End of innocence tone card eval.
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This tone card changes the word "INNOCENCE" to red to indicate that the main character is not as innocent as she appears and signal a moment of disequilibrium. The creator used a dark background with some central lighting to draw attention to the white text. Adjusting the font size and carefully placing keyframes allowed the last word to smoothly change color while moving without overlapping, within the card's 2-second duration in the trailer.
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Similar to End of innocence tone card eval.
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The document provides details on organizing locations, props, costumes, and layout for a photo shoot and magazine focused on urban/edgy music. Two locations were chosen: a white brick wall for its rebellious feel, and a back garden to provide childhood contrast. Props included a fur leopard coat, hooped earrings, and exaggerated makeup to portray the music industry as sexual yet normal. The masthead "URBANised" was chosen for its bold, edgy font in red to match the model's lips on the cover. Test photos were taken to select the best images to portray the magazine's genre.
Tone card eval.
The author found creating their first tone card using After Effects software very difficult as they kept forgetting to set key frames and made the cards too long, preventing the text from moving as intended. However, subsequent cards were easier to make as they learned from mistakes. The author also changed word opacity so text would darken and disappear at the end of cards, allowing them to effectively mimic tone cards from The Possession.
Skills development journal
1. The document describes Georgia Lee's process for designing a CD cover, magazine masthead, and double page spread for a music magazine.
2. Key steps included adding blur and adjusting contrast/brightness to elements, using drop shadows and warping to make elements stand out, and using gradients and spot healing tools to enhance backgrounds and images.
3. The goal was to create designs that looked professional while representing the music and magazines in a fun, laid back style.
Ancillary Tasks: CD Digipak
The document describes the process taken to design packaging for a fictional CD. It includes summaries of the steps taken to design the front and back covers, inside booklet, and inside of the CD case. Various design elements were added, such as images, text, colors and borders, to create a cohesive aesthetic or "house style" across all parts of the packaging. The goal was to appeal to the target audience of 17-25 year olds and match the style of similar artists.
Analysis of my media products PowerPoint
The document discusses the conventions used in the author's metal music video and related products. It describes techniques like panning shots, POV angles, and zooming to add energy and draw attention. Editing in black and white with flashes of red aimed to match the genre. Props like masks, knives, and candles created tension. Fonts and layouts on the poster and CD case were jagged to reflect the genre's style. Imagery was abstract to leave room for interpretation.
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The document describes editing a photo for a horror magazine cover. The editor used Photoshop to darken the subject's undereyes with multiple layers of a brown blur tool to create a bruised look, suggesting she is strange and uncared for. Additional touch-ups removed blemishes with the spot healing tool. The editing aimed to make her undereyes look darker than usual to imply mystery around the main character.
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Horror magazine #3 iron man
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Horror magazine #2 i am legend
Will Smith is prominently featured on the cover of the horror magazine as the main character. His image is placed in the center above additional pictures from films featured in the magazine. The lighting creates a shadow behind Will Smith that suggests he represents light or is heroic. The magazine includes more pictures and information on films to attract audiences.
Horror magazine #2 i am legend
Will Smith is prominently featured on the cover of the horror magazine as the main character. His image is placed in the center above additional pictures from films featured in the magazine. The lighting creates a shadow behind Will Smith that suggests he represents light or is heroic. The magazine includes more pictures and information on films to attract audiences.
Horror magazine #1 hellboy
The magazine cover uses bold colors and imagery like fire to signal to audiences that the magazine contains horror film content. It also includes the magazine issue number prominently displayed to draw interest. The layout follows conventions like including a bar code and using larger fonts for subheadings to preview the articles and attract readers. The headline uses large text and colors that stand out to grab attention and hint at information about an upcoming new film.
Scarletts eyes before&after analysis
The document describes editing a photo for a horror magazine cover. The editor used Photoshop to darken the subject's undereyes with multiple layers of a brown blur tool to create a bruised look, suggesting she is strange and uncared for. Additional touch-ups removed blemishes with the spot healing tool. The editing aimed to make her undereyes look darker than usual to imply mystery around the main character.
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The horror movie poster uses several techniques to create a scary and mysterious atmosphere. It features a disturbing image of a demonic face with angry eyes staring at the viewer, along with a tagline and trail of blood, following horror movie conventions. Additional unsettling elements include snakes symbolizing demonic aspects, an unknown actress for the main female victim character, and a dark, dirty background making the frightening image stand out. All of these visual elements come together to effectively promote the supernatural and terrifying tone of the film for audiences.
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The document provides a detailed timeline of editing cuts and transitions used in the film "The Possession" from timecode 00:01 to 02:15, including straight cuts, fade ins and outs, dissolves, morphs, and jump cuts. Key transitions include a fade out to an establishing shot of a car at 00:08, dissolves at 00:23 and 00:33, rapid jump cuts from 00:58 to 011, and multiple jump cuts from 1:58 to 2:14.
Scarlett treatment
A woman named Maria adopts a 14-year-old girl named Scarlett from an orphanage after her husband dies, in an attempt to cope with her loneliness. Scarlett seems like a normal girl at first, but Maria starts to question things about her when Scarlett claims to know Maria's secret and writes a threatening message on the mirror. At night, Scarlett reveals her true nature by taking out a knife with a sinister grin, implying she intends to harm Maria.
n/a
The document appears to be the results of a questionnaire about horror movies. It includes questions about the respondent's age, whether they like horror movies, their favorite and least favorite horror films, what they associate with horror movies, and how often they watch horror movies. The data is presented numerically in series and does not include any identifying information about the respondent.
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The document contains pitches for two horror film trailers titled "Scarlett" and "Fast". The Scarlett pitch is about an abandoned girl adopted by a caring mother, but then strange events make the girl seem evil. It will use psychological thriller conventions to confuse viewers. The trailer will focus on the girl's secret and backstory. The name Scarlett relates to danger, passion, love and lust. The Fast pitch is about a boy who uncovers his ancestor's criminal past and faces a murderous motive. However, parts would be difficult to produce and no male actor was found for the lead role. Instead, it was decided to focus on a female lead as often seen in horror films, with reasons for their
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A table, chairs, knife, and steak will be used as props in a scene depicting Scarlett coming home for dinner to convey a moment of calm before aggression and hints about Maria's past. A dress for a little girl aims to portray innocence, while prop makeup will make Scarlett and Maria appear scary.
n/a
The document contains questions from an interview based on a horror movie trailer that ask the interviewee to describe their favorite film, the scariest scene they've seen, and their general view of horror movies as well as what horror movies are set out to do and a comparison of films from the 19th century to the 21st century.
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The Halloween trailer adheres to the codes and conventions of slasher horror films in several ways. It establishes the dark, isolated setting of a large abandoned house. It shows tension through quick shots and scary non-diegetic sounds. It also references the killer, showing he uses common tools like knives and machetes to kill victims gruesomely. Throughout, the trailer uses fast editing, tense music that builds atmosphere, and a point-of-view shot from the killer's perspective to immerse the viewer and create fear. Overall, the trailer employs many typical horror elements to signal to viewers that this film follows the genre's established conventions.
Editing timeline the possession
This document contains a detailed timeline of editing cuts and transitions used in the film "The Possession" from timestamps 0:01 to 2:15. It lists over 70 individual cuts, transitions and dissolves between scenes including straight cuts, jump cuts, fades, dissolves, and morphs.
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Scarlett is about an abandoned girl at an orphanage who is adopted by a caring mother. However, things start going wrong after she is adopted, and Scarlett is made to seem evil through some psychological twist that will confuse everyone.
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End of innocence tone card eval.
- 1. Thisis one of the lasttone cards I made.For thistone card I wantedthe word‘INNOCENCE’tochange colourto red.Thisis to showthat the maincharacter in the trailerisn’tasinnocentas she looks.Thisiswhenthe momentof disequilibriumis goingto beginandalsoto catch the attentionof the audience. I wantedtohave a dark backgroundonthe tone card so thatthe white lightingcouldstandoutand catch the audience’s attention.However,Ididn’twantitto be a complete black backgroundso I addedlittle bitof lightinthe centre of the tone card so that the textcouldstand outmore. I foundita little difficulttochange the colourof the last word because itkeptmovingaround.Itriednot to make the words overlapastheymoved butI couldn’tgetthe anglesrightand the fontwas a little toobig. Afterfiddlingaroundwithit,Iwas able tomake the font smallersoitwouldworkwiththe movingof the tone card. I had to ensure thatall my keyframeswere inthe rightplaces and the tone card wasn’ttoo longas it isonly2 secondsin the trailer.