On pop art. basics


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On pop art. basics

  1. 1. POP ART
  2. 2. Pop Art is an art style thatreturned to the materialrealities of everyday life, topopular culture (this iswhere the “pop” termcomes from) which derivesfrom most of the visualpleasures of people – liketelevision, magazines, foodor comics.
  3. 3. Pop Art is a 20th century art movement that utilized the imagery, style and techniques of consumerist society and popular culture, favored media derived figural imagery and the mass reproduction of everyday objects. Pop artists eroded the gulf between high and low art and eliminated the distinction between fine art and commercial art methods. These artists were responding to society’s new consumerism. The term Pop eventually came to encompass the fields of music, consumer design and fashion too, and corresponded to an entire way of life among young people in the 1960s.Three Cokes, Andy Warhol
  4. 4. Pop art developed as a reactionagainst Abstract Expressionism(which,preceded Pop), that wasconsidered by the Pop artists aspretentious and over-intense.Expression and gesture—hallmarksof Abstract Expressionism werereplaced with cool, detached, Night Mist, Jackson Pollock, Abstract Expressionistmechanical illustrations andstraightforward depictions ofcommon objects.The mass-produced was afforded thesame significance as unique works offine art. Mickey Mouse, Andy Warhol, Pop
  5. 5. Banana, Andy Warhol, PopThe Tea Cup, Jackson Pollock, Abstract Expressionist Pop Artists dealt with objects, turning Abstract Expressionism emphasized the outward for aesthetic stimuli, but refusing depiction of emotions rather than objects, to see objects as something sacred. Pop art turning hermetically inward to find subject was both an unabashed celebration and a matter for their art. It was always elite and scathing critique of the banal, of popular hard to understand because of this. culture.
  6. 6. Distinguishing Pop Art from other styles that use FOUND OBJECTSA found object is an object that an artist uses in his art which already exists.
  7. 7. Still life with pears, Paul Cezanne, Post-Impressionist ArtFound objects are placed in a conventional setting, with a context that isappropriate to the found object. Also the objects in this painting, thoughbrightly colored, still look artificial and do not have a life of their own.
  8. 8. This installation by Marcel Duchamp is a inverted urinal that according to him becomes a fountain. This piece of art has absolutely no context and the found object is perceived to be something totally different from its real nature and purpose.Fountain, Marcel Duchamp, Dadaist Art
  9. 9. Still life: Nature Morte, Amedee Ozenfant, Purist ArtThese found objects are stripped of all superfluous ornamentation and arenow, according to the artist, pure in form. They are still placed within acontext, i.e., in a room.
  10. 10. Three Flags, Jasper Johns, Pop ArtThe found object has no context, it is isolated and placed for the viewer toadmire, not focusing on the setting. The artist has repeated the AmericanFlag thrice in its original form because a Pop Artist admires and glorifies afound object in its originality.
  11. 11. Characteristics ofPop Paintings andSculpture
  12. 12. “Pop Artists did images that anybody walking down the street could recognize in a split second…all the great Flying Pizza, Claes Oldenburg modern things that the Abstract Expressionists tried so hard not to notice at all.”—Gretchen Berg.Large trademark with 8 spotlights, Edward Ruscha
  13. 13. Pop Artists used common images from everyday culture as their sources including: Advertisements and Consumer goods Campbell’s Tomato Juice, Andy WarholCelebritiesandPhotographs Silver Liz, Andy Warhol Comic strips Blam, Roy Lichtenstein
  14. 14. Pop Artists reflected 60’s culture by using new and different materials in their artworks including: Acrylic Paints Plastics Photographs Fluorescent and Metallic colors Silkscreen ink Canvas and Rubber for Sculpture!Retroactive II, Robert Rauschenberg. Vinyl
  15. 15. Pop artists also used newtechnologies and methods including:Mass productionFabricationPhotography Bagel, Claes OldenburgPrintingSerialsStencilingCollagesSilkscreen American Dream, Robert Indiana
  16. 16. POP ART IN AMERICA In the United States, Pop art made an attempt to bring art back into American daily life. It was linked to the wealth and prosperity of the post World War II era, and artists of the movement responded to the nations consumerist society. American Pop Artists used images from popular culture directly in their art. It was anonymous, emblematic and aggressive. Marilyn, Andy WarholL,;
  17. 17. American pop artists used to reproduce,duplicate, overlay, enlarge to giganticproportions, combine and arrange endlessvisual details that represented theAmerican culture and society, introducingtransformations and acting likecommentaries . Diamond Dust Shoes, Andy Warhol Dropped Cone, Claes Oldenburg
  18. 18. Some famous American popartists were Andy Warhol, RoyLichtenstein, David Hockney,Robert Rauschenberg, JasperJohns, Tom Wesselmann andEdward Ruscha.Claes Oldenburg and RobertIndiana were Pop Sculptors. Love, Robert IndianaBedroom Painting, Tom Three Flags, Jasper JohnsWesselmann
  19. 19. POP ART IN BRITAIN Pop Art began in London in the mid- 1950s, but from the very start its imagery was largely based on American mass media. It was the product of the resistance to modernist art, design, and architecture. British Pop artists had an optimistic point of view. They preferably dealt with various forms of direct action - assemblages and happenings rather than comics or advertisement. Poster, Peter Blake Brit Pop Art was less brash, and had a more nostalgic flavor, and was very much associated with the fashionable, swinging image of the London of the ‘60s.L,;
  20. 20. Some British Pop Artists wereRichard Hamilton, Peter Blake,Eduardo Paolozzi, Allan Jones, PeterPhilips and David Hockney.Peter Blake designed covers for ElvisPresley and the Beatles. Moreover,he starred actresses like BrigitteBardot in his pictures in the sameway that Warhol was immortalizingMarilyn Monroe in the USA. Cover Art for Sgt. Pepper’s Lonely Hearts Club Band, The Beatles, Sir Peter Blake
  21. 21. Richard Hamilton was one of the founders of the British pop movement in 1955. For him, pop art was art that was "Popular (designed for a mass audience); transient (short-term solution); expendable (easily forgotten); low cost; mass produced; young (aimed at youth); witty; sexy; gimmicky; glamorous; and big business.“ Just What is it that makes todays home so different, so appealing?L,; Richard Hamilton
  22. 22. Eduardo Paolozzi He emerged fully onto the Pop Art scene in 1962 with his abstract, robot-like figures such Four Towers as Four Towers and Solo.Eduardo Paolozzi emerged fully onto thePop Art scene in 1962 with his robot-like I was a Rich Man’s Playthingfigures such as Four Towers . His painting‘I was a Rich Man’s Plaything ‘ was the first By Eduardo Paolozzito include the word ‘Pop’ in it.
  23. 23. David Hockneys early work made superb use of the popular magazine-style images on which much of Pop Art is based. The Bigger Splash, David HockneyL,;
  24. 24. POP ART IN JAPANIt is unique and identifiable as Japanesebecause of the regular subjects andstyles. Takashi Murakami, whose groupof artists, Kaikai Kiki, is world-renownedfor their own mass-produced but highlyabstract and unique superflat artmovement whose inspiration comesmainly from anime and Japanese street Takashi Murakamiculture, is mostly aimed at youth inJapan, and has made a large culturalimpact. Many pop artists in Japan use surreal orobscene, shocking images in their art,taken from Japanese hentai. Thiselement of the art catches the eye ofviewers young and old, and is extremelythought-provoking, but is not taken asoffensive in Japan. Future Room of Me, Aya Takano
  25. 25. POP ART IN SPAIN Eduardo Arroyo was considered to be a pop artist, on account of his interest in the environment, his critique of our media culture, by which he incorporates icons of both mass media, communication and the history of painting in his art, and his scorn for nearly all established artistic styles. Guillaume Tell, Eduardo ArroyoL,;b
  26. 26. However, Alfredo Alcaín could be considered the most authentically “pop” artist in Spain because of the use he makes of popular images and empty spaces in his compositions. Filmmaker Pedro Almodovar made low budget super 8 pop art movies and was called the Andy Warhol of Spain by the media at the time. Alfredo AlcaínL,;
  27. 27. POP ART IN ITALY Italian Pop Art takes the sameideological path as that of theInternational scene; the only thing thatchanges is the iconography and, insome cases, the presence of a morecritical attitude to it.Mimmo Rotella’s torn posters gainedan ever more figurative taste, oftenexplicitly and deliberately referring tothe great icons of the times. Poster, Mimmo Rotella
  28. 28. The Who’swho of Pop Art…
  29. 29. AndyWarhol
  30. 30. He started out in advertising and was also a commercial illustrator and was highly successful. Fashion Accessories, Pre-Pop WarholAndrew Warhola, popularly known asAndy Warhol was the central figure ofthe American Pop Art movement. Hebecame famous worldwide for hisavant-garde Pop Art paintings andscreen printings.
  31. 31. Andy Warhol used photographicsilk-screening, a method of massproduction to create his paintings ofassembly line objects andcelebrities, whom he thought werethemselves mass-produced.The process he used allowed him tocreate a large number of prints,with each print somewhat differentfrom the other. Michael Jackson, Time Cover
  32. 32. Andy Warhol referred to himself as a re-creator, rather than a creator of Art. He established himself as a Pop Art icon through his iconic multiple silkscreened images of Campbell’s soup cans, that madeCampbell Soup Cans him an instant celebrity. Warhol’s repetitive soup cans, Coca Cola bottles and dollar bills represented mass production and assembly line objects that demand quick recognition and consumption. Knives
  33. 33. 210 Coca-Cola Bottles“What’s great about this country is that America started the tradition where the richestconsumers buy essentially the same things as the poorest. You can be watching TV ads seeCoca-Cola and you can know that the President drinks Coke, Liz Taylor drinks Coke, andjust think, you can drink Coke too. A Coke is a Coke and no amount of money can get you abetter Coke than the one the bum on the corner is drinking. All the Cokes are the sameand all the Cokes are good. Liz Taylor knows it, the President knows it, the bum knows it,and you know it.” -- Andy Warhol
  34. 34. Warhol appropriated (used without permission) images of objects from magazines, newspapers and also from Green Liz, Andy press photos, the most Warhol popular people of his time to create his silkscreen masterpieces.Elizabeth Taylor
  35. 35. He also took screen-tests of modelsand used their photographs for hispaintings. Liza Minnelli, 1977 Liza Minnelli, 1979
  36. 36. Warhol had a very specialinterest in movie stars and wasobsessed with Hollywood’s fameand glamour. This passion of hiswas represented in his art in1962 when he started creatingportraits of Marilyn Monroe.He made portraits of othermovie stars and music artistestoo. All of them were icons ofconsumerist and Hollywoodobsessed America.
  37. 37. Mick Jagger Elvis Presley
  38. 38. Mao-Tse-tungWarhol also painted some wellknown Heads of State likeChairman Mao and Jackie Kennedy,wife of President John.F.Kennedy, Jacqueline Kennedy, wife of John.F.Kennedywho was assassinated.
  39. 39. RoyLichtenstein
  40. 40. “Im not really sure what social message my artcarries, if any. And I dont really want it to carry one. Im not interested in the subject matter to try toteach society anything, or to try to better our world in any way.” “All my art is in some way about other art, even if the other art is cartoons.”
  41. 41. Like Andy Warhol, RoyLichtenstein started by workingin the commercial graphicbusiness for a while - makingdesigns and decorating shopwindows and advertising forlocal grocery stores.. He alsoworked as an art professor at afew universities.He dabbled in Cubism and alsoAbstract Expressionism for awhile, but was soondisillusioned with the style, andsought to create a style thatwould be unique to him.His first proto-pop painting wasthe Ten Dollar Bill in 1956. Ten Dollar Bill
  42. 42. Roy Lichtenstein’s first painting in the style of a comic strip was a painting of Mickey Mouse and Donald Duck, which he copied from a book, changing just a few details. This use of familiar subjects like comic strips, bank notes or advertising and other regular Look Mickey. themes made his art easily accessible. Anyone could relate to and be interested in this kind of art, even a kid, or the bum on the roadside corner.Sandwich and soda
  43. 43. Lichtenstein adopted acommercial art style, showingeveryday objects in a comicbook style by using bold andbright colours, prominent blackoutlines, balloons of speech orthought (or music) and patternsof dots to create distinctivepopular works. HopelessUnlike the AbstractExpressionists, Lichtenstein likedmimicking familiar images inpopular culture. Popeye
  44. 44. Lichtenstein’s Painting process wouldstart with selecting a characterfrom one of the various comicsavailable. These were mostly blond,anonymous, beautiful women, oftenunhappily bothered by men. Crying Girl
  45. 45. He would modify the existing picture a little bit,(sometimes taking liberties with the originalpiece) but still imparting his personal style to it , giving it a mystical quality. Original Roy’s Version
  46. 46. OriginalRoy’sVersion
  47. 47. Lichtenstein worked a lot withstencils, using Benday-Dots(rows ofoversized dots ), a technique used toprint comics, making his paintings orprints look like a huge masspublication product, like they weremachine made. He used BendayDots because he did not want hisbrush strokes to be seen. Benday- DotsThe Ben-Day dots allowedLichtenstein’s paintings to look bothmore and less artificial. They signifymechanical reproduction, but theyalso add suggestions of light andreflection, shifting colors andvariations in touch.Lichtenstein’s cultivation andmanipulation of the dot pattern wasthe trademark of his style of Pop Art. The Sound of Music
  48. 48. Roy Lichtenstein also created artwork for Time Magazine, commenting on importantevents that occurred. Presidential Candidate Bobby Kennedy This cover commented on the gun’s rule in America after Bobby Kennedy’s and Martin Luther King’s assassinations.
  49. 49. ClaesOldenburg
  50. 50. “We dont copy theobjects we use, wetry to transformthem and we hopethey go on “I am for an art thattransforming as you takes its forms fromlook at them. The the lines of life itself,idea of endless that twists andpublic dialogue.. extends andvisual dialogue.. is accumulates and spitsvery important to and drips and isus.” heavy and coarse and blunt and sweet and stupid as life itself.”
  51. 51. As a Pop artist, Claes Oldenburgcelebrates the everyday object with akeen sense of humor. Claes Oldenburgtakes a banal object and transforms itinto a sculptural form by representingit using radically different materialsand scale.However, unlike Warhol, who wouldretain and even flaunt themanufactured identity of an object,Oldenburg transforms it through aprocess of visual free-association. Hewas more attracted to the genericrather than the branded. Corridor Pin,Blue,1999
  52. 52. Public worksPop Art is inspired by ordinarythings from everyday life.Claes Oldenburg took small thingsand made them into outdoorsculptures that were monumental,gigantic and oversized.He liked the way a small objectseemed much more important Spoonbridge and Cherrywhen it was a gigantic monument.(Monuments are sculptures thatare made to honor importantpeople and events.)Oldenburg’s use of the term"monument“ was ironic, since hisnon-heroic subjects deliberatelysubvert traditional notions ofpublic sculpture. Cherry Sketch
  53. 53. Often, these outdoor sculptureswere of things like clothespins,safety pins, garden trowels,binoculars, rubber stamps,spoons, things that you wouldgenerally find inside a building.Oldenburg took the inside and putit outside, showing how importanthe thought them to be.All his works were strongly Pop intheir subject matter, and theyexplored the multiple identities aform can take on through changesof material, scale, or physicalsetting. Clothespin
  54. 54. Thrown away Apple Core Trowel I Giant Fag-ends
  55. 55. Claes Oldenburg is also an extraordinary draftsman and frequently transforms his ideas for monumental outdoor sculptures and landscape reorientations into drawings and prints, that are fanciful yet pointed proposals for civic monuments.Proposal for a Colossal Monument inDowntown New York City: SharpenedPencil Stub With Broken-off Tip of theWoolworth Building
  56. 56. ScrewArch Bridge: Proposal Study of a Screw
  57. 57. Lipsticks in Piccadilly Circus, London
  58. 58. Proposal: Soft Viola Island
  59. 59. Soft Sculptures
  60. 60. In the late sixties, Claes Oldenburgstarted to construct his ‘soft’sculptures.He would take something hard-edgedand geometric and make it intosomething pliable and organic--or viceversa.Using ordinary, everyday itemsincluding food as his subjects, hecreated “soft” sculptures using pliablematerials such as canvas and vinyl,which he stuffed with fillers to createmalleable, mutable objects.The unexpected effects of gravitycaused many of these creations to sag,giving them vulnerable and lifelike Soft Violaovertones, animating the inanimate.
  61. 61. Soft Toilet Soft Pay-Telephone
  62. 62. Soft Shuttlecocks, Falling, Number Two
  63. 63. 7-UPFrench Fries and Ketchup, served ina platter-like pedestal
  64. 64. Floor CakeFries Falling
  65. 65. NEO POP ART Neo-Pop Art is not a new art movement, but an evolution of the old Pop Art movement. The original Pop Art movement was boundary breaking and avant garde whereas Neo-Pop Art is not a new style, but a dramatic and controversial evolution of the previous generation. It tends to criticize and evaluate Western Culture, values, relationships, and interactions, frequently poking fun at celebrities and openly embraces ideas that are provocative and controversial. The work of these Neo Pop artists also draws inspiration from Minimalism, Conceptual Art, Photorealism,Mann and Maus, Katherina Fritsch Installation/Performance Art etc.
  66. 66. A SummaryPop Art reflected the times it was made in; found art in commonplace every-dayobjects - soup cans, hot dogs, cars and so on and reflected the dynamic world ofthe media, film, advertising and comic books.In short, it is all the things we see in our day to day lives, just through differentlenses. Humorous lenses, sarcastic lenses, even pointless lenses that can onlyvalidate themselves...
  67. 67. BIBLIOGRAPHYwww.artchive.comwww.wwar.comwww.biddingtons.comwww.ontologicalmuseum.orgwww.art.comwww.lilithgallery.comwww.arthistoryarchive.comwww.nrw-museum.comwww.ibiblio.orgwww.newyorktimes.com
  68. 68. CREDITS Roshmila Adhikary Sarah ThomasMohammed Harianawala Mohammed Hummad Ravikant Vishwakarma