Built form in any Organization carries the essence of any design and doing nothing is also a form of design. Elements of Design needs to be carefully studied and applied to creation of any space. Design sometimes suffers from a dilemma about its identity. It is not solely either an art or a science but is a combination of both. Applied design is not like physics or biology or writing or painting, but it involves these areas and more. Design tends towards a generalized approach, collecting specifics from diverse areas as needed. Design is a combination of art, science, technology and intuition. Design does contain sound proven principals and criteria for judging its success. It is a combination of ideas, methods, deliverables, forms, functions and appearance. These criteria centre on the relationship between human needs and human environmental possible. The measure of the success of a particular applied design is how well it meets the needs of the people experiencing it. This paper discuss about the elements of design and the techniques used to incorporate them in ideal spatial creation. Balance and Positive combinations of form and functions Dr. Mukesh Kumar Lalji | Dr. Amogh Kumar Gupta | Dr. Sheetal Sharma "Significance of Basic Design Elements in Spatial and Cultural Environment of Built Forms" Published in International Journal of Trend in Scientific Research and Development (ijtsrd), ISSN: 2456-6470, Volume-5 | Issue-4 , June 2021, URL: https://www.ijtsrd.compapers/ijtsrd42473.pdf Paper URL: https://www.ijtsrd.comengineering/architecture-and-planning/42473/significance-of-basic-design-elements-in-spatial-and-cultural-environment-of-built-forms/dr-mukesh-kumar-lalji
The document discusses the conceptual elements of design that are used to visualize ideas. It begins by explaining that cognition occurs through associations between a perceptual code and stored information. There are five conceptual elements: point, line, plane, volume, and conceptual space. A point represents position and forms a line through motion. A line has length and direction but no width or height. A plane is bounded by lines and has length and width. A volume is bounded by planes and has length, width and height. These conceptual elements are imagined and used to represent ideas through visualization in design.
This document provides an overview of the key elements of art, including form, line, shape, space, texture, and color. It discusses each element in terms of its definition, types, and how it relates to principles of design and other elements of art. For example, it notes that line can be used to define shape, create an illusion of texture, and accentuate other properties. The document uses examples of artworks and diagrams to illustrate concepts about the formal qualities and organizing principles of visual art.
The document defines design as the process of selecting and organizing elements to fulfill an aesthetic or functional purpose. It lists and describes the core elements of design such as point, line, shape, form, space, texture, and color. The elements are the basic building blocks that make up any visual design work and can be used to convey different messages.
The document defines and describes the basic elements and principles of design, including:
Point, line, shape, form, space, color, texture, emphasis, movement, pattern, repetition, proportion, rhythm, variety, unity, axis, symmetry, hierarchy, datum, transformation, and balance. It explains what each of these elements and principles are and provides examples.
Graphic designers create visual content such as logos, advertisements, posters, websites, book covers, and billboards. They organize words and images to effectively convey a message based on what their client wants to convey and their own vision. Good design uses elements like line, shape, form, color, texture, space and principles such as balance, emphasis and movement. The document provides definitions of these elements and assigns students to take photos that represent each element.
This Basic design Presentation serves the purpose of initiating creativity and there by appreciation of visual language.
Basic design studios help to unlock students creativity and enhance spatial perception.
The document defines key terms related to design including elements of design, principles of design, and the design process. It provides definitions for design, noting it links creativity and innovation to shape ideas for users. Elements of design include point, line, shape, form, space, texture, and color. Principles of design guide the organization of a work and include balance, proportion, rhythm, emphasis, and unity. The design process involves research, conceptualizing, modeling, interactive adjustment, and redesign.
The document defines and describes the seven elements of design used in visual art: line, shape, form, value, color, texture, and space. It provides examples and definitions for each element, such as describing line as a mark on a surface that can be vertical, horizontal, curved, etc. and shape as either geometric or organic closed forms. Form is defined as three-dimensional with height, width and depth, while value refers to the lightness or darkness of a color. It also defines other artistic concepts like texture, space, depth, and color.
The document discusses the conceptual elements of design that are used to visualize ideas. It begins by explaining that cognition occurs through associations between a perceptual code and stored information. There are five conceptual elements: point, line, plane, volume, and conceptual space. A point represents position and forms a line through motion. A line has length and direction but no width or height. A plane is bounded by lines and has length and width. A volume is bounded by planes and has length, width and height. These conceptual elements are imagined and used to represent ideas through visualization in design.
This document provides an overview of the key elements of art, including form, line, shape, space, texture, and color. It discusses each element in terms of its definition, types, and how it relates to principles of design and other elements of art. For example, it notes that line can be used to define shape, create an illusion of texture, and accentuate other properties. The document uses examples of artworks and diagrams to illustrate concepts about the formal qualities and organizing principles of visual art.
The document defines design as the process of selecting and organizing elements to fulfill an aesthetic or functional purpose. It lists and describes the core elements of design such as point, line, shape, form, space, texture, and color. The elements are the basic building blocks that make up any visual design work and can be used to convey different messages.
The document defines and describes the basic elements and principles of design, including:
Point, line, shape, form, space, color, texture, emphasis, movement, pattern, repetition, proportion, rhythm, variety, unity, axis, symmetry, hierarchy, datum, transformation, and balance. It explains what each of these elements and principles are and provides examples.
Graphic designers create visual content such as logos, advertisements, posters, websites, book covers, and billboards. They organize words and images to effectively convey a message based on what their client wants to convey and their own vision. Good design uses elements like line, shape, form, color, texture, space and principles such as balance, emphasis and movement. The document provides definitions of these elements and assigns students to take photos that represent each element.
This Basic design Presentation serves the purpose of initiating creativity and there by appreciation of visual language.
Basic design studios help to unlock students creativity and enhance spatial perception.
The document defines key terms related to design including elements of design, principles of design, and the design process. It provides definitions for design, noting it links creativity and innovation to shape ideas for users. Elements of design include point, line, shape, form, space, texture, and color. Principles of design guide the organization of a work and include balance, proportion, rhythm, emphasis, and unity. The design process involves research, conceptualizing, modeling, interactive adjustment, and redesign.
The document defines and describes the seven elements of design used in visual art: line, shape, form, value, color, texture, and space. It provides examples and definitions for each element, such as describing line as a mark on a surface that can be vertical, horizontal, curved, etc. and shape as either geometric or organic closed forms. Form is defined as three-dimensional with height, width and depth, while value refers to the lightness or darkness of a color. It also defines other artistic concepts like texture, space, depth, and color.
The document discusses key principles of design that are important for understanding abstract art, including dominance, unity, balance, harmony, gradation, and repetition. It explains that dominance gives interest by placing the focal point off-center, unity relates design elements to the idea expressed, and balance offsets large and small or light and dark shapes. Harmony combines similar elements, gradation adds perspective and movement, and repetition with variation engages viewers more than simple repetition. The document challenges readers to find examples applying these principles in their own abstract art and discuss them at their next art show.
The document discusses the elements and principles of design. It defines the seven basic elements of design as point, line, shape, form, space, color, and texture. It also outlines the six basic principles of design as balance, contrast, emphasis, pattern, rhythm/movement, and unity. The document provides examples and explanations of each element and principle to demonstrate their proper usage and significance in design evaluation and creation. It emphasizes that understanding these elements and principles allows designers to effectively analyze and express themselves through visual design.
Final Exam: Elements & Principles DrawingsBrooke Nelson
The visual arts final exam requires students to create 2 drawings, each demonstrating a different element or principle of art. The document provides examples of drawings focusing on line, shape, texture, movement, color, emphasis, unity, pattern, form, repetition, variety, space, and balance. It reminds students that their drawings must identify the element/principle and describe how it is used. Students are allowed to use their sketchbooks during the exam and can work in pencil, pen, markers, colored pencils, cut paper, or collage magazines.
This document defines and explains the key elements and principles of design that are used to form visual language and communication. It discusses the traditional elements of line, shape, form, space, value, color, and texture. It also covers the principles of contrast, unity, dominance, balance, pattern, movement, and rhythm. For each element and principle, examples and techniques are provided to help understand how to apply them and control them to achieve desired visual effects.
The document discusses the basic elements of design. It defines element of design as the components needed to create a design or plan. There are 7 basic elements of design: line, color, shape, space, texture, scale and size, and value. Each element is then briefly described - for example, line is the most fundamental and is used to divide space and draw attention, while color creates mood and conveys information. Shape adds interest and guides the eye. Space gives breathing room and leads the eye through a design. Texture adds realism and scale/size provide contrast and balance. Value is important for unity and eye flow.
The document outlines the seven elements of design - line, color, shape, texture, form, space, and value. It provides examples and definitions for each element. Line is defined as the extension of a point in a direction and can be straight, curved, or diagonal. Color depends on the light reflecting off an object and can be primary, secondary, or tertiary. Shape is a two-dimensional surface with length and width but no thickness, and examples include squares and triangles. Texture describes the roughness or smoothness of a surface, such as hard, soft, rough, or smooth. Form is a three-dimensional shape with length, width and height. Space is the area around or between objects, and value refers to
Elements of interior design, history,importance, main elements of interior design- line, shape, space, form,texture, colour in detail, their uses and charecteristics in interior design.method of achieving nice composition using these elements vs nice examples and illustration.
This document defines and describes the elements and principles of art. The elements of art are color, form, line, shape, space, texture, and value - the visual components that make up a work of art. The principles of art are balance, emphasis, movement, proportion, rhythm, unity, and variety - the techniques artists use to organize the elements. Each element and principle is then defined in 1-2 sentences.
This document discusses the key elements of design that designers use when creating garments, paintings, buildings, or sculptures. It identifies the five main elements as dot, line, shape, color, and texture. Each element is then defined and examples are provided of how they can be used on garments, such as through seams, buttons, embroidery, silhouettes, and different types of prints or fabrics. The document explains that understanding and manipulating these elements enables designers to create various visual effects and works of art.
Balance in design refers to the symmetrical or asymmetrical distribution of elements on a page. Symmetrical designs have mirroring shapes on both sides of a central axis, while asymmetrical designs do not. Elements like shape, line, form, and space can be used to create balanced designs with positive and negative space. Emphasis, dominance, unity, pattern, movement, and rhythm are other principles that involve arranging elements in intentional ways, such as through proportion, complexity, tone, or repetition, to direct attention or create a sense of flow.
The document discusses the elements and principles of art. It defines line, shape/form, color, texture, space, value, balance, rhythm, dominance and unity as key elements. It also discusses technical and expressive properties. The elements are the building blocks that artists use to express ideas and convey emotions in their work. Understanding the elements helps in interpreting and analyzing artworks.
The document discusses the elements and principles of design. The elements are the basic materials used in design, such as line, shape, color, value, texture, size, and space. The principles are rules for organizing the elements, including contrast, repetition, alignment, and proximity. Contrast uses difference to make elements stand out, repetition creates unity and patterns, alignment connects elements visually, and proximity groups related items together.
The document discusses the importance of order and diversity in design. It states that order helps organize things logically but too much order can be boring, while diversity without order results in chaos. The most desirable design has a balance between diversity and order that provides a sense of unity. Order can be achieved through various visual design principles like symmetry, hierarchy, repetition with variation, and balance.
This document discusses the seven elements of interior design: point, line, space, color, texture, pattern, and value. It provides examples and descriptions of each element. Point refers to areas of visual interest that capture attention. Lines can be straight, curved, or diagonal and influence the perceived formality of a space. Space refers to the area being designed, and using mirrors or light colors can make a small space feel more open. Color is the most impactful element and influences mood. Texture describes the surface quality and can be smooth or rough. Pattern involves repeating visual elements. Value refers to the light and dark areas used to create depth and dimension.
The research talks in detail about all the elements of design, for example, Line, Space, Balance, etc. This is to understand and create design in a harmony and give functional and aesthetical value
The document discusses various elements of design including space, line, form, texture, and principles of design such as proportion, scale, balance, rhythm, emphasis, and unity and variety. It provides examples of how these different elements and principles can be used to create specific feelings and effects in a design. For instance, large open spaces can create feelings of freedom while small spaces feel cozy, and diagonal lines convey excitement and movement.
This document discusses design principles, specifically elements and principles of art. It outlines 7 key elements of design - dots, lines, shapes, form, space, texture, and color. It then provides details on each element, such as the different types of lines (horizontal, vertical, diagonal, curve, zigzag). It also discusses 7 principles of design that are used to create effective designs - balance, movement, repetition and rhythm, emphasis, simplicity, contrast, and proportion. Specific techniques for applying each principle are described, such as symmetrical vs. asymmetrical balance and how repetition can create visual rhythm. The document aims to educate designers on the fundamental building blocks and techniques used in visual design.
The visual elements of an image include point, line, shape, and texture. A point becomes a line when connected to another point. A line can be horizontal, vertical, or diagonal, each conveying different meanings and feelings. Shapes can be organic or geometric, two-dimensional or three-dimensional. Texture refers to the surface quality or "feel" of an object and can be either tactile (actual texture) or visual (implied texture).
The document discusses the key elements and principles of art. It defines the elements as the basic components that make up an artwork, such as line, shape, color, texture, and space. The principles are described as ways to organize the elements, such as balance, contrast, proportion, rhythm, and emphasis. The document provides examples of how artists can apply different elements and principles, for instance using shading to create the illusion of form or repeating lines to show movement. It emphasizes that properly applying these concepts leads to a successful composition that engages the viewer.
This document discusses the elements of art, specifically shape and form. It begins with introductions to art and principles of design. It then defines shape as a two-dimensional area with length and width but no depth. Different types of shapes are discussed as well as the history of shapes. Positive and negative shapes are also covered. Form is then defined as having length, width, and depth, giving it three dimensions. Different types of forms and the history of forms are described. The difference between shapes and forms is that shapes are flat while forms have depth. Positive and negative space in forms is also explained. The document concludes that shapes and forms are important for creating artworks.
Application of Basic Design in Architectural ProjectsYogeshIJTSRD
Organization is the essence of any design and doing nothing is also a form of design. When it is an applied design, it is hazardous to design by neglect and default. Design sometimes suffers from a dilemma about its identity. It is not solely either an art or a science but is a combination of both. Applied design is not like physics or biology or writing or painting, but it involves these areas and more. Design tends towards a generalized approach, collecting specifics from diverse areas as needed. Design is a combination of art, science, technology and intuition. Design does contain sound proven principals and criteria for judging its success. These criteria centre on the relationship between human needs and human environmental possible. The measure of the success of a particular applied design is how well it meets the needs of the people experiencing it. Dr. Mukesh Kumar Lalji | Dr. Sheetal Sharma "Application of Basic Design in Architectural Projects" Published in International Journal of Trend in Scientific Research and Development (ijtsrd), ISSN: 2456-6470, Volume-5 | Issue-5 , August 2021, URL: https://www.ijtsrd.com/papers/ijtsrd43782.pdf Paper URL: https://www.ijtsrd.com/engineering/architecture-and-planning/43782/application-of-basic-design-in-architectural-projects/dr-mukesh-kumar-lalji
fundamental of arch. element and principle of design.pptBossGold
The document discusses the elements and principles of design. It defines the eight basic elements of design as point, line, shape, form, space, color, texture, and light/shadow. It also defines the basic principles of design as balance, contrast, emphasis, pattern, rhythm/movement, unity, proportion, repetition, subordination, and transition. The document provides examples and explanations of each element and principle to illustrate their meanings and how they are used in design. It emphasizes that understanding the elements and principles allows designers and viewers to better analyze and evaluate art and design works.
The document discusses key principles of design that are important for understanding abstract art, including dominance, unity, balance, harmony, gradation, and repetition. It explains that dominance gives interest by placing the focal point off-center, unity relates design elements to the idea expressed, and balance offsets large and small or light and dark shapes. Harmony combines similar elements, gradation adds perspective and movement, and repetition with variation engages viewers more than simple repetition. The document challenges readers to find examples applying these principles in their own abstract art and discuss them at their next art show.
The document discusses the elements and principles of design. It defines the seven basic elements of design as point, line, shape, form, space, color, and texture. It also outlines the six basic principles of design as balance, contrast, emphasis, pattern, rhythm/movement, and unity. The document provides examples and explanations of each element and principle to demonstrate their proper usage and significance in design evaluation and creation. It emphasizes that understanding these elements and principles allows designers to effectively analyze and express themselves through visual design.
Final Exam: Elements & Principles DrawingsBrooke Nelson
The visual arts final exam requires students to create 2 drawings, each demonstrating a different element or principle of art. The document provides examples of drawings focusing on line, shape, texture, movement, color, emphasis, unity, pattern, form, repetition, variety, space, and balance. It reminds students that their drawings must identify the element/principle and describe how it is used. Students are allowed to use their sketchbooks during the exam and can work in pencil, pen, markers, colored pencils, cut paper, or collage magazines.
This document defines and explains the key elements and principles of design that are used to form visual language and communication. It discusses the traditional elements of line, shape, form, space, value, color, and texture. It also covers the principles of contrast, unity, dominance, balance, pattern, movement, and rhythm. For each element and principle, examples and techniques are provided to help understand how to apply them and control them to achieve desired visual effects.
The document discusses the basic elements of design. It defines element of design as the components needed to create a design or plan. There are 7 basic elements of design: line, color, shape, space, texture, scale and size, and value. Each element is then briefly described - for example, line is the most fundamental and is used to divide space and draw attention, while color creates mood and conveys information. Shape adds interest and guides the eye. Space gives breathing room and leads the eye through a design. Texture adds realism and scale/size provide contrast and balance. Value is important for unity and eye flow.
The document outlines the seven elements of design - line, color, shape, texture, form, space, and value. It provides examples and definitions for each element. Line is defined as the extension of a point in a direction and can be straight, curved, or diagonal. Color depends on the light reflecting off an object and can be primary, secondary, or tertiary. Shape is a two-dimensional surface with length and width but no thickness, and examples include squares and triangles. Texture describes the roughness or smoothness of a surface, such as hard, soft, rough, or smooth. Form is a three-dimensional shape with length, width and height. Space is the area around or between objects, and value refers to
Elements of interior design, history,importance, main elements of interior design- line, shape, space, form,texture, colour in detail, their uses and charecteristics in interior design.method of achieving nice composition using these elements vs nice examples and illustration.
This document defines and describes the elements and principles of art. The elements of art are color, form, line, shape, space, texture, and value - the visual components that make up a work of art. The principles of art are balance, emphasis, movement, proportion, rhythm, unity, and variety - the techniques artists use to organize the elements. Each element and principle is then defined in 1-2 sentences.
This document discusses the key elements of design that designers use when creating garments, paintings, buildings, or sculptures. It identifies the five main elements as dot, line, shape, color, and texture. Each element is then defined and examples are provided of how they can be used on garments, such as through seams, buttons, embroidery, silhouettes, and different types of prints or fabrics. The document explains that understanding and manipulating these elements enables designers to create various visual effects and works of art.
Balance in design refers to the symmetrical or asymmetrical distribution of elements on a page. Symmetrical designs have mirroring shapes on both sides of a central axis, while asymmetrical designs do not. Elements like shape, line, form, and space can be used to create balanced designs with positive and negative space. Emphasis, dominance, unity, pattern, movement, and rhythm are other principles that involve arranging elements in intentional ways, such as through proportion, complexity, tone, or repetition, to direct attention or create a sense of flow.
The document discusses the elements and principles of art. It defines line, shape/form, color, texture, space, value, balance, rhythm, dominance and unity as key elements. It also discusses technical and expressive properties. The elements are the building blocks that artists use to express ideas and convey emotions in their work. Understanding the elements helps in interpreting and analyzing artworks.
The document discusses the elements and principles of design. The elements are the basic materials used in design, such as line, shape, color, value, texture, size, and space. The principles are rules for organizing the elements, including contrast, repetition, alignment, and proximity. Contrast uses difference to make elements stand out, repetition creates unity and patterns, alignment connects elements visually, and proximity groups related items together.
The document discusses the importance of order and diversity in design. It states that order helps organize things logically but too much order can be boring, while diversity without order results in chaos. The most desirable design has a balance between diversity and order that provides a sense of unity. Order can be achieved through various visual design principles like symmetry, hierarchy, repetition with variation, and balance.
This document discusses the seven elements of interior design: point, line, space, color, texture, pattern, and value. It provides examples and descriptions of each element. Point refers to areas of visual interest that capture attention. Lines can be straight, curved, or diagonal and influence the perceived formality of a space. Space refers to the area being designed, and using mirrors or light colors can make a small space feel more open. Color is the most impactful element and influences mood. Texture describes the surface quality and can be smooth or rough. Pattern involves repeating visual elements. Value refers to the light and dark areas used to create depth and dimension.
The research talks in detail about all the elements of design, for example, Line, Space, Balance, etc. This is to understand and create design in a harmony and give functional and aesthetical value
The document discusses various elements of design including space, line, form, texture, and principles of design such as proportion, scale, balance, rhythm, emphasis, and unity and variety. It provides examples of how these different elements and principles can be used to create specific feelings and effects in a design. For instance, large open spaces can create feelings of freedom while small spaces feel cozy, and diagonal lines convey excitement and movement.
This document discusses design principles, specifically elements and principles of art. It outlines 7 key elements of design - dots, lines, shapes, form, space, texture, and color. It then provides details on each element, such as the different types of lines (horizontal, vertical, diagonal, curve, zigzag). It also discusses 7 principles of design that are used to create effective designs - balance, movement, repetition and rhythm, emphasis, simplicity, contrast, and proportion. Specific techniques for applying each principle are described, such as symmetrical vs. asymmetrical balance and how repetition can create visual rhythm. The document aims to educate designers on the fundamental building blocks and techniques used in visual design.
The visual elements of an image include point, line, shape, and texture. A point becomes a line when connected to another point. A line can be horizontal, vertical, or diagonal, each conveying different meanings and feelings. Shapes can be organic or geometric, two-dimensional or three-dimensional. Texture refers to the surface quality or "feel" of an object and can be either tactile (actual texture) or visual (implied texture).
The document discusses the key elements and principles of art. It defines the elements as the basic components that make up an artwork, such as line, shape, color, texture, and space. The principles are described as ways to organize the elements, such as balance, contrast, proportion, rhythm, and emphasis. The document provides examples of how artists can apply different elements and principles, for instance using shading to create the illusion of form or repeating lines to show movement. It emphasizes that properly applying these concepts leads to a successful composition that engages the viewer.
This document discusses the elements of art, specifically shape and form. It begins with introductions to art and principles of design. It then defines shape as a two-dimensional area with length and width but no depth. Different types of shapes are discussed as well as the history of shapes. Positive and negative shapes are also covered. Form is then defined as having length, width, and depth, giving it three dimensions. Different types of forms and the history of forms are described. The difference between shapes and forms is that shapes are flat while forms have depth. Positive and negative space in forms is also explained. The document concludes that shapes and forms are important for creating artworks.
Application of Basic Design in Architectural ProjectsYogeshIJTSRD
Organization is the essence of any design and doing nothing is also a form of design. When it is an applied design, it is hazardous to design by neglect and default. Design sometimes suffers from a dilemma about its identity. It is not solely either an art or a science but is a combination of both. Applied design is not like physics or biology or writing or painting, but it involves these areas and more. Design tends towards a generalized approach, collecting specifics from diverse areas as needed. Design is a combination of art, science, technology and intuition. Design does contain sound proven principals and criteria for judging its success. These criteria centre on the relationship between human needs and human environmental possible. The measure of the success of a particular applied design is how well it meets the needs of the people experiencing it. Dr. Mukesh Kumar Lalji | Dr. Sheetal Sharma "Application of Basic Design in Architectural Projects" Published in International Journal of Trend in Scientific Research and Development (ijtsrd), ISSN: 2456-6470, Volume-5 | Issue-5 , August 2021, URL: https://www.ijtsrd.com/papers/ijtsrd43782.pdf Paper URL: https://www.ijtsrd.com/engineering/architecture-and-planning/43782/application-of-basic-design-in-architectural-projects/dr-mukesh-kumar-lalji
fundamental of arch. element and principle of design.pptBossGold
The document discusses the elements and principles of design. It defines the eight basic elements of design as point, line, shape, form, space, color, texture, and light/shadow. It also defines the basic principles of design as balance, contrast, emphasis, pattern, rhythm/movement, unity, proportion, repetition, subordination, and transition. The document provides examples and explanations of each element and principle to illustrate their meanings and how they are used in design. It emphasizes that understanding the elements and principles allows designers and viewers to better analyze and evaluate art and design works.
Importance of Basic Principles of Design in Creating Spacesijtsrd
This document discusses the basic principles of design and their importance in creating spaces. It begins by introducing the authors and their credentials. The main points covered are:
1. Design involves a combination of art, science, technology and intuition. Basic design principles like balance, movement, repetition etc. are important for judging a design's success.
2. The four primary elements of design are point, line, plane and volume. A point becomes a line, a line a plane, and a plane a volume. Understanding these elements is key to creating a basic design.
3. Other principles discussed include regular shapes, horizontal and vertical elements, and how they are used to define spaces and volumes. Organization, function,
Basic Web design principles and elements.pptxCASYLOUMARAGGUN
The document discusses basic web design principles and elements. The 7 principles are balance, movement, repetition/rhythm, emphasis, contrast, unity, and alignment. The 7 elements are line, color, shape, size, value, texture, and space. Color has three characteristics: hue, value, and intensity. Balance, repetition, emphasis and contrast are used to create visual interest and structure on a page.
Visual media includes materials, programs, and applications that teachers and students use to formulate and communicate information to aid learning. There are several key visual elements to consider when creating striking visuals, including line, shape, value, texture, color, form, and perspective. Specifically, line describes outlines and shapes, value refers to lightness and darkness, texture relates to how surfaces feel, and color is determined by hue, intensity, and value. Effective visual design considers principles such as consistency, center of interest, balance, harmony, contrast, directional movement, and perspective.
Elements of Design needs to be carefully studied and applied to creation of any space. Design sometimes suffers from a dilemma about combination of Art and its appreciation elements of Design. Light in a house not solely either an art or a science but is a combination of both. Applied design is not like physics or biology or writing or painting, but it involves these areas and more. Design tends towards a generalized approach, collecting specifics from diverse areas as needed. Design is a combination of art, science, technology and intuition. Composition of rhythm Balance, Contrast and light in a built space plays an important role in the functioning and feeling of an space. Apart from the basic design elements there is always an added feature associated with the design and it is termed as accessories. This added feature may be a kind of light. Colour, shade, Proportion, Shape or anything else added which elaborates the whoe design and makes it’s a unique combination of Aesthetics and utility. Lustrous, Luminous, rendered and graphical applications to basic deisgn create a balance and harmony within the space and its surrounding. This paper discuss about the Visual element of design as an accessory in accordance with luminance and Lustrous element which when added make the Design different from the others. and the techniques used to incorporate them in ideal spatial creation. Balance and Positive combinations of form and functions Dr. Mukesh Kumar Lalji | Sushma Sharma | Ar. Babita Malhotra | Jyoti Mehra | Ar. Raj Prajapati | Ar. Sandhya Kasibhatla | Ar. Prashant Budhiya | Dr. Sheetal Sharma "Accessories of Design" Published in International Journal of Trend in Scientific Research and Development (ijtsrd), ISSN: 2456-6470, Volume-5 | Issue-4 , June 2021, URL: https://www.ijtsrd.compapers/ijtsrd42475.pdf Paper URL: https://www.ijtsrd.comengineering/architecture-and-planning/42475/accessories-of-design/dr-mukesh-kumar-lalji
This document discusses teaching the elements and principles of art to students. It begins by explaining that the elements of art, such as line, shape, form, color, space, texture, and value are important to learn in order to create and analyze art. The document then provides examples of teaching each element, such as introducing line by showing how lines are used in logos, teaching shape by having students identify shapes in basic objects, and explaining form using three-dimensional examples. It emphasizes teaching the elements step-by-step and showing examples from master artists. Finally, it states that teaching the principles of art, such as unity and balance, after the elements allows students to understand how to create complete, interesting compositions.
Week 1 Elements and Principels of DesignAdam Crump
This document discusses the elements and principles of design. It defines the seven basic elements of design as point, line, shape, form, space, color, and texture. It also defines the six basic principles of design as balance, contrast, emphasis, pattern, rhythm/movement, and unity. The document provides examples to illustrate each element and principle, and explains how understanding these concepts allows designers to effectively communicate their ideas and evaluate design work. It emphasizes that adhering to the elements and principles of design leads to creating aesthetically pleasing art and design.
The document discusses the principles of design, including structural and decorative design. It describes the elements of each type of design such as line, form, value, texture, and color. It provides details on how different lines, shapes, tones, textures, and colors can affect human behavior and perception. The document also discusses techniques for rendering tonal values in design through hatching, scribbling, stippling, smudging, and digital methods.
Visual Media and Information - Media and Information Literacy (MIL)Mark Jhon Oxillo
This document defines and discusses visual media and information, types of visual media, the purpose of visual information, and visual design elements and principles. It notes that visual media includes photography, video, infographics, and data visualization, and is used to gain attention, create meaning, and facilitate retention. The document also outlines key visual design elements like line, shape, value, and color, and principles such as consistency, center of interest, balance, harmony, contrast, and perspective.
This document provides an introduction to basic design elements for two-dimensional art, including line, shape, texture, value, and color. It defines each element and provides examples of how artists use each element to communicate ideas and create illusions of space. Line can be actual, implied, or networks of hatches. Shape includes positive and negative forms. Texture can be physical, visual, or interpretive. Value is determined by context and lighting and used to imply volume. Mastery of these basic design elements through technical skills training is necessary for effective visual communication.
Basic principles and elements of art.pptAbiyAndualem
Landscape design uses elements of art and principles of design to create functional and aesthetic outdoor spaces. It relates man-made structures to the natural surroundings. The major elements of art used in landscape design are color, line, form, texture, and scale. Key principles of design include unity, balance, transition, focalization, proportion, rhythm, repetition, and simplicity. Understanding these elements and principles allows landscape design to effectively integrate structures with the natural environment.
The document discusses key design elements including lines, shape, form, color, texture, depth, light, direction, mass, tone, value, space, balance, emphasis, proportion, repetition, unity, contrast, harmony, proximity, and variety. It describes how each element can be used alone or combined with other elements to achieve different effects in visual design works.
This document discusses the key elements of design including dot, line, shape, form, space, color, and texture. It then defines each element and provides examples. It also discusses principles of design such as balance, proportion, perspective, emphasis, movement, pattern, repetition, rhythm, variety, harmony, and unity. The document is an overview of foundational elements and principles of visual design that artists use to structure works and convey messages visually.
The document discusses various design elements and principles including:
- Lines, shapes, forms, color, texture, depth, light, motion, mass, tone, value, space, balance, emphasis, proportion, unity, contrast, harmony, proximity.
It provides definitions and examples for each element/principle, such as the three types of shapes (natural, geometric, abstract), how size and overlapping can illustrate depth, and the different types of balance (symmetrical, asymmetrical, radial).
The document discusses the fundamental elements and principles of visual design. It defines elements as the basic building blocks or "vocabulary" that make up a design, including line, shape, color, texture, form, and value. It then explains that principles constitute the broader structural aspects or "grammar" of how elements are arranged, such as unity, emphasis/focal point, balance, proportion/scale, contrast, movement, and rhythm/pattern. The document states that an awareness of elements and principles is the first step in creating successful visual compositions, and that these concepts form the basis of all intentional design strategies across various fields like graphic design, architecture, and art.
This presentation is one of the best presentations from our study material for our weekly workshops which ADMEC conducts every week at the center. This presentation contains very good information for “Use of Shapes in Graphic Design”.
Similar to Significance of Basic Design Elements in Spatial and Cultural Environment of Built Forms (20)
‘Six Sigma Technique’ A Journey Through its Implementationijtsrd
The manufacturing industries all over the world are facing tough challenges for growth, development and sustainability in today’s competitive environment. They have to achieve apex position by adapting with the global competitive environment by delivering goods and services at low cost, prime quality and better price to increase wealth and consumer satisfaction. Cost Management ensures profit, growth and sustainability of the business with implementation of Continuous Improvement Technique like Six Sigma. This leads to optimize Business performance. The method drives for customer satisfaction, low variation, reduction in waste and cycle time resulting into a competitive advantage over other industries which did not implement it. The main objective of this paper ‘Six Sigma Technique A Journey Through Its Implementation’ is to conceptualize the effectiveness of Six Sigma Technique through the journey of its implementation. Aditi Sunilkumar Ghosalkar "‘Six Sigma Technique’: A Journey Through its Implementation" Published in International Journal of Trend in Scientific Research and Development (ijtsrd), ISSN: 2456-6470, Volume-8 | Issue-1 , February 2024, URL: https://www.ijtsrd.com/papers/ijtsrd64546.pdf Paper Url: https://www.ijtsrd.com/other-scientific-research-area/other/64546/‘six-sigma-technique’-a-journey-through-its-implementation/aditi-sunilkumar-ghosalkar
Edge Computing in Space Enhancing Data Processing and Communication for Space...ijtsrd
Edge computing, a paradigm that involves processing data closer to its source, has gained significant attention for its potential to revolutionize data processing and communication in space missions. With the increasing complexity and data volume generated by modern space missions, traditional centralized computing approaches face challenges related to latency, bandwidth, and security. Edge computing in space, involving on board processing and analysis of data, offers promising solutions to these challenges. This paper explores the concept of edge computing in space, its benefits, applications, and future prospects in enhancing space missions. Manish Verma "Edge Computing in Space: Enhancing Data Processing and Communication for Space Missions" Published in International Journal of Trend in Scientific Research and Development (ijtsrd), ISSN: 2456-6470, Volume-8 | Issue-1 , February 2024, URL: https://www.ijtsrd.com/papers/ijtsrd64541.pdf Paper Url: https://www.ijtsrd.com/computer-science/artificial-intelligence/64541/edge-computing-in-space-enhancing-data-processing-and-communication-for-space-missions/manish-verma
Dynamics of Communal Politics in 21st Century India Challenges and Prospectsijtsrd
Communal politics in India has evolved through centuries, weaving a complex tapestry shaped by historical legacies, colonial influences, and contemporary socio political transformations. This research comprehensively examines the dynamics of communal politics in 21st century India, emphasizing its historical roots, socio political dynamics, economic implications, challenges, and prospects for mitigation. The historical perspective unravels the intricate interplay of religious identities and power dynamics from ancient civilizations to the impact of colonial rule, providing insights into the evolution of communalism. The socio political dynamics section delves into the contemporary manifestations, exploring the roles of identity politics, socio economic disparities, and globalization. The economic implications section highlights how communal politics intersects with economic issues, perpetuating disparities and influencing resource allocation. Challenges posed by communal politics are scrutinized, revealing multifaceted issues ranging from social fragmentation to threats against democratic values. The prospects for mitigation present a multifaceted approach, incorporating policy interventions, community engagement, and educational initiatives. The paper conducts a comparative analysis with international examples, identifying common patterns such as identity politics and economic disparities. It also examines unique challenges, emphasizing Indias diverse religious landscape, historical legacy, and secular framework. Lessons for effective strategies are drawn from international experiences, offering insights into inclusive policies, interfaith dialogue, media regulation, and global cooperation. By scrutinizing historical epochs, contemporary dynamics, economic implications, and international comparisons, this research provides a comprehensive understanding of communal politics in India. The proposed strategies for mitigation underscore the importance of a holistic approach to foster social harmony, inclusivity, and democratic values. Rose Hossain "Dynamics of Communal Politics in 21st Century India: Challenges and Prospects" Published in International Journal of Trend in Scientific Research and Development (ijtsrd), ISSN: 2456-6470, Volume-8 | Issue-1 , February 2024, URL: https://www.ijtsrd.com/papers/ijtsrd64528.pdf Paper Url: https://www.ijtsrd.com/humanities-and-the-arts/history/64528/dynamics-of-communal-politics-in-21st-century-india-challenges-and-prospects/rose-hossain
Assess Perspective and Knowledge of Healthcare Providers Towards Elehealth in...ijtsrd
Background and Objective Telehealth has become a well known tool for the delivery of health care in Saudi Arabia, and the perspective and knowledge of healthcare providers are influential in the implementation, adoption and advancement of the method. This systematic review was conducted to examine the current literature base regarding telehealth and the related healthcare professional perspective and knowledge in the Kingdom of Saudi Arabia. Materials and Methods This systematic review was conducted by searching 7 databases including, MEDLINE, CINHAL, Web of Science, Scopus, PubMed, PsycINFO, and ProQuest Central. Studies on healthcare practitioners telehealth knowledge and perspectives published in English in Saudi Arabia from 2000 to 2023 were included. Boland directed this comprehensive review. The researchers examined each connected study using the AXIS tool, which evaluates cross sectional systematic reviews. Narrative synthesis was used to summarise and convey the data. Results Out of 1840 search results, 10 studies were included. Positive outlook and limited knowledge among providers were seen across trials. Healthcare professionals like telehealth for its ability to improve quality, access, and delivery, save time and money, and be successful. Age, gender, occupation, and work experience also affect health workers knowledge. In Saudi Arabia, healthcare professionals face inadequate expert assistance, patient privacy, internet connection concerns, lack of training courses, lack of telehealth understanding, and high costs while performing telemedicine. Conclusions Healthcare practitioners telehealth perceptions and knowledge were examined in this systematic study. Its collection of concerned experts different personal attitudes and expertise would help enhance telehealths implementation in Saudi Arabia, develop its healthcare delivery alternative, and eliminate frequent problems. Badriah Mousa I Mulayhi | Dr. Jomin George | Judy Jenkins "Assess Perspective and Knowledge of Healthcare Providers Towards Elehealth in Saudi Arabia: A Systematic Review" Published in International Journal of Trend in Scientific Research and Development (ijtsrd), ISSN: 2456-6470, Volume-8 | Issue-1 , February 2024, URL: https://www.ijtsrd.com/papers/ijtsrd64535.pdf Paper Url: https://www.ijtsrd.com/medicine/other/64535/assess-perspective-and-knowledge-of-healthcare-providers-towards-elehealth-in-saudi-arabia-a-systematic-review/badriah-mousa-i-mulayhi
The Impact of Digital Media on the Decentralization of Power and the Erosion ...ijtsrd
The impact of digital media on the distribution of power and the weakening of traditional gatekeepers has gained considerable attention in recent years. The adoption of digital technologies and the internet has resulted in declining influence and power for traditional gatekeepers such as publishing houses and news organizations. Simultaneously, digital media has facilitated the emergence of new voices and players in the media industry. Digital medias impact on power decentralization and gatekeeper erosion is visible in several ways. One significant aspect is the democratization of information, which enables anyone with an internet connection to publish and share content globally, leading to citizen journalism and bypassing traditional gatekeepers. Another aspect is the disruption of conventional media industry business models, as traditional organizations struggle to adjust to the decrease in advertising revenue and the rise of digital platforms. Alternative business models, such as subscription models and crowdfunding, have become more prevalent, leading to the emergence of new players. Overall, the impact of digital media on the distribution of power and the weakening of traditional gatekeepers has brought about significant changes in the media landscape and the way information is shared. Further research is required to fully comprehend the implications of these changes and their impact on society. Dr. Kusum Lata "The Impact of Digital Media on the Decentralization of Power and the Erosion of Traditional Gatekeepers" Published in International Journal of Trend in Scientific Research and Development (ijtsrd), ISSN: 2456-6470, Volume-8 | Issue-1 , February 2024, URL: https://www.ijtsrd.com/papers/ijtsrd64544.pdf Paper Url: https://www.ijtsrd.com/humanities-and-the-arts/political-science/64544/the-impact-of-digital-media-on-the-decentralization-of-power-and-the-erosion-of-traditional-gatekeepers/dr-kusum-lata
Online Voices, Offline Impact Ambedkars Ideals and Socio Political Inclusion ...ijtsrd
This research investigates the nexus between online discussions on Dr. B.R. Ambedkars ideals and their impact on social inclusion among college students in Gurugram, Haryana. Surveying 240 students from 12 government colleges, findings indicate that 65 actively engage in online discussions, with 80 demonstrating moderate to high awareness of Ambedkars ideals. Statistically significant correlations reveal that higher online engagement correlates with increased awareness p 0.05 and perceived social inclusion. Variations across colleges and a notable effect of college type on perceived social inclusion highlight the influence of contextual factors. Furthermore, the intersectional analysis underscores nuanced differences based on gender, caste, and socio economic status. Dr. Kusum Lata "Online Voices, Offline Impact: Ambedkar's Ideals and Socio-Political Inclusion - A Study of Gurugram District" Published in International Journal of Trend in Scientific Research and Development (ijtsrd), ISSN: 2456-6470, Volume-8 | Issue-1 , February 2024, URL: https://www.ijtsrd.com/papers/ijtsrd64543.pdf Paper Url: https://www.ijtsrd.com/humanities-and-the-arts/political-science/64543/online-voices-offline-impact-ambedkars-ideals-and-sociopolitical-inclusion--a-study-of-gurugram-district/dr-kusum-lata
Problems and Challenges of Agro Entreprenurship A Studyijtsrd
Noting calls for contextualizing Agro entrepreneurs problems and challenges of the agro entrepreneurs and for greater attention to the Role of entrepreneurs in agro entrepreneurship research, we conduct a systematic literature review of extent research in agriculture entrepreneurship to overcome the study objectives of complications of agro entrepreneurs through various factors, Development of agriculture products is a key factor for the overall economic growth of agro entrepreneurs Agro Entrepreneurs produces firsthand large scale employment, utilizes the labor and natural resources, This research outlines the problems of Weather and Soil Erosions, Market price fluctuation, stimulates labor cost problems, reduces concentration of Price volatility, Dependency on Intermediaries, induces Limited Bargaining Power, and Storage and Transportation Costs. This paper mainly devoted to highlight Problems and challenges faced for the sustainable of Agro Entrepreneurs in India. Vinay Prasad B "Problems and Challenges of Agro Entreprenurship - A Study" Published in International Journal of Trend in Scientific Research and Development (ijtsrd), ISSN: 2456-6470, Volume-8 | Issue-1 , February 2024, URL: https://www.ijtsrd.com/papers/ijtsrd64540.pdf Paper Url: https://www.ijtsrd.com/other-scientific-research-area/other/64540/problems-and-challenges-of-agro-entreprenurship--a-study/vinay-prasad-b
Comparative Analysis of Total Corporate Disclosure of Selected IT Companies o...ijtsrd
Disclosure is a process through which a business enterprise communicates with external parties. A corporate disclosure is communication of financial and non financial information of the activities of a business enterprise to the interested entities. Corporate disclosure is done through publishing annual reports. So corporate disclosure through annual reports plays a vital role in the life of all the companies and provides valuable information to investors. The basic objectives of corporate disclosure is to give a true and fair view of companies to the parties related either directly or indirectly like owner, government, creditors, shareholders etc. in the companies act, provisions have been made about mandatory and voluntary disclosure. The IT sector in India is rapidly growing, the trend to invest in the IT sector is rising and employment opportunities in IT sectors are also increasing. Therefore the IT sector is expected to have fair, full and adequate disclosure of all information. Unfair and incomplete disclosure may adversely affect the entire economy. A research study on disclosure practices of IT companies could play an important role in this regard. Hence, the present research study has been done to study and review comparative analysis of total corporate disclosure of selected IT companies of India and to put forward overall findings and suggestions with a view to increase disclosure score of these companies. The researcher hopes that the present research study will be helpful to all selected Companies for improving level of corporate disclosure through annual reports as well as the government, creditors, investors, all business organizations and upcoming researcher for comparative analyses of level of corporate disclosure with special reference to selected IT companies. Dr. Vaibhavi D. Thaker "Comparative Analysis of Total Corporate Disclosure of Selected IT Companies of India" Published in International Journal of Trend in Scientific Research and Development (ijtsrd), ISSN: 2456-6470, Volume-8 | Issue-1 , February 2024, URL: https://www.ijtsrd.com/papers/ijtsrd64539.pdf Paper Url: https://www.ijtsrd.com/other-scientific-research-area/other/64539/comparative-analysis-of-total-corporate-disclosure-of-selected-it-companies-of-india/dr-vaibhavi-d-thaker
The Impact of Educational Background and Professional Training on Human Right...ijtsrd
This study investigated the impact of educational background and professional training on human rights awareness among secondary school teachers in the Marathwada region of Maharashtra, India. The key findings reveal that higher levels of education, particularly a master’s degree, and fields of study related to education, humanities, or social sciences are associated with greater human rights awareness among teachers. Additionally, both pre service teacher training and in service professional development programs focused on human rights education significantly enhance teacher’s knowledge, skills, and competencies in promoting human rights principles in their classrooms. Baig Ameer Bee Mirza Abdul Aziz | Dr. Syed Azaz Ali Amjad Ali "The Impact of Educational Background and Professional Training on Human Rights Awareness among Secondary School Teachers" Published in International Journal of Trend in Scientific Research and Development (ijtsrd), ISSN: 2456-6470, Volume-8 | Issue-1 , February 2024, URL: https://www.ijtsrd.com/papers/ijtsrd64529.pdf Paper Url: https://www.ijtsrd.com/humanities-and-the-arts/education/64529/the-impact-of-educational-background-and-professional-training-on-human-rights-awareness-among-secondary-school-teachers/baig-ameer-bee-mirza-abdul-aziz
A Study on the Effective Teaching Learning Process in English Curriculum at t...ijtsrd
“One Language sets you in a corridor for life. Two languages open every door along the way” Frank Smith English as a foreign language or as a second language has been ruling in India since the period of Lord Macaulay. But the question is how much we teach or learn English properly in our culture. Is there any scope to use English as a language rather than a subject How much we learn or teach English without any interference of mother language specially in the classroom teaching learning scenario in West Bengal By considering all these issues the researcher has attempted in this article to focus on the effective teaching learning process comparing to other traditional strategies in the field of English curriculum at the secondary level to investigate whether they fulfill the present teaching learning requirements or not by examining the validity of the present curriculum of English. The purpose of this study is to focus on the effectiveness of the systematic, scientific, sequential and logical transaction of the course between the teachers and the learners in the perspective of the 5Es programme that is engage, explore, explain, extend and evaluate. Sanchali Mondal | Santinath Sarkar "A Study on the Effective Teaching Learning Process in English Curriculum at the Secondary Level of West Bengal" Published in International Journal of Trend in Scientific Research and Development (ijtsrd), ISSN: 2456-6470, Volume-8 | Issue-1 , February 2024, URL: https://www.ijtsrd.com/papers/ijtsrd62412.pdf Paper Url: https://www.ijtsrd.com/humanities-and-the-arts/education/62412/a-study-on-the-effective-teaching-learning-process-in-english-curriculum-at-the-secondary-level-of-west-bengal/sanchali-mondal
The Role of Mentoring and Its Influence on the Effectiveness of the Teaching ...ijtsrd
This paper reports on a study which was conducted to investigate the role of mentoring and its influence on the effectiveness of the teaching of Physics in secondary schools in the South West Region of Cameroon. The study adopted the convergent parallel mixed methods design, focusing on respondents in secondary schools in the South West Region of Cameroon. Both quantitative and qualitative data were collected, analysed separately, and the results were compared to see if the findings confirm or disconfirm each other. The quantitative analysis found that majority of the respondents 72 of Physics teachers affirmed that they had more experienced colleagues as mentors to help build their confidence, improve their teaching, and help them improve their effectiveness and efficiency in guiding learners’ achievements. Only 28 of the respondents disagreed with these statements. With majority respondents 72 agreeing with the statements, it implies that in most secondary schools, experienced Physics teachers act as mentors to build teachers’ confidence in teaching and improving students’ learning. The interview qualitative data analysis summarized how secondary school Principals use meetings with mentors and mentees to promote mentorship in the school milieu. This has helped strengthen teachers’ classroom practices in secondary schools in the South West Region of Cameroon. With the results confirming each other, the study recommends that mentoring should focus on helping teachers employ social interactions and instructional practices feedback and clarity in teaching that have direct measurable impact on students’ learning achievements. Andrew Ngeim Sumba | Frederick Ebot Ashu | Peter Agborbechem Tambi "The Role of Mentoring and Its Influence on the Effectiveness of the Teaching of Physics in Secondary Schools in the South West Region of Cameroon" Published in International Journal of Trend in Scientific Research and Development (ijtsrd), ISSN: 2456-6470, Volume-8 | Issue-1 , February 2024, URL: https://www.ijtsrd.com/papers/ijtsrd64524.pdf Paper Url: https://www.ijtsrd.com/management/management-development/64524/the-role-of-mentoring-and-its-influence-on-the-effectiveness-of-the-teaching-of-physics-in-secondary-schools-in-the-south-west-region-of-cameroon/andrew-ngeim-sumba
Design Simulation and Hardware Construction of an Arduino Microcontroller Bas...ijtsrd
This study primarily focuses on the design of a high side buck converter using an Arduino microcontroller. The converter is specifically intended for use in DC DC applications, particularly in standalone solar PV systems where the PV output voltage exceeds the load or battery voltage. To evaluate the performance of the converter, simulation experiments are conducted using Proteus Software. These simulations provide insights into the input and output voltages, currents, powers, and efficiency under different state of charge SoC conditions of a 12V,70Ah rechargeable lead acid battery. Additionally, the hardware design of the converter is implemented, and practical data is collected through operation, monitoring, and recording. By comparing the simulation results with the practical results, the efficiency and performance of the designed converter are assessed. The findings indicate that while the buck converter is suitable for practical use in standalone PV systems, its efficiency is compromised due to a lower output current. Chan Myae Aung | Dr. Ei Mon "Design Simulation and Hardware Construction of an Arduino-Microcontroller Based DC-DC High-Side Buck Converter for Standalone PV System" Published in International Journal of Trend in Scientific Research and Development (ijtsrd), ISSN: 2456-6470, Volume-8 | Issue-1 , February 2024, URL: https://www.ijtsrd.com/papers/ijtsrd64518.pdf Paper Url: https://www.ijtsrd.com/engineering/mechanical-engineering/64518/design-simulation-and-hardware-construction-of-an-arduinomicrocontroller-based-dcdc-highside-buck-converter-for-standalone-pv-system/chan-myae-aung
Sustainable Energy by Paul A. Adekunte | Matthew N. O. Sadiku | Janet O. Sadikuijtsrd
Energy becomes sustainable if it meets the needs of the present without compromising the ability of future generations to meet their own needs. Some of the definitions of sustainable energy include the considerations of environmental aspects such as greenhouse gas emissions, social, and economic aspects such as energy poverty. Generally far more sustainable than fossil fuel are renewable energy sources such as wind, hydroelectric power, solar, and geothermal energy sources. Worthy of note is that some renewable energy projects, like the clearing of forests to produce biofuels, can cause severe environmental damage. The sustainability of nuclear power which is a low carbon source is highly debated because of concerns about radioactive waste, nuclear proliferation, and accidents. The switching from coal to natural gas has environmental benefits, including a lower climate impact, but could lead to delay in switching to more sustainable options. “Carbon capture and storage” can be built into power plants to remove the carbon dioxide CO2 emissions, but this technology is expensive and has rarely been implemented. Leading non renewable energy sources around the world is fossil fuels, coal, petroleum, and natural gas. Nuclear energy is usually considered another non renewable energy source, although nuclear energy itself is a renewable energy source, but the material used in nuclear power plants is not. The paper addresses the issue of sustainable energy, its attendant benefits to the future generation, and humanity in general. Paul A. Adekunte | Matthew N. O. Sadiku | Janet O. Sadiku "Sustainable Energy" Published in International Journal of Trend in Scientific Research and Development (ijtsrd), ISSN: 2456-6470, Volume-8 | Issue-1 , February 2024, URL: https://www.ijtsrd.com/papers/ijtsrd64534.pdf Paper Url: https://www.ijtsrd.com/engineering/electrical-engineering/64534/sustainable-energy/paul-a-adekunte
Concepts for Sudan Survey Act Implementations Executive Regulations and Stand...ijtsrd
This paper aims to outline the executive regulations, survey standards, and specifications required for the implementation of the Sudan Survey Act, and for regulating and organizing all surveying work activities in Sudan. The act has been discussed for more than 5 years. The Land Survey Act was initiated by the Sudan Survey Authority and all official legislations were headed by the Sudan Ministry of Justice till it was issued in 2022. The paper presents conceptual guidelines to be used for the Survey Act implementation and to regulate the survey work practice, standardizing the field surveys, processing, quality control, procedures, and the processes related to survey work carried out by the stakeholders and relevant authorities in Sudan. The conceptual guidelines are meant to improve the quality and harmonization of geospatial data and to aid decision making processes as well as geospatial information systems. The established comprehensive executive regulations will govern and regulate the implementation of the Sudan Survey Geomatics Act in all surveying and mapping practices undertaken by the Sudan Survey Authority SSA and state local survey departments for public or private sector organizations. The targeted standards and specifications include the reference frame, projection, coordinate systems, and the guidelines and specifications that must be followed in the field of survey work, processes, and mapping products. In the last few decades, there has been a growing awareness of the importance of geomatics activities and measurements on the Earths surface in space and time, together with observing and mapping the changes. In such cases, data must be captured promptly, standardized, and obtained with more accuracy and specified in much detail. The paper will also highlight the current situation in Sudan, the degree to which survey standards are used, the problems encountered, and the errors that arise from not using the standards and survey specifications. Kamal A. A. Sami "Concepts for Sudan Survey Act Implementations - Executive Regulations and Standards" Published in International Journal of Trend in Scientific Research and Development (ijtsrd), ISSN: 2456-6470, Volume-8 | Issue-1 , February 2024, URL: https://www.ijtsrd.com/papers/ijtsrd63484.pdf Paper Url: https://www.ijtsrd.com/engineering/civil-engineering/63484/concepts-for-sudan-survey-act-implementations--executive-regulations-and-standards/kamal-a-a-sami
Towards the Implementation of the Sudan Interpolated Geoid Model Khartoum Sta...ijtsrd
The discussions between ellipsoid and geoid have invoked many researchers during the recent decades, especially during the GNSS technology era, which had witnessed a great deal of development but still geoid undulation requires more investigations. To figure out a solution for Sudans local geoid, this research has tried to intake the possibility of determining the geoid model by following two approaches, gravimetric and geometrical geoid model determination, by making use of GNSS leveling benchmarks at Khartoum state. The Benchmarks are well distributed in the study area, in which, the horizontal coordinates and the height above the ellipsoid have been observed by GNSS while orthometric heights were carried out using precise leveling. The Global Geopotential Model GGM represented in EGM2008 has been exploited to figure out the geoid undulation at the benchmarks in the study area. This is followed by a fitting process, that has been done to suit the geoid undulation data which has been computed using GNSS leveling data and geoid undulation inspired by the EGM2008. Two geoid surfaces were created after the fitting process to ensure that they are identical and both of them could be counted for getting the same geoid undulation with an acceptable accuracy. In this respect, statistical operation played an important role in ensuring the consistency and integrity of the model by applying cross validation techniques splitting the data into training and testing datasets for building the geoid model and testing its eligibility. The geometrical solution for geoid undulation computation has been utilized by applying straightforward equations that facilitate the calculation of the geoid undulation directly through applying statistical techniques for the GNSS leveling data of the study area to get the common equation parameters values that could be utilized to calculate geoid undulation of any position in the study area within the claimed accuracy. Both systems were checked and proved eligible to be used within the study area with acceptable accuracy which may contribute to solving the geoid undulation problem in the Khartoum area, and be further generalized to determine the geoid model over the entire country, and this could be considered in the future, for regional and continental geoid model. Ahmed M. A. Mohammed. | Kamal A. A. Sami "Towards the Implementation of the Sudan Interpolated Geoid Model (Khartoum State Case Study)" Published in International Journal of Trend in Scientific Research and Development (ijtsrd), ISSN: 2456-6470, Volume-8 | Issue-1 , February 2024, URL: https://www.ijtsrd.com/papers/ijtsrd63483.pdf Paper Url: https://www.ijtsrd.com/engineering/civil-engineering/63483/towards-the-implementation-of-the-sudan-interpolated-geoid-model-khartoum-state-case-study/ahmed-m-a-mohammed
Activating Geospatial Information for Sudans Sustainable Investment Mapijtsrd
Sudan is witnessing an acceleration in the processes of development and transformation in the performance of government institutions to raise the productivity and investment efficiency of the government sector. The development plans and investment opportunities have focused on achieving national goals in various sectors. This paper aims to illuminate the path to the future and provide geospatial data and information to develop the investment climate and environment for all sized businesses, and to bridge the development gap between the Sudan states. The Sudan Survey Authority SSA is the main advisor to the Sudan Government in conducting surveying, mappings, designing, and developing systems related to geospatial data and information. In recent years, SSA made a strategic partnership with the Ministry of Investment to activate Geospatial Information for Sudans Sustainable Investment and in particular, for the preparation and implementation of the Sudan investment map, based on the directives and objectives of the Ministry of Investment MI in Sudan. This paper comes within the framework of activating the efforts of the Ministry of Investment to develop technical investment services by applying techniques adopted by the Ministry and its strategic partners for advancing investment processes in the country. Kamal A. A. Sami "Activating Geospatial Information for Sudan's Sustainable Investment Map" Published in International Journal of Trend in Scientific Research and Development (ijtsrd), ISSN: 2456-6470, Volume-8 | Issue-1 , February 2024, URL: https://www.ijtsrd.com/papers/ijtsrd63482.pdf Paper Url: https://www.ijtsrd.com/engineering/information-technology/63482/activating-geospatial-information-for-sudans-sustainable-investment-map/kamal-a-a-sami
Educational Unity Embracing Diversity for a Stronger Societyijtsrd
In a rapidly changing global landscape, the importance of education as a unifying force cannot be overstated. This paper explores the crucial role of educational unity in fostering a stronger and more inclusive society through the embrace of diversity. By examining the benefits of diverse learning environments, the paper aims to highlight the positive impact on societal strength. The discussion encompasses various dimensions, from curriculum design to classroom dynamics, and emphasizes the need for educational institutions to become catalysts for unity in diversity. It highlights the need for a paradigm shift in educational policies, curricula, and pedagogical approaches to ensure that they are reflective of the diverse fabric of society. This paper also addresses the challenges associated with implementing inclusive educational practices and offers practical strategies for overcoming barriers. It advocates for collaborative efforts between educational institutions, policymakers, and communities to create a supportive ecosystem that promotes diversity and unity. Mr. Amit Adhikari | Madhumita Teli | Gopal Adhikari "Educational Unity: Embracing Diversity for a Stronger Society" Published in International Journal of Trend in Scientific Research and Development (ijtsrd), ISSN: 2456-6470, Volume-8 | Issue-1 , February 2024, URL: https://www.ijtsrd.com/papers/ijtsrd64525.pdf Paper Url: https://www.ijtsrd.com/humanities-and-the-arts/education/64525/educational-unity-embracing-diversity-for-a-stronger-society/mr-amit-adhikari
Integration of Indian Indigenous Knowledge System in Management Prospects and...ijtsrd
The diversity of indigenous knowledge systems in India is vast and can vary significantly between different communities and regions. Preserving and respecting these knowledge systems is crucial for maintaining cultural heritage, promoting sustainable practices, and fostering cross cultural understanding. In this paper, an overview of the prospects and challenges associated with incorporating Indian indigenous knowledge into management is explored. It is found that IIKS helps in management in many areas like sustainable development, tourism, food security, natural resource management, cultural preservation and innovation, etc. However, IIKS integration with management faces some challenges in the form of a lack of documentation, cultural sensitivity, language barriers legal framework, etc. Savita Lathwal "Integration of Indian Indigenous Knowledge System in Management: Prospects and Challenges" Published in International Journal of Trend in Scientific Research and Development (ijtsrd), ISSN: 2456-6470, Volume-8 | Issue-1 , February 2024, URL: https://www.ijtsrd.com/papers/ijtsrd63500.pdf Paper Url: https://www.ijtsrd.com/management/accounting-and-finance/63500/integration-of-indian-indigenous-knowledge-system-in-management-prospects-and-challenges/savita-lathwal
DeepMask Transforming Face Mask Identification for Better Pandemic Control in...ijtsrd
The COVID 19 pandemic has highlighted the crucial need of preventive measures, with widespread use of face masks being a key method for slowing the viruss spread. This research investigates face mask identification using deep learning as a technological solution to be reducing the risk of coronavirus transmission. The proposed method uses state of the art convolutional neural networks CNNs and transfer learning to automatically recognize persons who are not wearing masks in a variety of circumstances. We discuss how this strategy improves public health and safety by providing an efficient manner of enforcing mask wearing standards. The report also discusses the obstacles, ethical concerns, and prospective applications of face mask detection systems in the ongoing fight against the pandemic. Dilip Kumar Sharma | Aaditya Yadav "DeepMask: Transforming Face Mask Identification for Better Pandemic Control in the COVID-19 Era" Published in International Journal of Trend in Scientific Research and Development (ijtsrd), ISSN: 2456-6470, Volume-8 | Issue-1 , February 2024, URL: https://www.ijtsrd.com/papers/ijtsrd64522.pdf Paper Url: https://www.ijtsrd.com/engineering/electronics-and-communication-engineering/64522/deepmask-transforming-face-mask-identification-for-better-pandemic-control-in-the-covid19-era/dilip-kumar-sharma
Streamlining Data Collection eCRF Design and Machine Learningijtsrd
Efficient and accurate data collection is paramount in clinical trials, and the design of Electronic Case Report Forms eCRFs plays a pivotal role in streamlining this process. This paper explores the integration of machine learning techniques in the design and implementation of eCRFs to enhance data collection efficiency. We delve into the synergies between eCRF design principles and machine learning algorithms, aiming to optimize data quality, reduce errors, and expedite the overall data collection process. The application of machine learning in eCRF design brings forth innovative approaches to data validation, anomaly detection, and real time adaptability. This paper discusses the benefits, challenges, and future prospects of leveraging machine learning in eCRF design for streamlined and advanced data collection in clinical trials. Dhanalakshmi D | Vijaya Lakshmi Kannareddy "Streamlining Data Collection: eCRF Design and Machine Learning" Published in International Journal of Trend in Scientific Research and Development (ijtsrd), ISSN: 2456-6470, Volume-8 | Issue-1 , February 2024, URL: https://www.ijtsrd.com/papers/ijtsrd63515.pdf Paper Url: https://www.ijtsrd.com/biological-science/biotechnology/63515/streamlining-data-collection-ecrf-design-and-machine-learning/dhanalakshmi-d
Main Java[All of the Base Concepts}.docxadhitya5119
This is part 1 of my Java Learning Journey. This Contains Custom methods, classes, constructors, packages, multithreading , try- catch block, finally block and more.
Beyond Degrees - Empowering the Workforce in the Context of Skills-First.pptxEduSkills OECD
Iván Bornacelly, Policy Analyst at the OECD Centre for Skills, OECD, presents at the webinar 'Tackling job market gaps with a skills-first approach' on 12 June 2024
Philippine Edukasyong Pantahanan at Pangkabuhayan (EPP) CurriculumMJDuyan
(𝐓𝐋𝐄 𝟏𝟎𝟎) (𝐋𝐞𝐬𝐬𝐨𝐧 𝟏)-𝐏𝐫𝐞𝐥𝐢𝐦𝐬
𝐃𝐢𝐬𝐜𝐮𝐬𝐬 𝐭𝐡𝐞 𝐄𝐏𝐏 𝐂𝐮𝐫𝐫𝐢𝐜𝐮𝐥𝐮𝐦 𝐢𝐧 𝐭𝐡𝐞 𝐏𝐡𝐢𝐥𝐢𝐩𝐩𝐢𝐧𝐞𝐬:
- Understand the goals and objectives of the Edukasyong Pantahanan at Pangkabuhayan (EPP) curriculum, recognizing its importance in fostering practical life skills and values among students. Students will also be able to identify the key components and subjects covered, such as agriculture, home economics, industrial arts, and information and communication technology.
𝐄𝐱𝐩𝐥𝐚𝐢𝐧 𝐭𝐡𝐞 𝐍𝐚𝐭𝐮𝐫𝐞 𝐚𝐧𝐝 𝐒𝐜𝐨𝐩𝐞 𝐨𝐟 𝐚𝐧 𝐄𝐧𝐭𝐫𝐞𝐩𝐫𝐞𝐧𝐞𝐮𝐫:
-Define entrepreneurship, distinguishing it from general business activities by emphasizing its focus on innovation, risk-taking, and value creation. Students will describe the characteristics and traits of successful entrepreneurs, including their roles and responsibilities, and discuss the broader economic and social impacts of entrepreneurial activities on both local and global scales.
বাংলাদেশের অর্থনৈতিক সমীক্ষা ২০২৪ [Bangladesh Economic Review 2024 Bangla.pdf] কম্পিউটার , ট্যাব ও স্মার্ট ফোন ভার্সন সহ সম্পূর্ণ বাংলা ই-বুক বা pdf বই " সুচিপত্র ...বুকমার্ক মেনু 🔖 ও হাইপার লিংক মেনু 📝👆 যুক্ত ..
আমাদের সবার জন্য খুব খুব গুরুত্বপূর্ণ একটি বই ..বিসিএস, ব্যাংক, ইউনিভার্সিটি ভর্তি ও যে কোন প্রতিযোগিতা মূলক পরীক্ষার জন্য এর খুব ইম্পরট্যান্ট একটি বিষয় ...তাছাড়া বাংলাদেশের সাম্প্রতিক যে কোন ডাটা বা তথ্য এই বইতে পাবেন ...
তাই একজন নাগরিক হিসাবে এই তথ্য গুলো আপনার জানা প্রয়োজন ...।
বিসিএস ও ব্যাংক এর লিখিত পরীক্ষা ...+এছাড়া মাধ্যমিক ও উচ্চমাধ্যমিকের স্টুডেন্টদের জন্য অনেক কাজে আসবে ...
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...PECB
Denis is a dynamic and results-driven Chief Information Officer (CIO) with a distinguished career spanning information systems analysis and technical project management. With a proven track record of spearheading the design and delivery of cutting-edge Information Management solutions, he has consistently elevated business operations, streamlined reporting functions, and maximized process efficiency.
Certified as an ISO/IEC 27001: Information Security Management Systems (ISMS) Lead Implementer, Data Protection Officer, and Cyber Risks Analyst, Denis brings a heightened focus on data security, privacy, and cyber resilience to every endeavor.
His expertise extends across a diverse spectrum of reporting, database, and web development applications, underpinned by an exceptional grasp of data storage and virtualization technologies. His proficiency in application testing, database administration, and data cleansing ensures seamless execution of complex projects.
What sets Denis apart is his comprehensive understanding of Business and Systems Analysis technologies, honed through involvement in all phases of the Software Development Lifecycle (SDLC). From meticulous requirements gathering to precise analysis, innovative design, rigorous development, thorough testing, and successful implementation, he has consistently delivered exceptional results.
Throughout his career, he has taken on multifaceted roles, from leading technical project management teams to owning solutions that drive operational excellence. His conscientious and proactive approach is unwavering, whether he is working independently or collaboratively within a team. His ability to connect with colleagues on a personal level underscores his commitment to fostering a harmonious and productive workplace environment.
Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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Training: ISO/IEC 27001 Information Security Management System - EN | PECB
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General Data Protection Regulation (GDPR) - Training Courses - EN | PECB
Webinars: https://pecb.com/webinars
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हिंदी वर्णमाला पीपीटी, hindi alphabet PPT presentation, hindi varnamala PPT, Hindi Varnamala pdf, हिंदी स्वर, हिंदी व्यंजन, sikhiye hindi varnmala, dr. mulla adam ali, hindi language and literature, hindi alphabet with drawing, hindi alphabet pdf, hindi varnamala for childrens, hindi language, hindi varnamala practice for kids, https://www.drmullaadamali.com
Walmart Business+ and Spark Good for Nonprofits.pdfTechSoup
"Learn about all the ways Walmart supports nonprofit organizations.
You will hear from Liz Willett, the Head of Nonprofits, and hear about what Walmart is doing to help nonprofits, including Walmart Business and Spark Good. Walmart Business+ is a new offer for nonprofits that offers discounts and also streamlines nonprofits order and expense tracking, saving time and money.
The webinar may also give some examples on how nonprofits can best leverage Walmart Business+.
The event will cover the following::
Walmart Business + (https://business.walmart.com/plus) is a new shopping experience for nonprofits, schools, and local business customers that connects an exclusive online shopping experience to stores. Benefits include free delivery and shipping, a 'Spend Analytics” feature, special discounts, deals and tax-exempt shopping.
Special TechSoup offer for a free 180 days membership, and up to $150 in discounts on eligible orders.
Spark Good (walmart.com/sparkgood) is a charitable platform that enables nonprofits to receive donations directly from customers and associates.
Answers about how you can do more with Walmart!"
it describes the bony anatomy including the femoral head , acetabulum, labrum . also discusses the capsule , ligaments . muscle that act on the hip joint and the range of motion are outlined. factors affecting hip joint stability and weight transmission through the joint are summarized.
2. International Journal of Trend in Scientific Research and Development (IJTSRD) @ www.ijtsrd.com eISSN: 2456-6470
@ IJTSRD | Unique Paper ID – IJTSRD42473 | Volume – 5 | Issue – 4 | May-June 2021 Page 918
Figure 1 Feeling of Space in room with opening
Figure 2 Feeling of Space in room with wall
A flat surface has only two dimensional spaces which mean
that, it has length and width but no depth. A canvas, on
which an artist works, is flat surface and is called a picture
plane. It is not possible to create actual depth or spaceinthis
picture plane, but an illusion of space, distance or depth is
possible. Depth can be suggested with the use of converging
lines. Parallel lines, as they move away into the distance,
appear to come closer together, thus creating the illusion of
distance and depth.
Colours also have an effect on space. Warm or brightcolours
appear to be closer to the picture plane, whereas cool ordull
colours tend to reach into the distance. When parts or areas
of a flat picture plane are physically projected into space, a
third dimensional form is created.
2.2. LINE
Line plays an important role in design. A line can simply bea
mark or dot or point made by a pen or it can be any
continuous mark which causes your eye to follow along its
path. In design, line specifically refers to an actual or an
implied mark, path, mass or edge, where length is dominant.
Eyes readily travel along a line because a line is longer than
it is wide.
A line moves, and when it does so, it indicates direction by
travelling in a path that leads somewhere – up, down,under,
around, through, back, forward, left, right, into, over,
diagonally, across etc. Frequently,lineswhichtravel inmany
different directions at one time create an entirely different
illusion than a single directional line. A single directional
strength line leads the eye swiftly across the picture plane.
Lines appear in different ways. There are curved lines,
straight lines or a variation of the two. They can be long,
short, thick, thin, sharp, light, dark, simple, orcomplex.Lines
can be broken and yet have direction.
They can be textured and coloured. A bold line indicates a
feeling of power & confidence. Fine lines project a feeling of
sensitivity; timidness; unsurely; distance etc.
2.3. SHAPE
Whenever we use a line to enclose an area, we create a
shape. Also a combination of lines, results inshapes.Ways to
recognize shapes are through difference in colour, value or
texture between a shape and the area around it. A shape or
figure is called a positive shape and occupies positive space.
The area surrounding a shape is called the background/
foreground as the case may be. It is called a negative shape
and occupies negative space.
The shape of the fish is clearly distinct against the
background because the line of the edges is sharply defined.
Frequently, shapes are not clearly defines with sharp, hard
edges, and it is more difficult to see where the shape ends
and the background begins. There are all kinds of shapes –
solid or opaque, linear, textured, coloured and outlined.
Shapes can be transparent, revealing still other shapes
behind them. Shapes may be party covered by other shapes
may touch other shapes or stand alone. There are shapes
within shapes and shapes around shapes. Similar shapes
need not necessarily be identical, yet they can have a
common relationship, which visually ties them together.
Contrasting shapes differ from each other; dependingonthe
treatment they have been given. Some shapes will command
more attention than others, depending on their size, colour,
value, texture, detail or their location. Shapes can promote
new feelings and awaken old ones by making one relate to
what is known and felt about your own environment for
example, tall shapes are elevating. Solid shapes appear to be
stable. Long flat shapes express calmness, and directionally
downward shapes activate the sense of falling. Shape refers
to the edge contour of a plane or the silhouette of a volume.
It is the primary means by which we recognize and identify
the form of an object. Since it is seen as the line that
separates s form from its background, our perception of a
form’s shape will depend on the degree of visual contrast
between the form and its background.
Figure 3 Stable, Unstable Shapes
Figure 4 Shape forming to get recognized.
3. International Journal of Trend in Scientific Research and Development (IJTSRD) @ www.ijtsrd.com eISSN: 2456-6470
@ IJTSRD | Unique Paper ID – IJTSRD42473 | Volume – 5 | Issue – 4 | May-June 2021 Page 919
In architecture, we are concerned with the shapes of:
Planes (floors, walls, ceiling) that enclose space.
Openings (windows and doors) within a spatial
enclosure
2.4. LIGHT
Light has different meaning for different people. To the
physicist, it is a form of energy known as electromagnetic
energy. To humans, light is a sensation or perception. There
are two kinds of light – light from natural sources (primarily
the sun) and light from artificial sources (primarily candle,
fuel & electrical).
There are three sets of interdependent requirements for
adequate lighting. First, there is the functional requirement
exacted in interest of securing adequatelightforthephysical
task of seeing. Then, there is the psychological requirement
that, lighting contributesitssharetowardsthe establishment
of the atmosphere of space. Lastly, there is the design
requirement for good lighting. IN the fulfillment of this
requirement, the light must enhance the visual design of the
object directly. All of the above must be synchronized in
order to obtain good and adequate lighting.
Figure 5 Light from Artificial Source in a corridor
Figure 6 Light from natural Source
Figure 7 Artificial Light
2.4.1. Effect of light on colour and texture:
Direct and indirect lighting, whether artificial or natural,
have definite effect on the total value of the colour e.g. direct
light on any colour will look dim or dull in the tonal values.
2.4.2. Reflection of light
To a large extent the colours used in decoration and the
lighting schemes must be interrelated since the reflection of
light from various surfaces will affect the overall level of
illumination in the room. This is of considerable importance
in an area such as a kitchen or server and counter where
lighting is primarily considered as a functional requirement,
but is often of less significance in a restaurant where the
lighting is also used as an element of design.
Light reflection from a surface will depend on the hue –
colour in the sense of red, green, blue and so on; value –
lightness ranging from 0 (black) to 10 (white); andchrome–
saturation or intensity expressed from 0 (neutral) to 16
(strongest colour).Under the Munsell system (BS 2660:
1955) each colour is given a designing based on these scales
and the percentage reflectance of light from a surface can be
determined from the Munsell value using the following
formula:
Percentage Reflection = Value x (value – 1)
The way in which light is reflected from a surfacewill alsobe
affected by the concentration and direction of lightfallingon
it and by its nature – i.e. whether a matt or gloss finish.
2.5. TEXTURE
Texture is the quality of a surface, whether it is smooth,
rough, dull (malt) or glossy. We are able to observe texture
visually, through sight and the sense of touch. The variety of
reaction that is activated by touch is unlimited. Consider
your own sensual reaction when you touch a feather and
compare it to the sensation you feel when you touch a
pineapple.
Similarly, a different textures surface, painted withthesame
colour, creates interest because – tonal variations, due to
smooth textures and rough textures surfaces, give brighter
and darker tonal values, e.g. Sand-faced plaster and rough
cast plaster wall painted with same colour will givedifferent
tonal values and different colour shades. Visually, texture
can convey (I) richness as in silk against jute, (ii) harshness
such as rough cast plaster against smooth plaster or rough
4. International Journal of Trend in Scientific Research and Development (IJTSRD) @ www.ijtsrd.com eISSN: 2456-6470
@ IJTSRD | Unique Paper ID – IJTSRD42473 | Volume – 5 | Issue – 4 | May-June 2021 Page 920
against smooth stone and (iii) fineness such as granite
against marble or polished wood. Texture gives character to
the design and it creates interest in appearance at the same
time breaking the monotony.
2.6. FORM
Form shapes the space in which we line, by establishing its
limits.
Form defined as three dimensional shape,massorstructure,
is the most inclusive and unchanging element of our usual
world. Form is a word of many meanings, one to the
accountant, and other to a lawyer, and another to the
magician and so on. It is nothing definite buttothearchitects
or interior designers, what you can see as a structuresuchas
a door, which may be rectangular or door with an arch. Is a
form. Similarly so many examples can be quoted and it can
be seen as if it resembles a number of forms of natural things
like flowers, leaves, trees, mountains, clouds, sun, stars etc.
Form can be of any material – steel, concrete, brick, wood,
glass, plaster, or combinations of these. There are only three
basic forms: Plastic, Skeletal and Planner.Eachofthese basic
forms might be rectilinear or curvilinear. If the form is
rectilinear, its planes or solids are flat – like a square box –
but if the form is curvilinear, its planes or solids are curved
like a round box. Designers refer to certain forms as hard or
soft. They are not referring to the material of the form but to
their shapes. Hard forms have sharp edges whereas soft
forms do not have sharp edges but, may have the curved or
chamfered corners.
Figure 8 Plastic, Skeletal and Planner Form.
Plastic form is not the material but it is a solid structure
with minimum small sized punctures.
Skeletal form is one where in the frame-work is made
prominent.
Planner form is an interlocking of horizontal, vertical or
inclined planes of the structure.
In interior designing, where it is combination of art, science,
technology & intuition, the design of the furniture or space
must be such that, it can be very comfortably activity. One
must keep in mind that form must follow function and not
vice versa.
This phrase simply means that, the designofanobjectgrows
out of its purpose. The utilitarian function of the table forks
and spoons is to carry food from the dishes to the mouths;of
chairs to provide comfortable support to bodies in sitting
position; of chests of drawers to store clothes; of walls and
ceilings to provide enclosing protections and of windows to
bring light and air into the house. Nearly everything in the
house serves a specific useful function and that function is a
basic consideration in its design.
2.7. COLOUR
This is one of the most important elements, which bring life,
beauty (aesthetics), mood, emotion and character to the
design.
Since the beginning of time, colour in the world, at large has
made a definite impression upon the human receptive
nature. The systematic study of this subject, however, is a
comparatively young science. It deals with influence in
almost every part of human experience. Right from the
colour of the handle of one’s toothbrush to the festival of
colour named. Holi, which is celebrated with great
enthusiasm in India, clearlyindicatetheutilizationofcolours
in the stimulation of life and growth.
What is colour? It is a sensation which causes stimulation of
the eye. The white light, we see as daylight, is made up of all
the colours of the rainbow. It is the mixture of light waves of
different wavelengths that create a white look.
2.7.1. IMPORTANCE OF COLOUR:
Colours play a vital role in our lives in atmosphere andmake
it more interesting to live in. What about the effect of colour
on our mood? Imagine the colour of a clear, bright blue sky
on a cool, crisp day, which quickens our emotional response,
and compare it to a dull, overcast grey sky. The firstsuggests
cheerfulness and the latter, a feeling of somberness and
sadness.
2.7.2. EFFECT OF COLOUR ON HUMAN MINDS:
Think about the psychology of colour ted walls seems to
move forward: blue walls recede. It is does not work foryou,
do not worry. It’s never been proven. Thereason? Peopleare
different, confronted with a red wall; one person reacts
differently from another person with different experiences
and sensitivities.
If you are told a colour is fiery red, the colour would seem
hot to you. If someone labels a colour cool green, you will
probably believe it. It is not to so much a ca case seeing
believes as it believes is seeing. A suggestive label leads to
believing. A suggestive label leads to believing. But this does
not necessarily mean everyone will see it that way. What is
important is how you see colours.
Besides emotional, colours have physical effects as well. A
cotton judging establishment served a district consisting of
several plantations. One year, the crops produced a much
lower grade of cotton, the grading being determined by its
whiteness, inspite of there being no change in seed, soil or
rainfall. Someone finally solved the mystery. Thelargenorth
windows of the cotton laboratory faced a high wood fence.
During the year the fence had been painted red. Red
reflected into the laboratory making the cotton appear less
white than normal and therefore of poorer quality due to its
reddish tint.
Figure 9 Colour Spectrum - Light and Pigment Colours
5. International Journal of Trend in Scientific Research and Development (IJTSRD) @ www.ijtsrd.com eISSN: 2456-6470
@ IJTSRD | Unique Paper ID – IJTSRD42473 | Volume – 5 | Issue – 4 | May-June 2021 Page 921
2.7.3. Sources of Colour
Colour in a restaurant or lounge may be created by three
main techniques:
Coloured lights illuminating a white or neutral screen,
draperies or background;
Coloured lamp shades over tables and other areas; and
Colours in the decoration and furniture producing
reflection effects.
The first method has limited application but provides the
advantage of versatility since the positions of the lamps, the
direction of the light, the colours used and the position and
shape of the background curtains or draperies can all be
modified to create animation and interest and this principle
can be applied with fascinating results on water fountains
and waterfalls.
Coloured lamp shades are a useful way of producing local
colour – for instance a pool of colour around a table, or over
an alcove. However, this must be applied with caution and
used only in local areas of neutral tones (black, grey and
white). The effect of coloured light falling on a surface of
another colour is to reflect only the chrome which is
common to both. If the colours are in contrast the surface
will simply appear black or grey.This effect of lighting on
colour is also important when a restaurant changesfromthe
use of natural lighting in the day time to artificial
illumination in the evening, particularly where fluorescent
lighting is used.Most of the colour and contrast in a room is
introduces in the decoration of the walls and ceilings, and in
the carpet, curtains and upholstery of chairs. Coloured table
cloths and place mats will also provide splashes of local
colour by reflection of light.
2.7.4. Colour Combinations
The range of colours which forms the spectrumincomposed
of three types:
1. Primary colours – red, yellow and blue;
2. Secondary colours – produced by mixing two of the
pigments of primary colours in equal proportions
(orange = red plus yellow, green = yellow plus blue,
purple = blue plus red) ; and
3. Tertiary colours – formed by mixing a primary and
secondary colour, the effect depending on the
proportions used (e.g. blue plus green = turquoise).
The intensity of chrome of a colour can be modified by
adding black, grey, or white to produce different tones.
Shades are colours mixed with black or grey and tints are
colours lightened by white (i.e. pastels).
Colours can be represented as a circle to show their
relationships and effects:
Figure 10 Colour wheel
The colours to the left lend to be dark or heavy while those
to the right are light with a high reflective value. Colours on
opposite sides of the circle are contrasting or
complementary while those adjoining each other are said to
be in harmony. A strong pure colour – one with high chrome
– tends to dominate over larger areas of tinted pale or
neutral colours, and can be usedtohighlightspecificfeatures
of design or pattern. Similarly, metallic paints or films such
as gilding can be used on prominent features to reflect light
and sparkle.
2.8. Effect of Colour
Most colours tend to produce psychological responses
mainly because of familiar associationswiththosecolours in
other areas and because of the effects of each particular
stimulation of the sensory nerves of the eye.
Blues and greens from a natural backgroundrole(sky,grass,
trees) and tend to be seen as cool, relaxing and soothing
colours which make the surface recede. Theyarelessquickly
and easily discerned in detail, and should be used in pure or
pastel tones rather than grey shades. Dark blue is inclined to
be oppressive (night) and should preferably be limited to
small areas of detail. Having regard to the weather these
colours are of limited application in restaurant design in
northern climates and should not be used in rooms with a
north aspect.
Oranges, reds and yellows (sunshine, heat, fire) are by
contrast warm stimulating gay colours tending also to
advance sociable environment. These colours tend also to
advance surfaces, making a room appear smaller and more
intimate. The reflection of red tints has a flattering effectand
tends to emphasis the richness and freshness of meat.
Brilliant hues of these colours, however, must be used with
caution. Against a background ofdirectcontrast,forexample
red against green, the prolonged effect may be to produce
dazzle and flickering in the eye. The sensitivity of the eye to
brilliant colours such as red tires quickly and this visual
fatigue tends to distort the appearance of other colours by
emphasizing those in direct contrast. In a situation where
there is a high turnover of occupancy-such as in snack bars-
bright colours may be attractive but in othersituationssome
toning down or the larger areas- by dilution into shades and
tints – is often desirable without detracting from the other
benefits.
Violet has almost the opposite effect of yellow, tending to
produce an unreal sensation ofwithdrawal andescapism. On
the other hand purple is a rich impressive colour (royalty)
and is very effectively used in decoration features with gold.
A mixture of intense colours tends to heighten the tension.
Neutral shades such as cream and grey blend unnoticeably
into the background. This effect is most desirableina setting
of elegance and simplicity where sufficient contrast in
achieved by colours andpatternsinthefurnishing,paintings,
flowers, etc, and food.Black and white is employed mainlyin
the furniture and furnishing to contrast with other colours,
and may be used to separate different areas of colour
schemes. White tablecloths also emphasis the colour
contrasts of food and wine.Special effects may also be
introduced to emphasis features and details or to provide
focal points of interest and entertainment. Examplesinclude
stained glass and colouredmosaics which are often used in
lounges and bars to add colour and sparkle, metallic colours
or tints to impart sheen, and gilding carefully placed to
reflect light.
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3. STUDY OF COLOURS
3.1. Classification of Colours:
1. Primary Colours
2. Secondary Colours
3. Intermediately Colours
4. Tertiary Colours
5. Quaternary Colours
Figure 11 Classification of Colours
3.1.1. PRIMARY COLOURS
Red, Yellow and Blue are called primary colours. The term
primary or basic is used because we cannot get them by
mixing other colours. They occur in either natural or man-
made pigments. By mixing a range of primary colours, we
can get many other colours. All colours stem from these
primary colours.
Figure 11 Primary Colours
Figure 12 Intermediate Colours
3.1.2. SECONDARY COLOURS
Whenever two primary colours are added in equal
proportions a Secondary Colour is obtained.
50% Yellow + 50% Red = Orange
50% Red + 50% Blue = Violet (Purple)
50% Blue + 50% Yellow = Green
3.1.3. INTERMEDIATE COLOURS
When a primary colour anditsadjacentsecondarycolourare
mixed in equal proportions, we get an intermediate colour.
1. Yellow + green = yellow green
2. Red + orange = reddish orange
3. Blue + green = bluish green
4. Yellow + orange = yellowish orange
5. Red + violet (purple) = reddish purple (violet)
6. Blue + violet (purple) = bluish purple (violet)
Figure 13 Secondary Colours
3.1.4. TERTIARY COLOURS
When two secondarycolours aremixedin equal proportions,
they form a neutralized primary colour i.e. Tertiary colours
orange + green = neutralized primary Citron yellowish gray.
3.1.5. QUARTERNARY COLOURS
When two tertiary colours are mixed in equal proportions,
they form neutralized secondary colour i.e. Quarternary
colours.
3.2. DIMENSIONS OF COLOUR
Hue: It is the name of the colour such as yellow red, blue.
Hue indicates the colour position in thecolour wheel andthe
spectrum. In also indicates the warmth and coolness of a
colour as under. Red is a warm colour, Blue is a cool colour
and Green is an intermediate colour.
Value: It only refers to the lightness of darkness of a colour,
i.e. amount of light reflected or transmitted by the object.
Between the whitest white and the blackest black there are
countless degrees of light and dark values. Any hue can vary
in value e.g. Red can become light pink of dark maroon.
Intensity: It indicates a color’s brightnessofdullness.Thisis
determined by the quality of the dominant hue, e.g. Bright
royal blue is more intense than powder blue.
There are various ways to change a hue, value,orintensityof
a colour. Adding white to red, changes it to a lighter red,
known as a Tint. A colour would be darkened by adding
black to it, and it could then be called a Shade. An Infinite
variety of any colour is possible depending on how much we
lighten or darken it.The tone of a colour has nothing to do
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with its brightness or somberness; it simply means depth or
strength of colour. In a black and white photograph, objects
show up according to their tonal value, rather than the
brilliance of their colour.
3.3. STANDARD COLOUR HARMONIES
It consists of various colour schemes i.e. Monochromatic,
Analogous, Complementary, Split Complementary, Double
Split Complementary, Triads, Contrast Colour Scheme,
Harmonizing Colour Scheme and Neutrals.
Monochromatic Scheme: This Scheme, simple but
attractive, is one in which many tints and shades of a single
colour are used.
Figure 14 Monochromatic Scheme
Analogous Scheme: This scheme permits the use ofcolours
lying adjacent to each other on the chromatic circle (colour
wheel). These colours are not necessarily used in their pure
form but mixed together in varying amounts so that
numerous shades may be developed from the few colours
used. It is usual for one colour to dominate.
Complementary Scheme: For a simple complementary
scheme, two colour opposite to each other on the chromatic
circle such as blue, violet and yellow, are used in under
mentioned varying proportions such as 65-35,75-25,80-20.
Neither of these need be used in the pure from but hundreds
of shades may be obtained by blending them in varying
amounts.
Note that, the colour of the smaller area complements the
colour of the larger area.
Figure 15 Split Complementary
Split Complementary Scheme: A split complementary
takes the form of a ‘y’ on the colour wheel. The one are of the
‘Y’ on the colour wheel. The one are of the ‘Y’ pointing for
instance, to yellow orange, the other are to the yellow green
and the stem of the ‘Y’ to violet.
Note that, no primary colour can be split.
Double Split (Near)Complementary:Thistaketheform‘X’
on the chromatic circle, for example,thetoparmspointingto
yellow orange and yellow green and the bottom arms
pointing to red violet and blue violet.
Figure 16 Near Complementary
Triads: Another excellentcolourschememaybeobtainedby
the mixture of triads, i.e. 3 colours located at the third points
of the chromatic circle. For instance red, yellow and blue.
Figure 17 The Triad
Figure 18 The Tetrad
Contrast Colour Scheme (Tetrad):Theseareusuallybased
on two different primary colours red and blue for instance,
or red and green (which is blue+ yellow). Contrast Colour
Scheme can often be extremelyeffective,especially,ifusedin
the proportion of 50-50, deliberately in a primitive way.
The danger with contrast is that, they can look harsh or
crude unless carefully handled. On the whole, they are best
used in uneven balance. This can be used to break the
harmonizing elements.
Harmonizing Colour Scheme: These are colours based on
or linked by the same primary colours. Quite a number of
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colours that at first appear to be strongly contrasted,havein
fact got some colour link. Pink and orange, for example,have
some proportion of red as linking colour, orange being red
and yellow. A one colour harmonizing scheme – that is one
built up by using different tones and shades of the same
colour, is probably easier to handle than any other.
Neutrals: Perhaps the best way of defining a neutral is to
call it a background colour-a colour which can be used in
large areas without tiring or distracting the eyes andagainst
which, other colours showupvividlyandeffectively,Whiteis
the most commonly used neutral, Black is good when used
with white and other neutrals and grey has to be used
carefully or it looks depressing,Brown(possiblybecause itis
a mixture of three primary colours) is another very helpful
neutral, especially, if quite a lot of grey has been added to it.
The advantage of a neutral is that, it does not need to be
changed too fast.
Warm, Cool and Neutral Colours: (Refer colour wheel)
Greenish yellow, Yellow, Orange yellow, Orange, Organism
red, Purplish and are warm colours.
Bluish green, Blue, Bluish purple are cool colours. 50%
Yellow and 50% Blue i.e. Green and 50% Red and 50% Blue
i.e. Purple are Neutral Colours.
Figure 19 Colour Wheel
4. Conclusion:
Colours behave in most interesting ways. People are always
fooled when they select a certain colour from a small colour
chip to be applied to a large area. A colour of a certain hue
and lightness appears different in interior spaces than in
exterior spaces. It is even differentindirectlightandindirect
light. The size matters, a small area will not look the same as
a large area of the same colour.
Thus, it is worth-while taking both time and trouble to
understand how colours can work for you,becausechoosing
colour scheme can be one of the most enjoyable aspects of
house decoration. Through colours you can express your
personality and make a home uniquely yours. The way the
colours are put together in a room will determine its
character and will differentiate it fromanyother.Inanage of
standardization and mass production, this is surely to be
valued.
Far more design freedom, application of theories, material
choices stylistic development, locational fit, Elevation,
options and more architectural Explorations. Architecture
becomes important for architects own professional growth
all over world, Designing projects most complex profession.
Designing purpose of projects need redefinitions, architects
own ideas also bound to change because it is critical to be
observing the present trends.
Architects will have their Exposure and Experience for
designing projects. Hence the variety and diversity vise
versa. This is the time to promote Architects collectively
promote architecture projectsandaswell Educational based
policies. Thematic approaches including cost conscious
construction, culturally appropriate,climaticallyconfirming,
creativity, dialoguing, Energy Embodied, harmony with
nature, scale of spaces, sequential privacy, connectivity,
visual depths, functional flexibility, visual perception,
experience of users and life cycle matters.
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