Odilon Redon was a French Symbolist painter and printmaker born in Bordeaux in the 19th century. He started drawing at a young age and studied architecture but switched to sculpture. After serving in the Franco-Prussian war, he moved to Paris and worked primarily in charcoal and lithography. In the 1890s, he began using pastels and oils which became his dominant media. His works featured imaginative themes and he was interested in Hindu and Buddhist religion, painting several portraits of the Buddha. Key works discussed include The Dream, Roger and Angelica, and Butterflies.
Few painters have achieved success so early and remained so successful throughout their lives as Velazquez. Even in his teens he was acclaimed as a master painter. By the age of 24 he had become Court Painter to King Philip IV. For nearly 40 years he produced an incomparable series of the king and of other figures at court. H e created an art as moving and as varied as any in Europe and less comfined to its age than many other, seemingly freer, painters.
A presentation about Impressionism, Post Impressionism and Neo Impressionism, the movements that changed the state of things in Art and introduced it to abstractio.
Visual Arts in the Classroom. Painting and Drawing, by Angela Clarke. Submitted as part of a Postgraduate Masters in Art & Design Education at NCAD, Dublin, Ireland
Few painters have achieved success so early and remained so successful throughout their lives as Velazquez. Even in his teens he was acclaimed as a master painter. By the age of 24 he had become Court Painter to King Philip IV. For nearly 40 years he produced an incomparable series of the king and of other figures at court. H e created an art as moving and as varied as any in Europe and less comfined to its age than many other, seemingly freer, painters.
A presentation about Impressionism, Post Impressionism and Neo Impressionism, the movements that changed the state of things in Art and introduced it to abstractio.
Visual Arts in the Classroom. Painting and Drawing, by Angela Clarke. Submitted as part of a Postgraduate Masters in Art & Design Education at NCAD, Dublin, Ireland
Seven secrets every developer should know before getting into manager or lead...Pramod Paranjape
At some point of time in your career, you have to decide if you want to continue on technical path or to take up a management role. Imagine that you have taken up a management role; how would your life look like?
What will change when you get into manager or lead role? Here are Seven secrets nobody told you...
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Keynote presentation at the 2013 e-learning conference in Lafayette, Indiana. Sharing stories and thoughts on how connected educators are using social media and creating the narrative that is driving real education reform.
The Insiders Guide to Passive Candidates.
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Curious how to start digital communications with your student audience? This presentation will guide you through the basics of how and where to create visual content and look at some basic analytics.
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big and small, lined and soft, round and angular
of felt or velvet
adorned with fur, embroidery, gorgeous bird feathers, ribbons, stones according to the owner’s fortune
grands et petits, doublés et doux, ronds et angulaires,
en feutre ou en velours,
ornés de fourrure, broderies, plumes d'oiseaux magnifiques, de rubans, pierreries selon la fortune du propriétaire ...
Recognised as the most beautiful woman in the Mediterranean civilisations, hers was the face that launched a thousand ships and inspired the legends ...
Rückenfigur ... back figure in paintings.ppsxguimera
Wanderer above the Sea of Fog is perhaps the most iconic Rückenfigur in German Romantic painting …
Rückenfigur, the back-figure is a pictorial theme with significant power.
Rückenfigur ... back figure in paintings
Rückenfigur ... figure de dos dans la peinture.ppsxguimera
Le Voyageur contemplant une mer de nuages est probablement la Rückenfigur la plus emblématique de la peinture romantique allemande ...
Rückenfigur, la figure de dos est un thème pictural d'une grande puissance.
Has been depicted
in mythological and religious paintings, in still life, vanities, allegories, in the genre painting.
From Caravaggio and Rubens to Millet, through Vermeer, Delacroix, Manet, Moreau …
Panier en osier dans la peinture européenne.ppsxguimera
A été représenté
dans les peintures mythologiques et religieuses, les natures mortes, vanités, allégories, dans la peinture de genre.
Du Caravage et Rubens à Millet, en passant par Vermeer, Delacroix, Manet, Moreau ...
The Art of Rain_The beauty of rain in paintings..ppsxguimera
The beauty of rain in paintings.
expected or feared, delicate or stormy, metaphorical or very real, the rain has often entered the imagination of artists ...
L’art de la pluie_La beauté de la pluie dans la peinture..ppsxguimera
La beauté de la pluie dans la peinture.
espérée ou redoutée, fine ou orageuse, métaphorique ou bien réelle, la pluie s’est souvent invitée dans l’imaginaire des artistes ...
Medea and the beautiful Argonaut,
the first human Cain
Romulus and Remus nursed by the same she-wolf,
Vulcan who loves Venus who loves Mars
Eve and the Apple of the Tree of Temptation
and
the most human of emotions that inspired the painters
La jalousie dans la peinture européenne.ppsxguimera
Médée et le bel Argonaute,
le premier humain Caïn
Romulus et Remus nourris au sein de la même louve,
Vulcain qui aime Vénus qui aime Mars
Ève et la pomme de l'arbre de la tentation
et
la plus humaine des émotions qui a inspiré les peintres
créatures mi-hommes, mi-chevaux, habitant les forêts et les montagnes
violents et sauvages, avec une morale brutale, et un amour immodéré pour le vin et les femmes
2137ad - Characters that live in Merindol and are at the center of main storiesluforfor
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Hadj Ounis's most notable work is his sculpture titled "Metamorphosis." This piece showcases Ounis's mastery of form and texture, as he seamlessly combines metal and wood to create a dynamic and visually striking composition. The juxtaposition of the two materials creates a sense of tension and harmony, inviting viewers to contemplate the relationship between nature and industry.
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11. REDON, Odilon
The Death of the Buddha around
1899
Pastel on paper, 49 x 39.5 cm
Millicent Rogers Collection
12. Odilon Redon
The Death of the Buddha around
1899
Redon had a keen interest in Hindu and Buddhist religion and culture. After the turn of the century, painted
portraits of the Buddha several times:
Buddha in his youth (1904)
The Buddha (1905)
The Buddha (Date unknown)
Buddha (1906)
Buddha walking among the flowers (1905)
13.
14. Odilon Redon
Buddha in His Youth
1904
Distemper on canvas, 161.5 x 122.5 cm
Van Gogh Museum, Amsterdam
23. REDON, Odilon, Featured Paintings in Detail (1)
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24. REDON, Odilon
Homage To Leonardo Da Vinci
1908
This work typifies Redon's approach where the real world and the dream world seem to converge in his art. This gorgeous painting represents the period when pastel and oils
became his favored media.
25. REDON, Odilon
The Dream (also known as Thought)
1908
The works of Odilon Redon quickly became a prominent part of Arthur and Hedy Hahnloser’s collection. The collectors went to meet him in Paris in 1913 and acquired The dream
from the dealer Jos Hessel. This mysterious composition was nevertheless reworked by the artist, who heightened the plastic presence of the flowers. It may be that the idea of
combining the female profile and garland of flowers came from a painting by Millet, whom Redon greatly admired.
26. REDON, Odilon
Roger and Angelica
c. 1910
In this evocation of a scene from the sixteenth-century romance Orlando Furioso, the knight Roger appears on his fiery steed to save the maiden Angelica from a horrible fate: the
dragon, with its evil inner glow, is looming at the lower left. Tendrils of threatening mist curling up from below menace the maiden, while angry storm clouds hover above. The figures
themselves are small and sketchily rendered; it is the picture's atmospheric effects, conveyed with light-and-dark contrasts and shots of dazzling color—including those of the
imposing crag on which Angelica is stranded—that create the high drama of this tension-ridden scene.
The young Redon is said to have watched the clouds scudding over the flat Bordeaux landscape where he was raised and imagined in them the fantastic beings that he would later
conjure up in his paintings, drawings, lithographs, and pastels. Roger and Angelica, executed in the last period of his career, when color had bewitched him, exemplifies Redon's
consummate ability to imbue his wildly imaginative fantasies with color, light, and shadow, using the mere strokes of a crayon.
Although this work was created in the twentieth century, it reflects the Romanticism of the nineteenth century, in which feeling triumphed over form, and color was the primary vehicle
of expression.
27. REDON, Odilon
Butterflies
c. 1910
Before 1900 Redon made drawings almost exclusively in black and white; afterward he began to focus on paintings and pastels in sensuous color. Many of his late
works in color took nature’s small beauties, such as butterflies, seashells, and flowers, as objects of contemplation and presented them with a fantastic intensity.
Redon was a Symbolist; he believed that art could transcend the everyday and open onto a marvelous world of the mind. Around 1905 he spoke of the painter’s task as
a privileged one: “Painting consists in using a special sense, an innate sense for composing a beautiful substance. To do as nature does: create diamonds, gold,
sapphires, agates, precious metal, silk, flesh: it is a gift of delicious sensuality.”
28. Bertrand-Jean Redon better known as Odilon Redon was a Symbolist painter and printmaker, born in Bordeaux,
Aquitaine, France. Odilon was a nickname derived from his mother, Odile.
Redon started drawing as a young child, and at the age of 10 he was awarded a drawing prize at school. At age 15, he
began formal study in drawing but on the insistence of his father he switched to architecture. His failure to pass the
entrance exams at Paris' Ecole des Beaux-Arts ended any plans for a career as an architect, although he would later
study there under Jean-Leon Gerome.
Back home in his native Bordeaux, he took up sculpture, and Rodolphe Bresdin instructed him in etching and
lithography. However, his artistic career was interrupted in 1870 when he joined the army to serve in the Franco-
Prussian War.
At the end of the war, he moved to Paris, working almost exclusively in charcoal and lithography. It would not be until
1878 that his work gained any recognition with Guardian Spirit of the Waters, and he published his first album of
lithographs, titled Dans le Reve, in 1879. Still, Redon remained relatively unknown until the appearance in 1884 of a
cult novel by Joris-Karl Huysmans titled, rebours (Against Nature). The story featured a decadent aristocrat who
collected Redon's drawings.
In the 1890s, he began to use pastel and oils, which dominated his works for the rest of his life.