Sinister 1
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The document outlines the plot structure and key events in a horror film. It describes the establishing shot of a family moving into a new house, the father finding a strange box, and him watching disturbing recordings which increase the tension. As the film progresses, the children become possessed and strange events escalate, like a car catching fire, with the parents growing more distressed and scared by what is happening.
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Analysis of costime, cast & location
The document analyzes the costumes, props, and locations that will be used in a horror trailer involving two main characters, Caroline and Macey, and their friends. Caroline will wear revealing black clothes to portray a negative connotation and show she will not survive, while Macey will dress more conservatively to conform to the "Final Girl" trope. Props like boxes, a bonfire, newspapers, and books will be used to represent themes of change, destruction, past stories, and escape. The isolated house and dark garden locations will play on fears of what is hidden and the dual meanings of security versus isolation.
Indsidious 2 2
The document describes periods of equilibrium and disequilibrium in the movie Insidious 2, noting times when non-diegetic music plays to establish calm and when supernatural events like a baby walker moving on its own or dices spelling words create tension and fear in the characters by revealing the ghost's growing presence in the home.
Texas chainsaw massacre 3
The document describes scenes from the movie Texas Chainsaw Massacre through timestamps. It begins with friends on a road trip listening to soft music. They discover an old, dusty house and the music stops. Scenes then show flashing shots, someone using a chainsaw as a weapon and screaming, blood trails, friends being followed and a car crashing into the house. Shots depict body parts but not full people.
Cast list
This document provides casting and costume details for several scenes of a production. The bonfire scene involves random students in coats by a garden. The moving house scene features Julia and Neelam in a driveway and porch, with Julia wearing flashy revealing clothes and Neelam casual clothes. The bedroom scene recurs in scenes 4-6 and stars Julia in a flashy dress and Neelam in full pajamas nightwear.
The possession 4
The document describes the plot points and timeline of the movie "The Possession". It notes the key events including two girls spending a weekend with their father, one girl becoming possessed after opening a mysterious box bought at a junkyard sale, and the possessed girl beginning to kill people unwillingly while being controlled by a demonic entity. The timeline is broken into periods of equilibrium, disequilibrium, and re-equilibrium as the plot progresses from normal family events to increasing supernatural occurrences and violence.
Idea 3
This idea involves a horror story set in the woods, where the friendship of three friends is tested after one is unexpectedly killed. Only two friends are left, and they either blame each other or something else lurking in the woods is responsible. The woods are a classic horror setting that allows for handheld camera filming and freedom of motion.
Poster and magazine analysis
This poster analyzes a film poster for the movie "Insidious." It notes several key elements:
1) The main image shows a sinister-looking boy in front of an old, big house to draw the audience in and go against expectations of a normal boy.
2) The tagline "From the makers of Paranormal Activity and Saw" is prominently displayed to attract audiences who enjoyed those successful films.
3) Within the boy's eye is written the word "Insidious," suggesting something supernatural is wrong with the boy to further intrigue viewers.
4) The boy is in focus while the house is out of focus, giving a subtle hint about the film and focusing
Refined idea
The refined idea combines the first two ideas and is based on Paranormal Activity but with a twist. Two students move into a house knowing nothing about it and from the moment they step inside, disaster strikes. The refined idea will include a bonfire scene.
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Analysis of costime, cast & location
The document analyzes the costumes, props, and locations that will be used in a horror trailer involving two main characters, Caroline and Macey, and their friends. Caroline will wear revealing black clothes to portray a negative connotation and show she will not survive, while Macey will dress more conservatively to conform to the "Final Girl" trope. Props like boxes, a bonfire, newspapers, and books will be used to represent themes of change, destruction, past stories, and escape. The isolated house and dark garden locations will play on fears of what is hidden and the dual meanings of security versus isolation.
Indsidious 2 2
The document describes periods of equilibrium and disequilibrium in the movie Insidious 2, noting times when non-diegetic music plays to establish calm and when supernatural events like a baby walker moving on its own or dices spelling words create tension and fear in the characters by revealing the ghost's growing presence in the home.
Texas chainsaw massacre 3
The document describes scenes from the movie Texas Chainsaw Massacre through timestamps. It begins with friends on a road trip listening to soft music. They discover an old, dusty house and the music stops. Scenes then show flashing shots, someone using a chainsaw as a weapon and screaming, blood trails, friends being followed and a car crashing into the house. Shots depict body parts but not full people.
Cast list
This document provides casting and costume details for several scenes of a production. The bonfire scene involves random students in coats by a garden. The moving house scene features Julia and Neelam in a driveway and porch, with Julia wearing flashy revealing clothes and Neelam casual clothes. The bedroom scene recurs in scenes 4-6 and stars Julia in a flashy dress and Neelam in full pajamas nightwear.
The possession 4
The document describes the plot points and timeline of the movie "The Possession". It notes the key events including two girls spending a weekend with their father, one girl becoming possessed after opening a mysterious box bought at a junkyard sale, and the possessed girl beginning to kill people unwillingly while being controlled by a demonic entity. The timeline is broken into periods of equilibrium, disequilibrium, and re-equilibrium as the plot progresses from normal family events to increasing supernatural occurrences and violence.
Idea 3
This idea involves a horror story set in the woods, where the friendship of three friends is tested after one is unexpectedly killed. Only two friends are left, and they either blame each other or something else lurking in the woods is responsible. The woods are a classic horror setting that allows for handheld camera filming and freedom of motion.
Poster and magazine analysis
This poster analyzes a film poster for the movie "Insidious." It notes several key elements:
1) The main image shows a sinister-looking boy in front of an old, big house to draw the audience in and go against expectations of a normal boy.
2) The tagline "From the makers of Paranormal Activity and Saw" is prominently displayed to attract audiences who enjoyed those successful films.
3) Within the boy's eye is written the word "Insidious," suggesting something supernatural is wrong with the boy to further intrigue viewers.
4) The boy is in focus while the house is out of focus, giving a subtle hint about the film and focusing
Refined idea
The refined idea combines the first two ideas and is based on Paranormal Activity but with a twist. Two students move into a house knowing nothing about it and from the moment they step inside, disaster strikes. The refined idea will include a bonfire scene.
Marketing the trailer
The document discusses promoting a film trailer titled "The Tormented" through various social media platforms, including YouTube, Facebook, Tumblr, and Twitter. YouTube allows audiences worldwide to view, like, dislike, and comment on the trailer. Facebook offers the ability to create an official page for one billion users to find behind-the-scenes footage and promotions. Tumblr provides opportunities to share the trailer with its 96.1 million blogs and track the number of views. Twitter can be used to follow celebrities, films, and updates from the film's account on cast interviews and appearances.
Costume, location and props
The document outlines costumes, props, and locations needed for a student film. It specifies that Macey should wear casual wear while Caroline wears more provocative clothing. Props include boxes to depict students moving in, a bonfire and beer cans for a backyard scene, and a newspaper about a murder at the house. A bed lamp, mirror, books, and white powder are also listed as props. The film will be shot at a modern house.
Full movie essay
The document discusses how the film The Possession uses common horror film tropes and conventions to portray gender. It notes that horror films typically depict women and children as the weaker targets of ghosts or killers, with men taking on the role of rescuing them. In The Possession, the youngest daughter is the first to be possessed by the ghost. The father takes on the dominant role of trying to help her, while the mother becomes fearful and helpless. Another woman is also possessed, reinforcing the common trope. However, the ending subverts expectations by depicting the daughter as too powerful for even doctors and priests to stop.
Question 2
The document provides details on the design and layout of a movie poster and magazine cover that were created to promote a horror film. Key elements included on both the poster and magazine cover were the film's villain depicted in close-up shots, a red and white color palette, matching fonts, and the placement of images and text to draw attention. Continuity between the two promotional pieces was achieved through similar visual styles, fonts, and depictions of the villain to brand the film.
Compare 28 days later with shaun of the dead
The document compares the structuralism and post-structuralism qualities of the films 28 Days Later and Shaun of the Dead. 28 Days Later closely follows the codes and conventions of a horror film through its use of weapons, nighttime settings, and dark locations. In contrast, Shaun of the Dead challenges many conventions through its comedic tone, daylight settings, unconventional weapons, and upbeat soundtrack. While both films feature zombies, 28 Days Later adheres more closely to expected horror tropes, whereas Shaun of the Dead subverts expectations through its self-aware parody of the genre.
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The document provides a timeline summary of key events and shots in the trailer for the 2014 horror film Jessabelle. It describes the opening shots establishing an eerie atmosphere at a hospital. It then shows a car crash and the main character arriving at her deceased mother's home, where she discovers disturbing video tapes. The trailer uses jump scares, supernatural elements, and ominous dialogue and sounds to build tension and suggest the presence of a threatening supernatural force tormenting the main character.
Texas chainsaw massacre trailer2
The document analyzes the timeline and structure of the trailer for the 2003 film Texas Chainsaw Massacre. It identifies three key periods: an initial period of calm with happy characters; a moment of disequilibrium when the plot begins and fear is shown; and a final period of unrest marked by screams, attacks, and the reveal of the killer and film title. The analysis breaks down the trailer into these narrative beats and examines how music, editing, and visuals create tension and pace throughout.
The decent trailer2
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Shooting schedule
The shooting schedule outlines various shots being filmed between January and February 2015, including establishing shots, close ups, tilts, and over the shoulder shots. Scenes are taking place at Christal's house, a medical room, and a staff room. The document assigns filming directors and camera operators for each date and lists the characters featured in each shot.
Mood board
This one-word document contains the word "SLASHER" repeated multiple times. It does not provide much context or information beyond the repetition of that single word.
Props
The document discusses props and filming locations needed for a movie scene replicating one from "The Possession" involving a dining scene build up to the climax. It describes the flowers on a dress conveying innocence for a child character and vintage look. It also mentions researching the use of a fork prop instead of the horror film norm, as well as a wooden box and ring having significance in the film by being the element of contact with the supernatural world. Further research was done on fake blood and its consistency when used with the fork prop for a stabbing scene.
It follows trailer analysis
The document analyzes the trailer for the film "It Follows". It breaks down the trailer into different periods of equilibrium and disequilibrium. The trailer starts with slow fading scenes and jump cuts set to non-diegetic sound. A moment of disequilibrium occurs at 25 seconds when a character is shown tied to a chair. The reveal of the film's plot happens at 1 minute and 18 seconds, followed by the production company logo. The trailer ends at 1 minute 45 seconds with increased editing speed, jump cuts, sound bridges, and non-diegetic music setting in.
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Double page spread analysis
The document provides an analysis of the process of designing a double page spread for a magazine. The author discusses selecting solo photos of models to capture their unique fashion styles. Images were initially placed on a white background but were later removed and placed on a colored background to improve appearance. Additional changes included spreading out images to allow clothing details to be seen, adding interview questions and other elements, and modifying fonts and colors to make the spread feel more like a magazine. The author refined the design through several iterations by changing backgrounds, layouts, images and text sizes to create a polished double page spread.
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Entertainment Weekly Magazine Cover Analysis
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Section b g322 sow
This document provides an overview of key concepts related to institutions and audiences in the film industry for an exam. It discusses production, distribution, marketing and technologies. It lists past exam questions focusing on these areas and how global institutions target national audiences. Case studies on specific media are emphasized to understand processes of production and distribution, and the impact of convergence and digital technologies on institutions and audiences. Key terms like audience, institution, and synergy are also defined.
Tone card eval.
The author found creating their first tone card using After Effects software very difficult as they kept forgetting to set key frames and made the cards too long, preventing the text from moving as intended. However, subsequent cards were easier to make as they learned from mistakes. The author also changed word opacity so text would darken and disappear at the end of cards, allowing them to effectively mimic tone cards from The Possession.
End of innocence tone card eval.
This tone card changes the word "INNOCENCE" to red to indicate that the main character is not as innocent as she appears and signal a moment of disequilibrium. The creator used a dark background with some central lighting to draw attention to the white text. Adjusting the font size and carefully placing keyframes allowed the last word to smoothly change color while moving without overlapping, within the card's 2-second duration in the trailer.
Scarletts eyes before&after analysis
The document describes editing a photo for a horror magazine cover. The editor used Photoshop to darken the subject's undereyes with multiple layers of a brown blur tool to create a bruised look, suggesting she is strange and uncared for. Additional touch-ups removed blemishes with the spot healing tool. The editing aimed to make her undereyes look darker than usual to imply mystery around the main character.
Poster & why i chose it
The document discusses a movie poster the author created, focusing on a hand with a ring as it signifies death and mystery in the trailer. They chose to include critic comments to fill empty space and followed the dark background and simple colors of red, white, and black from the source material to maintain consistency of theme throughout the poster and trailer. Overall, the author aimed to follow horror genre conventions for the poster by centering on the hand and ring.
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Marketing the trailer
The document discusses promoting a film trailer titled "The Tormented" through various social media platforms, including YouTube, Facebook, Tumblr, and Twitter. YouTube allows audiences worldwide to view, like, dislike, and comment on the trailer. Facebook offers the ability to create an official page for one billion users to find behind-the-scenes footage and promotions. Tumblr provides opportunities to share the trailer with its 96.1 million blogs and track the number of views. Twitter can be used to follow celebrities, films, and updates from the film's account on cast interviews and appearances.
Costume, location and props
The document outlines costumes, props, and locations needed for a student film. It specifies that Macey should wear casual wear while Caroline wears more provocative clothing. Props include boxes to depict students moving in, a bonfire and beer cans for a backyard scene, and a newspaper about a murder at the house. A bed lamp, mirror, books, and white powder are also listed as props. The film will be shot at a modern house.
Full movie essay
The document discusses how the film The Possession uses common horror film tropes and conventions to portray gender. It notes that horror films typically depict women and children as the weaker targets of ghosts or killers, with men taking on the role of rescuing them. In The Possession, the youngest daughter is the first to be possessed by the ghost. The father takes on the dominant role of trying to help her, while the mother becomes fearful and helpless. Another woman is also possessed, reinforcing the common trope. However, the ending subverts expectations by depicting the daughter as too powerful for even doctors and priests to stop.
Question 2
The document provides details on the design and layout of a movie poster and magazine cover that were created to promote a horror film. Key elements included on both the poster and magazine cover were the film's villain depicted in close-up shots, a red and white color palette, matching fonts, and the placement of images and text to draw attention. Continuity between the two promotional pieces was achieved through similar visual styles, fonts, and depictions of the villain to brand the film.
Compare 28 days later with shaun of the dead
The document compares the structuralism and post-structuralism qualities of the films 28 Days Later and Shaun of the Dead. 28 Days Later closely follows the codes and conventions of a horror film through its use of weapons, nighttime settings, and dark locations. In contrast, Shaun of the Dead challenges many conventions through its comedic tone, daylight settings, unconventional weapons, and upbeat soundtrack. While both films feature zombies, 28 Days Later adheres more closely to expected horror tropes, whereas Shaun of the Dead subverts expectations through its self-aware parody of the genre.
Jessabelle trailer2
The document provides a timeline summary of key events and shots in the trailer for the 2014 horror film Jessabelle. It describes the opening shots establishing an eerie atmosphere at a hospital. It then shows a car crash and the main character arriving at her deceased mother's home, where she discovers disturbing video tapes. The trailer uses jump scares, supernatural elements, and ominous dialogue and sounds to build tension and suggest the presence of a threatening supernatural force tormenting the main character.
Texas chainsaw massacre trailer2
The document analyzes the timeline and structure of the trailer for the 2003 film Texas Chainsaw Massacre. It identifies three key periods: an initial period of calm with happy characters; a moment of disequilibrium when the plot begins and fear is shown; and a final period of unrest marked by screams, attacks, and the reveal of the killer and film title. The analysis breaks down the trailer into these narrative beats and examines how music, editing, and visuals create tension and pace throughout.
The decent trailer2
The trailer summarizes the timeline of key events in the movie "The Decent" (2005). It begins by showing the characters happy, unaware of the impending danger. Through a series of shots and edits, the trailer builds tension as the protagonist expresses certainty about her direction while in the middle of nowhere. It then shows her isolation growing through dialogue and close-ups as she acknowledges being lost and trapped in a cave-in. The trailer plunges the viewer into darkness and fear through night vision shots and diegetic screaming to conclude with the reveal of the film title "The Descent".
Shooting schedule
The shooting schedule outlines various shots being filmed between January and February 2015, including establishing shots, close ups, tilts, and over the shoulder shots. Scenes are taking place at Christal's house, a medical room, and a staff room. The document assigns filming directors and camera operators for each date and lists the characters featured in each shot.
Mood board
This one-word document contains the word "SLASHER" repeated multiple times. It does not provide much context or information beyond the repetition of that single word.
Props
The document discusses props and filming locations needed for a movie scene replicating one from "The Possession" involving a dining scene build up to the climax. It describes the flowers on a dress conveying innocence for a child character and vintage look. It also mentions researching the use of a fork prop instead of the horror film norm, as well as a wooden box and ring having significance in the film by being the element of contact with the supernatural world. Further research was done on fake blood and its consistency when used with the fork prop for a stabbing scene.
It follows trailer analysis
The document analyzes the trailer for the film "It Follows". It breaks down the trailer into different periods of equilibrium and disequilibrium. The trailer starts with slow fading scenes and jump cuts set to non-diegetic sound. A moment of disequilibrium occurs at 25 seconds when a character is shown tied to a chair. The reveal of the film's plot happens at 1 minute and 18 seconds, followed by the production company logo. The trailer ends at 1 minute 45 seconds with increased editing speed, jump cuts, sound bridges, and non-diegetic music setting in.
Editing in Funny Games Trailer
This document is an editing timeline for the film Funny Games (2007). It provides a detailed breakdown of the cuts, transitions, shots and timing of each edit over the course of the 2 minute and 17 second timeline. Key details include the types of cuts, transitions and shots used, as well as timing markers throughout. It appears to be analyzing the editing structure and style used in constructing this sequence of the film.
Double page spread analysis
The document provides an analysis of the process of designing a double page spread for a magazine. The author discusses selecting solo photos of models to capture their unique fashion styles. Images were initially placed on a white background but were later removed and placed on a colored background to improve appearance. Additional changes included spreading out images to allow clothing details to be seen, adding interview questions and other elements, and modifying fonts and colors to make the spread feel more like a magazine. The author refined the design through several iterations by changing backgrounds, layouts, images and text sizes to create a polished double page spread.
A2 Media - Empire 1
The document summarizes and analyzes the design elements of the front cover of Empire magazine. The main image features a protagonist to interest readers in the featured film. Cover lines promote film news in minimal words to entice readers. The masthead establishes the brand identity in red. Placement of images and text strategically draw attention while providing necessary information like the date and price.
Entertainment Weekly Magazine Cover Analysis
This magazine cover is promoting the film The Hunger Games. It features Jennifer Lawrence as her character Katniss Everdeen from the film. The large central image of Lawrence draws readers in and her recognizable character helps audiences relate to the film genre. Bold cover lines further entice readers by promising an "exclusive inside scoop" on the film. The masthead, magazine title, is prominently displayed and the matching orange color used ties the cover elements together around the theme of the film.
Section b g322 sow
This document provides an overview of key concepts related to institutions and audiences in the film industry for an exam. It discusses production, distribution, marketing and technologies. It lists past exam questions focusing on these areas and how global institutions target national audiences. Case studies on specific media are emphasized to understand processes of production and distribution, and the impact of convergence and digital technologies on institutions and audiences. Key terms like audience, institution, and synergy are also defined.
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The author found creating their first tone card using After Effects software very difficult as they kept forgetting to set key frames and made the cards too long, preventing the text from moving as intended. However, subsequent cards were easier to make as they learned from mistakes. The author also changed word opacity so text would darken and disappear at the end of cards, allowing them to effectively mimic tone cards from The Possession.
End of innocence tone card eval.
This tone card changes the word "INNOCENCE" to red to indicate that the main character is not as innocent as she appears and signal a moment of disequilibrium. The creator used a dark background with some central lighting to draw attention to the white text. Adjusting the font size and carefully placing keyframes allowed the last word to smoothly change color while moving without overlapping, within the card's 2-second duration in the trailer.
Scarletts eyes before&after analysis
The document describes editing a photo for a horror magazine cover. The editor used Photoshop to darken the subject's undereyes with multiple layers of a brown blur tool to create a bruised look, suggesting she is strange and uncared for. Additional touch-ups removed blemishes with the spot healing tool. The editing aimed to make her undereyes look darker than usual to imply mystery around the main character.
Poster & why i chose it
The document discusses a movie poster the author created, focusing on a hand with a ring as it signifies death and mystery in the trailer. They chose to include critic comments to fill empty space and followed the dark background and simple colors of red, white, and black from the source material to maintain consistency of theme throughout the poster and trailer. Overall, the author aimed to follow horror genre conventions for the poster by centering on the hand and ring.
Magazine & why i chose it
The document discusses the design choices made for a magazine cover. It summarizes that the creator chose a deep red color for the magazine title "Scarlett" to match the connotation of the name. Fonts and layout elements were selected based on what was effective in another magazine called "The Hobbit." Minimal colors like red, black, and white were used to follow horror magazine conventions while still creating a sense of mystery with the light color white.
Horror magazine #3 iron man
The magazine cover uses a large central image of Iron Man to draw readers' attention and show he is the dominant main character. Additional information is advertised at the bottom to entice readers with what else is inside. Bright lighting is used around Iron Man to connote power and strength at the center of the page, establishing themes of technology and modernism.
Horror magazine #2 i am legend
Will Smith is prominently featured on the cover of the horror magazine as the main character. His image is placed in the center above additional pictures from films featured in the magazine. The lighting creates a shadow behind Will Smith that suggests he represents light or is heroic. The magazine includes more pictures and information on films to attract audiences.
Horror magazine #2 i am legend
Will Smith is prominently featured on the cover of the horror magazine as the main character. His image is placed in the center above additional pictures from films featured in the magazine. The lighting creates a shadow behind Will Smith that suggests he represents light or is heroic. The magazine includes more pictures and information on films to attract audiences.
Horror magazine #1 hellboy
The magazine cover uses bold colors and imagery like fire to signal to audiences that the magazine contains horror film content. It also includes the magazine issue number prominently displayed to draw interest. The layout follows conventions like including a bar code and using larger fonts for subheadings to preview the articles and attract readers. The headline uses large text and colors that stand out to grab attention and hint at information about an upcoming new film.
Scarletts eyes before&after analysis
The document describes editing a photo for a horror magazine cover. The editor used Photoshop to darken the subject's undereyes with multiple layers of a brown blur tool to create a bruised look, suggesting she is strange and uncared for. Additional touch-ups removed blemishes with the spot healing tool. The editing aimed to make her undereyes look darker than usual to imply mystery around the main character.
Sinister poster evaluation 11.02.2015
The horror movie poster uses several techniques to create a scary and mysterious atmosphere. It features a disturbing image of a demonic face with angry eyes staring at the viewer, along with a tagline and trail of blood, following horror movie conventions. Additional unsettling elements include snakes symbolizing demonic aspects, an unknown actress for the main female victim character, and a dark, dirty background making the frightening image stand out. All of these visual elements come together to effectively promote the supernatural and terrifying tone of the film for audiences.
Editing timeline the possession
The document provides a detailed timeline of editing cuts and transitions used in the film "The Possession" from timecode 00:01 to 02:15, including straight cuts, fade ins and outs, dissolves, morphs, and jump cuts. Key transitions include a fade out to an establishing shot of a car at 00:08, dissolves at 00:23 and 00:33, rapid jump cuts from 00:58 to 011, and multiple jump cuts from 1:58 to 2:14.
Scarlett treatment
A woman named Maria adopts a 14-year-old girl named Scarlett from an orphanage after her husband dies, in an attempt to cope with her loneliness. Scarlett seems like a normal girl at first, but Maria starts to question things about her when Scarlett claims to know Maria's secret and writes a threatening message on the mirror. At night, Scarlett reveals her true nature by taking out a knife with a sinister grin, implying she intends to harm Maria.
n/a
The document appears to be the results of a questionnaire about horror movies. It includes questions about the respondent's age, whether they like horror movies, their favorite and least favorite horror films, what they associate with horror movies, and how often they watch horror movies. The data is presented numerically in series and does not include any identifying information about the respondent.
Pitches
The document contains pitches for two horror film trailers titled "Scarlett" and "Fast". The Scarlett pitch is about an abandoned girl adopted by a caring mother, but then strange events make the girl seem evil. It will use psychological thriller conventions to confuse viewers. The trailer will focus on the girl's secret and backstory. The name Scarlett relates to danger, passion, love and lust. The Fast pitch is about a boy who uncovers his ancestor's criminal past and faces a murderous motive. However, parts would be difficult to produce and no male actor was found for the lead role. Instead, it was decided to focus on a female lead as often seen in horror films, with reasons for their
Research of props
A table, chairs, knife, and steak will be used as props in a scene depicting Scarlett coming home for dinner to convey a moment of calm before aggression and hints about Maria's past. A dress for a little girl aims to portray innocence, while prop makeup will make Scarlett and Maria appear scary.
n/a
The document contains questions from an interview based on a horror movie trailer that ask the interviewee to describe their favorite film, the scariest scene they've seen, and their general view of horror movies as well as what horror movies are set out to do and a comparison of films from the 19th century to the 21st century.
Halloween essay
The Halloween trailer adheres to the codes and conventions of slasher horror films in several ways. It establishes the dark, isolated setting of a large abandoned house. It shows tension through quick shots and scary non-diegetic sounds. It also references the killer, showing he uses common tools like knives and machetes to kill victims gruesomely. Throughout, the trailer uses fast editing, tense music that builds atmosphere, and a point-of-view shot from the killer's perspective to immerse the viewer and create fear. Overall, the trailer employs many typical horror elements to signal to viewers that this film follows the genre's established conventions.
Editing timeline the possession
This document contains a detailed timeline of editing cuts and transitions used in the film "The Possession" from timestamps 0:01 to 2:15. It lists over 70 individual cuts, transitions and dissolves between scenes including straight cuts, jump cuts, fades, dissolves, and morphs.
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