The document discusses representations of teenagers in the opening scenes of two films: Clueless and Submarine. The opening of Clueless uses bright colors, high key lighting, fast editing and a lively song to represent the teenage characters as happy and interested in partying rather than school. This provides a negative representation that is hard for audiences to relate to. In contrast, the opening of Submarine uses low key lighting, close-ups of a character looking blankly, high angles and fast pacing to suggest the main character feels small and isolated living a fast-paced but anxious life. Non-diegetic bird sounds imply a quiet, isolated setting representing lonely teenagers. The protagonist also speaks in a monot