The document provides background information on Elizabeth Barrett Browning and Robert Browning, the famous poetic duo. It discusses their works and styles. Elizabeth focused on social issues and morality in her poems like "The Cry of the Children" about the harsh conditions of child coal miners. Robert took a darker approach in poems like "Porphyria's Lover" and hinted at wrong indirectly. The document prompts discussion on which style is more effective at addressing morality and includes examples of their works.
"My Little Portuguese”! Robert Browning used to address her in this pet name and Elizabeth wrote in Sonnet-33 “Yes, call me by my pet-name! let me hear”.Elizabeth Barrette Browning was one of the most prominent Victorian rational feminist poetesses.
A rational-humane point of view manifests itself in her poems.She developed this quality because she was "self-taught in almost every respect."
Edgar Allen Poe called her "the noblest of her sex” and borrowed the themetic elements of his famous poem 'Raven' from her poem.
"My Little Portuguese”! Robert Browning used to address her in this pet name and Elizabeth wrote in Sonnet-33 “Yes, call me by my pet-name! let me hear”.Elizabeth Barrette Browning was one of the most prominent Victorian rational feminist poetesses.
A rational-humane point of view manifests itself in her poems.She developed this quality because she was "self-taught in almost every respect."
Edgar Allen Poe called her "the noblest of her sex” and borrowed the themetic elements of his famous poem 'Raven' from her poem.
Shakespeare wrote 154 sonnets. His sonnets talk about love, friendship etc.The sonnets to the young man express overwhelming, obsessional love. The main cause of debate has always been whether it remained platonic or became physical.The first 17 poems, traditionally called the procreation sonnets, are addressed to the young man urging him to marry and have children in order to immortalize his beauty by passing it to the next generation.Other sonnets express the speaker's love for the young man; brood upon loneliness, death, and the transience of life; seem to criticise the young man for preferring a rival poet; express ambiguous feelings for the speaker's mistress; and pun on the poet's name. The final two sonnets are allegorical treatments of Greek epigrams referring to the "little love-god" Cupid.
Shakespeare wrote 154 sonnets. His sonnets talk about love, friendship etc.The sonnets to the young man express overwhelming, obsessional love. The main cause of debate has always been whether it remained platonic or became physical.The first 17 poems, traditionally called the procreation sonnets, are addressed to the young man urging him to marry and have children in order to immortalize his beauty by passing it to the next generation.Other sonnets express the speaker's love for the young man; brood upon loneliness, death, and the transience of life; seem to criticise the young man for preferring a rival poet; express ambiguous feelings for the speaker's mistress; and pun on the poet's name. The final two sonnets are allegorical treatments of Greek epigrams referring to the "little love-god" Cupid.
This is a non-linear powerpoint I made for my MD300 class. It is a sort of quiz about how well you can identify the poet from the title of the poem. If you answer correctly, you learn some biographical information about the poet.
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2. “I do, as I say, love these books
with all my heart—and I love you
too.”
(Norton Anthology, pg 585)
A ROMANCE FOR THE STORYBOOKS
Rafaello’s “St George Fighting the Dragon”, circa 1505
Love “swept aside all obtacles”
(pg 711)
15 happy years of marriage until Elizabeth
passes away in 1861
3. -born in 1812
-married Elizabeth in 1846
-throughout their marriage was known as merely “Mrs. Browning’s husband”
-inspired by the likes of Shakespeare and Percy Shelley
-dramatic monologue
-looking at only one character’s point of view
-must parse through the speaker’s words to derive meaning
-many characters were twisted or unstable
-addresses moral issues indirectly
ROBERT BROWNING
4. The rain set early in tonight,
The sullen wind was soon
awake,
It tore the elm-tops down for
spite,
and did its worst to vex the
lake:
I listened with heart fit to
break.
When glided in Porphyria;
straight
She shut the cold out and the
storm,
And kneeled and made the
cheerless grate
Blaze up, and all the cottage
warm;
Which done, she rose, and from
her form
Withdrew the dripping cloak
and shawl,
And laid her soiled gloves by,
untied
Her hat and let the damp hair
fall,
And, last, she sat down by my
side
And called me. When no voice
replied,
She put my arm about her
waist,
And made her smooth white
shoulder bare,
And all her yellow hair
displaced,
And, stooping, made my cheek
lie there,
And spread, o’er all, her yellow
hair,
Murmuring how she loved
me—she
Too weak, for all her heart’s
endeavor,
To set its struggling passion
free
From pride, and vainer ties
dissever,
And give herself to me forever.
But passion sometimes would
prevail,
Nor could tonight’s gay feast
restrain
A sudden thought of one so
pale
For love of her, and all in vain:
So, she was come through wind
and rain.
Be sure I looked up at her eyes
Happy and proud; at last I
knew
Porphyria worshiped me:
surprise
Made my heart swell, and still it
grew
While I debated what to do.
That moment she was mine,
mine, fair,
Perfectly pure and good: I
found
A thing to do, and all her hair
In one long yellow string I
wound
Three times her little throat
around,
And strangled her. No pain felt
she;
I am quite sure she felt no pain.
As a shut bud that holds a bee,
I warily oped her lids: again
Laughed the blue eyes without
a stain.
And I untightened next the
tress
About her neck; her cheek once
more
Blushed bright beneath my
burning kiss:
I propped her head up as
before
Only, this time my shoulder
bore
Her head, which droops upon it
still:
The smiling rosy little head,
So glad it has its utmost will,
That all it scorned at once is
fled,
And I, its love, am gained
instead!
Porphyria’s love: she guessed
not how
Her darling one wish would be
heard.
And thus we sit together now,
And all night long we have not
stirred,
And yet God has not said a
word!
PORPHYRIA'S LOVER
5. “Gr-r-r—there go, my heart’s abhorrence!
Water your damned flower-pots, do!
If hate killed men, Brother Lawrence,
God’s blood, would not mine kill you!
What? your myrtle-bush wants trimming?
Needs its leaden vase filled brimming?
Hell dry you up with its flames!” [1-8]
“When he finishes refection,
Knife and fork he never lays
Cross-wise, to my recollection,
As do I, in Jesu’s praise.
I the Trinity illustrate” [33-37]
“What’s the Latin name for ‘parsley’?
What’s the Greek name for ‘swine’s snout’?”
[15-16]
“Or, there’s Satan!--one might venture
Pledge one’s soul to him…” [65-68]
EXCERPTS FROM SOLILOQUY OF THE
SPANISH CLOISTER
6. What do “My Last Duchess,” “Porphyria’s Lover,” and
“Soliloquy of the Spanish Cloister” have in common? Consider not only the
speakers but also the tone, setting, theme, etc.
How are these poems different?
7. -1806 – 1861
-an “unusal” education (Latin, Greek, history, philosophy, literature)
-ill health improved after marrying Robert Browning and moving to Italy
-very engaged with current events/issues
-strong sense of morality and emotional appeal in her works
“The Cry of the Children” – coal mines and the corrupt industry
“The Runaway Slave at Pilgrim’s Point” – slavery
Aurora Leigh focuses on a woman concerned with social issues and longing for freedom
ELIZABETH BARRETT BROWNING
8. “Now tell the poor young children; O my brothers,
To look up to Him and pray;
So the blessed One who blesseth all the others,
Will bless them another day.
They answer, ‘Who is God that He should hear us,
While the rushing of the iron wheels is stirred?
When we sob aloud, the human creatures near us
Pas by, hearing not, or answer not a word.
And we hear not (for the wheels in their resounding)
Strangers speaking at the door:
Is it likely God, with angels singing round Him,
Hears our weeping any more?”
THE CRY OF THE CHILDREN
-How many distinct people / characters are
involved in this stanza?
-How many points of view are heard?
-How does this compare with Robert’s works?
9. Screenshots taken from 1912 silent film “The Cry of the Children”, dir. Geroge Nichols
“Food! Glorious food!”
Hmm… something seems familiar!
Barrett Browning was not the only writer to address
similar issues in her day.
10. Of the poems we have reviewed, both Robert and Elizabeth Browning utilized the power of voice and
point-of-view to aid interpretation.
How might all these works be different if we heard from different characters?
In your groups, consider a voice you have not heard from any one of these poems.
(the duke’s dead wife? Brother Lawrence? An owner of a coal mine? Someone else? Use your
imagination!)
Compose a brief poem (4 or 6 lines) from the perspective of this new voice. Present what you have
written.
BONUS POINTS if you make it into a musical number!
THE POWER OF VOICES
11. Both authors took different ways to present moral issues. Robert is darker and hints at
wrong, but does not explicitly state it is wrong. Elizabeth makes clear the distinctions
between good and bad.
Which style do you find to be more effective in getting you to think about morality?
Why? Pick a particular poem to use in your answer. Then find a modern-day example of
a person (author, movie director, etc) or a work (tv show, book, etc) which also
addresses morality in a similar way. Respond to at least two other students in the
discussion board.
DISCUSSION BOARD: WHO DID IT BETTER?
