Question 5
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The filmmaker aimed to attract different audiences by incorporating various elements into the film's design and story. The throwback style to silent horror films of the early 20th century would appeal to fans of classic horror. Using a normal family home setting in Northeast England makes the film more realistic and believable compared to typical haunted mansion plots. Focusing on realism without supernatural elements could draw in audiences who don't normally watch horror films. Having an unconventional protagonist in the villain gives the story an intriguing complexity. Symbolism, close-ups of violence, unanswered questions about the murderer, and an unsettling sound design and black-and-white color scheme help make the film psychologically disturbing and keep audiences engaged.
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Evaluation Activity 5
The document summarizes similarities between the film opening and two other films, The Women in Black and The Conjuring. Both the film opening and The Women in Black feature a protagonist fighting an unknown force. The film opening and The Conjuring both focus mainly on religion, with characters taking comfort or protection from scripture. The document also discusses how the film opening addressed its target audience by using a young female protagonist that would be easy to relate to, and attracted its audience by incorporating typical horror film elements while adding an intriguing religious twist to the storyline.
Reviews of documentary posters
The document reviews three posters for documentary films: The Summit, Man on Wire, and The Last Man on the Moon. For The Summit poster, the reviewer likes that the foggy mountain landscape leaves the outcome unknown and intrigues viewers. They also appreciate the simple red title placement. For Man on Wire, the poster depicts the daring act of walking a wire between towers and makes the reviewer want to see if the man succeeded. The Last Man on the Moon poster stands out the most for its reflection that provides a poignant flashback, along with the large central title.
Black rose Evaluation Question 3
This document discusses strategies for attracting an audience to a psychological thriller film called "The Black Rose". It analyzes components of successful thriller films like convoluted plots and unexpected twists. The main character Natalie exhibits traits of stalkers and convicts found in thrillers. Creating a website and Facebook page with striking visuals conveying danger and violence can draw in target audiences of 15-30 year olds. The contradictory title "Black Rose" hints at themes of death, hatred and desire.
Representation of social groups in media productions
The document discusses the representation of teenagers in films. It notes that unlike many horror films, the film opening did not sexualize the teenage characters. In contrast to Paris Hilton's role in House of Wax, the teenager in this film is depicted in a modest, non-stereotypical way without any sexualization or scenes implying sexual tension. While the teenager is shown in casual clothing, potentially feeding the lazy stereotype, this was intended to better connect with the target teenage audience.
Media Studies Pitch
The document discusses pitching a thriller film opening. It would feature a young man waking up confused in a field and seeing a mysterious man who disappears. As the young man searches for what's wrong with him, the man reappears and chases him through the forest. The young man makes it to a road for help but is overwhelmed by the man and additional identical men, who kill him while the scene cuts to black with his cries heard. The document also discusses the target audience of 16-21 years old, filming locations, props of plain masks and black clothing, health and safety precautions, and assigned roles for the film.
Untitled 1
A horror film called "The Woman in Black" took the number one spot at the box office on February 10th, 2012, showing that horror films still have popular appeal. Horror films generally attract audiences between 15-25 years old, making up 61% of viewers. While stereotypes suggest men prefer horror more, statistics show that both men and women are just as likely to watch horror films, with audiences on average being 49% men and 51% women.
Market research
This document summarizes market research conducted on recent horror films to inform the development of a student film project. It analyzes the posters and key details of four successful horror films - Insidious, The Woman in Black, and Sinister - noting elements that attract audiences like mysterious children, isolation, fear, and supernatural imagery. The reviewed films received high ratings and grossed over $97 million, $127 million, and $87 million worldwide respectively, demonstrating the popularity of the horror genre.
Fear of flying
Dougal is a bird who is afraid of flying. The story asks the reader about their own fears and how Dougal might feel being afraid to fly. It suggests some ways Dougal could try to overcome his fear, such as talking to a friend, learning to fly, or seeing a psychologist.
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Evaluation Activity 5
The document summarizes similarities between the film opening and two other films, The Women in Black and The Conjuring. Both the film opening and The Women in Black feature a protagonist fighting an unknown force. The film opening and The Conjuring both focus mainly on religion, with characters taking comfort or protection from scripture. The document also discusses how the film opening addressed its target audience by using a young female protagonist that would be easy to relate to, and attracted its audience by incorporating typical horror film elements while adding an intriguing religious twist to the storyline.
Reviews of documentary posters
The document reviews three posters for documentary films: The Summit, Man on Wire, and The Last Man on the Moon. For The Summit poster, the reviewer likes that the foggy mountain landscape leaves the outcome unknown and intrigues viewers. They also appreciate the simple red title placement. For Man on Wire, the poster depicts the daring act of walking a wire between towers and makes the reviewer want to see if the man succeeded. The Last Man on the Moon poster stands out the most for its reflection that provides a poignant flashback, along with the large central title.
Black rose Evaluation Question 3
This document discusses strategies for attracting an audience to a psychological thriller film called "The Black Rose". It analyzes components of successful thriller films like convoluted plots and unexpected twists. The main character Natalie exhibits traits of stalkers and convicts found in thrillers. Creating a website and Facebook page with striking visuals conveying danger and violence can draw in target audiences of 15-30 year olds. The contradictory title "Black Rose" hints at themes of death, hatred and desire.
Representation of social groups in media productions
The document discusses the representation of teenagers in films. It notes that unlike many horror films, the film opening did not sexualize the teenage characters. In contrast to Paris Hilton's role in House of Wax, the teenager in this film is depicted in a modest, non-stereotypical way without any sexualization or scenes implying sexual tension. While the teenager is shown in casual clothing, potentially feeding the lazy stereotype, this was intended to better connect with the target teenage audience.
Media Studies Pitch
The document discusses pitching a thriller film opening. It would feature a young man waking up confused in a field and seeing a mysterious man who disappears. As the young man searches for what's wrong with him, the man reappears and chases him through the forest. The young man makes it to a road for help but is overwhelmed by the man and additional identical men, who kill him while the scene cuts to black with his cries heard. The document also discusses the target audience of 16-21 years old, filming locations, props of plain masks and black clothing, health and safety precautions, and assigned roles for the film.
Untitled 1
A horror film called "The Woman in Black" took the number one spot at the box office on February 10th, 2012, showing that horror films still have popular appeal. Horror films generally attract audiences between 15-25 years old, making up 61% of viewers. While stereotypes suggest men prefer horror more, statistics show that both men and women are just as likely to watch horror films, with audiences on average being 49% men and 51% women.
Market research
This document summarizes market research conducted on recent horror films to inform the development of a student film project. It analyzes the posters and key details of four successful horror films - Insidious, The Woman in Black, and Sinister - noting elements that attract audiences like mysterious children, isolation, fear, and supernatural imagery. The reviewed films received high ratings and grossed over $97 million, $127 million, and $87 million worldwide respectively, demonstrating the popularity of the horror genre.
Fear of flying
Dougal is a bird who is afraid of flying. The story asks the reader about their own fears and how Dougal might feel being afraid to fly. It suggests some ways Dougal could try to overcome his fear, such as talking to a friend, learning to fly, or seeing a psychologist.
Film poster overview
The document analyzes seven film posters for supernatural horror movies. It finds that the posters all share common conventions - an eye-catching focal image related to the genre, prominent display of the title, and inclusion of a tagline or slogan. Specifically, five of the seven posters feature children as the antagonist, meant to shock audiences by subverting innocence. Additionally, several posters incorporate religious imagery or symbols to similarly disturb viewers. Overall, the posters are designed to scare audiences and pique their curiosity about the films through unsettling images and use of cold, ghostly color schemes.
Psychological horror characters – in depth
This document provides character summaries for four characters from psychological horror films:
- Detective David Mills from Se7en is described as tough but affected by the crimes he investigates, leaving the audience to wonder who he is tracking.
- Bagul from Sinister is portrayed as a villainous antagonist who consumes children's souls and can travel between realms, making him seem very evil.
- Samara Morgan from The Ring starts as an innocent girl but has a dark backstory involving drowning and adoption that creates sympathy for her character.
- Cole Sear from The Sixth Sense, a 9-year-old boy who sees dead people, creates relatability and sympathy as a child dealing with paranormal experiences.
Friday the 13
1) Many superstitions are associated with Halloween and Friday the 13th, such as burning candles keeping away spirits, knocking on wood preventing bad luck, and not looking behind you if you hear footsteps.
2) Friday the 13th is considered an unlucky day according to some sources, with up to 21 million Americans feeling superstitious about it. Some people refuse to do normal activities like work, eat out, or get married on this day.
3) The 1980 horror film Friday the 13th popularized the idea of this date being unlucky, with the plot involving the murderous revenge of Jason Voorhees born on a Friday the 13th. This inspired a successful franchise of sequels.
Poster Analysis
This document analyzes two movie posters - Buried and Drag Me To Hell. For the Buried poster, it notes that the logo uses yellow tones to represent the limited light from a lighter, while patches of brown represent the mud the character is buried in. It leaves the audience unsure if the character will survive. For the Drag Me To Hell poster, the title stands out against a dark background with fire at the bottom to represent hell. It shows a female character being pulled down in the center to engage the audience about why she is being dragged to hell. Both posters provide just enough information to intrigue audiences without revealing too much of the plot.
Conventions of psychological horror films
Psychological horror films focus more on disturbing the mind than showing graphic violence. They expose common human fears and vulnerabilities in a subtly unsettling way. Settings for these films are typically very normal and familiar places like houses, schools, and hospitals so audiences can relate to the characters' situations. Sounds used don't always match the on-screen action, increasing unease. Weapons in these films are usually supernatural or psychological tricks rather than physical objects, manipulating the mind to inflict fear. Characters who inflict horror often appear ordinary with nothing to obviously identify them as the source of evil until it's revealed.
Irony
There are three main types of irony: verbal irony occurs when a speaker says something that contradicts their intended meaning, dramatic irony involves the audience knowing something a character does not, and situational irony happens when the actual outcome of a situation is different than what was expected. Examples provided illustrate a character saying it's nice weather during a storm, a character in a scary movie unaware of danger the audience sees, and a family surprising their mother on the wrong birthday date.
Conventions of a psychological horror
Psychological horror films aim to scare and unsettle viewers through implying threats and menaces rather than directly showing graphic violence or gore. They create fear and suspense by playing on viewers' imaginations and fears of the unknown. Common conventions of the genre include dark, mysterious settings that feel realistic; unsettling sounds and music; characters that are not what they seem; low-key lighting that hides things in darkness; and weapons that harm the mind as much as the body. Popular psychological horror films like The Sixth Sense, Silence of the Lambs, and Sinister use these techniques to keep audiences on the edge of their seats.
Micro and Macro
This document discusses macro and micro decisions in media production. Macro decisions include storyline, genre, target audience, and morals/messages communicated. Micro decisions are the smaller elements that form the macro, such as editing, lighting, costumes, music, and location. An example horror film is provided, with analysis of its storyline, genre choices, costume for the main character, and how the remote/isolated location creates atmosphere. The document also provides examples of macro and micro decisions the author would make for their own horror film, focusing on communicating the impact of mental illness and portraying a strong female protagonist.
Similar film research
This document summarizes and compares several films relevant to the filmmakers' project about a man suffering from sleep paralysis and psychological issues. It discusses how The Nightmare documentary about sleep paralysis victims and their hallucinations could inform the depiction of sleep paralysis. It also explains how the psychological horror of The Uninvited and the portrayal of mental instability in The Shining could provide useful examples. Finally, it notes how the short film Paralyzed effectively demonstrates the experience of sleep paralysis.
The Spy Era Movie - MarieAnna Dvorak
This document discusses a proposed movie by writer/director MarieAnna Dvorak about the Cold War era. It notes that the Cold War still feels present and that espionage did not end with the fall of the Iron Curtain. The movie would tell the true story of a character portrayed in a bestselling book and previous movie adaptation during the Cold War, answering questions readers still have about what was true versus fiction. Having secured a global audience before production, the movie represents a rare investment opportunity with little risk due to audience interest.
Micro and Macro
This document discusses the macro and micro decisions that go into filmmaking. Macro decisions include the storyline, genre, target audience, and morals/messages communicated. Micro decisions are the smaller elements that form the macro, such as editing, lighting, costumes, props, and location. An example film discussed is The Woman in Black, with details about its horror genre storyline, the woman in black's ominous black costume, and the remote, isolated location of Eel Marsh House. The document also provides examples of macro and micro decisions the author would make for their own film about the impacts of mental illness.
The Magician
The document discusses how the media product conforms to stereotypes and conventions of the genre. It establishes a stereotypical magician character and glamorous assistant to set expectations. It dresses the female victim in white to portray innocence as expected. Shots are framed to highlight the assistant's legs and draw attention to blood, conforming to expectations of how women and violence are depicted. Title cards were added to maintain professionalism.
The Magician
This document discusses how the media product conforms to and challenges stereotypes. It describes having a stereotypical magician and glamorous assistant to make the audience relate easily. The victim wears white to appear innocent, while the magician dresses in a typical suit and hat. Stereotypes of alluring women are upheld by highlighting the assistant's legs. The production company title cards were included to maintain professionalism.
Conventions of horror film posters
Horror film posters conventionally use dark lighting, close-ups of victims or protagonists expressing fear or anxiety, and a color scheme of red, white, and black. Dark lighting establishes the genre and conveys themes of mystery, darkness, and evil. Close-ups highlight facial expressions to create anticipation and curiosity around key events. The colors red, white, and black symbolize common horror elements like darkness, danger, blood, innocence, and victimization.
Psychological Horror Film Research
This document provides examples and descriptions of key psychological horror films that helped establish the subgenre. It discusses early films like The Black Cat (1934) and Cat People (1942) that featured themes of mental instability, mystery, and the unknown. Iconic directors like Roman Polanski and their films Repulsion (1965) and Rosemary's Baby (1968) are highlighted for their surreal visions and influence. Stanley Kubrick's The Shining (1980) is described as one of the most famous and terrifying examples that explores the dark parts of human psyche. Later films like Session 9 (2001) and Angel Heart (1987) continue in the tradition with disturbing dreams, murders, and plot twists.
Psychological thriller poster
The document discusses conventions used in psychological thriller film posters. It provides two examples: the poster for Black Swan and the poster for Orphan. For both posters:
- The main image focuses on the protagonist's face to emphasize the mind of the characters.
- Dark colors and low lighting create an unsettling atmosphere.
- Reviews, actor/director names, and release dates are included for marketing.
- Imagery and text are purposefully designed to intrigue audiences and hint at themes in the films around ambiguity and good vs evil.
Question two
This document summarizes how social groups are represented in the media producer's opening title sequence for a film. It features three main characters - two detective inspectors and a man named Vincent being released from a mental asylum. The female protagonist, DI Bruce, is portrayed as a strong, clever character who challenges gender stereotypes in the thriller genre. Vincent, the antagonist, is only shown through his eyes to create mystery and is depicted as nervous and confused to reflect his schizophrenia. The opening sequence shows DI Bruce walking confidently while Vincent's eyes dart around to demonstrate his unsettled state.
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Pl music3
The document discusses the relationship between music and violence. It provides quotes highlighting how music can express feelings that cannot be expressed with words. It then analyzes songs by Michael Jackson, Prince, John Lennon, Bob Marley, Freddie Mercury that promote non-violence and unity. The document concludes that music therapy can help reduce stress, anxiety, aggression and violence.
Research into psychological horror
A psychological horror film establishes seemingly normal settings and characters to create an unsettling atmosphere. Characters are often left undefined at first to add mystery. The main character is usually a woman to emphasize vulnerability. Common character types include young adults, the mentally or emotionally unstable, goths, and detectives. Music, sounds of pain and suffering, and a slow, well-paced plot enhance tension and suspense. Low lighting, fast editing during dramatic scenes, and handheld camera shots further unsettle the audience. Common iconography includes haunted houses, symbols of death, masks, screaming victims, and phallic weapons.
Audience research
The document summarizes audience research conducted for a music video. It found that the audience was primarily ages 17-20, enjoyed music videos in general, and preferred a narrative-focused video over a performance. The research also indicated that including staged violence and some intertextual references would be acceptable, but intertextuality should not be a major focus. Overall, the research provided useful guidance on priorities and comfort in producing a video that presents the artist's intended narrative.
Skills audit
Paige Stephens completed a personal skills audit to assess the skills she acquired and how they contributed to creating her short film product. She used various digital equipment like cameras, microphones, and editing software like Final Cut and GarageBand. Research tasks helped her understand genres and conventions. Planning tasks such as storyboards and schedules helped ensure smooth production. While some conventions were followed, her ideas were also imaginative by making the film look surreal. Effects skills will be developed further for her next A2 project of a music video.
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Film poster overview
The document analyzes seven film posters for supernatural horror movies. It finds that the posters all share common conventions - an eye-catching focal image related to the genre, prominent display of the title, and inclusion of a tagline or slogan. Specifically, five of the seven posters feature children as the antagonist, meant to shock audiences by subverting innocence. Additionally, several posters incorporate religious imagery or symbols to similarly disturb viewers. Overall, the posters are designed to scare audiences and pique their curiosity about the films through unsettling images and use of cold, ghostly color schemes.
Psychological horror characters – in depth
This document provides character summaries for four characters from psychological horror films:
- Detective David Mills from Se7en is described as tough but affected by the crimes he investigates, leaving the audience to wonder who he is tracking.
- Bagul from Sinister is portrayed as a villainous antagonist who consumes children's souls and can travel between realms, making him seem very evil.
- Samara Morgan from The Ring starts as an innocent girl but has a dark backstory involving drowning and adoption that creates sympathy for her character.
- Cole Sear from The Sixth Sense, a 9-year-old boy who sees dead people, creates relatability and sympathy as a child dealing with paranormal experiences.
Friday the 13
1) Many superstitions are associated with Halloween and Friday the 13th, such as burning candles keeping away spirits, knocking on wood preventing bad luck, and not looking behind you if you hear footsteps.
2) Friday the 13th is considered an unlucky day according to some sources, with up to 21 million Americans feeling superstitious about it. Some people refuse to do normal activities like work, eat out, or get married on this day.
3) The 1980 horror film Friday the 13th popularized the idea of this date being unlucky, with the plot involving the murderous revenge of Jason Voorhees born on a Friday the 13th. This inspired a successful franchise of sequels.
Poster Analysis
This document analyzes two movie posters - Buried and Drag Me To Hell. For the Buried poster, it notes that the logo uses yellow tones to represent the limited light from a lighter, while patches of brown represent the mud the character is buried in. It leaves the audience unsure if the character will survive. For the Drag Me To Hell poster, the title stands out against a dark background with fire at the bottom to represent hell. It shows a female character being pulled down in the center to engage the audience about why she is being dragged to hell. Both posters provide just enough information to intrigue audiences without revealing too much of the plot.
Conventions of psychological horror films
Psychological horror films focus more on disturbing the mind than showing graphic violence. They expose common human fears and vulnerabilities in a subtly unsettling way. Settings for these films are typically very normal and familiar places like houses, schools, and hospitals so audiences can relate to the characters' situations. Sounds used don't always match the on-screen action, increasing unease. Weapons in these films are usually supernatural or psychological tricks rather than physical objects, manipulating the mind to inflict fear. Characters who inflict horror often appear ordinary with nothing to obviously identify them as the source of evil until it's revealed.
Irony
There are three main types of irony: verbal irony occurs when a speaker says something that contradicts their intended meaning, dramatic irony involves the audience knowing something a character does not, and situational irony happens when the actual outcome of a situation is different than what was expected. Examples provided illustrate a character saying it's nice weather during a storm, a character in a scary movie unaware of danger the audience sees, and a family surprising their mother on the wrong birthday date.
Conventions of a psychological horror
Psychological horror films aim to scare and unsettle viewers through implying threats and menaces rather than directly showing graphic violence or gore. They create fear and suspense by playing on viewers' imaginations and fears of the unknown. Common conventions of the genre include dark, mysterious settings that feel realistic; unsettling sounds and music; characters that are not what they seem; low-key lighting that hides things in darkness; and weapons that harm the mind as much as the body. Popular psychological horror films like The Sixth Sense, Silence of the Lambs, and Sinister use these techniques to keep audiences on the edge of their seats.
Micro and Macro
This document discusses macro and micro decisions in media production. Macro decisions include storyline, genre, target audience, and morals/messages communicated. Micro decisions are the smaller elements that form the macro, such as editing, lighting, costumes, music, and location. An example horror film is provided, with analysis of its storyline, genre choices, costume for the main character, and how the remote/isolated location creates atmosphere. The document also provides examples of macro and micro decisions the author would make for their own horror film, focusing on communicating the impact of mental illness and portraying a strong female protagonist.
Similar film research
This document summarizes and compares several films relevant to the filmmakers' project about a man suffering from sleep paralysis and psychological issues. It discusses how The Nightmare documentary about sleep paralysis victims and their hallucinations could inform the depiction of sleep paralysis. It also explains how the psychological horror of The Uninvited and the portrayal of mental instability in The Shining could provide useful examples. Finally, it notes how the short film Paralyzed effectively demonstrates the experience of sleep paralysis.
The Spy Era Movie - MarieAnna Dvorak
This document discusses a proposed movie by writer/director MarieAnna Dvorak about the Cold War era. It notes that the Cold War still feels present and that espionage did not end with the fall of the Iron Curtain. The movie would tell the true story of a character portrayed in a bestselling book and previous movie adaptation during the Cold War, answering questions readers still have about what was true versus fiction. Having secured a global audience before production, the movie represents a rare investment opportunity with little risk due to audience interest.
Micro and Macro
This document discusses the macro and micro decisions that go into filmmaking. Macro decisions include the storyline, genre, target audience, and morals/messages communicated. Micro decisions are the smaller elements that form the macro, such as editing, lighting, costumes, props, and location. An example film discussed is The Woman in Black, with details about its horror genre storyline, the woman in black's ominous black costume, and the remote, isolated location of Eel Marsh House. The document also provides examples of macro and micro decisions the author would make for their own film about the impacts of mental illness.
The Magician
The document discusses how the media product conforms to stereotypes and conventions of the genre. It establishes a stereotypical magician character and glamorous assistant to set expectations. It dresses the female victim in white to portray innocence as expected. Shots are framed to highlight the assistant's legs and draw attention to blood, conforming to expectations of how women and violence are depicted. Title cards were added to maintain professionalism.
The Magician
This document discusses how the media product conforms to and challenges stereotypes. It describes having a stereotypical magician and glamorous assistant to make the audience relate easily. The victim wears white to appear innocent, while the magician dresses in a typical suit and hat. Stereotypes of alluring women are upheld by highlighting the assistant's legs. The production company title cards were included to maintain professionalism.
Conventions of horror film posters
Horror film posters conventionally use dark lighting, close-ups of victims or protagonists expressing fear or anxiety, and a color scheme of red, white, and black. Dark lighting establishes the genre and conveys themes of mystery, darkness, and evil. Close-ups highlight facial expressions to create anticipation and curiosity around key events. The colors red, white, and black symbolize common horror elements like darkness, danger, blood, innocence, and victimization.
Psychological Horror Film Research
This document provides examples and descriptions of key psychological horror films that helped establish the subgenre. It discusses early films like The Black Cat (1934) and Cat People (1942) that featured themes of mental instability, mystery, and the unknown. Iconic directors like Roman Polanski and their films Repulsion (1965) and Rosemary's Baby (1968) are highlighted for their surreal visions and influence. Stanley Kubrick's The Shining (1980) is described as one of the most famous and terrifying examples that explores the dark parts of human psyche. Later films like Session 9 (2001) and Angel Heart (1987) continue in the tradition with disturbing dreams, murders, and plot twists.
Psychological thriller poster
The document discusses conventions used in psychological thriller film posters. It provides two examples: the poster for Black Swan and the poster for Orphan. For both posters:
- The main image focuses on the protagonist's face to emphasize the mind of the characters.
- Dark colors and low lighting create an unsettling atmosphere.
- Reviews, actor/director names, and release dates are included for marketing.
- Imagery and text are purposefully designed to intrigue audiences and hint at themes in the films around ambiguity and good vs evil.
Question two
This document summarizes how social groups are represented in the media producer's opening title sequence for a film. It features three main characters - two detective inspectors and a man named Vincent being released from a mental asylum. The female protagonist, DI Bruce, is portrayed as a strong, clever character who challenges gender stereotypes in the thriller genre. Vincent, the antagonist, is only shown through his eyes to create mystery and is depicted as nervous and confused to reflect his schizophrenia. The opening sequence shows DI Bruce walking confidently while Vincent's eyes dart around to demonstrate his unsettled state.
11 Inspiring Travel Quotes
Statesman Travel are the UK's fastest growing business travel agents and incredibly passionate about travel. Here's a list of quotes that inspire us to keep helping people to travel the world when we're not travelling ourselves. www.statesmantravel.com
Pl music3
The document discusses the relationship between music and violence. It provides quotes highlighting how music can express feelings that cannot be expressed with words. It then analyzes songs by Michael Jackson, Prince, John Lennon, Bob Marley, Freddie Mercury that promote non-violence and unity. The document concludes that music therapy can help reduce stress, anxiety, aggression and violence.
Research into psychological horror
A psychological horror film establishes seemingly normal settings and characters to create an unsettling atmosphere. Characters are often left undefined at first to add mystery. The main character is usually a woman to emphasize vulnerability. Common character types include young adults, the mentally or emotionally unstable, goths, and detectives. Music, sounds of pain and suffering, and a slow, well-paced plot enhance tension and suspense. Low lighting, fast editing during dramatic scenes, and handheld camera shots further unsettle the audience. Common iconography includes haunted houses, symbols of death, masks, screaming victims, and phallic weapons.
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Audience research
The document summarizes audience research conducted for a music video. It found that the audience was primarily ages 17-20, enjoyed music videos in general, and preferred a narrative-focused video over a performance. The research also indicated that including staged violence and some intertextual references would be acceptable, but intertextuality should not be a major focus. Overall, the research provided useful guidance on priorities and comfort in producing a video that presents the artist's intended narrative.
Skills audit
Paige Stephens completed a personal skills audit to assess the skills she acquired and how they contributed to creating her short film product. She used various digital equipment like cameras, microphones, and editing software like Final Cut and GarageBand. Research tasks helped her understand genres and conventions. Planning tasks such as storyboards and schedules helped ensure smooth production. While some conventions were followed, her ideas were also imaginative by making the film look surreal. Effects skills will be developed further for her next A2 project of a music video.
Institutional research
Hammer Studios is a British film production company founded in 1934 that is known for its Gothic horror films from the 1950s-1970s. It has produced over 90 films. In 2010, the company was acquired by a new owner who intends to invest in new productions and expand the brand globally. Key films include The Curse of Frankenstein and Dracula.
History of the horror genre
The document provides a history of the horror genre in film from the 1890s to present day. It describes how early films in the 1890s-1920s featured monsters like Frankenstein and vampires. In the 1930s-1940s, Universal Studios had a successful Gothic horror series including Dracula and Frankenstein. Subgenres like slashers emerged in the 1960s-1980s with films like Halloween and A Nightmare on Elm Street. Recent horror films have included remakes as well as movies blending horror with other genres like comedy.
Treatment
The document provides details for the 2-minute short film "ToyWood" including a cast list, overview of the story, opening sequence outline, synopsis, technical information, location, costumes, and makeup. The story is about a little girl named Jenny who discovers life-sized versions of her toys in the woods that then turn evil and menacing.
Audience research
This document discusses three methods for conducting audience research: using a Google Docs questionnaire to collect data in a spreadsheet, sending a letter through postal mail to survey people, and recording video answers to questions to reference for a specific audience of a film.
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Similar to Question 5
Refrence film
Sinister is a 2012 supernatural horror film directed by Scott Derrickson about a true crime writer named Ellison Oswald who moves his family into a home where a family was murdered in hopes of finding inspiration. Instead, he discovers mysterious Super 8 home videos of the murders and realizes they depict decades of killings. As more disturbing events occur in the home, Ellison pieces together that an ancient evil entity known as Bughuul is responsible for the murders and has now targeted his own family.
Conventions of horror posters( Drag me to hell, The Exorcist, Insidious)
The document discusses conventions of horror movie posters through analyzing posters for the films Drag Me to Hell, The Exorcist, and Insidious. It examines elements like the use of a female protagonist, minimalistic designs that encourage imagination, taglines that intrigue audiences, and iconography that conveys darkness and evil through colors and lighting. Key aspects that provide insight into the plot and set an ominous tone are identified, such as facial expressions, background settings, and hints that the threat is supernatural rather than grounded in reality. Common lower-level design elements like billing codes are also addressed.
Evaluation Question 1
This document analyzes the filmmakers' use of conventions from thriller movies in their short film. It discusses how they incorporated simple opening titles, point-of-view shots, vanishing points, chiaroscuro lighting, isolated exterior locations, confined interior spaces, flashbacks/dream sequences, and binary oppositions between characters and locations. Examples are given of how similar techniques were used effectively in movies like Once Upon a Time in America, The Killing, and No Country For Old Men. The analysis aims to show how borrowing conventions from acclaimed thrillers helped make their short film feel more authentic to the genre.
Migrain – film trailers
The film trailer uses symbolic imagery and editing to create an unsettling tone. The antagonist is shown wearing white, symbolizing purity, yet sounds depict her as evil. Jump cuts and jittery screens show disorientation to portray supernatural elements without visuals. Intertitles tell the audience what to feel, such as "FEAR" appearing after the antagonist. Harsh drumbeats create a sense of fear and unease throughout the trailer.
Representation
The document discusses the inspiration and development of an idea for a short film about domestic violence. It was inspired by the short film "Bitter Silence" which portrayed child abuse. The main character Mr. Wicks, a teacher, was based on a character from that film who abused alcohol and his family. Films like "Precious" informed the portrayal of the vulnerable female protagonist Lucy, showing the inferiority and lack of power of women. While trying to raise awareness of domestic violence, the film aims to portray the "traditional stereotype" of male dominance and female vulnerability through the relationship between Mr. Wicks and Lucy.
Representation
The document discusses the inspiration and development of an idea for a short film about domestic violence. It was inspired by the short film "Bitter Silence" about child abuse. The main character Mr. Wicks, a teacher, was based on a character from that film who abused alcohol and his daughter. Like the film "Precious," it aims to portray the daughter as a vulnerable character overwhelmed by her father. The filmmakers wanted to show the contradiction between Mr. Wicks' roles as a teacher and abuser at home. The goal was to raise awareness of domestic violence and how it can be addressed.
Poster Analysis - The Conjuring
The poster promotes the supernatural horror film "The Conjuring" through visual and textual elements. It features an isolated house in the background surrounded by dark, defoliated trees. Most notably, it shows a tree with a noose, suggesting death. The tagline references that the film is based on real case files of paranormal investigators Ed and Lorraine Warren. This use of "true" story intrigues audiences and gives context about the supernatural narrative. Through its ominous setting, dark colors, and lack of characters, the poster effectively attracts horror fans without revealing too much of the plot.
Evaluation 5
1) The document discusses and compares the film "Anti-Christ" to other films like "The Exorcism of Emily Rose", "Legion", and "Wolf War Z".
2) It notes similarities between "Anti-Christ" and these other films in terms of genre, religious imagery/ties, and having a controversial antagonist (God).
3) The document outlines how "Anti-Christ" has a unique selling point in portraying Jesus as a female protagonist, which the author believes has not been done before and will intrigue audiences.
POSTER ANALYSIS - THE AMITYVILLE HORROR
This poster for The Amityville Horror uses imagery and design elements to create an eerie and unsettling tone. It depicts a dimly lit haunted house emerging from darkness, with windows that appear as eyes watching. In the foreground is a silhouetted male figure holding a weapon, leaving his identity ambiguous. Text includes the scratched tagline "KATCH EM AND KILL EM" and a mention that the film is based on true events, making it more frighteningly realistic. These visuals and words aim to intrigue viewers and build suspense about the supernatural threats that will be present in the film.
Fictional film codes and conventions
The document discusses horror film codes and conventions through analyzing the films Halloween and The Conjuring. It explains that both films follow common horror narrative structures, using techniques like point-of-view shots, dark lighting, scary soundtracks, jump scares, and climactic showdowns with the villain. However, Halloween leaves an ambiguous ending where the killer may return, setting up for sequels, while The Conjuring ties up all loose ends. Overall, the document analyzes how these films effectively employ standard horror genre elements to scare audiences.
Unit 10: fictional film codes and conventions
The document discusses the codes and conventions of horror films through an analysis of Insidious (2011) and I.T. (2017). It examines both the stylistic codes related to elements like lighting, music, and props, as well as narrative codes regarding the typical story structure of horror films. Both films effectively employ many standard horror conventions like low-key lighting, unsettling music, and a narrative arc involving an equilibrium disruption, problem recognition/resolution, and a return to equilibrium. While utilizing familiar tropes, the films still offer some unique storytelling elements to appeal to audiences seeking both familiar thrills and new surprises.
Unit 10 film production
The document discusses the codes and conventions of horror films through an analysis of Insidious (2011) and I.T. (2017). It examines both the stylistic codes related to elements like lighting, music, and props, as well as narrative codes regarding the typical story structure of horror films. Both films effectively employ many standard horror conventions like low-key lighting, unsettling music, and a narrative arc involving an equilibrium disruption, problem recognition/resolution, and a return to order. While utilizing familiar tropes, the films still offer some unique storytelling elements to thrill audiences.
Conventions of Horror
The document discusses genre conventions that are commonly used in horror films. It notes that horror films typically use dark, isolated settings at night to create a tense atmosphere. They also aim to convey a sense of vulnerability through the locations. Common sounds used include doors closing, floorboards creaking, wind, and screams. Iconic props include weapons, ropes for torture, toys, religious items, curtains blowing in the wind, and rocking chairs. Finally, the document states that horror films usually feature youthful, vulnerable victims and antagonists are often male to generate discomfort in audiences.
Halloween film case study analysis
The document provides an analysis of various technical elements in the film Halloween, including iconography, narrative, characterization, sound, and cinematography. Regarding iconography, key props like the knife and mask worn by the killer are discussed. In terms of narrative, the plot involves Michael Myers escaping after killing his sister as a child and returning to target a group of college students. Regarding characterization, typical "stock types" like the final girl and victims are present. Silence and diegetic sounds like dialogue are used to build tension. Cinematography employs point-of-view shots, tracking shots, and tilts/low angles to represent the killer and develop suspense.
Halloween film case study analysis
The document provides an analysis of various technical elements in the film Halloween. It discusses how iconography like the knife and mask are used to indicate the slasher/horror genre. Characterization follows common stalker/horror tropes like the "final girl" and victims. Cinematography utilizes point-of-view shots from the killer's perspective to build tension. Editing includes quick cuts between scenes to show the unfolding tragic events. Sound design relies on silence and a recurring musical theme to create an ominous atmosphere.
Halloween film case study analysis
The document provides an analysis of various technical elements in the film Halloween, including iconography, narrative structure, characterization, sound design, and cinematography. Regarding iconography, key props like the knife and mask worn by the killer are discussed. The narrative follows a linear structure as events unfold sequentially. Character archetypes discussed include the "final girl" protagonist and victims. Sound design relies heavily on silence and a repetitive musical score. Cinematography employs point-of-view shots from the killer's perspective to build tension and suspense for the audience.
Poster Analysis 3
This poster for The Amityville Horror uses conventional horror imagery and techniques to attract audiences. It depicts a dimly lit haunted house emerging from darkness, with windows that seem to watch like eyes. Near the house stands a determined but ambiguous man with a gun. Text hints at supernatural possession and a true story basis to enhance believability and fear. Overall it draws viewers in with a ominous atmosphere and questions about the evil within the house and the man's role.
Halloween case study
The document provides a detailed analysis of technical aspects that create meaning in the Halloween film. It discusses how sound is used to build tension, such as a threatening buzz associated with the killer. It also examines the use of shots like close-ups of the killer's mask and house to draw the audience in. Mise-en-scene elements like the killer's dark clothing and the female victims' attire are described. Lighting and setting inside the targeted house create an atmosphere of tension. The narrative follows a linear chronological order to tell the story of the killer Michael Myers returning to his hometown after escaping from a mental institution.
Halloween case study
The document provides a detailed analysis of technical aspects that create meaning in the Halloween film. It discusses how sound is used to build tension, such as a threatening buzz associated with the killer. It also examines the use of shots like close-ups of the killer's mask and long shots to track his movements. Additionally, it analyzes how lighting, settings like the dark house, and props help move the plot and provide clues to the audience. Overall, the document demonstrates how elements like sound, cinematography and mise-en-scene work together to effectively tell the story and create suspense in the Halloween slasher film.
New film posters horror
This document analyzes the key elements and techniques used in several horror movie posters to effectively promote the films. It discusses how the posters employ ominous taglines, ghostly visual effects, references to true stories and previous scary films, disturbing images, and dark color schemes to hint at the terrifying contents of the movies in a way that intrigues and unsettles viewers. Elements like skeletal teeth, bloody backgrounds, shadowy trees, and a girl in peril are described as conveying a sense of death, violence, and psychological fear that makes audiences want to learn more by watching the films.
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Conventions of horror posters( Drag me to hell, The Exorcist, Insidious)
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Looking back to your preliminary task
The author learned several important lessons when progressing from their preliminary task to the full product. For the preliminary, they focused on dialogue-driven comedy but realized the script was weak. They also used a limited number of shots. For the full product, a horror film, the author removed dialogue, relied more on visuals and score to build tension, improved shot variety, filmed at night indoors for lighting control, and learned editing techniques to make filming more efficient. Overall, the author gained valuable insights into script/dialogue quality, shot design, and production/editing workflow.
Who would be the audience for your media product
The document discusses strategies for promoting an unconventional horror film targeted at audiences aged 25-39 who appreciate artistic and surreal films. It proposes using nostalgic poster and trailer designs inspired by early 20th century horror films to emphasize the film's visual style. Promotional efforts would include social media pages, hashtags, and YouTube videos to spread the word. Unconventional strategies like fake banned film articles and a related online game could also attract younger audiences through intrigue and gameplay. The goal is to find ways to promote the film's niche artistic style and appeal to fans of the genre and era that inspired it.
How does your media product represent particular social groups
This document summarizes how a film represents different social groups through its characters. The film includes characters ranging from 10 to 45 years old to show how events impact people of various ages, unlike most slasher films that only affect young adults. Both the murderer and victims are intentionally presented with little backstory. The murderer, a mentally unstable young adult, kills both children and elders without remorse. Teenagers are shown partying recklessly before being killed, representing dubious aspects of youth culture. Parents are also killed to show that people of any age can be victims of violence. The inclusion of characters of various ages and backgrounds aims to provide a realistic perspective on massacres.
Evaluation Q1
The film uses and develops some conventions of slasher films by having the protagonist also serve as the killer, which challenges expectations. It is presented in black and white without dialogue like 1920s/30s horror films. Specifically, it takes inspiration from The Cabinet of Dr. Caligari in its shot composition and ability to disturb without sound. The film further challenges modern conventions by having a convoluted chronology and ending where it began to disturb the audience's understanding of the killer's acts. Overall, it combines slasher and early 20th century horror conventions while challenging expectations through its presentation.
Institutional research
This document analyzes box office data and critical reception for horror films from 1998-2014. It finds that comedy is the most popular genre overall but horror performs best in October and winter months. Most successful horror films are R-rated and from the late 1990s/early 2000s. The Conjuring was the highest grossing horror film of 2013 and its success led to the spin-off Annabelle. While Annabelle was financially successful, it received poor critical reviews unlike The Conjuring which won several awards. The document concludes that choosing Warner Bros. as the distributor, aiming for a 15 rating, and releasing in summer could help a new horror film achieve financial success.
Risk assesement
The document outlines various risks that could interfere with a film shoot taking place at a house and strategies to overcome them. It identifies illness of cast members, timing clashes for cast, memory cards becoming full, issues with fake blood, and knives being used as potential risks. The strategies include having replacements prepared for cast members that are ill or unable to attend, bringing spare memory cards, carefully applying fake blood away from sensitive areas like the mouth and eyes, and only having a trusted actor handle any knives used.
Sinister opening analysis
The scene shows a family of four with bags on their heads standing next to a tree. An unseen figure cuts a branch that causes the family to hang. The disturbing scene conveys the film's dark themes through the grainy super 8 camera filter and unsettling score, suggesting a secret murder has already occurred. The breaking title card reinforces the idea that someone filmed and rewatches the family's death for their own pleasure, establishing the film's horrific tone without dialogue.
Bbfc
The British Board of Film Classification (BBFC) is an independent body that regulates and rates films, television, advertisements and video games shown in the UK. They provide age ratings to help consumers, especially parents, make informed decisions about what media is appropriate for children. Their ratings consider factors like language, violence, sex, and drug use. Films rated U are suitable for all, while PG, 12, 15, and 18 have increasing restrictions on problematic content. Their goal is to protect children while giving adults freedom of choice.
Jaws opening analysis
The scene opens with Chrissie wanting to go for a swim at the beach with her boyfriend. This lighthearted opening draws viewers in before introducing horror elements. There are no opening credits, immersing viewers immediately. Shots emphasize how isolated Chrissie is swimming alone in the large ocean at sunset, when beaches are usually empty. The tense score starts as the camera shows an underwater view seeming to follow Chrissie, confirming it as a point-of-view shot from the antagonist. Viewers fear something terrible will happen to Chrissie, who is then seen frantically trying to escape an ambiguous attacking force that pulls her underwater.
Media analysis
The document summarizes a BBC News broadcast interviewing Darkus Howe, a black writer and broadcaster, about his reaction to the London riots. Darkus was positioned in front of a fire engine, deliberately highlighting the damage caused. Darkus was not surprised by the riots, criticizing politicians and police for failing to address youth concerns. However, the broadcast is perceived as biased against youth involved in the riots, frequently interrupting Darkus and accusing him of condoning violence when he criticized police and discussed the death that sparked the riots. Youth perspectives were not given a fair representation.
House of balloons treatment
This document provides details for a short horror film called "House of Balloons: Treatment". It includes a synopsis of the plot, which involves finding a house full of corpses and balloons with a lone killer just watching. It describes the killer being played in a disturbed manner and one victim shown alive. It outlines the plot, including zooming out from a corpse to reveal the crime scene and the killer contacting police before leaving. It lists the cast and details the filming location, costumes, and props, including using a horse mask to hide the killer's face and filming in black and white in the style of early silent horror films.
Night of the living dead opening analysis
The document provides an opening analysis of the 1968 horror film "Night of the Living Dead". The summary is as follows:
The film begins with an establishing shot of a car driving down a rural road without any opening credits or logos. The musical score builds tension as the car approaches the camera. The title card is then shown with the word "Night" only outlined. The film is noticeably shot during the daytime despite its title. It introduces the main characters Johnny and Barbara visiting their mother's grave. Johnny is obnoxious while Barbara wants to pay respects. Strange radio issues hint that something is amiss. Johnny criticizes the church and teases Barbara about zombies before one attacks and kills Johnny. Barbara then
House of balloons script
1) A living room is filled with multiple dead bodies and balloons as eighties funk music plays in the background.
2) A man in a mask is revealed standing over a dead body with a knife. He removes his mask to reveal a confident expression.
3) The man calmly calls the police to report the murder, stating the victims were involved with someone they shouldn't have been and deserved their violent deaths. He then leaves the house still in a calm demeanor.
call sheet
This call sheet is for the opening scene of the horror short film "House of Balloons" directed by Tom Millett. It will be filmed at 5 Lowther Close in Billingham on an unspecified date. Tom Millett will serve as the director, producer, cinematographer and play the killer. The film stars Paul Mason and Wesley Aitchison as additional killers and Alex Grange, Michael Millett, Tom Moore and Ben Millett as victims. Equipment needed includes a Panasonic camcorder, camera bags, memory cards, a tripod, a knife, masks and fake blood.
Callsheet
This call sheet is for a music video shoot for the Portishead song "The Rip." It will be directed by Tom Millett and shot at Thorpe Beck in Billingham on an unspecified date. The cast includes Gilly Ferries as the lead singer and Jack Waterman playing pigs. Equipment needed includes a Canon DSLR 500D camera, macro lens, torch, masks, camera bags, memory cards, and a tripod.
opening sequence
The opening sequence of Eraserhead establishes the surreal and disturbing tone of the film. It begins with white text on a black background introducing director David Lynch. The sequence then cuts between two men - one lying horizontally and the other on an unknown planet. Strange events occur between the men, including a creature emerging from the horizontal man's mouth. The creature is sent through different levers pulled by the planetary man, ultimately falling into a crater filled with bubbling liquid. The opening ends by zooming into a white circular hole, transitioning to a blinding white screen and implying a shift to a new location.
Analysing opening sequence
The opening sequence of Eraserhead establishes the surreal and disturbing tone of the film. It begins with white text on a black background introducing David Lynch as the director. The title sequence cuts to a shot of a man with a translucent appearance moving around the screen in a paranoid manner. His face contorts and a strange creature emerges from his mouth. The creature moves towards a deformed man living in a makeshift house on what appears to be the moon. This man pulls levers that seem to affect the horizontal man, and the creature falls into a crater. The opening ends by cutting to black and then showing a white circle that the camera zooms into, transitioning to a new location.
The rip lyrics breakdown
The document provides production notes for a music video for the song "The Rip" by The Rip Lyrics. It outlines that the video will open with a single long take to summarize the narrative for viewers in an artistic and mysterious way. Many shots in the beginning and end will be slow and long, while cuts in the middle will emphasize haunting parts of the lyrics. During two long gaps in the lyrics, the video will show thought beats and montages focused on rabbits and the artist in a forest. The video will conclude with a long zooming out take to create tension and ambiguity.
Question 3 questions
The document contains 17 questions about a music video asking the respondent's opinions on various technical and artistic elements including overall impression, genre, production quality, performances, narrative, editing, visual effects, set design, strongest and weakest parts, and potential improvements.
Question 4 list
The document lists various technologies including photo and video editing software like Photoshop and Final Cut Pro, social media platforms like Facebook and YouTube, media players and downloaders like iTunes, Quicktime, and YouTube Downloader, online services for maps, images, cloud storage, and blogging, as well as common productivity applications like Microsoft Word and Powerpoint, and various digital media devices like cameras, camcorders, and SD cards.
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Question 5
- 1. QUESTION 5 How did you attract/address your audience?
- 2. APPEALING TO THE AUDIENCE The design of the film is stylistically a throwback to silent Horror films from the early 20th century. This would be appealing to audience members who want to experience how classic horror films were structured. It’s unique location of it being in an average family household in the North-east of England would also be appealing to audience members due to the location being a very believable location unlike a haunted mansion. The fact that the film is also using no supernatural elements in the plot and completely focusing on realism can also bring in audience members who may not usually watch horror films. The protagonist being the villain can also appeal to people who are looking for an anti hero story to watch.
- 3. MURDERER? Some audience members did not understand how the murderer got into the house in my film. This was done deliberately to focus on the aftermath of the massacre and how much pain the murderer can cause. The idea that we don’t know how he got there is supposed to create suspense for the audience. There is a psychological Horror aspect going on with the fact we know little to nothing about the murderer. The audience will be fearful of him because they don’t know why he did, why he enjoyed it, who he is and how he got there. The audience are meant to be disturbed by what they don’t know about the murderer and his lack of morality.
- 4. MURDERER? Making the stereotypical villain of the story the protagonist gives an interesting dynamic for the film as it makes the protagonist much more complex and intriguing to know about. I thought I could attract audience members by having a compelling protagonist in the film’ plot.
- 5. CLOSE UPS Close ups are used on the dead bodies to emphasise the violence that has occurred within the house. This is done to disturb the audience with the gross nature of the murderer.
- 6. SYMBOLISM Some symbolism is used within the film also. The shot of the shirtless boy has a similar face to that of a renaissance painting of Jesus. This is ironic as in the painting, Jesus is floating to heaven peacefully. However in the film the shirtless boy has been victim to a horrible death. This is done to symbolise death and how it will always have the same effect on people no matter how famous or powerful they are. They cannot be protected from death. There is also a shot of an angel statue covered in blood. This is symbolic for God watching over you. However in the case of the film, God does nothing to help them and watches them be killed by the murderer. This idea came from the bible extract 2 Kings 2:23-24 some kids tease the prophet Elisha, and God sends bears to dismember them. In this case, the bears are the murderer and the angel statue is God. The teenagers represent the teenagers who teased the prophet.
- 7. SYMBOLISM
- 8. SOUND AND COLOUR The sound in the film is mainly needed to be reflective of the death within the film. It is also used to create suspense within the film to keep the audience watching. The colour which is black and white instead of in colour is used because it gave the film a much more disturbing and creepy vibe to it.