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The document outlines three locations for a music video: 1. A plain white studio space with minimal objects to focus on the actors and story. 2. A sand hill with greenery to contrast the studio and show character growth. This location will be used in the first and third scenes. 3. Bournemouth beach, which contrasts the studio with open space and color. It was chosen for its peaceful qualities to emphasize the video's message.
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Reece…
The document describes three locations for a music video. Location one is a plain white studio space intended to focus on the actors. Location two is a sand hill with greenery, providing contrast to location one and representing character growth. Location three is Bournemouth beach, again contrasting with location one through its use of color and open space to emphasize the video's storyline.
Construction post
The document summarizes the filming process for an indie music video. It discusses how the group filmed at Walpole Park in Ealing, getting shots of the singer Laura from different angles and areas of the park. It also discusses filming the male singer briefly at the park and getting more shots of him at a studio location. Additional shots at the park included trees, the sun, and attempts to film birds flying. Scenes of the male and female singer meeting for the first time took several attempts to film from different angles. The second filming location was at a band member's home studio, where they got interior shots despite the cramped space.
Location Recce
The document discusses potential locations for shooting a music video, including a park, a garden outside a house, the interior of the house where much of the video would take place, a bedroom where the artist leaves notes on a mirror, and a kitchen where the artist's gifts have an unintended effect. The locations are meant to portray the artist trying to win over his love interest through creative gifts and notes placed around her home.
Reece Photos and Floor Plan
This document provides location details and floor plans for 14 scenes in a video. Scene 1 takes place in the countryside to show rural beauty. Scene 2 is a forest at sunset to show the transition to evening. Scene 3 is a beach sunset to grab attention. Scene 4 is a bedroom for intimacy. Scene 5 is a street for arguments. Scenes 6 and 10 use a green screen for effects. Scene 7 and 12-14 take place in a field for dancing. Scene 8 is a forest for privacy. Scene 9 is an alleyway for bullying. Scene 11 is a neutral street location. Locations provide opportunities for shots and movement between scenes.
Location powerpoint
The document discusses four potential filming locations for a music video: 1) A performing arts studio that could be used for rehearsal shots and solo performance shots using its stage lighting and curtains. 2) A dance studio that would be good for additional rehearsal shots and allow a change in scenery. 3) A changing room that could be used for costume shots and close-ups of the singer's attitude. 4) A main hall with professional stage and lighting that would be suitable for concluding shots of a full performance.
Music video production diary
This document provides a music video production diary summarizing the filming process. It includes screenshots from footage taken during production with annotations providing context. The diary notes that the student filmed most of the clips as the actors needed to focus on acting. It describes challenges like location lighting not matching the frame rate and how they were addressed. The student's role was primarily operating the camera and they aimed to keep shots consistent in style while progressing the narrative through locations and times of day. Issues around unexpected technical difficulties are discussed along with solutions employed.
Story board planning
The story board plan outlines 9 scenes for a music video:
1) Close ups of each band member to introduce them and their instruments.
2) A focus on the instruments to showcase their musical talents.
3) Introduction of the girl who inspired the song, seen from behind the lead singer.
4) A shot of the full band together to see them as a group.
5) Different angles of the band performing their song.
6) Flashback scenes of the singer and girl together using a dream-like filter.
7) More flashbacks of them walking hand in hand with the same filter.
8) A pan shot to give the feel of a
Premiere
The document describes the process of creating a music video premiere in Premiere. First, the footage was uploaded and organized into folders by scene. Then the scenes were cut down and placed in order. Special effects like overlays and fades between scenes were added to reflect the song. Multiple footage clips were combined to make it appear characters were interacting in the same space. An overlay transition was used to relate one green screen scene to the next.
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Reece…
The document describes three locations for a music video. Location one is a plain white studio space intended to focus on the actors. Location two is a sand hill with greenery, providing contrast to location one and representing character growth. Location three is Bournemouth beach, again contrasting with location one through its use of color and open space to emphasize the video's storyline.
Construction post
The document summarizes the filming process for an indie music video. It discusses how the group filmed at Walpole Park in Ealing, getting shots of the singer Laura from different angles and areas of the park. It also discusses filming the male singer briefly at the park and getting more shots of him at a studio location. Additional shots at the park included trees, the sun, and attempts to film birds flying. Scenes of the male and female singer meeting for the first time took several attempts to film from different angles. The second filming location was at a band member's home studio, where they got interior shots despite the cramped space.
Location Recce
The document discusses potential locations for shooting a music video, including a park, a garden outside a house, the interior of the house where much of the video would take place, a bedroom where the artist leaves notes on a mirror, and a kitchen where the artist's gifts have an unintended effect. The locations are meant to portray the artist trying to win over his love interest through creative gifts and notes placed around her home.
Reece Photos and Floor Plan
This document provides location details and floor plans for 14 scenes in a video. Scene 1 takes place in the countryside to show rural beauty. Scene 2 is a forest at sunset to show the transition to evening. Scene 3 is a beach sunset to grab attention. Scene 4 is a bedroom for intimacy. Scene 5 is a street for arguments. Scenes 6 and 10 use a green screen for effects. Scene 7 and 12-14 take place in a field for dancing. Scene 8 is a forest for privacy. Scene 9 is an alleyway for bullying. Scene 11 is a neutral street location. Locations provide opportunities for shots and movement between scenes.
Location powerpoint
The document discusses four potential filming locations for a music video: 1) A performing arts studio that could be used for rehearsal shots and solo performance shots using its stage lighting and curtains. 2) A dance studio that would be good for additional rehearsal shots and allow a change in scenery. 3) A changing room that could be used for costume shots and close-ups of the singer's attitude. 4) A main hall with professional stage and lighting that would be suitable for concluding shots of a full performance.
Music video production diary
This document provides a music video production diary summarizing the filming process. It includes screenshots from footage taken during production with annotations providing context. The diary notes that the student filmed most of the clips as the actors needed to focus on acting. It describes challenges like location lighting not matching the frame rate and how they were addressed. The student's role was primarily operating the camera and they aimed to keep shots consistent in style while progressing the narrative through locations and times of day. Issues around unexpected technical difficulties are discussed along with solutions employed.
Story board planning
The story board plan outlines 9 scenes for a music video:
1) Close ups of each band member to introduce them and their instruments.
2) A focus on the instruments to showcase their musical talents.
3) Introduction of the girl who inspired the song, seen from behind the lead singer.
4) A shot of the full band together to see them as a group.
5) Different angles of the band performing their song.
6) Flashback scenes of the singer and girl together using a dream-like filter.
7) More flashbacks of them walking hand in hand with the same filter.
8) A pan shot to give the feel of a
Premiere
The document describes the process of creating a music video premiere in Premiere. First, the footage was uploaded and organized into folders by scene. Then the scenes were cut down and placed in order. Special effects like overlays and fades between scenes were added to reflect the song. Multiple footage clips were combined to make it appear characters were interacting in the same space. An overlay transition was used to relate one green screen scene to the next.
Photo diary
Kendell Burgess documented the production of a music video in a photo diary. Several scenes were filmed outside walking in a park [1]. Shots of the characters leaving their houses required retakes due to focusing issues [2]. Filming a scene of a character getting ready indoors had lighting problems that resulted in darker footage [3]. Scenes of the characters drunk and messing around did not have any filming difficulties [4]. Filming "day after" scenes of a character in a small kitchen was challenging due to limited space for the tripod [5]. A short clip of two characters had no problems to film [6].
Location shots.
This document discusses the location shots for a film project's rough cut and final product. The first location was a house but had too bright lighting that affected the mood. So they re-filmed the scene at an abandoned car park which was darker and had trash everywhere, allowing for low key lighting more suitable for a horror genre. The location is important as it helps set the genre and tone for audiences in the opening establishing shot.
Day 5 filming plan
The document outlines 5 scenes to be filmed for a music video. Scene 1 will refilm footage from Piccadilly Circus due to bad weather and acting in the original. Scene 2 will film in Neil's Yard, known for its colorful houses and plants. Scene 3 will take place in the colorful South Bank Skate Park. Scene 4 will film in St. James Park for joyful footage. Scene 5 is the final scene and will be filmed in the light tunnel at King's Cross Station, known for its changing colored screens.
Location reports
The document provides location reports for various scenes in a music video.
The first scene was filmed on a local road in Southgate to make it easy to access despite poor weather. Performance scenes took place at the actress' home for convenience and easy costume changes. Park scenes were filmed at a nearby scenic park familiar to the crew. Night scenes were captured at Alexandra Palace for its lights until snow forced rescheduling. The dinner scene was staged at home rather than a restaurant for more control over shots and romantic atmosphere.
Location Recce
The document discusses potential locations for scenes in a music video. The first location is secluded with an autumnal feel, suitable for a first date scene. The second location is also secluded between two trees, which would allow for easy setup but has a hard ground. The final location features symmetry within woods, providing an intimate feel but may be too dark for filming at dusk as desired.
Recce report
The document provides location reports for several scenes in a short horror film, including the protagonist's bedroom, parents' bedroom, bathroom, landing, street, and alleyway. The protagonist's bedroom and parents' bedroom will be filmed in the filmmaker's home to provide realism and for a conventional murder scene, with potential minor lighting issues addressed by closing curtains. The bathroom brings more dynamic lighting. Potential sound issues exist on the street and alleyway but minimal in private home locations. Lighting in the alleyway enhances its sinister atmosphere.
Location recce
The document describes three locations for filming different parts of a movie scene. The first location is a quiet street with little traffic, suitable for showing the beginning where the character is first seen. The second location in the middle of the street has colorful flower beds and a bend, allowing various views of a moving character. The third location marks the end of the street, where the footage will end, and the character walks into darkness as the sun will keep that side dark, hinting at the genre of the film.
Location recce
This document summarizes several potential filming locations for a music video. The first location described is a dance studio on the writer's college campus that has wooden floors, windows along one side, and mirrors on the walls. Another location is a nearby park called Abbots Park that has trees, bushes, flowers, and benches. A third location is the college TV studio, which has a green screen and couch that could be used for filming.
Presentation1
The document discusses changes made during editing of a video project. Poor lighting and a dirty tape required changing some clips. The performance location was switched from a dark bedroom to a graveyard to create a gothic effect. Shooting locations were changed from a wooded area to a graveyard to suggest the artist's vengeful attitude. Telling a secret was changed from a face-to-face shot to a phone call to make it seem more realistic.
Set up
The studio at Falmouth University had good lighting facilities and equipment which was useful for filming. As the actress attends the university and studies photography, she knew how to operate the equipment. They planned green and red contrasting lighting, using colored gels over the lights. By adjusting the light strength, different shadows and amounts of each color on the actress could be created until a good combination was found. The studio included speakers and a TV that played the song and displayed lyrics to help with accurate lip syncing during filming.
Location
This document describes four locations used in a music video: 1) A garage provided a homely and edgy setting for a performance scene. 2) A classroom portrayed the character's dreams of becoming a musician through facial expressions. 3) An open countryside allowed for free performance footage and expressed the character's lyrics during a tense part of the song. 4) A theater showed that the character's dreams of performing came true, using bright colors to foreshadow a dream sequence of performing in an arena.
Storyboard for IST
1) The storyboard outlines a video that begins with Natasha lip syncing to Rebecca Black's "Friday" but cutting it off to surprise viewers.
2) It then changes scenes to depict Tahlia lip syncing Bruno Mars' "The Lazy Song" while dancing.
3) The video includes transitions between scenes using hands covering the camera and cameo appearances, and concludes with bloopers and credits.
Location Plan (Narrative)
The document outlines various locations that will be used in a music video narrative, including:
1) A teenager's bedroom to film a scene of the character waking up to a phone notification.
2) An underpass representing urban transitions and providing a wall for a poster.
3) The riverside of the River Nene for a scene of the character throwing pebbles in angst.
4) A school parking lot suggested by focus group participants as an urban environment.
5) The exterior of a house for a flashback scene of a past negative relationship event.
6) A school meeting room replicating a therapist's office for a therapy scene with a large window.
Storyboards First Minute 30
The document provides direction for shooting a music video over the course of 1 minute and 30 seconds. It includes shots of empty streets and public areas for the first 30 seconds. From 30-35 seconds there will be a close up of an analogue wall clock to symbolize the passing of time. Vocals will start at 35 seconds. From 35-42 seconds there will be a mid to close up shot of the singer. From 42-48 seconds a mid to long shot of the singer, possibly with a guitar. From 48 seconds to 1 minute, shots of the singer in different locations including some from the intro and a bedroom. From 1 minute to 1 minute 12 seconds, a return to a close up of the singer
Music video
This document evaluates close-up shots captured for a music video. Special lenses and tripods were used to capture extreme close-ups of eyes without the camera wobbling. Examples from Orange is the New Black inspired these shots. Medium close-ups of the singer were also captured, allowing for effects and a focus on facial expressions. Extreme close-ups of a lake were taken to inspire emotion and match the song's slow tempo. In conclusion, the author is happy with the variety of shots that will provide enough footage to fill the song's four minute duration.
Location stills for our music video
The document discusses four potential locations for shots in a music video:
1. The River Swale - Proposed for flashback shots due to its natural lighting and calm feel. Varied shots were taken using different angles.
2. Castle Walk - Also proposed for flashback shots due to its isolation and natural lighting. Shots were varied using distance, intimacy of moments, and backgrounds.
3. Richmond School - Proposed for lip syncing shots needing a pop theme. A stone wall provided variation from a black background.
4. Kitten's House - Used various rooms and areas to depict abusive scenes through varied locations while maintaining a dark, isolated feel.
Production log
This production log discusses various challenges faced while filming a music video indoors, including issues with lighting, camera angles, stability, and transitions between shots. It provides workarounds and solutions, such as using studio lighting, wider angle lenses, color grading, and movement to create smoother transitions. Filming took place throughout the day and color correction was used to adjust brightness as it got darker. The overall goal was to capture shots that looked natural while overcoming space and lighting constraints.
Location Recce's
The document discusses various locations that were chosen for filming scenes and the reasons for choosing those locations. It describes choosing a park for its serenity and central location. A room was chosen to resemble a cinema hall for ending shots showing characters watching themselves over the years. A room with open space and dark curtains was selected for a club scene to fit lights and allow people to hide. Various lighting setups using three-point lighting and fog machines were used to create different scenes. A road was picked for a car scene due to the angles available for shooting. Lights were placed to the side rather than directly in front for one scene.
Mise en scène in short film IN BLOOM
The document discusses various challenges with mise en scène that arose during filming and how they were addressed. When filming at the main character's house, family portraits on the walls had to be covered up to maintain realism. During one classroom scene, a tripod was noticed in the corner of a shot during editing and was covered digitally. Props and an existing bedroom were used to portray the main character's room authentically. A board with dates and younger photos was used to represent a coffin for a funeral scene due to inability to obtain an actual coffin.
Location and floor plan
This document discusses the location that will be used to film a music video. The filming will take place at the actor's house, which backs onto a forest with both trees and open fields, providing an ideal natural setting surrounded by trees but also with some open space. The location has many trees covering the area that will create a forest atmosphere, as well as some open spaces among the trees where shots of the actor running through the trees into the fields can be filmed. There are also possibilities to incorporate the trees into movement shots and have them in the background for dance routines filmed in the open fields.
Digipack and poster analysis
This document analyzes the digipak and promotional poster for Lady Gaga's album "Joanne" to understand how they appeal to the target audience. The album cover features a simple image of Lady Gaga's face with light pink text, contrasting with her previous busy covers and suggesting a new direction for her music. The back cover matches the front with light colors and fonts, except for the third song which stands out in a different color and font to draw attention. The promotional poster also keeps a light color scheme and features Lady Gaga holding headphones, implying the album is worth listening to.
Video analysis
The document provides an analysis of music videos using various music video analysis theories. It analyzes the music video for "Capsize" by Frenship using Andrew Goodwin's six key parts of a music video. These include visuals fitting the music, genre characteristics, relationship between lyrics and visuals, demands of the record label, notion of looking, and technical aspects. It then applies Goodwin's five ways to analyze music videos, including through beats, narrative and performance, star image, relationship of visuals to the song, and technical aspects, to analyze the music video. Finally, it applies Propp's narrative theory to analyze Taylor Swift's "Blank Space" music video.
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Photo diary
Kendell Burgess documented the production of a music video in a photo diary. Several scenes were filmed outside walking in a park [1]. Shots of the characters leaving their houses required retakes due to focusing issues [2]. Filming a scene of a character getting ready indoors had lighting problems that resulted in darker footage [3]. Scenes of the characters drunk and messing around did not have any filming difficulties [4]. Filming "day after" scenes of a character in a small kitchen was challenging due to limited space for the tripod [5]. A short clip of two characters had no problems to film [6].
Location shots.
This document discusses the location shots for a film project's rough cut and final product. The first location was a house but had too bright lighting that affected the mood. So they re-filmed the scene at an abandoned car park which was darker and had trash everywhere, allowing for low key lighting more suitable for a horror genre. The location is important as it helps set the genre and tone for audiences in the opening establishing shot.
Day 5 filming plan
The document outlines 5 scenes to be filmed for a music video. Scene 1 will refilm footage from Piccadilly Circus due to bad weather and acting in the original. Scene 2 will film in Neil's Yard, known for its colorful houses and plants. Scene 3 will take place in the colorful South Bank Skate Park. Scene 4 will film in St. James Park for joyful footage. Scene 5 is the final scene and will be filmed in the light tunnel at King's Cross Station, known for its changing colored screens.
Location reports
The document provides location reports for various scenes in a music video.
The first scene was filmed on a local road in Southgate to make it easy to access despite poor weather. Performance scenes took place at the actress' home for convenience and easy costume changes. Park scenes were filmed at a nearby scenic park familiar to the crew. Night scenes were captured at Alexandra Palace for its lights until snow forced rescheduling. The dinner scene was staged at home rather than a restaurant for more control over shots and romantic atmosphere.
Location Recce
The document discusses potential locations for scenes in a music video. The first location is secluded with an autumnal feel, suitable for a first date scene. The second location is also secluded between two trees, which would allow for easy setup but has a hard ground. The final location features symmetry within woods, providing an intimate feel but may be too dark for filming at dusk as desired.
Recce report
The document provides location reports for several scenes in a short horror film, including the protagonist's bedroom, parents' bedroom, bathroom, landing, street, and alleyway. The protagonist's bedroom and parents' bedroom will be filmed in the filmmaker's home to provide realism and for a conventional murder scene, with potential minor lighting issues addressed by closing curtains. The bathroom brings more dynamic lighting. Potential sound issues exist on the street and alleyway but minimal in private home locations. Lighting in the alleyway enhances its sinister atmosphere.
Location recce
The document describes three locations for filming different parts of a movie scene. The first location is a quiet street with little traffic, suitable for showing the beginning where the character is first seen. The second location in the middle of the street has colorful flower beds and a bend, allowing various views of a moving character. The third location marks the end of the street, where the footage will end, and the character walks into darkness as the sun will keep that side dark, hinting at the genre of the film.
Location recce
This document summarizes several potential filming locations for a music video. The first location described is a dance studio on the writer's college campus that has wooden floors, windows along one side, and mirrors on the walls. Another location is a nearby park called Abbots Park that has trees, bushes, flowers, and benches. A third location is the college TV studio, which has a green screen and couch that could be used for filming.
Presentation1
The document discusses changes made during editing of a video project. Poor lighting and a dirty tape required changing some clips. The performance location was switched from a dark bedroom to a graveyard to create a gothic effect. Shooting locations were changed from a wooded area to a graveyard to suggest the artist's vengeful attitude. Telling a secret was changed from a face-to-face shot to a phone call to make it seem more realistic.
Set up
The studio at Falmouth University had good lighting facilities and equipment which was useful for filming. As the actress attends the university and studies photography, she knew how to operate the equipment. They planned green and red contrasting lighting, using colored gels over the lights. By adjusting the light strength, different shadows and amounts of each color on the actress could be created until a good combination was found. The studio included speakers and a TV that played the song and displayed lyrics to help with accurate lip syncing during filming.
Location
This document describes four locations used in a music video: 1) A garage provided a homely and edgy setting for a performance scene. 2) A classroom portrayed the character's dreams of becoming a musician through facial expressions. 3) An open countryside allowed for free performance footage and expressed the character's lyrics during a tense part of the song. 4) A theater showed that the character's dreams of performing came true, using bright colors to foreshadow a dream sequence of performing in an arena.
Storyboard for IST
1) The storyboard outlines a video that begins with Natasha lip syncing to Rebecca Black's "Friday" but cutting it off to surprise viewers.
2) It then changes scenes to depict Tahlia lip syncing Bruno Mars' "The Lazy Song" while dancing.
3) The video includes transitions between scenes using hands covering the camera and cameo appearances, and concludes with bloopers and credits.
Location Plan (Narrative)
The document outlines various locations that will be used in a music video narrative, including:
1) A teenager's bedroom to film a scene of the character waking up to a phone notification.
2) An underpass representing urban transitions and providing a wall for a poster.
3) The riverside of the River Nene for a scene of the character throwing pebbles in angst.
4) A school parking lot suggested by focus group participants as an urban environment.
5) The exterior of a house for a flashback scene of a past negative relationship event.
6) A school meeting room replicating a therapist's office for a therapy scene with a large window.
Storyboards First Minute 30
The document provides direction for shooting a music video over the course of 1 minute and 30 seconds. It includes shots of empty streets and public areas for the first 30 seconds. From 30-35 seconds there will be a close up of an analogue wall clock to symbolize the passing of time. Vocals will start at 35 seconds. From 35-42 seconds there will be a mid to close up shot of the singer. From 42-48 seconds a mid to long shot of the singer, possibly with a guitar. From 48 seconds to 1 minute, shots of the singer in different locations including some from the intro and a bedroom. From 1 minute to 1 minute 12 seconds, a return to a close up of the singer
Music video
This document evaluates close-up shots captured for a music video. Special lenses and tripods were used to capture extreme close-ups of eyes without the camera wobbling. Examples from Orange is the New Black inspired these shots. Medium close-ups of the singer were also captured, allowing for effects and a focus on facial expressions. Extreme close-ups of a lake were taken to inspire emotion and match the song's slow tempo. In conclusion, the author is happy with the variety of shots that will provide enough footage to fill the song's four minute duration.
Location stills for our music video
The document discusses four potential locations for shots in a music video:
1. The River Swale - Proposed for flashback shots due to its natural lighting and calm feel. Varied shots were taken using different angles.
2. Castle Walk - Also proposed for flashback shots due to its isolation and natural lighting. Shots were varied using distance, intimacy of moments, and backgrounds.
3. Richmond School - Proposed for lip syncing shots needing a pop theme. A stone wall provided variation from a black background.
4. Kitten's House - Used various rooms and areas to depict abusive scenes through varied locations while maintaining a dark, isolated feel.
Production log
This production log discusses various challenges faced while filming a music video indoors, including issues with lighting, camera angles, stability, and transitions between shots. It provides workarounds and solutions, such as using studio lighting, wider angle lenses, color grading, and movement to create smoother transitions. Filming took place throughout the day and color correction was used to adjust brightness as it got darker. The overall goal was to capture shots that looked natural while overcoming space and lighting constraints.
Location Recce's
The document discusses various locations that were chosen for filming scenes and the reasons for choosing those locations. It describes choosing a park for its serenity and central location. A room was chosen to resemble a cinema hall for ending shots showing characters watching themselves over the years. A room with open space and dark curtains was selected for a club scene to fit lights and allow people to hide. Various lighting setups using three-point lighting and fog machines were used to create different scenes. A road was picked for a car scene due to the angles available for shooting. Lights were placed to the side rather than directly in front for one scene.
Mise en scène in short film IN BLOOM
The document discusses various challenges with mise en scène that arose during filming and how they were addressed. When filming at the main character's house, family portraits on the walls had to be covered up to maintain realism. During one classroom scene, a tripod was noticed in the corner of a shot during editing and was covered digitally. Props and an existing bedroom were used to portray the main character's room authentically. A board with dates and younger photos was used to represent a coffin for a funeral scene due to inability to obtain an actual coffin.
Location and floor plan
This document discusses the location that will be used to film a music video. The filming will take place at the actor's house, which backs onto a forest with both trees and open fields, providing an ideal natural setting surrounded by trees but also with some open space. The location has many trees covering the area that will create a forest atmosphere, as well as some open spaces among the trees where shots of the actor running through the trees into the fields can be filmed. There are also possibilities to incorporate the trees into movement shots and have them in the background for dance routines filmed in the open fields.
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Digipack and poster analysis
This document analyzes the digipak and promotional poster for Lady Gaga's album "Joanne" to understand how they appeal to the target audience. The album cover features a simple image of Lady Gaga's face with light pink text, contrasting with her previous busy covers and suggesting a new direction for her music. The back cover matches the front with light colors and fonts, except for the third song which stands out in a different color and font to draw attention. The promotional poster also keeps a light color scheme and features Lady Gaga holding headphones, implying the album is worth listening to.
Video analysis
The document provides an analysis of music videos using various music video analysis theories. It analyzes the music video for "Capsize" by Frenship using Andrew Goodwin's six key parts of a music video. These include visuals fitting the music, genre characteristics, relationship between lyrics and visuals, demands of the record label, notion of looking, and technical aspects. It then applies Goodwin's five ways to analyze music videos, including through beats, narrative and performance, star image, relationship of visuals to the song, and technical aspects, to analyze the music video. Finally, it applies Propp's narrative theory to analyze Taylor Swift's "Blank Space" music video.
Risk assessment
The risk assessment identifies three main risks for a film shoot at The Sand Hill location: falling branches, nearby moving vehicles, and dangerous weather. The document assigns a threat level of medium to falling branches and dangerous weather, and a high threat level to nearby moving vehicles. Control systems are outlined for each risk, such as scouting the area, securing loose branches, changing locations if unsafe, having vehicle patrols, and rescheduling shoots for bad weather. The health and safety officer approved the risk assessment on December 9, 2015 for the producer and cast and crew.
Target audience
The document discusses analyzing the target audience for the song "Bird Set Free" by Sia. It notes that while the target audience for pop and electropop music can be wide-ranging, Sia's music often appeals to older audiences due to mature lyrics. Younger audiences still listen to her songs though. Research found the most common age group that listens to electropop is 25-35. Both individuals and groups enjoy this style of music. Example target audience profiles are provided for a 19-year-old female named Ella and a 26-year-old male named Adam who would likely listen to the song.
Penfold eleanor a2 cw pre production tasks feedback sheet-3
This document provides feedback from a teacher to a student, Eleanor Penfold, on pre-production tasks for a music video. The teacher provides comments on each of Eleanor's 14 pre-production elements, praising the detailed analysis, research, storyboarding, and scheduling. Some areas for improvement are adding sources to genre research, making the blog template easier to navigate, rotating some images, and adding an equipment list. The teacher awards an initial mark of 17/20 and after Eleanor addresses the areas for improvement, awards a final mark of 18/20.
Question 2
The document summarizes how the combination of the main product (music video) and ancillary texts (digipak and magazine advert) are effective. It evaluates how well the products represent the band/artist in terms of fitting the genre, looking cohesive, and featuring consistent elements like the lead singer across all products. Examples are provided of how the music video, digipak, and poster represent the artist and fit within the pop/electric pop genre based on conventions. Real-world examples are compared to argue that the finished products could be found commercially.
Digipack and advert
The company is offering a digipack and advert package for their new album. This package includes a digipack CD case along with a full page advert in an industry magazine to help promote the album release. Customers who purchase this package can expect to receive their items within 4 weeks of the order date.
Production schedule
This document outlines Eleanor Penfold's production schedule for a school project from November 2015 to March 2016. It includes pre-production, production, post-production, and evaluation phases. The pre-production phase involves research, ideas development, and planning. Production takes place over three days in January and includes location filming. Post-production begins in mid-January with editing and special effects. Evaluation involves designing packaging, uploading the final video, and completing a written reflection. All work must be completed and submitted by the deadline of March 24th, 2016.
Cotume
The document discusses pre-production details for a music video including actors, costumes, props, and makeup. Two actors, Christie and Matt, were chosen - Christie to portray the abused innocent girl and Matt the abusive boyfriend. Christie is an experienced dancer which will be incorporated into the video. Costumes were selected to portray the characters and narrative, including Christie wearing all white with wings. Props like wings, a chair, and smoke machine were chosen to add meaning and create tension. Makeup will emphasize Christie's eyes and lips to appeal to the target audience.
Shot list
This document outlines a shot list for a film depicting a woman named Christie escaping an abusive relationship. It includes 30 shots ranging from close-ups to establishing shots. The shots will tell the story of Christie experiencing distress and abuse from her boyfriend, finding freedom at the beach, and transforming into a bird to symbolize her escape. Locations include a studio, sandy hill, and Bournemouth Beach. The shots utilize different camera movements, angles, and effects to convey Christie's emotions and journey to leaving her abusive situation.
Equipment
The document provides details about the equipment that will be used to film a music video. It includes a Canon 1100D camera for its portability and ease of use. A tripod will be used to ensure steady footage from different angles. Prop wings and smoke flares will be incorporated to visually represent the song's meaning and shift in emotion and tempo.
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Penfold eleanor a2 cw pre production tasks feedback sheet-3
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Location recce
This document provides location details for filming a music video. It describes 7 locations that will be used: a music studio, TV studio, village area, skate park, transport locations of an overground platform and bus. For each location, it outlines what scenes will take place there and what shots will be captured, such as lip syncing, intimate moments between actors, and establishing shots that set the scene. The overground platform is where the main actor will first be seen lip syncing to introduce the song. A variety of techniques will be employed including fade edits, panning shots, and manipulating speed of the environment.
Location recces - music video
The document discusses three potential locations for filming a music video:
1) A wooded area that will represent the main character's isolation and provide pathways to symbolize his return to civilization. Flashback scenes of a breakup will also be filmed there.
2) A canal surrounded by trees that can seamlessly transition between the woods and act as the setting for more breakup flashbacks.
3) A lecture theater that will be used to film a performance scene, utilizing its control of lighting, and a bedroom scene, taking advantage of its size and ability to achieve total darkness.
Editing the first 30 seconds
The document discusses the author's process for editing the first 30 seconds of a trailer. They took inspiration from the film Rememory by starting with a long establishing shot followed by a close up aerial shot. They used fade to black transitions between shots to add mystery and professionalism. They also used shot reverse shot editing of the two main characters to highlight their close connection and establish a peaceful atmosphere in the beginning of the trailer.
Editing the First 30 Seconds
The document discusses the author's process for editing the first 30 seconds of a trailer. They took inspiration from the film Rememory by starting with a long establishing shot followed by a close up aerial shot. They used fade to black transitions between shots to add professionalism and mystery. They also used shot reverse shot editing of the two main characters to highlight their close connection and establish a peaceful atmosphere in the beginning of the trailer.
Props, costumes and locations
The document discusses the props, costumes, and locations that will be used to film a music video. There will be four props - tea light candles surrounding a bath, a guitar played by the actor at the start, and a dress worn by the actor that is white but torn at the bottom. There will also be four locations - a long grass field where the actor walks and sings, a bathroom with candles around the bath, the bottom of a staircase, and a bedroom where the actor lays on the bed singing. The props and locations were chosen to set intimate and emotional scenes to match the indie folk song and tell a narrative of the actor searching for someone through the different areas of a house.
Rjd treatment 2
The document provides details for shooting a music video in two sections. The first section shows an artist hard at work in a plain studio, represented through shots of him writing lyrics and recording with a producer during the day. The mood is one of struggle and grind as the artist works to create a hit song. The second section takes place at night and shows the artist performing the completed song surrounded by friends in a decorated studio, representing a celebratory and accomplished feel in contrast to the first section.
Location
The document discusses potential locations for filming scenes for a media project, including a bowling alley, recording studio, pub exterior and interior, and a living room. The bowling alley would be used to film two protagonists playing bowling with neon lights. A recording studio would portray a band performing. The pub exterior would be an establishing shot and the interior would show characters drinking and playing pool. Finally, the living room would show an antagonist being abused to portray escaping home life. Advantages and disadvantages of each location are considered.
Rjd treatment l
This document outlines the proposed visual style and narrative for a music video. It describes opening with a slow pull shot of the main character writing lyrics. The first half shows the artist's struggle and grind in the studio recording with the producer, with a mood of hard work. The second half shifts to a performance setting of the finished song, with a celebratory and accomplished mood as the artist enjoys the music with friends surrounded by writing on the walls. Daytime studio filming contrasts with nighttime performance footage. Character outfits also shift from plain to bright between the two halves.
Landscape photography analysis
Kevan Brewer is a landscape photographer who focuses on wildlife and natural settings like forests. Six of his images were analyzed. All show forested areas with trees and nature as the main subject. Some images have fog or mist that make them feel mysterious, while others have more color and feel warmer. The photographer varies the mood and style of the images but they all capture nature. Composition and techniques like depth of field are used effectively to direct the viewer's eye to key elements. The fog adds mystery, and capturing natural beauty is a strength, though some images could benefit from more color.
Main Locations
The document discusses locations for scenes in a film. One scene takes place in a bathtub, showing a character who has committed suicide. It will be darkly lit to convey the somber mood. Another scene is set in a dance studio that was rented for an hour to get multiple shots. The lighting will be monotone to contrast with a later scene set outdoors with bright lighting. The document also proposes using fields near Caistor for a main shot due to the beautiful scenery providing contrast from other monotone scenes and helping create a dream-like world.
Location
This document discusses 12 potential filming locations for a project. For Location 1, the filmmaker chose a quiet road with houses in the background for a safe first scene. They also decided to film scenes 5 and 10 here instead of other locations. For Location 3, the filmmaker liked the small, cozy feel of the room but noted some electrical hazards to clear. Location 7 was chosen as it was the actual sixth form building to make a scene more realistic, though the pavement had some trip hazards. Location 11 was a very small room that could work as a teenager's room but may be difficult to film in with equipment and actors.
Construction of mise en scene
This document provides details on the mise en scene and production design for four different locations to be used in filming a music video. Each location is described in terms of props, costumes, lighting, colors, and makeup used to portray the intended mood and match the narrative. The first location represents an urban setting and will feature casual costumes and low natural lighting. The second focuses on a female protagonist depicted through stereotypical ballet attire, bright lighting, and obvious makeup. The third location is where the two main characters meet amid a mix of natural and artificial lighting. The fourth returns to the first location's costumes and uses natural lighting to portray bleakness and communicate the song's message and genre.
Locations
The document discusses the locations used in a music video for the song "Shake It Out". Two bedrooms are used to represent different states of mind. The first bedroom is more spacious and represents an open mind, where the artist will perform. The second bedroom is much smaller and represents a closed mind, allowing props to stand out more and manipulating lighting through a large window to show how closed off the character's mind is.
Location Recce
The document outlines four locations that will be used for filming a video: the bedroom, where the physical and mental deterioration of the protagonist will be shown; a field near the filmmaker's home, where scenes of the protagonist playing football and later in the forest can be shot; a beach, a popular and relatable location; and a corridor made to look clinical, representing a hospital visit.
Location Recce
The document discusses and summarizes four potential filming locations for a music video: the bedroom, a field, the beach, and a corridor. The bedroom will allow filming from the same angle to show deterioration over time. The field is nearby and accessible for shots of the protagonist playing football with friends and later alone in the forest. Both the forest and beach are general locations that most audiences can relate to. The corridor is meant to look clinical like a hospital but provides a distraction-free space to film.
Analysis of camera shots
This document analyzes and summarizes several camera shots from a music video:
1) A panning shot highlights different colors on each band member to fit the upbeat music.
2) A mid wide shot establishes the rustic warehouse location and shows the serious performers engrossed in the meaningful music.
3) A high contrast mid shot uses lighting to reflect a shadow, suggesting the dark side of the artist's music and personality.
Location mise en-scene
This document discusses two potential outdoor locations for filming a music video: Ruislip Lido and Wakehams Hill. Both locations are described as aesthetically pleasing with open space and scenery that will allow for variety in shots. They will also make it seem like the protagonist moves more than she actually does. Additionally, the document discusses using contrasting color schemes between light and dark shots to convey different moods, as well as keeping the protagonist in neutral colors. Props will not be used in outdoor locations to let the scenery and mood speak for themselves, but studio lighting will be used indoors to control the footage.
Locations
The document discusses various location options for shooting a music video, including a beach, supermarket, living room, car, park, woods, and sea. It also discusses the use of blue screen technology and different lighting considerations for interior versus exterior shots. Performance shots from concerts are mentioned as examples. Overall, the document provides guidance on selecting appropriate locations and shots to effectively tell the story and create realism for a music video.
Pre production.10
Unfortunately I do not have any assistants to help with filming the music video. It will just be me and the performer Iris Simmons. As this is a low budget production, I do not have the resources to hire any other crew members. Myself and Iris will have to work together to get all the necessary shots.
location & setting
Here is my presentation for my A2 Media Coursework.
I have outlined the settings and possibly locations for my film trailer
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Reece…
- 1. Eleanor Penfold Recce LOCATION ONE 1. Studio space, with all white walls and a plain chair as the main element to the room. This is set in a white room with minimal colour or objects. I have deliberately done this to emphasis the actors and this element to the story line. I didn’t want anything to distract us from what is taking place. This is additionally a very white room and therefore I will insure all my shots are clear and crisp. LOCATION TWO 2. The sand hill, incorporating the greenery additionally. The sand hill, this is very different and contrasting from my original location (the studio). I have done this deliberately to insure the audience understand and appreciate the difference within location as well as the difference and growth within the character. This is the location I shall use within the first and third scene where the main elements of storyline occur. Here is an image presenting my first location representing the hill and forest which will be incorporated within the chorus.
- 2. Eleanor Penfold LOCATION THREE 3. Bournemouth beach This is the final location in which I hope to use within my music video. This again contrasts from the likes of location one (the studio) and has similar qualities of that of location two (the sand hill) in regards to the fact that it incorporates a lots of colour and open space. I chose this location as it is very peaceful and therefore will emphasises the element of the storyline and conform to the messages and purposes of the music video. Here is an image of my final location in which will be incorporate within my final scene.