big and small, lined and soft, round and angular
of felt or velvet
adorned with fur, embroidery, gorgeous bird feathers, ribbons, stones according to the owner’s fortune
external and visible sign of a person's faith, loyalty, friendship, love, honour or hostility towards others
fashion accessory for the aristocracy and the bourgeoisie until the beginning of the twentieth century
The document discusses how open doors are depicted symbolically in various paintings throughout history. Some key themes and symbols included are: doors representing passage between worlds or access to knowledge; doors opening onto landscapes representing hope or new beginnings; and doors providing glimpses into private or personal scenes. Many paintings referenced use doors and the views beyond them to convey deeper meanings about the subjects and stories depicted.
The document discusses the use of transparency in paintings over centuries to depict various materials and objects. It provides numerous examples from famous paintings where artists showed transparency through techniques like diaphanous veils, glassware, bubbles, and other materials. The summaries highlight how transparency was a tool for artists to represent different textures and symbolic meanings in their works.
The ruff was an item of clothing worn around the neck in 16th-17th century Europe that symbolized wealth and status. Ruffs were made of stiffened linen or lace and increased dramatically in size over the century, requiring upright posture. By forcing good posture, ruffs emphasized aristocratic ideals of dignity and refinement. Ruffs began falling out of fashion in the early 17th century and were eventually banned in Spain, though the style persisted longer in the Dutch Republic as seen in portraits from that time.
Apple of amber, Zibellino... An unusual jewel in paintingguimera
Pomanders and zibellini were fashion accessories popular in the 15th-16th centuries. Pomanders were balls containing fragrant substances like ambergris worn or carried to protect against disease. They were made of precious materials and perforated in intricate designs. Zibellini were full animal pelts, usually of sable or marten, worn by women as a status symbol and adorned with jewels. Both accessories symbolized wealth and were featured prominently in portraits of the elite from this period.
Surprising hairstyles in Western painting.ppsxguimera
This document provides descriptions of hairstyles from various works of Western art from the 15th to 19th centuries. It notes hairstyles like bowl cuts, zazzeras, cornets, poufs, and braided buns popular at different time periods. Specific works mentioned include portraits depicting styles like center-parted curls on a 15th century Florentine woman or the heart-shaped wig of Queen Elizabeth I of England. Context is given for trends like men shaving their foreheads or Louis XIV starting to wear wigs to hide hair loss.
external and visible sign of a person's faith, loyalty, friendship, love, honour or hostility towards others
fashion accessory for the aristocracy and the bourgeoisie until the beginning of the twentieth century
The document discusses how open doors are depicted symbolically in various paintings throughout history. Some key themes and symbols included are: doors representing passage between worlds or access to knowledge; doors opening onto landscapes representing hope or new beginnings; and doors providing glimpses into private or personal scenes. Many paintings referenced use doors and the views beyond them to convey deeper meanings about the subjects and stories depicted.
The document discusses the use of transparency in paintings over centuries to depict various materials and objects. It provides numerous examples from famous paintings where artists showed transparency through techniques like diaphanous veils, glassware, bubbles, and other materials. The summaries highlight how transparency was a tool for artists to represent different textures and symbolic meanings in their works.
The ruff was an item of clothing worn around the neck in 16th-17th century Europe that symbolized wealth and status. Ruffs were made of stiffened linen or lace and increased dramatically in size over the century, requiring upright posture. By forcing good posture, ruffs emphasized aristocratic ideals of dignity and refinement. Ruffs began falling out of fashion in the early 17th century and were eventually banned in Spain, though the style persisted longer in the Dutch Republic as seen in portraits from that time.
Apple of amber, Zibellino... An unusual jewel in paintingguimera
Pomanders and zibellini were fashion accessories popular in the 15th-16th centuries. Pomanders were balls containing fragrant substances like ambergris worn or carried to protect against disease. They were made of precious materials and perforated in intricate designs. Zibellini were full animal pelts, usually of sable or marten, worn by women as a status symbol and adorned with jewels. Both accessories symbolized wealth and were featured prominently in portraits of the elite from this period.
Surprising hairstyles in Western painting.ppsxguimera
This document provides descriptions of hairstyles from various works of Western art from the 15th to 19th centuries. It notes hairstyles like bowl cuts, zazzeras, cornets, poufs, and braided buns popular at different time periods. Specific works mentioned include portraits depicting styles like center-parted curls on a 15th century Florentine woman or the heart-shaped wig of Queen Elizabeth I of England. Context is given for trends like men shaving their foreheads or Louis XIV starting to wear wigs to hide hair loss.
The document discusses the genre of "Collector's Cabinets in Painting" which depicts art and curiosity collections. Frans Francken the Younger and Jan Brueghel the Elder were the first to create such paintings in the 1620s, showing large rooms displaying numerous paintings and precious items. Early works also included scientific instruments and natural specimens alongside the art. Some paintings portrayed the owners of the collections or artists working. The genre became immediately popular and was emulated by other artists such as Jan Brueghel the Younger, Cornelis de Baellieur, and David Teniers the Younger.
you can download my presentations at
http://www.authorstream.com/MyUploaded-Presentations
http://www.authorstream.com/Presentation/guimera-4815215-glasses-paintings/
you can download my presentations at
http://www.authorstream.com/MyUploaded-Presentations/All
http://www.authorstream.com/Presentation/guimera-4745536-balcony-paintings/
The carnation in the painting, the profane carnationguimera
The profane carnation …
symbol of earthly love, devotion
symbol of marriage or betrothal
symbol of distinction
symbol of fascination, passion in European Renaissance art, especially in portraiture
The circus and its artists have inspired painters for nearly two centuries ...
previously, the acrobats and other characters of the Commedia dell'Arte
and
even before them, fairground entertainers and other hucksters ...
This document provides information about several famous artworks and their artists:
1) It describes Raphael's painting The Sistine Madonna, including details about its composition and symbolism.
2) It summarizes Edouard Manet's painting A Bar at the Folies-Bergère, focusing on its subdued colors, brushwork, and intentionally confusing spatial levels and perspectives.
3) It gives background information about Pierre-Auguste Renoir's painting Dance at Bougival, noting the village of Bougival was a popular spot for Impressionist painters.
felt, silk and velvet hats, adorned with skins, embroidery, feathers
bonnets, veils
hennins, conical headdresses almost eighty centimeters in height decorated with a long veil indicating the social rank of its owner
not surprising to find flies in the paintings ...
can simply mean misery, loneliness, the vanity of earthly things
can be an allusion to the ephemeral of life, beauty, the symbol of death, the Passion of Christ, corruption and venality ...
The document discusses depictions of glass in European paintings from the 15th to 19th centuries. It provides numerous examples of paintings that include detailed renderings of glass objects like cups, decanters, and glasses. These glass objects often hold symbolic meanings and were used to depict important religious symbols. The document also discusses how certain artists, like Vermeer and Manet, were fascinated with realistically depicting glassware and the dexterity of waitresses handling multiple glasses.
Has been depicted
in mythological and religious paintings, in still life, vanities, allegories, in the genre painting.
From Caravaggio and Rubens to Millet, through Vermeer, Delacroix, Manet, Moreau …
The iconography of 'Madonna and Child' and 'Venus and Cupid' in the most repr...PasqualeRaimo
Questo ciclo di lezioni in lingua inglese, prende il titolo “Un viaggio nell’arte tra l’amore sacro e profano”. In pratica viene messo a confronto il tema iconografico della Madonna con il Bambino e quello di Venere con Cupido attraverso le opere d’arte più rappresentative esposte in quattro tra i più rappresentativi musei d’Europa: The State Hermitage Museum di SanPietroburgo, il Victoria and Albert Museum di Londra, il Museo di Capodimonte di Napoli e il Museo del Prado di Madrid.
Prima di passare alla visione le singole opere d’arte, il progetto prevede un conciso cenno storico circa l’origine e la struttura dei suddetti musei. Le opere che saranno analizzate sono soprattutto dipinti, oscillanti cronologicamente tra l’XI e il XIX secolo, ma non mancherà la descrizione anche di oggetti d’arte di diversa tipologia (sculture, bronzi, arti applicate, etc.). Per ogni opera esaminata, prima della sua descrizione si procederà con una breve introduzione biografica dell’autore.
From Leonardo da Vinci to Renoir, through Brueghel the Elder, van Gogh, Caillebotte, Manet ..
masterpieces celebrating the art of the feast and food in good company
The Parrot in the painting 2, The profane parrotguimera
associated with the Virgin as an allegorical symbol of her purity and virginity
a symbol in portraits of marital fidelity or simply an indication of the status
a symbol of luxury in still life
or without a symbolic meaning, they are attractive, exotic birds, which make for striking visual motifs
The document discusses the history of representing the five senses - sight, taste, hearing, smell, and touch - in European painting from the 16th century onwards. It provides details on numerous artworks from different eras that allegorically depict one or more of the senses through symbolic figures and objects. For example, it describes a 1618 painting by Jan Brueghel and Peter Paul Rubens that portrays the senses of taste, sight, smell, and hearing through figures like Venus and allegorical objects. It also analyzes artworks that depict the senses in more metaphorical or provocative ways.
Mauritshuis, The Hague_ Picture Gallery, The Masterpieces (1)guimera
The document describes several masterworks from the Mauritshuis museum in The Hague. It discusses Johannes Vermeer's Girl with a Pearl Earring, highlighting the exotic aspects of her turban and the symbolic pearl, and praising Vermeer's technique. It also summarizes Rembrandt's 1669 self-portrait, noting the expressive brushwork. Additionally, it analyzes Hans Holbein the Younger's 1533 portrait of Robert Cheseman, an English falconer, explaining the background details and use of lettering, and emphasizing Holbein's skill in observing nature.
Ferronnière. Hat badge. Cameo ...An unusual jewel in paintingguimera
a jewel par excellence of the Renaissance ...
a jewel purely decorative or with meaning religious or symbolic …
a jewel appreciated for its beauty, its artistic, symbolic and even magical value …
A jewellery historian chances upon a rare 100-year-old book by French artist Albert Charles Auguste Racinet called L'Ornement Polychrome containing 100 lithographic prints of ornamental motifs from various historical periods. The prints provide inspiration for reviving ancient techniques and styles. They lead the historian to explore jewellery archives and find pieces that embody the prints' patterns, including a 19th century Chinese hair ornament featuring kingfisher feathers transformed into a contemporary brooch. The historian is enthralled by the book and looks forward to gaining further inspiration from its remaining 97 prints depicting ornamentation from different eras.
The document discusses the genre of "Collector's Cabinets in Painting" which depicts art and curiosity collections. Frans Francken the Younger and Jan Brueghel the Elder were the first to create such paintings in the 1620s, showing large rooms displaying numerous paintings and precious items. Early works also included scientific instruments and natural specimens alongside the art. Some paintings portrayed the owners of the collections or artists working. The genre became immediately popular and was emulated by other artists such as Jan Brueghel the Younger, Cornelis de Baellieur, and David Teniers the Younger.
you can download my presentations at
http://www.authorstream.com/MyUploaded-Presentations
http://www.authorstream.com/Presentation/guimera-4815215-glasses-paintings/
you can download my presentations at
http://www.authorstream.com/MyUploaded-Presentations/All
http://www.authorstream.com/Presentation/guimera-4745536-balcony-paintings/
The carnation in the painting, the profane carnationguimera
The profane carnation …
symbol of earthly love, devotion
symbol of marriage or betrothal
symbol of distinction
symbol of fascination, passion in European Renaissance art, especially in portraiture
The circus and its artists have inspired painters for nearly two centuries ...
previously, the acrobats and other characters of the Commedia dell'Arte
and
even before them, fairground entertainers and other hucksters ...
This document provides information about several famous artworks and their artists:
1) It describes Raphael's painting The Sistine Madonna, including details about its composition and symbolism.
2) It summarizes Edouard Manet's painting A Bar at the Folies-Bergère, focusing on its subdued colors, brushwork, and intentionally confusing spatial levels and perspectives.
3) It gives background information about Pierre-Auguste Renoir's painting Dance at Bougival, noting the village of Bougival was a popular spot for Impressionist painters.
felt, silk and velvet hats, adorned with skins, embroidery, feathers
bonnets, veils
hennins, conical headdresses almost eighty centimeters in height decorated with a long veil indicating the social rank of its owner
not surprising to find flies in the paintings ...
can simply mean misery, loneliness, the vanity of earthly things
can be an allusion to the ephemeral of life, beauty, the symbol of death, the Passion of Christ, corruption and venality ...
The document discusses depictions of glass in European paintings from the 15th to 19th centuries. It provides numerous examples of paintings that include detailed renderings of glass objects like cups, decanters, and glasses. These glass objects often hold symbolic meanings and were used to depict important religious symbols. The document also discusses how certain artists, like Vermeer and Manet, were fascinated with realistically depicting glassware and the dexterity of waitresses handling multiple glasses.
Has been depicted
in mythological and religious paintings, in still life, vanities, allegories, in the genre painting.
From Caravaggio and Rubens to Millet, through Vermeer, Delacroix, Manet, Moreau …
The iconography of 'Madonna and Child' and 'Venus and Cupid' in the most repr...PasqualeRaimo
Questo ciclo di lezioni in lingua inglese, prende il titolo “Un viaggio nell’arte tra l’amore sacro e profano”. In pratica viene messo a confronto il tema iconografico della Madonna con il Bambino e quello di Venere con Cupido attraverso le opere d’arte più rappresentative esposte in quattro tra i più rappresentativi musei d’Europa: The State Hermitage Museum di SanPietroburgo, il Victoria and Albert Museum di Londra, il Museo di Capodimonte di Napoli e il Museo del Prado di Madrid.
Prima di passare alla visione le singole opere d’arte, il progetto prevede un conciso cenno storico circa l’origine e la struttura dei suddetti musei. Le opere che saranno analizzate sono soprattutto dipinti, oscillanti cronologicamente tra l’XI e il XIX secolo, ma non mancherà la descrizione anche di oggetti d’arte di diversa tipologia (sculture, bronzi, arti applicate, etc.). Per ogni opera esaminata, prima della sua descrizione si procederà con una breve introduzione biografica dell’autore.
From Leonardo da Vinci to Renoir, through Brueghel the Elder, van Gogh, Caillebotte, Manet ..
masterpieces celebrating the art of the feast and food in good company
The Parrot in the painting 2, The profane parrotguimera
associated with the Virgin as an allegorical symbol of her purity and virginity
a symbol in portraits of marital fidelity or simply an indication of the status
a symbol of luxury in still life
or without a symbolic meaning, they are attractive, exotic birds, which make for striking visual motifs
The document discusses the history of representing the five senses - sight, taste, hearing, smell, and touch - in European painting from the 16th century onwards. It provides details on numerous artworks from different eras that allegorically depict one or more of the senses through symbolic figures and objects. For example, it describes a 1618 painting by Jan Brueghel and Peter Paul Rubens that portrays the senses of taste, sight, smell, and hearing through figures like Venus and allegorical objects. It also analyzes artworks that depict the senses in more metaphorical or provocative ways.
Mauritshuis, The Hague_ Picture Gallery, The Masterpieces (1)guimera
The document describes several masterworks from the Mauritshuis museum in The Hague. It discusses Johannes Vermeer's Girl with a Pearl Earring, highlighting the exotic aspects of her turban and the symbolic pearl, and praising Vermeer's technique. It also summarizes Rembrandt's 1669 self-portrait, noting the expressive brushwork. Additionally, it analyzes Hans Holbein the Younger's 1533 portrait of Robert Cheseman, an English falconer, explaining the background details and use of lettering, and emphasizing Holbein's skill in observing nature.
Ferronnière. Hat badge. Cameo ...An unusual jewel in paintingguimera
a jewel par excellence of the Renaissance ...
a jewel purely decorative or with meaning religious or symbolic …
a jewel appreciated for its beauty, its artistic, symbolic and even magical value …
A jewellery historian chances upon a rare 100-year-old book by French artist Albert Charles Auguste Racinet called L'Ornement Polychrome containing 100 lithographic prints of ornamental motifs from various historical periods. The prints provide inspiration for reviving ancient techniques and styles. They lead the historian to explore jewellery archives and find pieces that embody the prints' patterns, including a 19th century Chinese hair ornament featuring kingfisher feathers transformed into a contemporary brooch. The historian is enthralled by the book and looks forward to gaining further inspiration from its remaining 97 prints depicting ornamentation from different eras.
grands et petits, doublés et doux, ronds et angulaires,
en feutre ou en velours,
ornés de fourrure, broderies, plumes d'oiseaux magnifiques, de rubans, pierreries selon la fortune du propriétaire ...
Recognised as the most beautiful woman in the Mediterranean civilisations, hers was the face that launched a thousand ships and inspired the legends ...
Rückenfigur ... back figure in paintings.ppsxguimera
Wanderer above the Sea of Fog is perhaps the most iconic Rückenfigur in German Romantic painting …
Rückenfigur, the back-figure is a pictorial theme with significant power.
Rückenfigur ... back figure in paintings
Rückenfigur ... figure de dos dans la peinture.ppsxguimera
Le Voyageur contemplant une mer de nuages est probablement la Rückenfigur la plus emblématique de la peinture romantique allemande ...
Rückenfigur, la figure de dos est un thème pictural d'une grande puissance.
Panier en osier dans la peinture européenne.ppsxguimera
A été représenté
dans les peintures mythologiques et religieuses, les natures mortes, vanités, allégories, dans la peinture de genre.
Du Caravage et Rubens à Millet, en passant par Vermeer, Delacroix, Manet, Moreau ...
The Art of Rain_The beauty of rain in paintings..ppsxguimera
The beauty of rain in paintings.
expected or feared, delicate or stormy, metaphorical or very real, the rain has often entered the imagination of artists ...
L’art de la pluie_La beauté de la pluie dans la peinture..ppsxguimera
La beauté de la pluie dans la peinture.
espérée ou redoutée, fine ou orageuse, métaphorique ou bien réelle, la pluie s’est souvent invitée dans l’imaginaire des artistes ...
From Gethsemane to the Tomb ... Passion Stories.ppsxguimera
This document provides summaries of paintings depicting scenes from Jesus's passion and death. It describes paintings showing Jesus in the Garden of Gethsemane praying before his arrest, Jesus appearing before Pilate, Jesus being mocked and crowned with thorns, Jesus carrying the cross, Jesus on the cross with Mary and John, the crucifixion and death of Jesus, his body being taken down and mourned over, and his entombment. The paintings highlighted come from artists like William Blake, James Tissot, Hieronymus Bosch, and Lovis Corinth and are housed in museums around the world.
Medea and the beautiful Argonaut,
the first human Cain
Romulus and Remus nursed by the same she-wolf,
Vulcan who loves Venus who loves Mars
Eve and the Apple of the Tree of Temptation
and
the most human of emotions that inspired the painters
La jalousie dans la peinture européenne.ppsxguimera
Médée et le bel Argonaute,
le premier humain Caïn
Romulus et Remus nourris au sein de la même louve,
Vulcain qui aime Vénus qui aime Mars
Ève et la pomme de l'arbre de la tentation
et
la plus humaine des émotions qui a inspiré les peintres
créatures mi-hommes, mi-chevaux, habitant les forêts et les montagnes
violents et sauvages, avec une morale brutale, et un amour immodéré pour le vin et les femmes
Personnages de la mythologie grecque ....ppsxguimera
exceptionnels par leur intelligence, leur bravoure et leur force,
mais aussi parfois arrogants, fiers, prétentieux, vaniteux, vindicatifs et un peu infantiles ...
➒➌➎➏➑➐➋➑➐➐KALYAN MATKA | MATKA RESULT | KALYAN MATKA TIPS | SATTA MATKA | MATKA.COM | MATKA PANA JODI TODAY | BATTA SATKA | MATKA PATTI JODI NUMBER | MATKA RESULTS | MATKA CHART | MATKA JODI | SATTA COM | FULL RATE GAME | MATKA GAME | MATKA WAPKA | ALL MATKA RESULT LIVE ONLINE | MATKA RESULT | KALYAN MATKA RESULT | DPBOSS MATKA 143 | MAIN MATKA
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The cherry: beauty, softness, its heart-shaped plastic has inspired artists since Antiquity. Cherries and strawberries were considered the fruits of paradise and thus represented the souls of men.
KALYAN MATKA | MATKA RESULT | KALYAN MATKA TIPS | SATTA MATKA | MATKA.COM | MATKA PANA JODI TODAY | BATTA SATKA | MATKA PATTI JODI NUMBER | MATKA RESULTS | MATKA CHART | MATKA JODI | SATTA COM | FULL RATE GAME | MATKA GAME | MATKA WAPKA | ALL MATKA RESULT LIVE ONLINE | MATKA RESULT | KALYAN MATKA RESULT | DPBOSS MATKA 143 | MAIN MATKA
Heart Touching Romantic Love Shayari In English with ImagesShort Good Quotes
Explore our beautiful collection of Romantic Love Shayari in English to express your love. These heartfelt shayaris are perfect for sharing with your loved one. Get the best words to show your love and care.
2. big and small, lined and soft, round and angular
of felt or velvet
adorned with fur, embroidery, gorgeous bird feathers, ribbons, stones according to the owner’s fortune
5. a sumptuous blue of the robe
and
a vibrant red of the hat
Johannes Vermeer
Girl with the Red Hat
La Fille au chapeau rouge
Joven con Sombrero Rojo
1669
National Gallery of Art, Washington, D.C.
6.
7.
8.
9.
10. felt hat shades the young woman's face ...
Peter Paul Rubens
Portrait of Susanna Lunden, The Straw Hat
Portrait de Suzanne Lunden, Le Chapeau de paille
Retrato de Susanna Lunden, El sombrero de paja.
1622-1625
National Gallery, London
11.
12.
13.
14.
15. modelled on Rubens’s Portrait of Susanna Lunden ...
a straw hat decorated with fresh flowers and a white ostrich feather
Élisabeth Vigée Le Brun
Autoportrait au chapeau de paille
Self-portrait in a Straw Hat
Autorretrato con sombrero de paja
1782
National Gallery, London
16.
17.
18.
19.
20.
21. a smiling older man, propels the swing,
a small white dog
a smiling young man, hiding in the bushes
a putto, with its finger in front of its lips,
a shoe
an elegantly dressed young woman,
a white rococo petticoats that blend into the clouds
and
a bergère hat (shepherdess hat) ...
Jean-Honoré Fragonard
The Swing or The Happy Accidents of the Swing
Les Hasards heureux de l'escarpolette
Los felices azares del columpio , El columpio
1767
Wallace Collection, London
22.
23.
24.
25.
26. a black hat, very fashionable, of Captain Frans Banninck Cocq
and
a hat with white feathers of Lieutenant Willem van Ruytenburgh
Rembrandt van Rijn
The Shooting Company of Frans Banning Cocq and Willem van Ruytenburch, The Night Watch
La Compagnie de Frans Banning Cocq et Willem van Ruytenburch, La Ronde de nuit
La compañía militar del capitán Frans Banninck Cocq y el teniente Willem van Ruytenburgh, La ronda de noche
1642
Rijksmuseum, Amsterdam
27.
28.
29.
30.
31. a comfortable, modern mansion of a wealthy merchant
an oriental carpet,
a splendid brass chandelier,
a round mirror
an woman in a fine green wool overdress
and
a man in a large black hat, of plaited straw according to some, of felt to other art historians
Jan van Eyck
The Arnolfini Portrait, Portrait of Giovanni Arnolfini and his Wife
Les Époux Arnolfini
Retrato de Giovanni Arnolfini y su esposa
1434
National Gallery, London
32.
33.
34.
35.
36. Lucas Cranach's hats ...
amazing hats, crazy, vertiginous hats, gravity-defying hats, hats that make you go "wow!“
….
a tree of red apples
a little winged god of love assailed by honeybees
and
a hat of red and gold cloth decorated with a wide circle of ostrich plumes of the goddess of love ...
Lucas Cranach the Elder, Lucas Cranach l'Ancien
Cupid Complaining to Venus
Vénus avec Cupidon voleur de miel
Venus y Cupido ladrón de miel
1526-1527
National Gallery, London
37.
38.
39.
40.
41. a huge beret with ostrich feather pom-poms of Paris
and
a broad-brimmed, feather-adorned red hat (and strategically placed diaphanous veil) of Venus
Lucas Cranach the Elder Lucas Cranach l'Ancien
The Judgment of Paris
Le Jugement de Pâris
El Juicio de Paris
1528
Metropolitan Museum of Art, New York
42.
43.
44.
45.
46.
47. an enigmatic smile,
a flamboyant costume,
and
a broad-brimmed, upturned black hat, and in the latest fashion
Frans Hals
The Laughing Cavalier
Le Cavalier riant
Caballero sonriente
1624
Wallace Collection, London
48.
49.
50.
51. likely a preparatory painting for a full-length portrait
feathered black hat
Hans Holbein the Younger, Hans Holbein le Jeune
Portrait of Henry VIII of England
Portrait d'Henri VIII, roi d'Angleterre
Retrato de Enrique VIII de Inglaterra
1537
Museo Nacional Thyssen-Bornemisza, Madrid
52.
53.
54.
55. mounted in the uniform of a general in chief,
armed with a Mamluk-style sabre
and
wearing a gold-trimmed bicorne
Jacques-Louis David
Bonaparte franchissant le mont Saint-Bernard, 20 mai 1800
Napoleon at the Saint-Bernard Pass or Bonaparte Crossing the Alps
Napoleón en el paso de San Bernardo, Bonaparte cruzando los Alpes,
1802
Château de Versailles, Versailles
56.
57.
58.
59. a cloudy sky,
a low wall
a man in an overcoat,
a red tie
a hovering green apple,
an eye
and
a bowler hat
René Magritte
The Son of Man
Le Fils de l'Homme
El hijo del hombre
1964
Private collection
60.
61.
62.
63. Cezanne
and his round outdoor hat,
typical of the artist who would roam the countryside in search of a motif, painting "en plein air".
Camille Pissarro
Portrait de Cézanne
Portrait of Cézanne
Retrato de Paul Cézanne
1874
National Gallery, London
64.
65.
66.
67. a grey felt hat, which adds a certain elegance and a touch of mystery
Vincent van Gogh
Self-Portrait with Grey Felt Hat
Autoportrait au chapeau de feutre
Autorretrato con sombrero de fieltro gris
September 1887 - October 1887
Van Gogh Museum, Amsterdam
68.
69.
70.
71. lunch with friends, a moment of pleasure …
Aline Charigot, hit a particularly flowery hat and an affenpinscher
Charles Ephrussi, wearing a top hat in the background (probably the richest)
Louise-Alphonsine Fournaise with a straw hat leaning on the railing
Alphonse Fournaise, Jr., wearing traditional straw boater
Gustave Caillebotte, in a straw hat; he loves puppies and is thrilled by the shapes and colours of these beautiful flowers balanced
on the brim of Aline's hat
Auguste Renoir
Le Déjeuner des canotiers
Luncheon of the Boating Party
El almuerzo de los remeros
1881
Phillips Collection, Washington, DC
72.
73.
74.
75.
76.
77.
78.
79.
80. Hat in European paintings
Chapeau dans la peinture européenne
Sombrero en pinturas europeas
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Music The Piano Guys Ed Sheeran Thinking Out Loud
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