The document provides an opening analysis of the 1968 horror film "Night of the Living Dead". The summary is as follows:
The film begins with an establishing shot of a car driving down a rural road without any opening credits or logos. The musical score builds tension as the car approaches the camera. The title card is then shown with the word "Night" only outlined. The film is noticeably shot during the daytime despite its title. It introduces the main characters Johnny and Barbara visiting their mother's grave. Johnny is obnoxious while Barbara wants to pay respects. Strange radio issues hint that something is amiss. Johnny criticizes the church and teases Barbara about zombies before one attacks and kills Johnny. Barbara then
Historic Rehabilitation Tax Credits: Using Tax Incentives to Develop and Inve...GrowSmart Maine
Why plan for growth and change, when it seems so much easier to simply react?
When there is a distinct and shared vision for your community - when residents, businesses and local government anticipate a sustainable town with cohesive and thriving neighborhoods - you have the power to conserve your beautiful natural spaces, enhance your existing downtown or Main Street, enable rural areas to be productive and prosperous, and save money through efficient use of existing infrastructure.
This is the dollars and sense of smart growth.
Success is clearly visible in Maine, from the creation of a community-built senior housing complex and health center in Fort Fairfield to conservation easements creating Forever Farms to Rockland's revitalized downtown. Communities have options. We have the power to manage our own responses to growth and change.
After all, “Planning is a process of choosing among those many options. If we do not choose to plan, then we choose to have others plan for us.” - Richard I. Winwood
And in the end, this means that our children and their children will choose to make Maine home and our economy will provide the opportunities to do so.
The Summit offers you a wonderful opportunity to be a part of the transformative change in Maine that we’ve seen these gatherings produce. We encourage you to consider the value of being actively involved in growing Maine’s economy and protecting the reasons we choose to live here.
Historic Rehabilitation Tax Credits: Using Tax Incentives to Develop and Inve...GrowSmart Maine
Why plan for growth and change, when it seems so much easier to simply react?
When there is a distinct and shared vision for your community - when residents, businesses and local government anticipate a sustainable town with cohesive and thriving neighborhoods - you have the power to conserve your beautiful natural spaces, enhance your existing downtown or Main Street, enable rural areas to be productive and prosperous, and save money through efficient use of existing infrastructure.
This is the dollars and sense of smart growth.
Success is clearly visible in Maine, from the creation of a community-built senior housing complex and health center in Fort Fairfield to conservation easements creating Forever Farms to Rockland's revitalized downtown. Communities have options. We have the power to manage our own responses to growth and change.
After all, “Planning is a process of choosing among those many options. If we do not choose to plan, then we choose to have others plan for us.” - Richard I. Winwood
And in the end, this means that our children and their children will choose to make Maine home and our economy will provide the opportunities to do so.
The Summit offers you a wonderful opportunity to be a part of the transformative change in Maine that we’ve seen these gatherings produce. We encourage you to consider the value of being actively involved in growing Maine’s economy and protecting the reasons we choose to live here.
thGAP - BAbyss in Moderno!! Transgenic Human Germline Alternatives ProjectMarc Dusseiller Dusjagr
thGAP - Transgenic Human Germline Alternatives Project, presents an evening of input lectures, discussions and a performative workshop on artistic interventions for future scenarios of human genetic and inheritable modifications.
To begin our lecturers, Marc Dusseiller aka "dusjagr" and Rodrigo Martin Iglesias, will give an overview of their transdisciplinary practices, including the history of hackteria, a global network for sharing knowledge to involve artists in hands-on and Do-It-With-Others (DIWO) working with the lifesciences, and reflections on future scenarios from the 8-bit computer games of the 80ies to current real-world endeavous of genetically modifiying the human species.
We will then follow up with discussions and hands-on experiments on working with embryos, ovums, gametes, genetic materials from code to slime, in a creative and playful workshop setup, where all paticipant can collaborate on artistic interventions into the germline of a post-human future.
2137ad - Characters that live in Merindol and are at the center of main storiesluforfor
Kurgan is a russian expatriate that is secretly in love with Sonia Contado. Henry is a british soldier that took refuge in Merindol Colony in 2137ad. He is the lover of Sonia Contado.
Explore the multifaceted world of Muntadher Saleh, an Iraqi polymath renowned for his expertise in visual art, writing, design, and pharmacy. This SlideShare delves into his innovative contributions across various disciplines, showcasing his unique ability to blend traditional themes with modern aesthetics. Learn about his impactful artworks, thought-provoking literary pieces, and his vision as a Neo-Pop artist dedicated to raising awareness about Iraq's cultural heritage. Discover why Muntadher Saleh is celebrated as "The Last Polymath" and how his multidisciplinary talents continue to inspire and influence.
The Legacy of Breton In A New Age by Master Terrance LindallBBaez1
Brave Destiny 2003 for the Future for Technocratic Surrealmageddon Destiny for Andre Breton Legacy in Agenda 21 Technocratic Great Reset for Prison Planet Earth Galactica! The Prophecy of the Surreal Blasphemous Desires from the Paradise Lost Governments!
The perfect Sundabet Slot mudah menang Promo new member Animated PDF for your conversation. Discover and Share the best GIFs on Tenor
Admin Ramah Cantik Aktif 24 Jam Nonstop siap melayani pemain member Sundabet login via apk sundabet rtp daftar slot gacor daftar
2137ad Merindol Colony Interiors where refugee try to build a seemengly norm...luforfor
This are the interiors of the Merindol Colony in 2137ad after the Climate Change Collapse and the Apocalipse Wars. Merindol is a small Colony in the Italian Alps where there are around 4000 humans. The Colony values mainly around meritocracy and selection by effort.
2137ad Merindol Colony Interiors where refugee try to build a seemengly norm...
Night of the living dead opening analysis
1. Tom Millett
Night of the Living Dead Opening Analysis
The filmstarts withanestablishingshotinsteadof perhapsaproductionlogoorintroductionto
signal whohasbeenresponsible forthe makingof thisfilm.Incontext,thisiscouldbe due toit
beingcreated inthe late 1950s where theydidn’thave the technologyavailable tomake extravagant
productiontitles.Eventuallythe filmfollowsthe conventionof manyfilmsbyrevealingthe
productioncompanybehindthe filmatthe beginningbyfadinginsome white textthatsays‘An
Image TenProduction.’ The shotitself lastsfor41 secondsandshowsa car drivingdownthe rural
road until itpassesthe camera.The musical score inthisopeningsequence isimportantforraising
tensionwithinthe audience asthe score intensifiesasthe car getscloserandclosertowardsthe
camera.
The nextshotis anotherstaticestablishingshotshowingthe carto be still goingdownthe rural road
but itis travellingawayfromthe camera insteadof towardsitnow.The title card of the film, ‘Night
of the livingdead’ispresentedinaninterestedway.The word‘Night’onlyshowsthe outline of the
wordinsteadof it beingfilledinlikethe restof the wordsinthe title card. Thisisprobablydone the
representdarknessthat mayappearwithinthe film’snarrative,literallyandsymbolically.Itisalso
worthnotingthat despite the filmbeinginblackandwhite;he filmisnoticeablyfilmedindaytime.
Thismay be done to deliberatelyjuxtapose againstthe film’stitle which hasconnotationsof gothic
literature withwordssuchas‘night’and‘dead.’The filmisfollowingthe conventionof manyhorror
filmswhichisthatthe filmsstartswitha positive openingscene forthe openingscene before they
become a part of the gothicdecline whichputstheminahorrificsituation. Similarshotsare
repeatedthroughoutthe openingsequenceafterwards.The textwill varyintermsof contentand
worksas the openingcreditsforthe film.The openingcreditsincludethe screenplay,soundeffects,
and directingwithinthe film.The score buildsuptensionwithinthe filmascreatesa sense of
impendingdoomforwhoeverispresentwithinthe car.Italsocreatesa sense of mysterywithinthe
film.Whoare the people inthe car?Where are theygoing?Thiscouldmake the audience feel
2. Tom Millett
uneasyas theyare unsure as to whatis exactlygoingon.
It isrevealed thatthe car is visitingagraveyard.Thiswouldlinkinwiththe usage of the adjective
‘dead’withinthe title.The audience atthis pointcouldstartingpiecingtogetherwhatisgoingto
happenwithinthe film’snarrative.
The audience isintroducedtotwocharacters,JohnnyandBarbara. The firstof themshowing
Barbara beingmore prominentinthe shotsuggeststhatshe will be the mainprotagonistwithinthe
narrative.Itis revealedthereare goingtoput some flowersontheirmother’sgrave.Johnnyis
presentedasobnoxiousandseeminglywantingtogetthe ordeal overwhereasBarbarawantsto
stay soshe can payrespectsto hermother.It ishintedthatsomethingisamissatthe graveyarddue
to Johnny’sradioturningonrandomlyinhiscar. The radio claimsitishavingdifficultiesandthen
3. Tom Millett
cuts out again.Thisgivesthe audience asense of dreadasit seemsasif somethingmaygowrong for
the two charactersas other people are alsohavingproblems.
Whenpayingrespectstotheirmother,Johnnygoesonto criticise the churchsayingthathe doesn’t
see the pointof goinganymore.InGothic andHorror literature,characterswhogoagainstreligion
endup dyingor facinga consequence fortheiractions.Thiscanbe seenasforeshadowingthe fate
of Johnny.Johnnythengoesontotease Barbara abouthow he scaredher ina graveyardwhenthey
were youngerbypretendingtobe a zombie.He keepssaying“there comingforyouBarbara!” Thisis
seenasa piece of dramaticironyas there actuallyisa zombie comingforbothof themin the
distance.Neitherof themseemtorealise thisandmistake himforanormal person.
4. Tom Millett
The zombie kills Johnnyinastruggle bysmashinghisheadof a grave.It isquite an ironicdeath
consideringhislackof respectforthe deadwhile inthe graveyard.The score at thispointbecomes
much more dramaticin comparisontoitstensionpreviously.
The filmthenplaysouta chase sequence betweenthe zombieandBarbarawithBarbara tryingto
drive Johnny’scaraway despite nothavingthe keys.The zombieendsupsmashingthe backwindow
of the car whenBarbara is hidinginitwhichforcesherto remove the brakessothe car can
temporarilyroll downhill.The factthe zombie smashedthe carwindow showsthathe iscapable of
viciousviolence,whichwillcause the audience tobe afraidof himandwhat he may potentiallydoto
Barbara.
5. Tom Millett
ThiscausesBarbara to crash the car andrun througha forest.The actinginthisscene reflectsthe
genuine senseof fearandtensionwithinthe film, whichcanmake the audience feel uneasy.Barbara
eventuallyfindsahouse tohide despitethe zombienotfarfromthe house itself.Thisisusedastime
to letthe tensionslide againbefore itgoesupagainlaterinthe film.