines Educational Recording Agency (ERA) Covers TV broadcasts Design and Artists Copyright Society (DACS) Covers artistic images and photographs Newspaper Licensing Agency (NLA) Covers newspapers
  • 14. Copyright exceptions Research and private study (Section 29) Limited copies for personal educational use Quotation, criticism and review (Section 30) Portions of a work can be used in private academic work Illustration for instruction (Section 32) Limited extracts can be used for teaching purposes Educational copying (Section 36) Limited copies can be made for educational purposes if no licence exists Accessible copies (Section 31A & 31B) Copies can be made for users with disabilities
  • 15. Fair dealing • Non-commercial research and private study • Quotation, criticism and review • Reporting of news • Government administration • Illustration for instruction • Caricature, parody and pastiche “How would a fair minded and honest person deal with the work?”
  • 16. Fair dealing • Non-commercial research and private study • Quotation, criticism and review • Reporting of news • Government administration • Illustration for instruction • Caricature, parody and pastiche “How would a fair minded and honest person deal with the work?”
  • 17. Fair dealing • Non-commercial research and private study • Quotation, criticism and review • Reporting of news • Government administration • Illustration for instruction • Caricature, parody and pastiche “How would a fair minded and honest person deal with the work?” Academic assignments, teaching purposes, printed theses Uploading to a VLE, publication, online theses
  • 18. Fair Dealing Fact Sheet Check out our Fair Dealing Fact Sheet for more information (Psst – these can be printed out and given to your library users!) http://bit.ly/RS_HandyGuides
  • 19. Third party copyright Material that has been created by other people Long extracts of text Tables, figures and diagrams Musical scores Maps and charts Video and audio Illustrations and images Self-plagiarism – may include work that a researcher has authored and published
  • 20. Seeking permission Find out who the copyright holder is Start asking for permission early Get permission in writing Explain what you want to use, why & how Keep trying … but not too hard
  • 22. Copyright as risk assessment • Think of copyright in terms of risk • What are the consequences if things go wrong? • It’s a balancing act!
  • 23. Where to turn for help4
  • 24. Useful resources: Books Graham Cornish: Copyright Jane Secker & Chris Morrison: Copyright & E-Learning
  • 26. Help is here! Email the Cambridge University Libraries Copyright Group copyright-help@lib.cam.ac.uk Use the Copyright for Researchers LibGuide bit.ly/CopyrightForResearchersLibGuide
  • 27.