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By Robert Indiana
Robert Indiana’s painting LOVE is a formally sophisticated abstract composition, yet it
is also, in essence, a one-word poem. The brilliant contrast of the colors and the bold
contours of the letters imbue the word with an extraordinary visual intensity. Indiana
has arranged the word so that it fits in a square format, with the stacked letters touching
one another in a manner that suggests physical intimacy.
This work belongs to a series of paintings, sculptures and prints dedicated to the theme
of love that Indiana commenced in the mid-1960s. He created many variations on this
theme, including a design for a Christmas card that was commissioned by the Museum
of Modern Art in New York in 1965. Indiana rendered that composition on a
monumental scale in the present painting. Since its inception, Indiana’s distinctive
rendering of “love” as both a word and an image has captured the popular imagination
and become one of the most immediately recognizable works of art in the world.
Born Robert Clark in New Castle, Indiana, the artist changed his last name upon
moving to New York City in 1954. In the early 1960s, Indiana explored the style of
hard-edged painting that his friends such as Ellsworth Kelly were exploring. His
interest in words, however, distinguished his works from other abstract painters of the
time. Indiana had a long-standing interest in the written word, having been inspired by
poets such as Gertrude Stein early in his career. His composition for LOVE is
innovative in the way it dissolves divisions between seeing and reading, as well as
figure and ground. Indiana has described the character of his work as “verbal-visual.”
By Robert Indiana
By Linda Welling’s Students
Ceder Creek Elementary, Missouri
By Linda Welling’s Students
Ceder Creek Elementary, Missouri
ABCDE
FGH I J
KLMNO
PQR ST
LOVE
UV WX
 YZ
L O V E
NAME
10 X 10
STENCIL




           NAME
NAME
NAME
NAME
NAME
NAME
NAME
NAME
NAME
NAME
NAME
NAME
NAME
NAME
If you don’t want to write LOVE~ try another CC word
HO               GI                KI
PE               VE                ND
SA               HE                GR
VE               LP                OW
If you don’t want to write LOVE~ try another CC word
GO
OD
        Tilt




 NAME
GO
OD
        Tilt




 NAME
GO
  Use
 tinted
 colors
 in the
negative
 spaces
           OD
            NAME
GO
  Use
 tinted
 colors
 in the
negative
 spaces
           OD
            NAME
GO
           OD
                    Mono-
                   chromatic
                     Color
                    scheme
   Use
shades
 of the
  same
 colors
                   Comple-
 in the            mentary
positive            Color
spaces             scheme
            NAME
GO
Trace
        OD
         NAME

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Robert indiana~love

  • 2. Robert Indiana’s painting LOVE is a formally sophisticated abstract composition, yet it is also, in essence, a one-word poem. The brilliant contrast of the colors and the bold contours of the letters imbue the word with an extraordinary visual intensity. Indiana has arranged the word so that it fits in a square format, with the stacked letters touching one another in a manner that suggests physical intimacy. This work belongs to a series of paintings, sculptures and prints dedicated to the theme of love that Indiana commenced in the mid-1960s. He created many variations on this theme, including a design for a Christmas card that was commissioned by the Museum of Modern Art in New York in 1965. Indiana rendered that composition on a monumental scale in the present painting. Since its inception, Indiana’s distinctive rendering of “love” as both a word and an image has captured the popular imagination and become one of the most immediately recognizable works of art in the world. Born Robert Clark in New Castle, Indiana, the artist changed his last name upon moving to New York City in 1954. In the early 1960s, Indiana explored the style of hard-edged painting that his friends such as Ellsworth Kelly were exploring. His interest in words, however, distinguished his works from other abstract painters of the time. Indiana had a long-standing interest in the written word, having been inspired by poets such as Gertrude Stein early in his career. His composition for LOVE is innovative in the way it dissolves divisions between seeing and reading, as well as figure and ground. Indiana has described the character of his work as “verbal-visual.”
  • 4. By Linda Welling’s Students Ceder Creek Elementary, Missouri
  • 5. By Linda Welling’s Students Ceder Creek Elementary, Missouri
  • 6.
  • 8.
  • 10. NAME
  • 12. NAME
  • 13. NAME
  • 14. NAME
  • 15. NAME
  • 16. NAME
  • 17. NAME
  • 18. NAME
  • 19. NAME
  • 20. NAME
  • 21. NAME
  • 22. NAME
  • 23. NAME
  • 24. NAME
  • 25. If you don’t want to write LOVE~ try another CC word
  • 26. HO GI KI PE VE ND SA HE GR VE LP OW If you don’t want to write LOVE~ try another CC word
  • 27. GO OD Tilt NAME
  • 28. GO OD Tilt NAME
  • 29. GO Use tinted colors in the negative spaces OD NAME
  • 30. GO Use tinted colors in the negative spaces OD NAME
  • 31. GO OD Mono- chromatic Color scheme Use shades of the same colors Comple- in the mentary positive Color spaces scheme NAME
  • 32. GO Trace OD NAME

Editor's Notes