The document discusses research conducted into the BBC and Northern Voices scheme. It provides background on the BBC, including its founding in 1922 and sources of funding through television licenses. It also summarizes the history of BBC Three, the types of audiences it serves, and popular existing programs. For the Northern Voices scheme, it outlines the history of the conference and details about funding opportunities through the Community Voice program.
The document discusses public service broadcasting (PSB) in the UK. Key points:
- PSB refers to broadcasting intended for public benefit rather than for profit or advertising. The BBC and other broadcasters have requirements to provide PSB content.
- Debate around the future of PSB in the digital age, as commercial broadcasters want to reduce obligations and funding pressures increase on organizations like Channel 4.
- Ofcom regulates PSB and is consulting on its future direction as consumption habits change with new technologies. Maintaining PSB programming remains an ongoing discussion.
The document provides details about a project for BBC Three and BBC England to create a short documentary on the theme of "Culture in the Digital Age" for their target audience of 16-24 year olds. The purpose is to portray how digital technology has impacted modern culture and the lives of young people. BBC Three's target audience is 16-34 year olds and they produce a variety of genres aimed at entertaining and informing younger audiences. The documentary will be part of the Northern Voices campaign to highlight stories from northern England and give a platform to young regional talents.
The BBC operates several national and regional radio stations in the UK funded by the television license fee. The BBC World Service is the largest international broadcaster, operating radio stations in over 28 languages without commercials. While the license fee model allows the BBC independence from advertisers, some argue it is no longer appropriate in an era of multi-channel availability and that people paying the license fee subsidize those with digital access to more BBC channels. However, supporters counter that the license fee enables the BBC to produce more diverse programming than commercial stations dependent on advertisers.
The document summarizes key aspects of the British television industry and context surrounding the failed BBC sci-fi show "Class". It discusses the BBC's public service broadcaster model funded by license fees, the differences between terrestrial and digital TV channels, and the importance of scheduling and promotion for viewership. Regarding "Class", it notes the show was not properly scheduled or promoted across BBC platforms, was put in a late time slot unattractive to its target demographic, and failed to achieve the synergistic support seen for other BBC shows, leading to its cancellation after one season due to poor ratings.
ASY1 Media C1SB Industry BBC and public service broadcastingKBucket
The document provides information about the BBC, including its history, funding, and role as a public service broadcaster in the UK. It discusses:
- The BBC's origins in the 1920s and key developments in its history.
- How it is primarily funded by the television licence fee, which most UK households paying £150.50 per year.
- The BBC's public purposes as outlined in its royal charter, including to inform, educate, entertain, support learning, reflect UK culture and communities.
- Current debates around the licence fee model and criticisms of the BBC having a monopoly, with some arguing it is an outdated system.
Personal round up of developments in the hyper-local space across the UK and US during Nov-Dec 2011. Curation of stories covering local media, location based services, research and journalism. Comments and feedback welcome.
The document summarizes key hyper-local developments in the UK in 2011, including the growth of local TV, community radio, newspapers moving online, and challenges with funding models. Local TV licences were awarded, community radio continued expanding, and newspapers saw print declines but growth online. New models for local news are being tested, including advertising, franchising, and philanthropic funding.
UK and US Hyper Local Update: Sept-Oct 2011 - 20 key developmentsDamian Radcliffe
This document provides an update on hyper-local media developments in the UK and North America from September to October 2011. It covers 20 topics, including proposed changes to the BBC's local services that may include reducing spending and sharing programming across regions, Sky launching a local online news pilot in Tyne and Wear, regional newspaper websites seeing increased traffic while print circulation declines for many, and Johnston Press partnering with a video startup to serve rich media ads. The document is intended to highlight recent hyper-local discussions and events.
The document discusses public service broadcasting (PSB) in the UK. Key points:
- PSB refers to broadcasting intended for public benefit rather than for profit or advertising. The BBC and other broadcasters have requirements to provide PSB content.
- Debate around the future of PSB in the digital age, as commercial broadcasters want to reduce obligations and funding pressures increase on organizations like Channel 4.
- Ofcom regulates PSB and is consulting on its future direction as consumption habits change with new technologies. Maintaining PSB programming remains an ongoing discussion.
The document provides details about a project for BBC Three and BBC England to create a short documentary on the theme of "Culture in the Digital Age" for their target audience of 16-24 year olds. The purpose is to portray how digital technology has impacted modern culture and the lives of young people. BBC Three's target audience is 16-34 year olds and they produce a variety of genres aimed at entertaining and informing younger audiences. The documentary will be part of the Northern Voices campaign to highlight stories from northern England and give a platform to young regional talents.
The BBC operates several national and regional radio stations in the UK funded by the television license fee. The BBC World Service is the largest international broadcaster, operating radio stations in over 28 languages without commercials. While the license fee model allows the BBC independence from advertisers, some argue it is no longer appropriate in an era of multi-channel availability and that people paying the license fee subsidize those with digital access to more BBC channels. However, supporters counter that the license fee enables the BBC to produce more diverse programming than commercial stations dependent on advertisers.
The document summarizes key aspects of the British television industry and context surrounding the failed BBC sci-fi show "Class". It discusses the BBC's public service broadcaster model funded by license fees, the differences between terrestrial and digital TV channels, and the importance of scheduling and promotion for viewership. Regarding "Class", it notes the show was not properly scheduled or promoted across BBC platforms, was put in a late time slot unattractive to its target demographic, and failed to achieve the synergistic support seen for other BBC shows, leading to its cancellation after one season due to poor ratings.
ASY1 Media C1SB Industry BBC and public service broadcastingKBucket
The document provides information about the BBC, including its history, funding, and role as a public service broadcaster in the UK. It discusses:
- The BBC's origins in the 1920s and key developments in its history.
- How it is primarily funded by the television licence fee, which most UK households paying £150.50 per year.
- The BBC's public purposes as outlined in its royal charter, including to inform, educate, entertain, support learning, reflect UK culture and communities.
- Current debates around the licence fee model and criticisms of the BBC having a monopoly, with some arguing it is an outdated system.
Personal round up of developments in the hyper-local space across the UK and US during Nov-Dec 2011. Curation of stories covering local media, location based services, research and journalism. Comments and feedback welcome.
The document summarizes key hyper-local developments in the UK in 2011, including the growth of local TV, community radio, newspapers moving online, and challenges with funding models. Local TV licences were awarded, community radio continued expanding, and newspapers saw print declines but growth online. New models for local news are being tested, including advertising, franchising, and philanthropic funding.
UK and US Hyper Local Update: Sept-Oct 2011 - 20 key developmentsDamian Radcliffe
This document provides an update on hyper-local media developments in the UK and North America from September to October 2011. It covers 20 topics, including proposed changes to the BBC's local services that may include reducing spending and sharing programming across regions, Sky launching a local online news pilot in Tyne and Wear, regional newspaper websites seeing increased traffic while print circulation declines for many, and Johnston Press partnering with a video startup to serve rich media ads. The document is intended to highlight recent hyper-local discussions and events.
The document outlines the history of institutional issues in British television broadcasting from 1922 to the present day. It details key events such as the founding of the BBC in 1922 and the introduction of commercial broadcaster ITV in 1954, which increased competition for the BBC. More recently, satellite TV in the 1980s, digital broadcasting in the 1990s-2000s, and the rise of internet streaming have all provided new challenges and opportunities for traditional broadcasters in the increasingly competitive media landscape. Ongoing debates around the future role and funding of public service broadcasting, especially in relation to the BBC, demonstrate how the television industry in Britain continues to evolve.
Hyper Local update: 20 key developments, June - August 2011Damian Radcliffe
A personal take on hyper-local developments in the UK and USA. These slides include developments I thought were noteworthy in June 11 - August 2011. Feedback and suggestions welcome.
Here are a few key points regarding the impact of increasing global media on local identity:
- Global media brings more outside cultural influences into local areas, which can threaten traditional local customs and ways of life. This causes some loss of distinct local identity.
- At the same time, global media allows local groups to learn about other cultures and identities, promoting cultural exchange and diversity. It gives voice to minority groups.
- Young people tend to be more open to global influences, while older generations often try to preserve traditional local identity. This can cause generational divides.
- Local media still play an important role in representing local communities and interests. Even with more globalization, people still value a sense of belonging to a specific
P1 - Leaners explore UK TV broadcasting through a focused case study on a UK TV broadcasting including
A) - Operating Model
B) - Product Types
C) - Modes of Delivery
D) - Programme Content
E) - Production Process
F) - Audience Profile
G) - Distribution
H) - Regulating Bodies
The document summarizes the history of the BBC from its founding in 1922 to provide radio broadcasts to the present day. It launched its first TV service in 1936 and expanded to additional channels like BBC Two in 1964. Iconic shows like Dr. Who and programs promoting education and science like those of David Attenborough have been part of BBC's mission. The BBC is publicly funded through television licensing fees and remains editorially independent while being overseen by the BBC Trust. It continues to innovate with new digital offerings like BBC iPlayer.
Channel 4 began broadcasting in 1982 as the fourth publicly owned but commercially funded television channel in the UK. It was established to provide more diverse programming beyond the BBC and ITV. Channel 4 now offers several additional digital channels and internet streaming services. Sky launched in 1989 as the UK's first major satellite TV provider and has grown to offer hundreds of channels and internet services, with over 12 million subscribers as of 2008. UKTV is a joint venture between BBC Worldwide and Virgin Media that operates several digital channels showing archive BBC programming, including comedy-focused Dave channel launched in 2007.
The document provides background information on BBC Four, including its main objectives to inform, educate and entertain audiences through a diverse range of programming focusing on arts, culture, music, drama and documentaries. It discusses BBC Four's public purposes of stimulating creativity, bringing the UK and world together, promoting education and learning, and reflecting UK nations and communities. A SWOT analysis identifies BBC Four's strengths as its strong brand, diverse programming, financial resources, experienced team, and role in cultural excellence and global representation. Weaknesses include its niche audience and cuts to budget. Opportunities exist in new talent and formats, while threats include competition and changing media landscape.
UK television broadcasting was introduced by the BBC in the 1920s and has since expanded to include multiple channels from various broadcasters, with the BBC remaining the largest public service broadcaster, producing a wide variety of programming across genres which it distributes through television, radio, online and commercial services both domestically and internationally. The BBC is primarily funded through television license fees and governed by the BBC Trust to ensure its independence, producing content through a system of channels, regions, and production processes both filmed and live.
The BBC is the largest broadcaster in the United Kingdom, founded in 1922 and publicly funded through television license fees. It operates numerous TV channels and radio stations both domestically and internationally, producing news, entertainment, drama, and documentary programming. Each channel has a distinct target audience and mandate to provide public service broadcasting including education and culture alongside general entertainment. While the BBC model faces challenges in the current media landscape, it remains a highly influential institution valued for its role in British cultural and civic life.
The document provides an overview of British media, including television, newspapers, and radio. It discusses the history and development of the BBC as the main public service broadcaster in the UK. It also describes the various television and radio channels available, types of newspapers and their readership demographics. British media has transitioned to incorporate more digital technologies and online platforms while traditional forms remain important.
The document summarizes key events in the early history of the BBC from 1922 to 1938:
1) In 1922, the BBC started its first daily radio service in London, initially providing only a few hours of news, music, drama and talks each day.
2) By 1923, the BBC was producing The Radio Times listing magazine to provide programming information to listeners.
3) In 1924, the BBC began using the Greenwich Time Signal, consisting of six short "pips", to mark the top of each hour on radio broadcasts.
4) The BBC commissioned Broadcasting House in 1932 as its new purpose-built headquarters, housing both radio and the fledgling television service.
PUBLIC SERVICE BROADCASTING IN THE UNITED KINGDOM OF GREAT BRITAIN AND NORTHE...Ella Bo
Presentation on British public service broadcasting for module: Media Systems in an International Comparative Perspective as part of an MA in Journalism, Media, and Globalisation at Universität Hamburg.
Marc Kushin
The document provides information about public service broadcasting (PSB) and the BBC in the UK. It discusses key aspects of PSB including that it is publicly owned and funded by license fees, has a duty to appeal to a broad audience, and must educate, inform and entertain. The BBC's remit and funding model allow it to produce high-quality programming while maintaining editorial independence. BBC Three targets 16-30 year olds with shows that explore issues relevant to that age group through compelling narratives and characters. The document also provides background on the military comedy-drama Bluestone 42, which is set in Afghanistan and depicts the camaraderie of a bomb disposal unit through humor.
The BBC is the oldest national broadcasting service in the UK. It is publicly funded through an annual license fee paid by all TV owners. The BBC operates numerous TV and radio channels, each with its own remit aimed at different audiences. BBC One aims to appeal to a broad audience with a variety of genres, while BBC Three focuses on younger audiences through innovative UK content. The BBC is governed by the BBC Trust and produces thousands of hours of news, documentaries, drama, comedy and other programming each year across its main channels.
The document provides an overview of the history of television broadcasting in the UK from the early years in 1936 to the present multi-channel environment. It discusses the following key points:
- In the early years from 1936-1955, TV was only available to the metropolitan middle class and was disrupted during WWII. The BBC only had one channel.
- From 1955-1982, commercial independent television was introduced alongside the BBC. Color transmissions began in 1967 and were fully switched over by 1985.
- In 1982, Channel 4 was established as the first public organization not under the BBC and aimed to reach a more diverse audience.
- From 1990 onward, digital broadcasting provided more variety in channels alongside computer services
The document discusses how the BBC is owned and funded. It is owned by the British public who pay an annual license fee. The license fee income is used to fund BBC productions and services. Some of the key ways the BBC generates additional funding include selling merchandise, formats, and products through their online and physical stores. Royalties from licensing shows internationally and product placement within some shows also contribute to BBC revenues. Synergy, where shows are extended across multiple media platforms, allows the BBC to monetize popular programs in different ways.
The document provides a history of the BBC from its founding in 1922 through key events and launches of services. It established television broadcasting in 1936 and launched important programs like Doctor Who and color TV. It summarizes the BBC's mission as informing, educating and entertaining the public. The BBC operates in radio, television and online with numerous stations and channels, and is funded by television license fees. Recent news reported missing Doctor Who episodes being found and returned from Ethiopia. Future plans may include developing BBC-branded products and using hologram technology.
BBC Two was launched in 1964 as the second BBC channel meant to provide more ambitious and minority interest programming compared to BBC One. It has focused on arts, film, comedy, documentaries and current affairs. BBC Two is publicly owned and funded through television licensing fees. The channel aims to deliver more educational and niche content than BBC One.
The document provides information about the BBC and BBC Three. It discusses the establishment and mission of the BBC as an independent public service broadcaster. It then provides details about BBC Three, including its target demographic of 16-34 year olds and genres like drama and comedy. It also discusses the Northern Voices Scheme collaboration between BBC Three and BBC England to support local independent production companies in the North of England and give northern voices a platform.
The document discusses the history and regulation of public service broadcasting (PSB) in the UK. It notes that PSB refers to broadcasting intended for public benefit rather than for profit or advertising. The BBC and ITV are highlighted as notable early PSB providers in the UK, with requirements to provide educational, arts and local programming. It also discusses debates around the future of PSB in the digital age, with questions around the BBC's remit and ITV and Channel 4 seeking to reduce unprofitable obligations. OFCOM is identified as the regulator of PSB in the UK.
The document outlines the history of institutional issues in British television broadcasting from 1922 to the present day. It details key events such as the founding of the BBC in 1922 and the introduction of commercial broadcaster ITV in 1954, which increased competition for the BBC. More recently, satellite TV in the 1980s, digital broadcasting in the 1990s-2000s, and the rise of internet streaming have all provided new challenges and opportunities for traditional broadcasters in the increasingly competitive media landscape. Ongoing debates around the future role and funding of public service broadcasting, especially in relation to the BBC, demonstrate how the television industry in Britain continues to evolve.
Hyper Local update: 20 key developments, June - August 2011Damian Radcliffe
A personal take on hyper-local developments in the UK and USA. These slides include developments I thought were noteworthy in June 11 - August 2011. Feedback and suggestions welcome.
Here are a few key points regarding the impact of increasing global media on local identity:
- Global media brings more outside cultural influences into local areas, which can threaten traditional local customs and ways of life. This causes some loss of distinct local identity.
- At the same time, global media allows local groups to learn about other cultures and identities, promoting cultural exchange and diversity. It gives voice to minority groups.
- Young people tend to be more open to global influences, while older generations often try to preserve traditional local identity. This can cause generational divides.
- Local media still play an important role in representing local communities and interests. Even with more globalization, people still value a sense of belonging to a specific
P1 - Leaners explore UK TV broadcasting through a focused case study on a UK TV broadcasting including
A) - Operating Model
B) - Product Types
C) - Modes of Delivery
D) - Programme Content
E) - Production Process
F) - Audience Profile
G) - Distribution
H) - Regulating Bodies
The document summarizes the history of the BBC from its founding in 1922 to provide radio broadcasts to the present day. It launched its first TV service in 1936 and expanded to additional channels like BBC Two in 1964. Iconic shows like Dr. Who and programs promoting education and science like those of David Attenborough have been part of BBC's mission. The BBC is publicly funded through television licensing fees and remains editorially independent while being overseen by the BBC Trust. It continues to innovate with new digital offerings like BBC iPlayer.
Channel 4 began broadcasting in 1982 as the fourth publicly owned but commercially funded television channel in the UK. It was established to provide more diverse programming beyond the BBC and ITV. Channel 4 now offers several additional digital channels and internet streaming services. Sky launched in 1989 as the UK's first major satellite TV provider and has grown to offer hundreds of channels and internet services, with over 12 million subscribers as of 2008. UKTV is a joint venture between BBC Worldwide and Virgin Media that operates several digital channels showing archive BBC programming, including comedy-focused Dave channel launched in 2007.
The document provides background information on BBC Four, including its main objectives to inform, educate and entertain audiences through a diverse range of programming focusing on arts, culture, music, drama and documentaries. It discusses BBC Four's public purposes of stimulating creativity, bringing the UK and world together, promoting education and learning, and reflecting UK nations and communities. A SWOT analysis identifies BBC Four's strengths as its strong brand, diverse programming, financial resources, experienced team, and role in cultural excellence and global representation. Weaknesses include its niche audience and cuts to budget. Opportunities exist in new talent and formats, while threats include competition and changing media landscape.
UK television broadcasting was introduced by the BBC in the 1920s and has since expanded to include multiple channels from various broadcasters, with the BBC remaining the largest public service broadcaster, producing a wide variety of programming across genres which it distributes through television, radio, online and commercial services both domestically and internationally. The BBC is primarily funded through television license fees and governed by the BBC Trust to ensure its independence, producing content through a system of channels, regions, and production processes both filmed and live.
The BBC is the largest broadcaster in the United Kingdom, founded in 1922 and publicly funded through television license fees. It operates numerous TV channels and radio stations both domestically and internationally, producing news, entertainment, drama, and documentary programming. Each channel has a distinct target audience and mandate to provide public service broadcasting including education and culture alongside general entertainment. While the BBC model faces challenges in the current media landscape, it remains a highly influential institution valued for its role in British cultural and civic life.
The document provides an overview of British media, including television, newspapers, and radio. It discusses the history and development of the BBC as the main public service broadcaster in the UK. It also describes the various television and radio channels available, types of newspapers and their readership demographics. British media has transitioned to incorporate more digital technologies and online platforms while traditional forms remain important.
The document summarizes key events in the early history of the BBC from 1922 to 1938:
1) In 1922, the BBC started its first daily radio service in London, initially providing only a few hours of news, music, drama and talks each day.
2) By 1923, the BBC was producing The Radio Times listing magazine to provide programming information to listeners.
3) In 1924, the BBC began using the Greenwich Time Signal, consisting of six short "pips", to mark the top of each hour on radio broadcasts.
4) The BBC commissioned Broadcasting House in 1932 as its new purpose-built headquarters, housing both radio and the fledgling television service.
PUBLIC SERVICE BROADCASTING IN THE UNITED KINGDOM OF GREAT BRITAIN AND NORTHE...Ella Bo
Presentation on British public service broadcasting for module: Media Systems in an International Comparative Perspective as part of an MA in Journalism, Media, and Globalisation at Universität Hamburg.
Marc Kushin
The document provides information about public service broadcasting (PSB) and the BBC in the UK. It discusses key aspects of PSB including that it is publicly owned and funded by license fees, has a duty to appeal to a broad audience, and must educate, inform and entertain. The BBC's remit and funding model allow it to produce high-quality programming while maintaining editorial independence. BBC Three targets 16-30 year olds with shows that explore issues relevant to that age group through compelling narratives and characters. The document also provides background on the military comedy-drama Bluestone 42, which is set in Afghanistan and depicts the camaraderie of a bomb disposal unit through humor.
The BBC is the oldest national broadcasting service in the UK. It is publicly funded through an annual license fee paid by all TV owners. The BBC operates numerous TV and radio channels, each with its own remit aimed at different audiences. BBC One aims to appeal to a broad audience with a variety of genres, while BBC Three focuses on younger audiences through innovative UK content. The BBC is governed by the BBC Trust and produces thousands of hours of news, documentaries, drama, comedy and other programming each year across its main channels.
The document provides an overview of the history of television broadcasting in the UK from the early years in 1936 to the present multi-channel environment. It discusses the following key points:
- In the early years from 1936-1955, TV was only available to the metropolitan middle class and was disrupted during WWII. The BBC only had one channel.
- From 1955-1982, commercial independent television was introduced alongside the BBC. Color transmissions began in 1967 and were fully switched over by 1985.
- In 1982, Channel 4 was established as the first public organization not under the BBC and aimed to reach a more diverse audience.
- From 1990 onward, digital broadcasting provided more variety in channels alongside computer services
The document discusses how the BBC is owned and funded. It is owned by the British public who pay an annual license fee. The license fee income is used to fund BBC productions and services. Some of the key ways the BBC generates additional funding include selling merchandise, formats, and products through their online and physical stores. Royalties from licensing shows internationally and product placement within some shows also contribute to BBC revenues. Synergy, where shows are extended across multiple media platforms, allows the BBC to monetize popular programs in different ways.
The document provides a history of the BBC from its founding in 1922 through key events and launches of services. It established television broadcasting in 1936 and launched important programs like Doctor Who and color TV. It summarizes the BBC's mission as informing, educating and entertaining the public. The BBC operates in radio, television and online with numerous stations and channels, and is funded by television license fees. Recent news reported missing Doctor Who episodes being found and returned from Ethiopia. Future plans may include developing BBC-branded products and using hologram technology.
BBC Two was launched in 1964 as the second BBC channel meant to provide more ambitious and minority interest programming compared to BBC One. It has focused on arts, film, comedy, documentaries and current affairs. BBC Two is publicly owned and funded through television licensing fees. The channel aims to deliver more educational and niche content than BBC One.
The document provides information about the BBC and BBC Three. It discusses the establishment and mission of the BBC as an independent public service broadcaster. It then provides details about BBC Three, including its target demographic of 16-34 year olds and genres like drama and comedy. It also discusses the Northern Voices Scheme collaboration between BBC Three and BBC England to support local independent production companies in the North of England and give northern voices a platform.
The document discusses the history and regulation of public service broadcasting (PSB) in the UK. It notes that PSB refers to broadcasting intended for public benefit rather than for profit or advertising. The BBC and ITV are highlighted as notable early PSB providers in the UK, with requirements to provide educational, arts and local programming. It also discusses debates around the future of PSB in the digital age, with questions around the BBC's remit and ITV and Channel 4 seeking to reduce unprofitable obligations. OFCOM is identified as the regulator of PSB in the UK.
The document provides information about the BBC and a client brief for creating a documentary. It discusses that BBC and BBC Three have partnered to launch the Northern Voices Scheme to give local production companies in the North of England opportunities to submit ideas reflecting the lives of 16-24 year olds. It notes that the Scheme was created so that northern voices in England can be heard, as different regions have unique cultures. The client brief is to create a documentary on digital age culture aimed at 16-24 year olds, and discuss how social media can impact mental health and how personal data is used by businesses.
The document discusses the BBC channel BBC Three and provides background information on its target audience of 16-34 year olds, programming, and some of its popular and award-winning comedy and drama shows from over the years such as Bad Education, Little Britain, Two Pints of Lager and a Packet of Crisps, Russell Howard's Good News, Gavin & Stacey, and Being Human. It notes that BBC Three faced competition from other channels for younger audiences and provides viewing statistics for the channel prior to its move to a online-only format in 2016.
The BBC Trust is the governing body of the British Broadcasting Corporation (BBC). It sets the BBC's strategy, assesses performance of BBC management, and appoints the Director-General. The Trust's goal is to make decisions that are in the best interests of TV license fee payers. It challenges the BBC to produce creative, distinctive content and innovate online to create a more personalized experience, while serving all audiences and improving cost efficiency. The BBC is primarily funded by an annual television license fee paid by UK households, companies, and organizations that receive live TV broadcasts or recordings. While some feel the BBC is biased, others view it as one of the best sources for news, information, and documentary programming worldwide. Opinions
The BBC was originally known as the British Broadcasting Company and became the British Broadcasting Corporation after receiving its Royal Charter in the 1920s. A broadcast license was introduced in the early 1920s to help fund the BBC and covered both radio and television broadcasts by the late 1960s. The BBC Trust sets the strategic framework for the BBC while the Executive Board handles operational and editorial matters. The BBC broadcasts in the UK and abroad on television, radio and online and sells programming internationally while maintaining editorial independence. It aims to sustain citizenship, promote education, stimulate creativity, and represent the UK through emerging technologies while helping bring the world to the UK. Views on the BBC's importance and whether the license fee should continue are mixed, with some seeing it as
The document provides information about the BBC (British Broadcasting Corporation) and its collaboration with BBC Three on a new project called Northern Voices.
The BBC is the national public broadcaster for the UK, founded in 1922. It aims to educate and entertain audiences of all ages through diverse programming. BBC Three targets 16-34 year olds and airs comedy, drama, documentaries and more.
Northern Voices is a new factual development scheme that partners BBC Three and independent northern England producers. It aims to elevate untold stories from outside London and give voice to writers from different northern regions. One participant, Tony Schumacher, has since produced a successful show. The collaboration furthers BBC Three's commitment to regional voices
The BBC is publicly owned and funded primarily through television license fees. It is established under a Royal Charter and regulated by OFCOM. The BBC Board is responsible for setting strategy and ensuring the BBC fulfills its public purposes. The license fee provides most of the BBC's funding, allowing it to operate without commercials. Additional sources of income include product placement, merchandise sales, royalties from licensing programs internationally, and synergistic opportunities across platforms. The BBC offers a range of television, radio, and online services targeted at different audiences.
Here are some key points I noticed from examining the Radio 1 Breakfast Show website and social media:
- Much of the content on social media like Instagram stories is very casual, featuring behind-the-scenes glimpses of the presenters in an informal, chatty style. This seems aimed at creating a sense of intimacy and connection with younger audiences.
- Hashtags used prominently include references to pop culture like #TBT and #ThrowbackThursday that would appeal to teens and 20-somethings. Language and slang used is contemporary and youth-focused.
- Diversity is represented both in terms of presenters and guests, reflecting the target demographic. However, content could still be more inclusive of different backgrounds.
The document summarizes the BBC's transformation into new media over time. It discusses how the BBC launched digital services like BBC Online, BBC News Online, BBC iPlayer, and BBC Red Button. It also covers how the BBC began using social media like Facebook and Twitter for newsgathering during major events. The BBC created the Future Media & Technology division to help keep the BBC relevant and adapt to changing audience behaviors and technology.
The BBC is the oldest national broadcasting organization and largest broadcaster in the world by employees. It is a British public service broadcaster headquartered in London, employing over 20,950 staff. The BBC is publicly funded by television license fees paid by UK residents and uses this funding to provide radio, television and online services covering the UK and BBC World Service broadcasts in 28 languages globally.
The British Broadcasting Corporation (BBC) is the largest broadcaster in the world by number of employees, with over 20,000 staff. It is established under a Royal Charter and funded by an annual television licence fee. The BBC started daily radio transmissions in 1922 and was restructured as a public corporation in 1927, becoming the BBC known today, though television was beginning to emerge as a new technology.
The client is BBC Three and BBC England. The purpose of the campaign is to create a 10-15 minute documentary about culture in the digital age for young people. The BBC was established in 1922 and is publicly funded. It aims to inform, educate, and entertain audiences across TV, radio and online platforms. The documentary should capture how digital technology has impacted young people's culture.
The BBC is the oldest national broadcasting organization and largest broadcaster in the world by employees. It is a British public service broadcaster headquartered in London, employing over 20,950 staff. The BBC is publicly funded by television license fees paid by UK residents and uses this funding across its radio, television and online services covering the UK nations and regions.
The document discusses different types of broadcasters in the UK including the BBC, Channel 4, and commercial stations. It explains that the BBC and Channel 4 have a public service broadcasting (PSB) remit where they aim to inform, educate, and entertain the public, while commercial stations solely aim to attract audiences to sell advertising. The BBC is publicly funded through television license fees, Channel 4 is publicly owned but commercially funded through advertising, and commercial stations are solely funded by advertising. There is ongoing controversy around funding models and whether the television license fee should continue.
The BBC was formed in 1922 and began outside broadcasts and expanding its radio coverage throughout the 1920s. The BBC Trust was established in 2007 as an independent part of the BBC to make decisions in the interests of license fee payers. The BBC is primarily funded through an annual television license fee paid by UK households and uses this funding to provide extensive radio, television and online services covering the UK and broadcasting in over 28 languages worldwide.
Radio broadcasting involves transmitting audio data using radio waves to communicate information to the public. The BBC offers both national and local radio stations in the UK covering a wide variety of genres. BBC national stations include Radio 1 for popular music aimed at youth, Radio 2 for adult music, and Radio 3 for classical and world music. BBC stations are funded through television licensing fees and provide public service broadcasting without commercials. The BBC World Service broadcasts news and discussions internationally in over 28 languages.
How to Make a Field Mandatory in Odoo 17Celine George
In Odoo, making a field required can be done through both Python code and XML views. When you set the required attribute to True in Python code, it makes the field required across all views where it's used. Conversely, when you set the required attribute in XML views, it makes the field required only in the context of that particular view.
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LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UPRAHUL
This Dissertation explores the particular circumstances of Mirzapur, a region located in the
core of India. Mirzapur, with its varied terrains and abundant biodiversity, offers an optimal
environment for investigating the changes in vegetation cover dynamics. Our study utilizes
advanced technologies such as GIS (Geographic Information Systems) and Remote sensing to
analyze the transformations that have taken place over the course of a decade.
The complex relationship between human activities and the environment has been the focus
of extensive research and worry. As the global community grapples with swift urbanization,
population expansion, and economic progress, the effects on natural ecosystems are becoming
more evident. A crucial element of this impact is the alteration of vegetation cover, which plays a
significant role in maintaining the ecological equilibrium of our planet.Land serves as the foundation for all human activities and provides the necessary materials for
these activities. As the most crucial natural resource, its utilization by humans results in different
'Land uses,' which are determined by both human activities and the physical characteristics of the
land.
The utilization of land is impacted by human needs and environmental factors. In countries
like India, rapid population growth and the emphasis on extensive resource exploitation can lead
to significant land degradation, adversely affecting the region's land cover.
Therefore, human intervention has significantly influenced land use patterns over many
centuries, evolving its structure over time and space. In the present era, these changes have
accelerated due to factors such as agriculture and urbanization. Information regarding land use and
cover is essential for various planning and management tasks related to the Earth's surface,
providing crucial environmental data for scientific, resource management, policy purposes, and
diverse human activities.
Accurate understanding of land use and cover is imperative for the development planning
of any area. Consequently, a wide range of professionals, including earth system scientists, land
and water managers, and urban planners, are interested in obtaining data on land use and cover
changes, conversion trends, and other related patterns. The spatial dimensions of land use and
cover support policymakers and scientists in making well-informed decisions, as alterations in
these patterns indicate shifts in economic and social conditions. Monitoring such changes with the
help of Advanced technologies like Remote Sensing and Geographic Information Systems is
crucial for coordinated efforts across different administrative levels. Advanced technologies like
Remote Sensing and Geographic Information Systems
9
Changes in vegetation cover refer to variations in the distribution, composition, and overall
structure of plant communities across different temporal and spatial scales. These changes can
occur natural.
Walmart Business+ and Spark Good for Nonprofits.pdfTechSoup
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The webinar may also give some examples on how nonprofits can best leverage Walmart Business+.
The event will cover the following::
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Spark Good (walmart.com/sparkgood) is a charitable platform that enables nonprofits to receive donations directly from customers and associates.
Answers about how you can do more with Walmart!"
How to Build a Module in Odoo 17 Using the Scaffold MethodCeline George
Odoo provides an option for creating a module by using a single line command. By using this command the user can make a whole structure of a module. It is very easy for a beginner to make a module. There is no need to make each file manually. This slide will show how to create a module using the scaffold method.
The simplified electron and muon model, Oscillating Spacetime: The Foundation...RitikBhardwaj56
Discover the Simplified Electron and Muon Model: A New Wave-Based Approach to Understanding Particles delves into a groundbreaking theory that presents electrons and muons as rotating soliton waves within oscillating spacetime. Geared towards students, researchers, and science buffs, this book breaks down complex ideas into simple explanations. It covers topics such as electron waves, temporal dynamics, and the implications of this model on particle physics. With clear illustrations and easy-to-follow explanations, readers will gain a new outlook on the universe's fundamental nature.
it describes the bony anatomy including the femoral head , acetabulum, labrum . also discusses the capsule , ligaments . muscle that act on the hip joint and the range of motion are outlined. factors affecting hip joint stability and weight transmission through the joint are summarized.
Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...Dr. Vinod Kumar Kanvaria
Exploiting Artificial Intelligence for Empowering Researchers and Faculty,
International FDP on Fundamentals of Research in Social Sciences
at Integral University, Lucknow, 06.06.2024
By Dr. Vinod Kumar Kanvaria
How to Fix the Import Error in the Odoo 17Celine George
An import error occurs when a program fails to import a module or library, disrupting its execution. In languages like Python, this issue arises when the specified module cannot be found or accessed, hindering the program's functionality. Resolving import errors is crucial for maintaining smooth software operation and uninterrupted development processes.
2. Varied Links I used for research
https://www.bbc.com/aboutthebbc/whatwedo/publicservices/
https://www.bbc.co.uk/bbcthree
https://www.bbc.co.uk/bitesize/guides/zm4krj6/revision/2
https://www.bbcstudios.com/
https://www.bbc.co.uk/bbcthree/article/b9a86f60-0ddb-40bf-905a-c011cad9c78d
https://advanced-television.com/2021/11/24/bbc-audience-has-doubled-in-last-10-years/
https://www.bbc.co.uk/bitesize/guides/z6hxh39/revision/6
https://www.bbc.co.uk/blogs/writersroom/entries/049fe5cb-4d19-47d1-b2db-eb1c0096757f
https://www.tnlcommunityfund.org.uk/funding/programmes/community-voice
https://www.prolificnorth.co.uk/news/broadcasting-news/2020/10/bbc-announces-series-northern-voices-commissions
https://www.bbc.co.uk/mediacentre/latestnews/2020/bbc-northern-voices-factual-development
https://technation.io/news/tech-north-northern-voices-launch/
3. Research into the BBC
• The British Broadcasting Company, as the BBC a was originally called, this was formed on 18th
October 1922 by a group of leading wireless manufactures.
• Britian's first live public broadcast was made from the factory of Marconi wireless telegraph
company in Chelmsford in June 1920.
• In 1922 the GPO had received nearly 100 broadcasts license requests. And moved to rescind its
ban in the wake of petition by 63 wireless societies.
• The British Broadcasting Corporation (BBC) is the national broadcaster of the united kingdom.
• The BBC is headquartered at a broadcasting house in London, it is the world's oldest national
broadcaster.
• The BBC is a largest broadcaster in the world by the number of employees that have, employing
over 22,00 staff in total of whom approximately 19,000 are in public-sector broadcasting.
History
4. Research into the BBC
• The BBC has the second largest budget of any Uk-based broadcaster.
• Its operating expenditure is 4.722 billion in 2013/2014.
• The principal means of funding the BBC is through the television license, costing 154.50
per year household since April 2019
• The BBC pursues its license fee collection under the trading name ''TV Licensing''.
• Such a license is required to legally receive television across the UK
• The BBC is a public service broadcaster established by royal charter.
• Its funded by a license fee - currently £159( £216.00) - that’s paid annually by every U.K
house hold that tunes in to the BBC services.
Funding
5. Research into the BBC
• The BBC world service, which includes language services and world service English has continued
to be a key growth driver.
• Weekly audience for the world service now stands at 364 million, and is up 13 million from 2019/20
• The BBC users age distribution in the United Kingdom (UK) from 2010 to 2018. BBC users in
the United Kingdom have been aged between 2010 and 2018. 45 percent of users in 2016 were
between the ages of 16 and 34.
• BBC World Service television, radio and online on more than 40 languages.
• The average BBC user can be anywhere between 16 to 50 the programmes offer a wide selection of
variety for each age demographic
Audiences
6. Research into the BBC
Existing & popular products
Its leading brands - Dave, Gold, W, Drama, Alibi, Eden and Yesterday – span
comedy, entertainment, natural history, factual and drama, and combine
UKTV originals with much loved BBC programmes and other acquisitions.
Its existing products include educational shows and national geographic,
drama, suspense and etc.
The programs offer documentary Aswell within the educational and
entertainment category.
7. RESEARCH INTO BBC THREE
In mid- 2000, the BBC decided to reposition and rebrand their two digital channels so that they
could be more closely linked to the well-established BBC One and BBC Two.
Their plan was for BBC Knowledge to be replaced with BBC Four – which took place in 2002 – and
for BBC Choice to be replaced with BBC Three however questions were raised over the proposed
format of the BBC Three
The channel was eventually given the go ahead, eleven months after the original launch date, and was
born on 9 February 2003
They were created by Aardman Animations and Lambie-Nairn. BBC Three launched as a digital
television channel on 9 February 2003. It began with a two hour simulcast with BBC Two, where
terrestrial viewers were introduced to Little Britain, music show Recovered and Johnny Vaughan
Tonight.
History
8. RESEARCH INTO BBC THREE
• The BBC has the second largest budget of any UK-based broadcaster with an
operating expenditure of £4.722 billion in 2013/14 compared with 6.471
billion.
• A stander tv license is currently £159, tv license is required if u watch or record
live TV programmes on any channel
• The licence fee allows us to provide a wide range of TV, radio and online
content, as well as developing new ways to deliver it to you. In addition to
funding BBC programmes and services, a proportion of the licence fee
contributed to the costs of rolling out broadband to the UK population and
funds Welsh Language TV channel S4C and local TV channels.
Funding
9. RESEARCH INTO BBC THREE
We produce content aimed at 16-34 year-old audiences, with a creative focus on ideas that can engage 16-24s year-olds
by reflecting their experiences and priorities in an authentic way.
BBC Three should be available from 19.00hrs-04.00hrs every day. It should be transmitted free to air for general
reception in the UK as a live broadcast on digital television and it may be simulcast on fixed and mobile internet
protocol networks.
The remit of BBC Three is to bring younger audiences to high quality public service broadcasting through a mixed-
genre schedule of innovative UK content featuring new UK talent. The channel should use the full range of digital
platforms to deliver its content and to build an interactive relationship with its audience
Audience
10. RESEARCH INTO BBC THREE
BBC Three also aired several youth-focused documentaries, including the BAFTA-winning Our War, Blood,
Sweat and T-Shirts (as well as its subsequent sequels), Life & Death Row and a season of films focused on mental
illness. BBC Three also aired specialist factual documentaries, such as How Drugs Work and How Sex Works.
Stacey Doole, since her appearance on blood, sweat and T shirts in 2008, presented documentaries
including Stacey Dooley in the USA (2012–14), Coming Here Soon (2012), The Natives: This is our
America (2017), Beaten by My Boyfriend (2015), Stacey Dooley in Cologne: The Blame Game (2016), Sex in Strange
Places (2016), Stacey Dooley: Hate and Pride in Orlando (2016), Stacey Dooley on the Frontline: Girls, Guns and
Isis (2016), Brainwashing Stacey (2016), Stacey Dooley: Face to Face with Isis (2018), and several other titles under the
umbrella title Stacey Dooley Investigates (2009–present).
BBC Three also commissions a number of one-off documentaries, including Growing Up Down's (2014), My
brother the Islamist (2011), Small Teen Big World (2010); Storm chaser: The Butterfly and the Tornado (2012) and The
Autistic Me (2009). Many were commissioned through BBC Three's FRESH scheme which provided an
opportunity for 'the next generation of directors' to make their first 60-minute documentaries for the channel.
Existing & popular products
11. Research into the northern voices scheme
Northern Voice was an annual blogging, social software and online communities conference held in Vancouver, British
Columbia, Canada from 2005 to 2013. The conference was organized by members of the Vancouver blogging community, who
attempted to keep the event accessible to as many people as possible. Keynote speakers at Northern Voice included Anil Dash (then
of Six Apart), Matt Mullenweg of WordPress, Nora Young of CBC Radio, Chris Messina, April Smith and Chris Wilson.
• The idea for a Canadian blogging conference was first mentioned on Darren Barefoot's blog in March 2004.
• Conference organizers included Darren Barefoot, Kris Kung, Brian Lamb, Cyprien Lomas, Boris Mann, James Sherrets, Travis
Smith, Julie Szabo, Roland Tanglao, Lauren Wood, Dale McGladrey, Shane Birley, Allyson McGrane, and Jonathon Navey.
• Northern Voice started as a one-day event, held on Saturdays. In 2007, a second day was added, for an necromance known as Moose
Camp.
• Discussion topics included "how blogging interacts with family life, education, travel, photography, community building and
establishing professional profiles."
• Northern Voice was an annual blogging, social software and online communities conference held in Vancouver, British Columbia,
Canada from 2005 to 2013. The conference was organized by members of the Vancouver blogging community, who attempted to
keep the event accessible to as many people as possible. Keynote speakers at Northern Voice included Anil Dash (then of Six apart),
Matt Mullet Wen of WordPress, Nora Young of CBC Radio, Chris Macenna , April Smith and Chris Wilson.
History
12. Research into the northern voices scheme
• Funding size
• £500,000 - £1.5 million
• Total available
• £12 million
Funding
Community Voice
13. Research into the northern voices scheme
• The Factual Development Scheme asked independent production companies to submit ideas which reflected the life
experiences of 16-24 year olds in the region.
• The local area to submit ideas that reflect the life experiences of 16-24 year-olds in the region with the promise of a
commission at the end of the process.
Audience
14. What I have learnt about my research
• I have learnt that that the BBC has grown from an
educational standpoint into a full entertainment and
educational program provider. In having to research
into their programs and such programs as the real
peaky blinders, catching a predator and national
geographic. These all had very different styles of
shots and information providing in each but I've
learnt that all the documentary all have some
information to be taken away.