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Red Riding Hood 
Noir-ed 
Ruby Millard
Image Reasoning 
My group decided to photograph some of 
the ideas from my ‘Red Riding Hood’ Noir-ed. 
In my story board I focused more on 
the style that film noir has than the 
characters as it was more appropriate for 
the media that I was presenting the story 
in.
For Red we had the idea of shooting the picture 
under red light in a dark room. It’s just an alternative 
way of showing the red aspect of the story. A cloak 
would cover up a classic femme fatal figure so it also 
keeps the tradition of Noir.
This next shot is the granny in the story 
taking drugs. The high contrast in this picture 
makes it quite distinctive and almost obvious 
that it would be in a film noir. If it were to be 
in colour it would not look as dramatic.
A blurred image of the femme fatal could be 
shown in the most dramatic part of the story 
as the gun is about to be shot. It would show 
panic but still be artistic and crate some 
tension.
For the shooting a close up of the gun would be shown 
but not the bullet hitting the victim. This is known as an 
eye line shot.
A hat would hit the floor and enter a beam of light that comes 
through the gap in the door. This would tell the audience 
who has been killed in the conflict.
The colours and editing style that we used are influenced by 
the film Sin City. It is a modern interpretation of a film noir 
so we thought that it would be interesting to test out. The 
gun in this picture is similar to the shot of the gun that we 
have. As they both are lit brightly. 
This shot is from a low angle; this is intended to convey to 
the audience the status of the character. It communicates 
the experience of the victim. This is very effective. The 
character is the protagonist whilst at the same time the anti 
hero. This would not happen in the original noir films.

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Red riding hood Film Noired

  • 1. Red Riding Hood Noir-ed Ruby Millard
  • 2. Image Reasoning My group decided to photograph some of the ideas from my ‘Red Riding Hood’ Noir-ed. In my story board I focused more on the style that film noir has than the characters as it was more appropriate for the media that I was presenting the story in.
  • 3. For Red we had the idea of shooting the picture under red light in a dark room. It’s just an alternative way of showing the red aspect of the story. A cloak would cover up a classic femme fatal figure so it also keeps the tradition of Noir.
  • 4. This next shot is the granny in the story taking drugs. The high contrast in this picture makes it quite distinctive and almost obvious that it would be in a film noir. If it were to be in colour it would not look as dramatic.
  • 5. A blurred image of the femme fatal could be shown in the most dramatic part of the story as the gun is about to be shot. It would show panic but still be artistic and crate some tension.
  • 6. For the shooting a close up of the gun would be shown but not the bullet hitting the victim. This is known as an eye line shot.
  • 7. A hat would hit the floor and enter a beam of light that comes through the gap in the door. This would tell the audience who has been killed in the conflict.
  • 8. The colours and editing style that we used are influenced by the film Sin City. It is a modern interpretation of a film noir so we thought that it would be interesting to test out. The gun in this picture is similar to the shot of the gun that we have. As they both are lit brightly. This shot is from a low angle; this is intended to convey to the audience the status of the character. It communicates the experience of the victim. This is very effective. The character is the protagonist whilst at the same time the anti hero. This would not happen in the original noir films.