An inside view of the beautiful artwork in stone of a south indian temple which I have visited recently. This temple in Thirukurungudi is in southend of tamilnadu, in Tirunelveli district.
The document provides details about various architectural styles and structures in Northern, Central, and Southern India. It describes temples such as the Sun Temple in Konark and Jagannath Temple in Puri, as well as the Martand Sun Temple in Kashmir. It also discusses the Kirti Stambha and Jaya Stambha in Chittor Fort, river ghats along the Ganges, and various palaces in Gwalior. Furthermore, it summarizes the early Chalukyan rock-cut cave temples at Badami as well as structural temples such as the Lad Khan Temple at Aihole and various structures at Pattadkal.
The Sun Temple was built in the 13th century as a representation of Surya, the Sun God's chariot. It has intricate stone carvings and was precisely planned according to ancient texts. The main temple reaches 225 feet high and was the tallest structure in Odisha at the time. It features 24 massive wheels carved with designs and statues, representing the chariot pulled by seven horses that Surya rides across the sky each day.
The document discusses Dravidian architecture and temple architecture from South India. It describes the key components of Dravidian style temples including the vimana (sanctuary), mantapams (porches), gopurams (gateway towers), and other structures. It also discusses the origins of the Dravidian style in the Gupta period and provides examples of structural temples from the Pallava dynasty like the Kailasanatha temple. Materials used included stone, brick, and wood, with stone becoming more common over time.
The document summarizes the temple architecture of the Early Chalukyas located in Pattadakal, India. It describes the 10 temples located there representing both the Dravidian and Nagara styles. Two important temples highlighted are the Virupaksha Temple built in 740 CE, known for its perfect architectural balance, and the Sangmeshwara Temple, the earliest temple in the Dravidian style. The temples showcase sculptures depicting Hindu religious texts and stories of gods and goddesses, representing the fusion of northern and southern architectural styles during the Early Chalukyan period.
The Papanatha Temple located in Pattadakal, Karnataka dates back to 680 AD. It is designed in both the northern and southern architectural styles of India. The temple has a beehive shaped tower and is decorated with sculptures from the Ramayana and Mahabharata. It initially started construction in the northern style but later transitioned to the Dravidian style of architecture. The temple walls contain ornate carvings and niches housing Hindu deities.
The document provides an overview of temple architecture in India, focusing on northern, southern, and eastern Indian styles. It describes the key architectural elements and evolution over time, with examples including the Khajuraho group of temples, Lingaraj temple in Bhubaneswar, Jagannath temple in Puri, and the Sun Temple in Konark. The styles are characterized by elements such as shikhara towers, mandapas, and sculptural details that varied regionally under religious and geographic influences.
The document discusses the Brihadeeswara Temple located in Thanjavur, Tamil Nadu. The temple was commissioned in 1004 AD by the Tamil emperor Rajaraja Chola I and took nearly three decades to complete. It is a UNESCO World Heritage Site and is notable for its massive granite construction as well as its design which prevents the shadow of the vimana (tower) from falling on the ground at noon. The temple is dedicated to the Hindu god Shiva and is an architectural marvel demonstrating the achievements of the Chola dynasty.
The document provides details about Chalukyan architecture found in temples located in Aihole, Pattadakal, and Badami in Karnataka, India. The Chalukyan style originated in the 6th century and blended northern Indian and southern Indian architectural elements. Key features included curved towers, pilastered walls, and elaborate carvings. Important early Chalukyan sites included the Ladkhan Temple and the Durga Temple in Aihole, which featured sloping roofs and richly carved ceilings. In Pattadakal, the Virupaksha Temple and Jambulinga Temple exhibited both Dravidian and Nagara styles. Badami was the Chalukyan capital, with rock
The document provides details about various architectural styles and structures in Northern, Central, and Southern India. It describes temples such as the Sun Temple in Konark and Jagannath Temple in Puri, as well as the Martand Sun Temple in Kashmir. It also discusses the Kirti Stambha and Jaya Stambha in Chittor Fort, river ghats along the Ganges, and various palaces in Gwalior. Furthermore, it summarizes the early Chalukyan rock-cut cave temples at Badami as well as structural temples such as the Lad Khan Temple at Aihole and various structures at Pattadkal.
The Sun Temple was built in the 13th century as a representation of Surya, the Sun God's chariot. It has intricate stone carvings and was precisely planned according to ancient texts. The main temple reaches 225 feet high and was the tallest structure in Odisha at the time. It features 24 massive wheels carved with designs and statues, representing the chariot pulled by seven horses that Surya rides across the sky each day.
The document discusses Dravidian architecture and temple architecture from South India. It describes the key components of Dravidian style temples including the vimana (sanctuary), mantapams (porches), gopurams (gateway towers), and other structures. It also discusses the origins of the Dravidian style in the Gupta period and provides examples of structural temples from the Pallava dynasty like the Kailasanatha temple. Materials used included stone, brick, and wood, with stone becoming more common over time.
The document summarizes the temple architecture of the Early Chalukyas located in Pattadakal, India. It describes the 10 temples located there representing both the Dravidian and Nagara styles. Two important temples highlighted are the Virupaksha Temple built in 740 CE, known for its perfect architectural balance, and the Sangmeshwara Temple, the earliest temple in the Dravidian style. The temples showcase sculptures depicting Hindu religious texts and stories of gods and goddesses, representing the fusion of northern and southern architectural styles during the Early Chalukyan period.
The Papanatha Temple located in Pattadakal, Karnataka dates back to 680 AD. It is designed in both the northern and southern architectural styles of India. The temple has a beehive shaped tower and is decorated with sculptures from the Ramayana and Mahabharata. It initially started construction in the northern style but later transitioned to the Dravidian style of architecture. The temple walls contain ornate carvings and niches housing Hindu deities.
The document provides an overview of temple architecture in India, focusing on northern, southern, and eastern Indian styles. It describes the key architectural elements and evolution over time, with examples including the Khajuraho group of temples, Lingaraj temple in Bhubaneswar, Jagannath temple in Puri, and the Sun Temple in Konark. The styles are characterized by elements such as shikhara towers, mandapas, and sculptural details that varied regionally under religious and geographic influences.
The document discusses the Brihadeeswara Temple located in Thanjavur, Tamil Nadu. The temple was commissioned in 1004 AD by the Tamil emperor Rajaraja Chola I and took nearly three decades to complete. It is a UNESCO World Heritage Site and is notable for its massive granite construction as well as its design which prevents the shadow of the vimana (tower) from falling on the ground at noon. The temple is dedicated to the Hindu god Shiva and is an architectural marvel demonstrating the achievements of the Chola dynasty.
The document provides details about Chalukyan architecture found in temples located in Aihole, Pattadakal, and Badami in Karnataka, India. The Chalukyan style originated in the 6th century and blended northern Indian and southern Indian architectural elements. Key features included curved towers, pilastered walls, and elaborate carvings. Important early Chalukyan sites included the Ladkhan Temple and the Durga Temple in Aihole, which featured sloping roofs and richly carved ceilings. In Pattadakal, the Virupaksha Temple and Jambulinga Temple exhibited both Dravidian and Nagara styles. Badami was the Chalukyan capital, with rock
The Dilwara Jain temples in Mount Abu, India were built between the 11th-13th centuries AD and are renowned for their extraordinary marble stone carvings. The temples feature phenomenally ornate carvings that were achieved through the meticulous scraping away of marble to reveal intricate figures. There are five main temples dedicated to different Jain tirthankaras. The Vimal Vasahi and Luna Vasahi temples are particularly praised for their architectural details and ornate carvings that were crafted to an exceptional level of precision and beauty.
The document provides information on Chalukyan architecture and style between the 6th and 12th centuries in central and southern India. It discusses the three Chalukyan dynasties that ruled different regions, and their contributions to Kannada and Telugu literature. Rock-cut cave temples and structural temples built in Badami, Aihole and Pattadakal are described in detail, highlighting their structural features. Subsequently, it covers the later Hoysala architecture of the 11th-13th centuries, including examples like the Chennakesava Temple in Belur. In the south, it characterizes Dravidian architecture as having trabeated construction, courtyards and gopurams, with an emphasis on
Jain architecture does not have a distinct style of its own. Jain temples adopted local building traditions, following Vaisnava styles in North India and Dravidian styles in South India. Some characteristics include being 'four-faced' with an entrance portico and columns arranged in an octagonal shape within a square. Domes are built in concentric rings and topped with ornamental elements. Important examples include the Dilwara Jain temples at Mount Abu with intricate marble carvings and the colossal Gomateshwara statue at Shravanabelagola.
This document summarizes the evolution of Dravidian temple architecture from early rock-cut cave temples under the Pallavas to later structural temples of the Cholas. It describes key developments such as the transition from simple rock-cut caves to carved monoliths depicting temple designs under the Pallavas. Structural temples began under later Pallava kings with examples at Kanchipuram featuring ornate carvings. Early Chola temples had distinguishing features and elaborated on structural complexes, while later periods saw hundreds of temples built across South India in evolving architectural styles over centuries of Chola rule.
The document discusses Buddhist stupas and their architectural features. It begins by defining a stupa as an earthen mound enclosing Buddhist relics, similar in form to Egyptian pyramids. It then classifies stupas into three types and describes the key structural elements of a typical stupa including the harmika, anda, medhi, and ambulatory paths. A significant portion of the document then focuses on describing the famous Great Stupa at Sanchi, including its dome, terraces, gateways, and ornamentation. It concludes by briefly mentioning the Dharmaksha stupa at Sarnath and key features of chaityas or prayer halls often found near stupas.
INDIAN ANCIENT CONSTRUCTION: DRAVIDIAN AND TEMPLE ARCHITECTUREKarthik Kumar
Published on march 21, 2018
India has got many wonders in the form of structures built especially in ancient times, these remained strong against all the destructive forces unlike modern structures built with latest technologies.
Pattadakal is a group of Hindu and Jain temples from the 7th-8th centuries located in northern Karnataka. There are nine major Hindu temples and one Jain temple clustered together, demonstrating a harmonious blend of northern and southern Indian architectural styles. The temples are a UNESCO World Heritage site and illustrate the height of eclectic art during the rule of the Chalukya dynasty, with carvings depicting stories from Hindu texts. The temples are significant for expressing 8th century Hindu and Jain religion, society, and culture in the Deccan region through their architecture, art, and relative positioning.
Early chalukyas architecture,aihole, pattadkalluVijay Bharadwaj
The document summarizes key architectural features and historical context of several early Hindu temples in India. It describes the Ladh Khan Temple in Aihole as the oldest structure in the group, dating to the 5th century. It also describes the Durga Temple in Aihole, which follows the design of Buddhist Chaitya halls. Finally, it analyzes the Papanatha and Virupaksha temples at Pattadakal, with the Virupaksha Temple showing architectural advances compared to the older Papanatha Temple, demonstrating progress between the 7th and 8th centuries.
The Srirangam temple complex in Srirangam, India is the largest functioning Hindu temple in the world, covering over 630,000 square meters. It is bounded by the Kaveri River and its distributary, the Kollidam River. The complex consists of 7 walled sections and 21 towers, including the 236 foot tall Rajagopuram tower that dominates the landscape for miles. The temple contains many structures like the Hall of 1000 Pillars and shrines to various forms of Vishnu. It follows Dravidian architecture and attracts over 1 million visitors annually for its 21 day festival.
There were three main styles of temple architecture in ancient India: [1] The Nagara style, seen in temples like Khajuraho, used stacked, diminishing tiers to form a tall spire. [2] The Dravida style, seen in temples like Kailashnath, used a pyramidal tower composed of diminishing tiers. [3] The Vessara style blended elements of the Nagara and Dravida styles. Islamic architecture in India combined Persian influences with local Hindu designs and decoration. Shah Jahan, known as the "prince of builders," commissioned grand monuments in Agra and Delhi, including the Taj Mahal, Red Fort, and Jama Masjid
The document discusses Hoysala architecture and two prominent temples constructed in this style - the Chennakesava Temple at Belur and the Hoysaleswara Temple at Halebidu. It notes that Hoysala architecture flourished between the 11th and 14th centuries, producing many ornate temples. It provides background on the Hoysala Empire and highlights key features of the two temples such as their construction details, sculptures, and religious significance.
The document discusses Chalukya architecture from the 6th to 8th century in Karnataka, India. It focuses on two temples in Aihole - the oldest being the Ladkhan Temple dedicated to Lord Shiva with 12 carved pillars and carved wall images, and the medieval Durga Temple built in the Nagara style with an unusual apsidal shape resembling the back of an elephant. Both temples have square pillars and openings between pillars.
Madhuraimeenakshitemple 170422064238 (1)Nivedha An
The Meenakshi Temple in Madurai, Tamil Nadu was built by the Pandyan Dynasty rulers in the early 17th century. It is located on the banks of the Vaigai River and is dedicated to Goddess Meenakshi and her consort, Lord Sundareswarar. The temple follows the traditional South Indian temple architecture style with high gopurams, concentric walls and corridors. It is the heart of the city of Madurai and was built with the temple at the center, around which the city expanded in a concentric layout.
The document provides information on Hindu temple architecture styles across India. It discusses the principal features of North and South Indian temple designs including shikhara towers, vimanas, and gopurams. The three main styles described are Nagara, Dravida, and Vesara. Specific temples highlighted include Lingaraja Temple with its tall shikhara, Konark's chariot-style design dedicated to Surya, and the large Brihadeeswara Temple complex near Thanjavur with its tall vimana.
Under the Cholas from 900 to 1150 CE:
- The Cholas emerged as the dominant power in South India and extended their rule north to the Ganga river and south to Sri Lanka.
- This was a period of growth for Dravidian art and architecture, as the Cholas built ornate bronze statues and magnificent temples along the Kaveri river, including over 2300 temples across the Kaveri region.
- Some of the grandest Chola temples still standing today include the Brihadeeswarar Temple at Thanjavur from 1010 CE and the Temple of Gangaikonda Cholapuram from 1033 CE, both now UNESCO World Heritage
Hinduism is a polytheistic religion practiced in South India. The goal is to achieve moksha through worship of gods like Brahma, Vishnu, Shiva and goddesses like Lakshmi and Parvati. Temple architecture is based on a grid system and includes a central sanctuary and pillared halls. Important examples from the Pallava period at Mamallapuram include rock-cut temples and rathas. The Chola period saw large brick temples like Brihadeeswarar Temple at Thanjavur with huge gopurams. The Nayaka period Minakshi Temple at Madurai has a hall of thousand pillars and large sculpted gopurams.
The document summarizes the key differences between Dravidian and Nagara styles of Hindu temples in India. Dravidian temples, more common in South India, emphasize horizontality with one or more stories and a stepped pyramidal tower. Nagara temples of North India emphasize verticality with a tall spire and suppression of horizontal lines. Some examples of architectural features described include the Kailasanatha Temple at Ellora, Brihadeeswarar Temple at Thanjavur, and Kandariya Mahadeva Temple at Khajuraho.
The Chennakesava Temple in Belur, Karnataka is considered one of the finest examples of Hoysala architecture. Built in the 12th century during the rule of the Hoysala Empire, the temple features intricate stone sculptures and horizontal friezes depicting Hindu epics across its outer walls. The symmetrical design and finely crafted sculptures within the three shrines to Keshava, Janardhana, and Venugopala make the Chennakesava Temple stand out among other Hoysala monuments.
The Chalukyan dynasty ruled northern Karnataka during the 6th century and made significant contributions to temple architecture. They blended elements of Dravidian and Nagara styles into their unique Vesara style. Important examples include the rock-cut temples at Aihole, which is considered the cradle of Indian architecture, and the cave temples at Badami decorated with sculptures. The Virupaksha Temple at Pattadakal, dedicated to Lord Shiva, represents the perfection of the Chalukyan architectural style with its tall vimana and richly carved pillars.
A report by MindShift Metrics covers how users on Twitter reacted when Rajnikanth joined Twitter and how he leveraged the promotion of his film. The report concludes with a strategy on how celebrities can leverage themselves further using social media
Walking backwards in public is an unusual activity that draws attention. While some people laugh or stare in confusion, most people seem unphased by the strange behavior. Walking backwards uses different muscles and requires trusting others to watch where you're going, as looking over your shoulder is not possible. Bumping into obstacles and falling off curbs showed the challenges of not seeing where you are going.
The Dilwara Jain temples in Mount Abu, India were built between the 11th-13th centuries AD and are renowned for their extraordinary marble stone carvings. The temples feature phenomenally ornate carvings that were achieved through the meticulous scraping away of marble to reveal intricate figures. There are five main temples dedicated to different Jain tirthankaras. The Vimal Vasahi and Luna Vasahi temples are particularly praised for their architectural details and ornate carvings that were crafted to an exceptional level of precision and beauty.
The document provides information on Chalukyan architecture and style between the 6th and 12th centuries in central and southern India. It discusses the three Chalukyan dynasties that ruled different regions, and their contributions to Kannada and Telugu literature. Rock-cut cave temples and structural temples built in Badami, Aihole and Pattadakal are described in detail, highlighting their structural features. Subsequently, it covers the later Hoysala architecture of the 11th-13th centuries, including examples like the Chennakesava Temple in Belur. In the south, it characterizes Dravidian architecture as having trabeated construction, courtyards and gopurams, with an emphasis on
Jain architecture does not have a distinct style of its own. Jain temples adopted local building traditions, following Vaisnava styles in North India and Dravidian styles in South India. Some characteristics include being 'four-faced' with an entrance portico and columns arranged in an octagonal shape within a square. Domes are built in concentric rings and topped with ornamental elements. Important examples include the Dilwara Jain temples at Mount Abu with intricate marble carvings and the colossal Gomateshwara statue at Shravanabelagola.
This document summarizes the evolution of Dravidian temple architecture from early rock-cut cave temples under the Pallavas to later structural temples of the Cholas. It describes key developments such as the transition from simple rock-cut caves to carved monoliths depicting temple designs under the Pallavas. Structural temples began under later Pallava kings with examples at Kanchipuram featuring ornate carvings. Early Chola temples had distinguishing features and elaborated on structural complexes, while later periods saw hundreds of temples built across South India in evolving architectural styles over centuries of Chola rule.
The document discusses Buddhist stupas and their architectural features. It begins by defining a stupa as an earthen mound enclosing Buddhist relics, similar in form to Egyptian pyramids. It then classifies stupas into three types and describes the key structural elements of a typical stupa including the harmika, anda, medhi, and ambulatory paths. A significant portion of the document then focuses on describing the famous Great Stupa at Sanchi, including its dome, terraces, gateways, and ornamentation. It concludes by briefly mentioning the Dharmaksha stupa at Sarnath and key features of chaityas or prayer halls often found near stupas.
INDIAN ANCIENT CONSTRUCTION: DRAVIDIAN AND TEMPLE ARCHITECTUREKarthik Kumar
Published on march 21, 2018
India has got many wonders in the form of structures built especially in ancient times, these remained strong against all the destructive forces unlike modern structures built with latest technologies.
Pattadakal is a group of Hindu and Jain temples from the 7th-8th centuries located in northern Karnataka. There are nine major Hindu temples and one Jain temple clustered together, demonstrating a harmonious blend of northern and southern Indian architectural styles. The temples are a UNESCO World Heritage site and illustrate the height of eclectic art during the rule of the Chalukya dynasty, with carvings depicting stories from Hindu texts. The temples are significant for expressing 8th century Hindu and Jain religion, society, and culture in the Deccan region through their architecture, art, and relative positioning.
Early chalukyas architecture,aihole, pattadkalluVijay Bharadwaj
The document summarizes key architectural features and historical context of several early Hindu temples in India. It describes the Ladh Khan Temple in Aihole as the oldest structure in the group, dating to the 5th century. It also describes the Durga Temple in Aihole, which follows the design of Buddhist Chaitya halls. Finally, it analyzes the Papanatha and Virupaksha temples at Pattadakal, with the Virupaksha Temple showing architectural advances compared to the older Papanatha Temple, demonstrating progress between the 7th and 8th centuries.
The Srirangam temple complex in Srirangam, India is the largest functioning Hindu temple in the world, covering over 630,000 square meters. It is bounded by the Kaveri River and its distributary, the Kollidam River. The complex consists of 7 walled sections and 21 towers, including the 236 foot tall Rajagopuram tower that dominates the landscape for miles. The temple contains many structures like the Hall of 1000 Pillars and shrines to various forms of Vishnu. It follows Dravidian architecture and attracts over 1 million visitors annually for its 21 day festival.
There were three main styles of temple architecture in ancient India: [1] The Nagara style, seen in temples like Khajuraho, used stacked, diminishing tiers to form a tall spire. [2] The Dravida style, seen in temples like Kailashnath, used a pyramidal tower composed of diminishing tiers. [3] The Vessara style blended elements of the Nagara and Dravida styles. Islamic architecture in India combined Persian influences with local Hindu designs and decoration. Shah Jahan, known as the "prince of builders," commissioned grand monuments in Agra and Delhi, including the Taj Mahal, Red Fort, and Jama Masjid
The document discusses Hoysala architecture and two prominent temples constructed in this style - the Chennakesava Temple at Belur and the Hoysaleswara Temple at Halebidu. It notes that Hoysala architecture flourished between the 11th and 14th centuries, producing many ornate temples. It provides background on the Hoysala Empire and highlights key features of the two temples such as their construction details, sculptures, and religious significance.
The document discusses Chalukya architecture from the 6th to 8th century in Karnataka, India. It focuses on two temples in Aihole - the oldest being the Ladkhan Temple dedicated to Lord Shiva with 12 carved pillars and carved wall images, and the medieval Durga Temple built in the Nagara style with an unusual apsidal shape resembling the back of an elephant. Both temples have square pillars and openings between pillars.
Madhuraimeenakshitemple 170422064238 (1)Nivedha An
The Meenakshi Temple in Madurai, Tamil Nadu was built by the Pandyan Dynasty rulers in the early 17th century. It is located on the banks of the Vaigai River and is dedicated to Goddess Meenakshi and her consort, Lord Sundareswarar. The temple follows the traditional South Indian temple architecture style with high gopurams, concentric walls and corridors. It is the heart of the city of Madurai and was built with the temple at the center, around which the city expanded in a concentric layout.
The document provides information on Hindu temple architecture styles across India. It discusses the principal features of North and South Indian temple designs including shikhara towers, vimanas, and gopurams. The three main styles described are Nagara, Dravida, and Vesara. Specific temples highlighted include Lingaraja Temple with its tall shikhara, Konark's chariot-style design dedicated to Surya, and the large Brihadeeswara Temple complex near Thanjavur with its tall vimana.
Under the Cholas from 900 to 1150 CE:
- The Cholas emerged as the dominant power in South India and extended their rule north to the Ganga river and south to Sri Lanka.
- This was a period of growth for Dravidian art and architecture, as the Cholas built ornate bronze statues and magnificent temples along the Kaveri river, including over 2300 temples across the Kaveri region.
- Some of the grandest Chola temples still standing today include the Brihadeeswarar Temple at Thanjavur from 1010 CE and the Temple of Gangaikonda Cholapuram from 1033 CE, both now UNESCO World Heritage
Hinduism is a polytheistic religion practiced in South India. The goal is to achieve moksha through worship of gods like Brahma, Vishnu, Shiva and goddesses like Lakshmi and Parvati. Temple architecture is based on a grid system and includes a central sanctuary and pillared halls. Important examples from the Pallava period at Mamallapuram include rock-cut temples and rathas. The Chola period saw large brick temples like Brihadeeswarar Temple at Thanjavur with huge gopurams. The Nayaka period Minakshi Temple at Madurai has a hall of thousand pillars and large sculpted gopurams.
The document summarizes the key differences between Dravidian and Nagara styles of Hindu temples in India. Dravidian temples, more common in South India, emphasize horizontality with one or more stories and a stepped pyramidal tower. Nagara temples of North India emphasize verticality with a tall spire and suppression of horizontal lines. Some examples of architectural features described include the Kailasanatha Temple at Ellora, Brihadeeswarar Temple at Thanjavur, and Kandariya Mahadeva Temple at Khajuraho.
The Chennakesava Temple in Belur, Karnataka is considered one of the finest examples of Hoysala architecture. Built in the 12th century during the rule of the Hoysala Empire, the temple features intricate stone sculptures and horizontal friezes depicting Hindu epics across its outer walls. The symmetrical design and finely crafted sculptures within the three shrines to Keshava, Janardhana, and Venugopala make the Chennakesava Temple stand out among other Hoysala monuments.
The Chalukyan dynasty ruled northern Karnataka during the 6th century and made significant contributions to temple architecture. They blended elements of Dravidian and Nagara styles into their unique Vesara style. Important examples include the rock-cut temples at Aihole, which is considered the cradle of Indian architecture, and the cave temples at Badami decorated with sculptures. The Virupaksha Temple at Pattadakal, dedicated to Lord Shiva, represents the perfection of the Chalukyan architectural style with its tall vimana and richly carved pillars.
A report by MindShift Metrics covers how users on Twitter reacted when Rajnikanth joined Twitter and how he leveraged the promotion of his film. The report concludes with a strategy on how celebrities can leverage themselves further using social media
Walking backwards in public is an unusual activity that draws attention. While some people laugh or stare in confusion, most people seem unphased by the strange behavior. Walking backwards uses different muscles and requires trusting others to watch where you're going, as looking over your shoulder is not possible. Bumping into obstacles and falling off curbs showed the challenges of not seeing where you are going.
Worshiping God purifies the soul of man and takes him closer to God. The southern part of India, well known for its cuisine and culture, is also reputed for its Temples.
1. TIRUMALA VENKATESWARA TEMPLE
Resting on the Tirumala hill in the southern part of Andhra Pradesh, the divine temple is the abode of Lord Venkateswara. The tirupati is the wealthiest temple in the world. The outer dome of the main temple is all covered with gold. It has been patronized by many various rulers and kings over the years. People even cross the seven hills on foot out of immense devotion chanting the name of Lord Venkateswara. It takes four to five hours to complete the journey on foot but it is convenient to take a bus.
2. MEENAKSHI TEMPLE
Ancient Madurai in Tamil Nadu is home to this magnificent and important temple of South India. The temple premises are huge, covering an area of 15 acres. There is a holy pond in the interior of the temple. It is believed that if the devotees bathe in the waters of this pond of Golden Lotus on a new moon day, the first day of the month, days of eclipse and other auspicious days and worship the Lord, they will be blessed with all their aspirations for success. The temple is very popular for its architecture, sculpture and art.
3. SRI PADMANABHASWAMY TEMPLE
The Padmanabhaswamy temple is located in the centre of Thiruvananthapuram, the capital of Kerala. The temple is built in Dravidian style. It is the abode of the deity Padmanabha, who has been resting here and will, for all eternity. It is because a major part of the treasure, which belonged to Padmanabhaswamy, is still buried inside one of the six vaults of the temples. The reason for the vault still remaining closed is that it has a serpent’s image on its door indicating a threat to anyone who tries to enter it. The devotees believe and place their soul in the swamy.
4. SRI RANGANATHASWAMY TEMPLE
This temple is the largest functioning Hindu temple in the world. It is dedicated to Lord Vishnu, the savior of everyone, according to Hindu mythology. Covering an area of over 150 acres, the temple is situated in Trichy, Tamil Nadu. The temple is enclosed by seven concentric walls. It contains 21 gopurams (towers), 39 pavilions, fifty shrines and many ponds inside.
5. SRI RAMANATHASWAMY TEMPLE:
The temple is dedicated to Lord Siva, the destroyer. It is located in Rameswaram, on Pamban Island in Tamil Nadu. There are two deities of Siva inside the temple, the principal one was built by Goddess Sita and the other is said to have been brought here from Kailash (the abode of Siva, in the Himalayas) by Lord Hanuman. It has high walls enclosing it in all four directions and two magnificent gopurams (towers) in the east and west direction. There is a long corridor running in between these towers and in fact, the corridor is the longest for any Hindu temple in India.
6. CHAMUNDESWARI TEMPLE:
This document is the notes from a Wednesday work-out session presented by Suvajit Mallick on April 1st, 2015. It includes copyright information for technoKrats and thanks Tenet Systems management for the opportunity. Suvajit also thanks his mentor Debashish Saha for support and acknowledges information and images from Google and tourmyIndia.com. Contact information is provided for technoKrats and Tenet Systems.
The document discusses various topics related to animal behavior including behavioral ecology, stimuli, learning, rhythmic behaviors, foraging behavior, social behavior, mating behavior, communication, and altruism. It provides examples of fixed action patterns, habituation, associative learning, dominance hierarchies, monogamy, polygamy, communication via smells and dancing in honeybees, kin selection and reciprocal altruism. The document also includes a self-quiz question about behavioral ecology perspectives on bee sensory abilities.
Elephants are the largest and strongest of all animals. They have thick legs, huge sides and backs, large ears, small tails, little eyes, long white tusks, and their most distinctive feature, a long nose called a trunk. The trunk allows elephants to lift food and water into their mouths and acts as a long arm and hand. Despite their large size, elephants can move quickly. They are also highly intelligent animals that can be trained to serve humans in various ways like carrying heavy loads, hunting tigers, and even fighting.
The Amaravati Stupa, located in Amaravathi Village, Andhra Pradesh, is the largest stupa in India at 95 feet high. Built between the 2nd century BCE to 3rd century AD, it was originally a simple structure but was later renovated and became a highly decorated architectural monument under the Satavahana rulers. The stupa was founded by an envoy of Emperor Ashoka and contained ashes of Buddha within its large stone dome.
This document discusses the discovery of numerous Hindu temples and artifacts across various locations around the world, from Afghanistan and Cambodia to Indonesia, Mexico, the Americas, Australia, and China. It provides evidence that Hindu beliefs and practices may have been more widely spread in ancient times than traditionally understood. Some key findings mentioned include ancient Hindu temples discovered in Bali, Cambodia, and various locations across South and Central America, as well as artifacts showing links between Hindu scriptures and areas like Mexico, Ecuador, and Honduras.
New microsoft office power point presentationHarshal Bhatia
The document provides an overview of the architecture of New Delhi, India. It discusses several prominent historical buildings and monuments in Delhi, including:
- Humayun's Tomb, built in the 16th century in Persian architectural style using red sandstone and white marble.
- The Red Fort, built in the 17th century, covers 254 acres within high walls and features Mughal architecture like marble and floral decorations.
- Jama Masjid mosque, the largest mosque in India built by Shah Jahan in the 17th century using red sandstone and white marble in a vast courtyard.
- Qutub Minar tower built in the 12th century that is 73 meters tall with 5
This document is Shweta Vardia's master's dissertation on the building science of Indian temple architecture. It was submitted in 2008 for the Erasmus Mundus program at the University of Minho in Portugal. The dissertation examines the origins and evolution of Hindu temple design from ancient times to present. It explores the influence of Hindu philosophy and religion on temple architecture. The document also analyzes the key elements, styles, geometry, and structural systems used in Indian temple construction. The goal is to understand the art, science, and philosophy behind building Hindu temples.
The Konark Sun Temple was built in the 13th century CE by King Narasimhadeva I of the Eastern Ganga dynasty. The temple complex is in the shape of a gigantic chariot dedicated to the Sun God Surya. It is constructed of ferruginous sandstone in the Kalinga architectural style, with intricate carvings on its 12 giant stone wheels and pillars. Though parts of the temple have been lost, the towering audience hall remains standing as a testament to the architectural brilliance of the Konark Sun Temple.
1) The Virupaksha Temple is located on the south bank of the Tungabhadra River in Hampi, Karnataka and has been an important pilgrimage site for worshippers of Lord Shiva since the 7th century AD.
2) The main temple faces east and has two large courtyards, with the inner one containing the sanctum sanctorum that houses a linga idol of Lord Virupaksha.
3) Surrounding structures include the 100-pillar hall, Kalyanamantapa marriage hall, triple-headed Nandi bull statue, and sub-shrines dedicated to Goddesses Pampa and Bhuvaneswari
This document provides an overview of the culture, history, and achievements of Odisha (also known as Orissa). It highlights prominent temples, freedom fighters, dance forms, handicrafts, festivals, wildlife parks, beaches, educational institutions, and defence projects that demonstrate the rich heritage and rapid development of Odisha. The cultural evening organized by Odisha Sanskrutika Parishad aims to showcase the soul of Odisha through its diverse artistic, spiritual, political, and industrial contributions to India.
Assemblage involves bonding found objects together to create sculptures. It allows artists to give new meaning to everyday items. Famous assemblage artists include Marcel Duchamp, who created readymades like Bicycle Wheel and Fountain, and Louise Nevelson, who assembled wood scraps into monumental black sculptures. Robert Rauschenberg is also known for his combines, which merged paintings and found objects into mixed media works like Monogram, featuring a stuffed goat.
The document provides an overview of the natural beauty and cultural attractions found throughout the state of Odisha, India. It highlights several popular destinations including the Jagannath Temple in Puri known for its annual Rath Yatra festival; the Konark Sun Temple, considered one of the seven wonders of the world; and the Chilika and Ansupa lakes. It also mentions the Mahanadi River, Hirakud Dam, waterfalls, wildlife sanctuaries, and cities such as Bhubaneswar, the capital known for its architecture and universities. In conclusion, it invites the reader to visit Odisha to experience its rich culture and natural scenery.
The document summarizes key information about the Lingaraj Temple located in Bhubaneswar, India. It was built in the 11th century by King Jajati Keshari and is dedicated to Lord Shiva. The temple follows Kalinga architecture and is constructed out of laterite stone. It has a complex layout with multiple halls, including an assembly hall, festival hall, and hall of offerings, as well as 150 smaller shrines. The tallest structure is the tower rising 55 meters high.
The document provides information on the art, architecture, and cultural heritage of Odisha, India. It discusses Odisha's archaeological treasures dating back to pre-historic times. It describes some of Odisha's major art forms like Pattachitra paintings, stone carvings, and the classical Odissi dance. Several important temples are mentioned from the ancient and medieval periods. Odisha's cultural diversity is highlighted through its religious festivals, tribal traditions, and blending of Hinduism, Buddhism, and Jainism in its heritage. Major artisanal crafts developed in the state include filigree work, applique, and handicrafts made from materials like palm leaves, brass, and textiles.
Mayan sculpture was an important art form for the ancient Mayan civilization. Sculpture was created through both subtractive and additive techniques, with stone and wood as common materials. Mayan sculpture depicted important religious and political figures and events and provided cultural and historical context.
The document provides details about Western Chalukya temple architecture. It discusses the basic layout of temples including the floor plan, architectural articulation, and figure sculptures. The floor plan is defined by the size of the shrine and sanctum as well as the distribution of the building mass. Architectural articulation refers to ornamental components that shape the outer wall and can produce stepped, stellate, or square patterns. Figure sculptures include miniature representations on architectural elements. Two exemplar temples, the Chennakesava temple and Hoysaleswara temple, are then described in detail highlighting their design features.
The document provides information about three different types of Indian art - Mahabalipuram Sculptures, Kalamkari painting, and Tanjore painting. It describes that Mahabalipuram Sculptures were carved out of rock along the coast of Tamil Nadu between the 7th and 8th centuries and include temples, cave sanctuaries, and rock reliefs depicting Hindu deities. Kalamkari painting originated 3000 years ago in India and involves intricate resist dyeing and hand printing techniques on cloth. Tanjore painting originated in the 16th century during Maratha rule and uses canvases along with natural dyes and gold leaves to create detailed sketches of Hindu religious themes.
Art Of South And Southeast Asia After 1200 Alex, Ivana, Callie 1bassmanb
The document provides an overview of art in South and Southeast Asia after 1200 CE. It discusses the luxury arts of India, Buddhist art in India featuring sculptures and architecture, Hindu art including temple architecture and sculpture, and the influence of Islam with the rise of the Mughal Empire and architecture like the Taj Mahal. Theravada Buddhism is described in Burma and Thailand along with notable structures like the Shwe Dagon Pagoda. The arts of Southeast Asian regions like Vietnam, Cambodia, and Indonesia are also summarized. The document concludes with the British colonial influence in India and modern Indian art.
The document discusses the architectural features and styles of North Indian temples, specifically the Nagara style. It describes elements like the shikhara tower, amalaka disc, and urushringa subsidiary towers that characterize this style. It provides examples of specific temples demonstrating Nagara architecture, including those at Khajuraho, West Bengal, Gujarat in the Solanki style, Konark, and the Hoysala empire in Karnataka.
ancient india architecture divya balani.pdfDivyaBalani7
The document provides an overview of the history and styles of Indian architecture. It discusses several regional architectural styles that developed over time, including Dravidian, Indo-Aryan, Vijayanagara, Chola, Pallava, Pandya, and Chalukyan styles. Specific examples of temples constructed during different periods are described in detail, such as the Brihadeeswara Temple built during the Chola dynasty and the Sun Temple in Konark representing the Indo-Aryan style. The document also outlines the key characteristics of each style, such as the use of gopurams, shikharas, and materials like granite and soapstone.
The document summarizes Indian architecture from ancient to modern times. It describes the major architectural styles that developed in different regions and time periods, including Dravidian, Indo-Aryan, Chola, Pallava, Pandya, Vijayanagar, and Mughal styles. Key characteristics of each style such as materials used, temple layouts, and prominent examples are provided. The styles evolved as empires rose and fell, absorbing influences from other cultures.
DUJ 2017 : Temples of Bhubaneswar Part 1 - TK Krishnakumartamilheritagetrust
The document provides an overview of Hindu temples located in Bhubaneswar, Odisha, India. It discusses the history and architectural styles of temples built between the 6th-16th centuries CE by various dynasties. Key temples described include the Lingaraja temple, Muktesvara temple, Rajarani temple, and Parasuramesvara temple. The temples feature intricate carvings and sculptures depicting Hindu gods, myths, and erotic scenes. The document also briefly mentions archaeological sites like Udayagiri and Khandagiri caves that contain ancient Buddhist sculptures and inscriptions.
The Hoysala Empire ruled much of what is now Karnataka, India between the 10th-14th centuries. They are remembered today for their contributions to art, architecture, and religion in South India. Over 100 surviving temples built during this period are scattered across Karnataka. Hoysala architecture is known for its distinctive style featuring intricately carved shrines, prayer halls with sculpted pillars and ceilings, and outer walls adorned with religious narratives. Key elements include the mantapa, vimana, and intricate sculptural details depicting Hindu epics and deities. Schist stone was the primary material used in Hoysala constructions.
Bishnupur, located in Bankura, West Bengal, was once the capital of the Malla kings from the 17th-18th centuries. It is known for its unique terracotta Hindu temples built during the Malla dynasty, decorated with terracotta tiles depicting religious and mythological scenes. The earliest and most distinctive temple is the Ras Mancha built in 1587-1600 with a stepped pyramid roof and curved Bengal hut roof around its base. Bishnupur is also known for its terracotta pottery, sculptures, and baluchari sarees woven with scenes from the Mahabharata on their borders. Major festivals celebrated in Bishnupur include the
The document provides information about the Ajanta and Ellora caves located in Maharashtra, India. It discusses the Buddhist, Hindu, and Jain caves found at both sites, describing some of the most prominent ones. The Ajanta caves contain paintings depicting Buddha's life and the Ellora caves feature elaborate carvings of Hindu gods as well as the impressive Kailasanatha Temple carved out of solid rock. Both sites provide historical insights into religion and art from ancient India.
The Konark Sun Temple is located in Konark, Odisha and was built in the 13th century by King Narasimhadeva I to honor the Hindu sun god Surya. It was constructed over 12 years using black granite and red sandstone by over 1200 experts and artisans. The temple is in the shape of a giant chariot with elaborate carvings and sculptures depicting the sun, horses, and other Hindu imagery. It was designated a UNESCO World Heritage Site in 1984 for its impressive architecture and craftsmanship.
This Presentation is prepared for Graduate Students. A presentation consisting of basic information regarding the topic. Students are advised to get more information from recommended books and articles. This presentation is only for students and purely for academic purposes. The pictures/Maps included in the presentation are taken/copied from the internet. The presenter is thankful to them and herewith courtesy is given to all. This presentation is only for academic purposes.
The document provides details about the Keshava Temple located in Somanathapura and the Chennakesava Temple located in Belur. It describes the architectural features of both temples, noting they were built in the finest Hoysala style using soapstone. The Somanathapura temple was built in 1268 AD and has a star shaped plan with three shrines and intricately carved sculptures. The Belur temple was built by King Vishnuvardhana to commemorate his victory and contains a central pillared hall with beautifully carved pillars and ceilings.
The document provides information on art and architecture in India before 1200 CE, including:
1) Mohenjo-Daro, an ancient Indus Valley city constructed in a grid-like plan with fired brick houses and a large plumbing system.
2) Seal impressions from the Indus Valley Civilization depicting figures like a meditating yogi, suggesting continuities with later South Asian cultures.
3) A terra-cotta figurine from the Indus Valley Civilization that may represent a priest-king, showing both Mesopotamian and distinct Indian influences.
The document provides information on Hindu temple architecture and its evolution. It discusses key architectural features of temples like the vimana, shikhara, garbhagriha, and mandapas. Specific temples are also summarized, including the Lingaraj Temple in Bhubaneswar known for its towering vimana, the Sun Temple in Modhera with its unique alignment and architectural elements, and the Kandariya Mahadev Temple in Khajuraho with its tall, conical roof structures. The document then covers the Dravidian style of temple architecture prominent in South India, including the rock-cut and structural phases of early Pallava temples and features like rathas at Mamallapuram.
The document discusses several aspects of Indian temple architecture including:
1) Temples were primarily designed to house sacred statues or emblems and lacked large internal spaces, instead featuring small shrines and areas for rituals.
2) Key styles included the Dravida style of South India and the Nagara style of North India.
3) Important examples discussed include the monolithic rathas at Mamallapuram carved in the 7th century to imitate early wooden temples, and the Shore Temple at Mamallapuram from the 8th century featuring three shrines.
MAPEH 8 1st Quarter - Southeast Asian Arts
Lesson 3: Sculpture
A. Cambodia
B. Thailand
C. Laos
D. Vietnam
E. Indonesia
F. Malaysia
G. Singapore
H. Brunei
The Ellora Caves contain 34 monasteries and temples built between the 6th and 10th centuries CE. They include 12 Buddhist caves built between 630-700 CE, 17 Hindu caves such as the Kailasa temple built between 600-900 CE, and 5 Jain caves built between 800-1000 CE. The Kailasa temple, carved out of solid rock, is the largest monolithic structure in the world, rising 36 meters high. It features intricate carvings and was designed to resemble Mount Kailash, the abode of Lord Shiva. The Ellora Caves represent the epitome of Indian rock-cut architecture from the early medieval period.
The document provides an overview of Chalukyan architecture and temples located in Aihole, an important early center of temple building in Karnataka, India. It describes several significant temples in Aihole dating from the 6th to 8th centuries CE, including the earliest rock-cut Ravana Phadi cave temple dedicated to Shiva, the incomplete Durga Temple with an apsidal plan and North Indian-inspired tower, the Hucchimalligudi temple which introduced the south Indian temple porch, and the unique Lad Khan temple with a roof-top shrine instead of a tower. It highlights the blending of Nagara and Dravidian styles that characterized the distinctive Vesara architecture of the Chalukyas
Autumn leaves display vibrant colors in increased saturation. During fall, chlorophyll production slows in deciduous trees which allows other pigments like carotenoids to stand out more prominently in yellow, orange and red hues. The change and intensity of autumn foliage is influenced by weather conditions in the weeks leading up to and during the change of seasons.
This very short document does not provide much content to summarize. It only contains the phrase "A small slice of the big Apple" and does not provide any other details, context, or information. The document is only one sentence long and does not have enough content to create a multi-sentence summary.
Winter weather can create beautiful yet challenging conditions. Fog, frost, and falling snow are some scenes one may encounter in winter, each bringing their own visual effects and impacts on travel and outdoor activities. Brief snow showers or frost can leave landscapes dusted white while fog can reduce visibility.
Fall colors from new england (nx power lite)anu partha
This very short document discusses fall colors from New England but provides no other details in just two words: "FALL COLORS FROM NEW ENGLAND." and a period. It has no content to summarize.
The temple of thennangur (nx power lite)anu partha
The Temple of Thennangur is located 110 km from Chennai, Tamil Nadu, India. It blends North and South Indian architectural styles, with a main tower in the style of the Puri Jagannath temple and an eastern entrance in typical South Indian style. The temple features unique fiberglass art decorations and life-size statues, as well as daily bhajans that offer a path to spiritual salvation through catchy songs and rhythms.
Colors of india haridhwar (nx power-lite)anu partha
Haridwar is a city in northern India known for its colorful culture and religious sites. It sits along the Ganges River, which holds great spiritual significance in Hinduism. Thousands of pilgrims visit Haridwar daily to perform religious rituals and ceremonies at the many temples located on the riverbank.
Trip to badrinath, a holy town in (nx power lite)anu partha
The document summarizes a trip to the holy town of Badrinath located in the Himalayas in India. It describes traveling from New Delhi to various holy sites along the way including Rishikesh, Devprayag, Joshimath, and Pipalkote, before reaching the main destination of Badrinath. Key points included visiting temples, bathing in rivers, climbing steep steps, and taking in the beautiful scenery of the Himalayan mountains and valleys. The trip concluded with returning to the plains and flying back home from New Delhi.
This very short document is about the Himalayas mountain range but provides no details. It only mentions "JUST THE HIMALAYAS" and ends abruptly with "THE END".
Vedanthankal Lake Bird Sanctuary in India has been fiercely protected by the local population for over 250 years. It is home to many migratory birds, including pintail, garganey, grey wagtail, blue-winged teal, and common sandpiper, that travel to the sanctuary from places like Canada, Sri Lanka, Australia, Bangladesh, and Siberia. The document provides pictures of some of the migratory birds that visit the sanctuary.
A blizzard affected parts of North America in 2011. The blizzard caused disruptions but people continued with their daily lives. The document does not provide enough details to generate a more descriptive 3 sentence summary.
Naples and Capri are cities located in Italy. The document provides the names of two Italian cities but does not include any other details about them. In just two words, Naples and Capri, Italy, the document identifies two places in Italy but gives no other context or information.
Some of the most popular electric car brands from around the world are profiled, including Renault Twizy, Tesla Roadster, Rinspeed Squba, Dodge Zeo, Tata Indica EV, Reva, Chevrolet Volt, and Mercedes-Benz E-Cell. While electric vehicles are still in development, they are positioned as an effective way to help the environment by reducing emissions and will likely become more widely adopted as the technology advances.
The document is very short, containing only one sentence stating "See you all in Korea...." This appears to be referring to an upcoming closing ceremony, likely for an event being held in South Korea at a future date. The document provides only a brief acknowledgment that the current event or gathering is concluding, and invites all to a follow-up ceremony in South Korea.
The document discusses nature and its inherent beauty. It suggests that nature provides inspiration and wonder through its landscapes, plants, and animals without any need for enhancement by humans. Simply experiencing nature as it naturally occurs can provide joy and appreciation for the natural world we live in.
Sunset @ white rock lake, dallas, tx. (nx power lite)anu partha
This very short document appears to be about moments at White Rock Lake in Dallas, Texas. It mentions signing off and provides the location but does not give any other context or details about the signing off moments. The document simply states "THE END" to close.
Dallas residents are invited to a new bird sanctuary opening this weekend in the city's Oak Cliff neighborhood. The Feathery Friends sanctuary will provide a safe habitat for local and migratory birds, with walking trails and educational programs for visitors. Organizers hope the sanctuary will help Dallas residents connect with nature while protecting bird populations.
Blunders that changed world cup 2010 gamesanu partha
Several controversial referee decisions impacted games at the 2010 World Cup: 1) Frank Lampard's clear goal for England against Germany was missed; 2) Swiss player Behrami was wrongly given a red card versus Chile; 3) Carlos Tevez's offside goal for Argentina against Mexico stood; and 4) Maurice Edu's late goal for the US versus Slovenia was unfairly ruled out. Additionally, Klose's sending off for Germany against Serbia contributed to their early upset loss.
Tales of This and Another Life - Chapters.pdfMashaL38
This book is one of the best of the translated ones, for it has a warning character for all those who find themselves in the experience of material life. Irmão X provides a shrewd way of describing the subtleties and weaknesses that can jeopardize our intentions, making us more attentive and vigilant by providing us with his wise pages, reminding us between the lines of the Master's words: "Pray and watch."
Trusting God's Providence | Verse: Romans 8: 28-31JL de Belen
Trusting God's Providence.
Providence - God’s active preservation and care over His creation. God is both the Creator and the Sustainer of all things Heb. 1:2-3; Col. 1:17
-God keep His promises.
-God’s general providence is toward all creation
- All things were made through Him
God’s special providence is toward His children.
We may suffer now, but joy can and will come
God can see what we cannot see
Astronism, Cosmism and Cosmodeism: the space religions espousing the doctrine...Cometan
This lecture created by Brandon Taylorian (aka Cometan) specially for the CESNUR Conference held Bordeaux in June 2024 provides a brief introduction to the legacy of religious and philosophical thought that Astronism emerges from, namely the discourse on transcension started assuredly by the Cosmists in Russia in the mid-to-late nineteenth century and then carried on and developed by Mordecai Nessyahu in Cosmodeism in the twentieth century. Cometan also then provides some detail on his story in founding Astronism in the early twenty-first century from 2013 along with details on the central Astronist doctrine of transcension. Finally, the lecture concludes with some contributions made by space religions and space philosophy and their influences on various cultural facets in art, literature and film.
Lição 12: João 15 a 17 – O Espírito Santo e a Oração Sacerdotal | 2° Trimestr...OmarBarrezueta1
Esta lição é uma oportunidade para discutirmos um assunto multo mal interpretado no contexto cristão, que é o fato de algumas pessoas pensarem que o conhecer Jesus é ter a nossa vida mudada em todas as áreas, como se Deus tivesse o dever de transportar-nos deste mundo para um outro mundo onde muitas coisas maravilhosas que desejamos seriam reais. No entanto, a nossa fé não nos tira do mundo após nos convertermos; ao invés disso, permanecemos vivendo sob as mesmas circunstâncias. O propósito de Deus não é nos tirar do mundo, mas nos livrar das ações do maligno (Jo 17.15), Sendo assim, a vida eterna não significa estar fora da realidade deste mundo, mas conhecer o único Deus verdadeiro (Jo 17.3).
The Book of Samuel is a book in the Hebrew Bible, found as two books in the Old Testament. The book is part of the Deuteronomistic history, a series of books that constitute a theological history of the Israelites and that aim to explain God's law for Israel under the guidance of the prophets.
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Lucid Dreaming: Understanding the Risks and Benefits
The ability to control one's dreams or for the dreamer to be aware that he or she is dreaming. This process, called lucid dreaming, has some potential risks as well as many fascinating benefits. However, many people are hesitant to try it initially for fear of the potential dangers. This article aims to clarify these concerns by exploring both the risks and benefits of lucid dreaming.
The Benefits of Lucid Dreaming
Lucid dreaming allows a person to take control of their dream world, helping them overcome their fears and eliminate nightmares. This technique is particularly useful for mental health. By taking control of their dreams, individuals can face challenging scenarios in a controlled environment, which can help reduce anxiety and increase self-confidence.
Addressing Common Concerns
Physical Harm in Dreams Lucid dreaming is fundamentally safe. In a lucid dream, everything is a creation of your mind. Therefore, nothing in the dream can physically harm you. Despite the vividness and realness of the dream experience, it remains entirely within your mental landscape, posing no physical danger.
Mental Health Risks Concerns about developing PTSD or other mental illnesses from lucid dreaming are unfounded. As soon as you wake up, it's clear that the events experienced in the dream were not real. On the contrary, lucid dreaming is often seen as a therapeutic tool for conditions like PTSD, as it allows individuals to reframe and manage their thoughts.
Potential Risks of Lucid Dreaming
While generally safe, lucid dreaming does come with a few risks as well:
Mixing Dream Memories with Reality Long-term lucid dreamers might occasionally confuse dream memories with real ones, creating false memories. This issue is rare and preventable by maintaining a dream journal and avoiding lucid dreaming about real-life people or places too frequently.
Escapism Using lucid dreaming to escape reality can be problematic if it interferes with your daily life. While it is sometimes beneficial to escape and relieve the stress of reality, relying on lucid dreaming for happiness can hinder personal growth and productivity.
Feeling Tired After Lucid Dreaming Some people report feeling tired after lucid dreaming. This tiredness is not due to the dreams themselves but often results from not getting enough sleep or using techniques that disrupt sleep patterns. Taking breaks and ensuring adequate sleep can prevent this.
Mental Exhaustion Lucid dreaming can be mentally taxing if practiced excessively without breaks. It’s important to balance lucid dreaming with regular sleep to avoid mental fatigue.
Lucid dreaming is safe and beneficial if done with caution. It has many benefits, such as overcoming fear and improving mental health, and minimal risks. There are many resources and tutorials available for those interested in trying it.
Lesson 12 - The Blessed Hope: The Mark of the Christian.pptxCelso Napoleon
Lesson 12 - The Blessed Hope: The Mark of the Christian
SBS – Sunday Bible School
Adult Bible Lessons 2nd quarter 2024 CPAD
MAGAZINE: THE CAREER THAT IS PROPOSED TO US: The Path of Salvation, Holiness and Perseverance to Reach Heaven
Commentator: Pastor Osiel Gomes
Presentation: Missionary Celso Napoleon
Renewed in Grace
Unleash your spiritual growth journey as a truth-seeker!
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Tracking "The Blessing" - Christianity · Spiritual Growth · Success
Do you ever feel like your Bible highlighting isn't quite enough to ignite lasting spiritual growth? Have you struggled to retain key takeaways from your Bible study sessions?
Discover how living in 4D can transform your highlighting into a strategic tool for spiritual development.
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In this video, you'll gain insights on:
How highlighting key verses and themes can enhance memory and retention of Scripture (we see a few key ones, here!)
Studies have shown that highlighting can significantly improve information recall. Highlighting key points visually reinforces them in your mind, leading to better long-term memory.
How to personalize your Bible study through strategic highlighting. Don't just highlight everything!
This video will teach you how to strategically highlight based on what resonates with you, focusing on central themes, recurring ideas, or connections between different passages.
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How connecting highlighted passages can reveal deeper biblical truths. By highlighting these connections, you can see the bigger picture and uncover the underlying messages within Scripture.
By the end of this video, you'll be equipped to unlock the hidden potential within your highlighted Bible and embark on a transformative spiritual growth journey! Don't forget to like and subscribe for more inspiring content on deepening your faith.
Note: For Christians seeking to enrich their Bible study and deepen their faith, as well as any other spiritual seeker of truth and growth.
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2nd issue of Volume 15. A magazine in urdu language mainly based on spiritual treatment and learning. Many topics on ISLAM, SUFISM, SOCIAL PROBLEMS, SELF HELP, PSYCHOLOGY, HEALTH, SPIRITUAL TREATMENT, Ruqya etc.A very useful magazine for everyone.
Heartfulness Magazine - June 2024 (Volume 9, Issue 6)heartfulness
Dear readers,
This month we continue with more inspiring talks from the Global Spirituality Mahotsav that was held from March 14 to 17, 2024, at Kanha Shanti Vanam.
We hear from Daaji on lifestyle and yoga in honor of International Day of Yoga, June 21, 2024. We also hear from Professor Bhavani Rao, Dean at Amrita Vishwa Vidyapeetham University, on spirituality in action, the Venerable BhikkuSanghasena on how to be an ambassador for compassion, Dr. Tony Nader on the Maharishi Effect, Swami Mukundananda on the crossroads of modernization, Tejinder Kaur Basra on the purpose of work, the Venerable GesheDorjiDamdul on the psychology of peace, the Rt. Hon. Patricia Scotland, KC, Secretary-General of the Commonwealth, on how we are all related, and world-renowned violinist KumareshRajagopalan on the uplifting mysteries of music.
Dr. Prasad Veluthanar shares an Ayurvedic perspective on treating autism, Dr. IchakAdizes helps us navigate disagreements at work, Sravan Banda celebrates World Environment Day by sharing some tips on land restoration, and Sara Bubber tells our children another inspiring story and challenges them with some fun facts and riddles.
Happy reading,
The editors
24. Summary. Architecture found in Ancient Indian Temples showcases the country's old, rich and splendid culture. These temples (some dating to more than 1700 years old)…display intricate carving and sculptures, which bear testimony to the craftsmanship and creativity of the artisans, sculptors and artists of Ancient India.