Radio's Digital Dilemma
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This document summarizes the challenges facing radio as it transitions to digital transmission and distribution. It outlines two facets of digitalization: 1) transmission digitalization using standards like DAB and HD Radio, and 2) adapting to new distribution platforms on the internet. The document argues that in the US, HD Radio was pushed as the standard due to market capture rather than robust technological evaluation. Adoption of HD Radio has been low, with few listeners and declining awareness. It suggests radio must embrace new online distribution methods to engage younger listeners and avoid becoming outdated. The future of radio transmission standards remains uncertain and in need of reevaluation.
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- Streaming radio over the internet is becoming a more economically viable alternative to traditional over-the-air broadcasting, as bandwidth costs have declined significantly and audio compression technology allows high quality streams at low bitrates. This could provide stations an additional way to reach listeners at a lower cost than traditional broadcasting.
New Radio Platforms and Applications Trends March 2011
The document discusses new platforms and applications for radio broadcasting. It covers several topics: the desire of broadcasters to improve their service by offering more interactivity and integration with other platforms and devices; the many technological enablers now available to support this; the status of digital radio deployment; limitations of internet streaming; opportunities for FM radio through technologies like RDS; hybrid broadcast-internet models; hosting content in cloud-based platforms; and new types of radio receivers.
Mesure engagement Thomas Serval Radioline @ Radio 2.0 Paris 2012
La mesure de engagement Radio 2.0 par Thomas Serval de Radioline
II Rencontres Radio 2.0 Paris-Latino 18 Oct @ Paris
Engagement et Valorisation
Suivez-nous aussi sur Twitter @radio_20 #radio20
sur Facebook : http://www.facebook.com/radio20paris/
et sur linkedin Groupe Radio 2.0
• Co-organisés par Actuonda, AdsRadios, INA Expert
• Partenaires institutionnels : Club des Annonceurs, Les Indés Radios, ESML, GESTE, SYROL, IAB France, Le Radio, Conseil National du Numérique, Cap Digital, RAIN Summit Europe, URTI
• Live Radio stream : Moustic, VizionR & Smartjog
• Sponsors Gold : Adswizz, Deezer, JFC Kantar, Saooti, VizionR, Yasound, Spotify, Médiamétrie, Radio France
• Partenaires média: La Lettre Pro de la Radio, OffreMedia, Radio World, Rain, RadioWorld, RadioPub, Edition Multimédia, Satellinet, Clubic, FrenchWeb, Influencia, Radioactu, Le Club Radio
Hd radio how it compares to other digital radio technologies
This document compares HD Radio, DRM, and DAB digital radio technologies. It summarizes that HD Radio operates in existing AM and FM bands, allowing it to reuse existing radio infrastructure and have lower implementation costs than DAB or DRM. HD Radio uses COFDM modulation like DAB and DRM. Its HDC audio codec provides near-CD quality at lower bitrates than the MP2 codec used for DAB. Overall, HD Radio is presented as having implementation and operational cost advantages over DAB and DRM due to operating in existing bands and reusing existing radio infrastructure.
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Digital Switchover Experience in Canada and the U.S
This document summarizes the experiences of Canada and the U.S. in transitioning from analog to digital television broadcasts. It discusses how each country approached the digital switchover, including preparatory steps, regulatory frameworks, and outcomes. While the U.S. transition was citizen-focused and aimed to free up spectrum, Canada took a more industry-driven approach and lagged behind. The U.S. largely maintained its over-the-air infrastructure after completing the transition, whereas Canada eliminated much of its infrastructure except in major markets. Both countries faced challenges in managing costs and impacts on citizens and broadcasters during the digital switchover process.
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The document provides an update on CRC's open and free DAB tools. It discusses the Canadian context of digital radio, explains why CRC develops tools with open/free licenses, describes several of CRC's DAB tools including CRC-DABMUX, CRC-DABMOD and Openmokast, discusses limitations and future plans, and concludes by emphasizing the benefits of open source approaches.
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Open mobile platforms like Google Android and Openmoko can free handsets by using application-agnostic networks and independent, open devices. This allows for rapid innovation through third party broadcast-centric services. The Openmoko software framework on the FIC Neo1973 phone is a proof of concept that can decode ETI files and play MISICAM audio, demonstrating broadcasters' potential control over mobile services through an open source model where all parts of the value chain can benefit. The document raises the topic of broadcasters developing their own open mobile phone as a strategic opportunity.
Drive 2 Digital November 2012
Over 300 delegates attended Drive 2 Digital; including broadcasters, vehicle manufacturers, receiver manufacturers and retailers. The audience heard about digital radio progress in-cars, including Ford of Britain's announcement to make their aftermarket adapter available through 650 dealers and the IMI's launch of their accredited digital radio installer scheme.
Chaired by Nick Higham, the conference included the following highlights:
• The Broadcast Minister Ed Vaizey confirmed that Government would make a switchover announcement in 12 months time and hailed the great progress on coverage, content and cars.
• The outgoing BBC Director of Audio and Music Tim Davie addressed the conference giving an upbeat update on the success of the BBC digital stations which have all recorded audiences of over
1 million, including Olympics pop-up station BBC Radio 5 live Olympics Extra. Tim confirmed that BBC National DAB coverage has been extended to 94% and will be built out to 97% including all motorways and major roads.
• Anthony Ireson, Marketing Director at Ford of Britain announced that the majority of their new cars already come with digital radio as standard and that they are launching a behind the dashboard adaptor through their 650 dealers that would enable any Ford car to be converted to receive digital radio. Citroen also announced a digital adapter to be sold through their dealerships Ford and Citroen join Vauxhall , VW , BMW and Mini in doing so.
• Ford Ennals, CEO of Digital Radio UK launched the new industry wide campaign featuring digital radio evangelist D Love [see below]. D Love is a new character who will be spreading the love for digital radio and will be featured in a new campaign on BBC TV, BBC radio and commercial radio. The BBC TV trails introduce D Love from mid-November and will be followed a week later on radio. D Love was a big hit at Drive2Digital and has already gone viral and appeared on Radio 4's World at One.
• Sarah Sillars from the IMI launched a training and accreditation scheme for installers who fit digital radios. The scheme is open to any installer and the IMI is now able to approve accreditation centres who want to offer the scheme. For more info please visit the IMI website.
Eric Dejonghe - The consumer goes digital
1) The traditional media value chain of content creation, aggregation, and distribution has been disrupted by digitization and the internet.
2) Consumers now access media through various digital devices like smartphones, tablets, laptops, and connected TVs, allowing more flexibility in when, where, and how they consume content.
3) This has disrupted traditional media business models and forced companies to adapt, such as music companies struggling from cheap singles and film companies releasing content across multiple platforms.
'DAB Digital Radio Switchover In The UK: Q&A' by Grant Goddard
The document discusses the digital radio switchover in the UK and provides answers to common questions on the topic. It makes the following key points:
1) There will be no switchover to DAB as the dominant radio platform, as the government has abandoned plans for a DAB radio switchover.
2) The push for DAB radio was never consumer-led and ignored consumer behaviors and preferences.
3) Investment in DAB radio has significantly harmed the UK radio industry by diverting funds away from content production.
Yle media technology future prediction 2018
Yle is doing systematic future prediction in a continuous manner. We think that a prediction is a statement about the way things will happen in the future, based on experience or knowledge. In this work we bring together all available past and current information, as a basis to develop reasonable expectations about the future.
Based on our prediction we also will make recommendations what predicted future means to Yle and what actions Yle should take.
Open Software Platforms for Mobile Digital Broadcasting
Overview of CRC projects in digital radio software projects. Discussion of potential future projects. Presented in Gatineau to students and professors of Computer Science and Engineering Department of UQO
The media consumer
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The Underdogs - Information technology and Entertainment
The document discusses the history and evolution of entertainment and information technology from early motion pictures and radio to today's digital streaming media landscape. Key developments include the introduction of personal computers in 1977, the public availability of the internet in 1992, and the rise of streaming video starting in 1997. The computer age and Moore's law have enabled powerful portable devices and digital distribution of media via online stores, YouTube, and streaming services like Netflix and Hulu. However, online piracy and the increasing demands of internet video traffic pose challenges for the entertainment industry and network infrastructure.
How can we encourage more private broadcasters to embrace DAB?
At the EBU’s Digital Radio Summit in February, this was the question Patrick Hannon posed to the audience – “how do we get more private broadcasters to embrace the benefits and opportunities of DAB?”
The first thing to recognise is that many commercial broadcasters have already embraced digital radio - launching new services, building brands and reaching audiences that simply would not have been possible on capacity-constrained FM.
But it’s also true that some remain sceptical, believing that DAB is a platform with limited prospects (and IP holds the answers for radio’s long term future), or worrying about the perceived threat of new competition or the increased costs of dual transmission.
03 15-1200 patrick hannon - going for a digital future
Digital radio provides several benefits over traditional analog radio including clearer sound, more choice of stations, and additional interactive features. Key benefits include greater geographic coverage, the ability for broadcasters to expand their portfolio of stations, and enhancing the listener experience through visual and interactive elements. Successful adoption of digital radio requires collaboration between industry groups, government, regulators, and other stakeholders to coordinate efforts around technology, policy, and promotion.
RDE12 Patrick Hannon
Digital radio provides benefits over analog radio such as clearer sound, more station choices, and additional interactive features. It allows radio broadcasters to expand their geographic coverage, develop specialized station formats, and enhance the listening experience through visual and interactive elements. Digital radio also creates new opportunities for radio stations to generate revenue through online and mobile advertising that interacts with radio broadcasts.
RDE12 Patrick Hannon
Digital radio provides several benefits over traditional analogue radio including clearer sound quality, greater coverage area, additional stations and services, and interactive features. Broadcasters can leverage digital radio to expand their geographic reach, develop specialized station portfolios, and enhance the listener experience through visual and interactive elements. Successful adoption of digital radio requires collaboration across the radio industry, government, and regulators to coordinate network infrastructure, device availability, standards, and consumer adoption.
Music And Radio On The Internet Whats Next
The document discusses the history and future of the music and radio industries online. It provides context on the major players in the recorded music and radio industries historically and today. It then discusses Mixcloud, an online platform for radio shows, podcasts, and DJ mixes. Finally, it outlines some key trends for the future of online music and radio, including a shift to more social, democratic, and personalized experiences, and challenges around business models, new devices and formats, and determining what types of content consumers will pay for.
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Radio's Digital Dilemma
- 1. Radio’s Digital Dilemma John Anderson Dept. of Television and Radio john@diymedia.net | @diymediadotnet
- 2. Broadcasting in the 21st Century Primary “disruptor” facing radio is digitalization There are two facets to digitalization 1. Transmission digitalization (DAB, DMB, HD, DRM, ISDB) 2. Adapting to new distribution platforms (Internet)
- 3. Transmission Digitalization Television navigated this last decade. Now it’s radio’s turn. In most countries where radio is going digital: 1. New-spectrum solutions (ISDB, DAB, DMB) 2. Graduated conversion with analog shutoff 3. Some standards are “convergence compatible” (ISDB, DMB)
- 4. United States is the Exception What is it? 1. A technology of hubris, developed out of fear and self- interest 2. Not very good 3. Is actively hindering radio’s digitalization
- 5. A Product of Market Capture 1990s: a decade of tortured development vs Telecom Act of 1996: focused radio inward, lined up companies behind one HD proponent
- 6. Clearing the Field Initial FCC HD proposal (1998) was more notable for anointing a market favorite than robust technological study ≠ 2000: USADR and LDR merge:
- 7. The HD Policy Debate Proponents: iBiquity + conglomerates + NPR 1. “Trust us, we’re market leaders, we know what’s best” 2. “There can be no other future but ours” 3. “Dissenters are haters, naysayers, luddites” Opponents: independent broadcasters + public 1. “We see more harm than benefit” 2. “We refuse to participate in a proprietary system” 3. “We can do better than this”
- 8. HD Radio Unleashed (2002) FCC takes alternative technologies off the table Michael Copps expresses willful ignorance “A few questions remain to be settled, including how [HD Radio] will function in the real world…” Marketplace will govern analog/digital transition
- 9. 10 Years On HD adoption is ~9% among U.S. stations (~15% among full-power stations) Today: more stations dropping HD than adding it Receiver penetration is 1.7% Majority of uptake is in automobiles, and that is passive Listeners don’t care 2.2% listen to HD weekly Only half even know what HD is, and awareness is declining
- 10. “Fixing” These Problems Digital power increases, design “tweaks” Desperately seeking HD’s “killer application” 1. Multicasting, “Artist Experience,” datacasting 2. Many of these features mimic newer technologies 3. Innovation is constrained by HD’s proprietary nature Subsidized uptake 1. Free advertising for promotion of HD and those who’ve adopted it ($) 2. Getting FM functionality into mobile devices ($$$) Planning to force a digital conversion
- 11. Meanwhile, Online… Younger listeners are leaving radio for “radio” (Pandora, Spotify, Last.fm, YouTube) Broadcasters still don’t get the Internet 1. Just 59% stream; many have opted to let others handle it for them (iHeartRadio) 2. Station sites suck: more concerned about delivering ads than actual content (much like their on-air product)
- 12. The Net Effect is Malaise Radio’s identity in the public mind is changing, leaving traditional broadcasters behind The longer industry time/resources are committed to HD, the more entrenched the malaise will become 2009: Skip Pizzi calls HD a “long-term speculative play” 2010: Pizzi hired by NAB as “director of digital strategies,” goes silent on HD
- 13. Where to Go From Here? Must we let the marketplace decide HD’s fate? HD is a triumph of neoliberalism in media policymaking, and perhaps the capstone “accomplishment” of the 1996 Telecom Act Comparative analysis, including new systems, is necessary FCC could be doing this…but won’t without organized pressure and meaningful alternative proposals AM/FM spectrum not immune from repurposing Embrace what “radio” is doing, while reinforcing the medium’s inherent strengths