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PROSODIC FEATURES OF
SPEECH
DRILLS
JUNCTURE/PAUSE
3 SYMBOLS OF JUNCTURE
1. SINGLE BAR JUNCTURE (/)
2. DOUBLE BAR JUNCTURE (//)
3. DOUBLE CROSS JUNCTURE (#)
JUNCTURE/PAUSE
Usually, but not always, juncture
is indicated in written material
by a comma, a semi- colon, a
dash or some such conventional
mark.
JUNCTURE/PAUSE
SAMPLE SENTENCES
JUNCTURE/PAUSE
•“Excuse me. / Where is the bathroom?//”
•“Now that I see it, / I think I prefer it in
red.//”
•“She hasn’t told me, / but I think / she’ll get
married soon.//”
JUNCTURE/PAUSE
SAMPLE PARAGRAPH
JUNCTURE/PAUSE
He invariably chooses the method/ of the “controlled
experiment”. // For instance,/if he wants to see/ the effect of
sunlight/ on growing plants,/ he takes many plants as alike
as possible.// Then/ he stands some or them/ in the sun,/
some in the shade/ and some/ in the dark,/ while keeping all
conditions like temperature,/ moisture, and nourishment/
the same.// by keeping these constant/ and by varying the
light only,/ the effect of light/ on the plants/ can be clearly
seen.//
PITCH
The degree of highness or
lowness of the tone. This can
prevent the “monotone” effect
when speaking.
UNDERSTANDING STEPS UP
AND DOWN IN PITCH
A step is an abrupt, noticeable rise or
drop from one pitch to another.
Let’s look at a few examples:
UNDERSTANDING STEPS UP
AND DOWN IN PITCH
1. NOTE-book: You notice I’m stepping
down from a higher pitch to a baseline
pitch.
2. sep-TEM-ber. In this example, we’re
stepping up to the second syllable,
which is stressed: sep-TEM-ber.
UNDERSTANDING STEPS UP
AND DOWN IN PITCH
1. A common verb we can use when discussing
pitch is the verb “contrast”: conTRAST.
2. Another common longer word that we can use
is “communication”: com-mu-ni-CA-tion. I’m
stepping up to the syllable “ca.”
UNDERSTANDING PITCH
GLIDES
1. A pitch glide happens when we
need to show a change in tone on a
particular syllable within a word.
UNDERSTANDING PITCH
GLIDES
2. Sometimes we change our pitch noticeably
on simple, short, one syllable words or vowel
sounds, or we may glide between different
tones for effect, or we may need to change our
pitch on words that are linked together
because of connected speech.
UNDERSTANDING PITCH
GLIDES
Here are some examples of glides that
help express different emotions and
attitudes in English:
UNDERSTANDING PITCH
GLIDES
Oh?
Oh.
Really?
Really.
Okay?
Okay.
Today?
Today.
What?
What?!
Huh?
Huh.
Hmm?
Hmm.
UNDERSTANDING PITCH
GLIDES
"Good ↗morn↘ing" versus "Good
morn↘ing.“
"He's going ↗home?“
"I saw a ↘man in the garden" answers
"Whom did you see?" or "What happened?“
while "I ↘saw a man in the garden"
UNDERSTANDING PITCH
GLIDES
"The lecture was canceled" (high pitch on
both syllables of "cancelled", indicating
continuation); versus "The lecture was
can↘celed." (high pitch on first syllable of
"canceled", but declining pitch on the
second syllable, indicating the end of the
first thought).
SPEAKER TIPS
Avoid monotony, speaking with one pitch
tone or little variety in pitch. Make sure to
vary the speech as you speak to show
emphasis and change in meaning.
STRESS
1. To pronounce (a syllable or word) in
a louder or more forceful way than
other syllables or words
STRESS
STRESS
1. acCESsible
2. acCOMplish
3. acCUracy
4. acTIvity
5. ACtual
6. ACtually
7. advanTAgeous
8. amBItious
9. aNAlogy
10. aPOlogize
STRESS
11. aPOlogy
12. auTHOrity
13. AUthorize
14. aWARE
15. aWAREness
16. bacTEria
17. bibliOgraphy
18. biOgraphy
19. biOlogy
20. BROther
STRESS
11. aPOlogy
12. auTHOrity
13. AUthorize
14. aWARE
15. aWAREness
16. bacTEria
17. bibliOgraphy
18. biOgraphy
19. biOlogy
20. BROther
STRESS
21. BROtherhood
22. chaRACterize
23. cigarETTE
24. CLASsical
25. comMUnity
26. comPEtitive
27. conCLUsion
28. couRAgeous
29. COURTeous
30. CRIticize
STRESS
31. CURrency
32. deMOcracy
33. disCUssion
34. efFIciency
35. eMERgency
36. EMphasize
37. esSENtial
38. eVENT
39. eVENTually
40. exPRESsion
SENTENCE STRESS
Sentences MEANING
1. I don’t think she would write it. I don’t think that, but someone else does.
2. I DON’T think she will listen to him. It is not true that I think that.
3. I don’t THINK she will listen to him. I don’t think that, I know that. Or: I don’t
think that, but I could be wrong.
4. I don’t think SHE will listen to him. I think that someone other than her will
listen to him.
5. I don’t think she WILL listen to him. I think that she will not be willing or
agreeable to listening to him.
6. I don’t think she will LISTEN to him. Instead of listening, she might talk to him.
7. I don’t think she will listen to HIM. I think that she will listen to someone else
than him.
PUPPY AND I
BY A. A. MILNE
I met a Man as I went walking:
We got talking,
Man and I.
"Where are you going to, Man?" I said
(I said to the Man as he went by).
"Down to the village, to get some bread.
Will you come with me?" "No, not I."
I met a horse as I went walking;
We got talking,
Horse and I.
"Where are you going to, Horse, today?"
(I said to the Horse as he went by).
"Down to the village to get some hay.
Will you come with me?" "No, not I."
I met a Woman as I went walking;
We got talking,
Woman and I.
"Where are you going to, Woman, so early?"
(I said to the Woman as she went by).
"Down to the village to get some barley.
Will you come with me?" "No, not I."
I met some Rabbits as I went walking;
We got talking,
Rabbits and I.
"Where are you going in your brown fur
coats?"
(I said to the Rabbits as they went by).
"Down to the village to get some oats.
Will you come with us?" "No, not I."
I met a Puppy as I went walking;
We got talking,
Puppy and I.
"Where are you going this nice fine day?"
(I said to the Puppy as he went by).
"Up to the hills to roll and play."
"I'll come with you, Puppy," said I.

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PROSODIC-FEATURES-DRILLS-ENG7.pptx

  • 2. JUNCTURE/PAUSE 3 SYMBOLS OF JUNCTURE 1. SINGLE BAR JUNCTURE (/) 2. DOUBLE BAR JUNCTURE (//) 3. DOUBLE CROSS JUNCTURE (#)
  • 3. JUNCTURE/PAUSE Usually, but not always, juncture is indicated in written material by a comma, a semi- colon, a dash or some such conventional mark.
  • 5. JUNCTURE/PAUSE •“Excuse me. / Where is the bathroom?//” •“Now that I see it, / I think I prefer it in red.//” •“She hasn’t told me, / but I think / she’ll get married soon.//”
  • 7. JUNCTURE/PAUSE He invariably chooses the method/ of the “controlled experiment”. // For instance,/if he wants to see/ the effect of sunlight/ on growing plants,/ he takes many plants as alike as possible.// Then/ he stands some or them/ in the sun,/ some in the shade/ and some/ in the dark,/ while keeping all conditions like temperature,/ moisture, and nourishment/ the same.// by keeping these constant/ and by varying the light only,/ the effect of light/ on the plants/ can be clearly seen.//
  • 8. PITCH The degree of highness or lowness of the tone. This can prevent the “monotone” effect when speaking.
  • 9. UNDERSTANDING STEPS UP AND DOWN IN PITCH A step is an abrupt, noticeable rise or drop from one pitch to another. Let’s look at a few examples:
  • 10. UNDERSTANDING STEPS UP AND DOWN IN PITCH 1. NOTE-book: You notice I’m stepping down from a higher pitch to a baseline pitch. 2. sep-TEM-ber. In this example, we’re stepping up to the second syllable, which is stressed: sep-TEM-ber.
  • 11. UNDERSTANDING STEPS UP AND DOWN IN PITCH 1. A common verb we can use when discussing pitch is the verb “contrast”: conTRAST. 2. Another common longer word that we can use is “communication”: com-mu-ni-CA-tion. I’m stepping up to the syllable “ca.”
  • 12. UNDERSTANDING PITCH GLIDES 1. A pitch glide happens when we need to show a change in tone on a particular syllable within a word.
  • 13. UNDERSTANDING PITCH GLIDES 2. Sometimes we change our pitch noticeably on simple, short, one syllable words or vowel sounds, or we may glide between different tones for effect, or we may need to change our pitch on words that are linked together because of connected speech.
  • 14. UNDERSTANDING PITCH GLIDES Here are some examples of glides that help express different emotions and attitudes in English:
  • 16. UNDERSTANDING PITCH GLIDES "Good ↗morn↘ing" versus "Good morn↘ing.“ "He's going ↗home?“ "I saw a ↘man in the garden" answers "Whom did you see?" or "What happened?“ while "I ↘saw a man in the garden"
  • 17. UNDERSTANDING PITCH GLIDES "The lecture was canceled" (high pitch on both syllables of "cancelled", indicating continuation); versus "The lecture was can↘celed." (high pitch on first syllable of "canceled", but declining pitch on the second syllable, indicating the end of the first thought).
  • 18. SPEAKER TIPS Avoid monotony, speaking with one pitch tone or little variety in pitch. Make sure to vary the speech as you speak to show emphasis and change in meaning.
  • 19. STRESS 1. To pronounce (a syllable or word) in a louder or more forceful way than other syllables or words
  • 21. STRESS 1. acCESsible 2. acCOMplish 3. acCUracy 4. acTIvity 5. ACtual 6. ACtually 7. advanTAgeous 8. amBItious 9. aNAlogy 10. aPOlogize
  • 22. STRESS 11. aPOlogy 12. auTHOrity 13. AUthorize 14. aWARE 15. aWAREness 16. bacTEria 17. bibliOgraphy 18. biOgraphy 19. biOlogy 20. BROther
  • 23. STRESS 11. aPOlogy 12. auTHOrity 13. AUthorize 14. aWARE 15. aWAREness 16. bacTEria 17. bibliOgraphy 18. biOgraphy 19. biOlogy 20. BROther
  • 24. STRESS 21. BROtherhood 22. chaRACterize 23. cigarETTE 24. CLASsical 25. comMUnity 26. comPEtitive 27. conCLUsion 28. couRAgeous 29. COURTeous 30. CRIticize
  • 25. STRESS 31. CURrency 32. deMOcracy 33. disCUssion 34. efFIciency 35. eMERgency 36. EMphasize 37. esSENtial 38. eVENT 39. eVENTually 40. exPRESsion
  • 26. SENTENCE STRESS Sentences MEANING 1. I don’t think she would write it. I don’t think that, but someone else does. 2. I DON’T think she will listen to him. It is not true that I think that. 3. I don’t THINK she will listen to him. I don’t think that, I know that. Or: I don’t think that, but I could be wrong. 4. I don’t think SHE will listen to him. I think that someone other than her will listen to him. 5. I don’t think she WILL listen to him. I think that she will not be willing or agreeable to listening to him. 6. I don’t think she will LISTEN to him. Instead of listening, she might talk to him. 7. I don’t think she will listen to HIM. I think that she will listen to someone else than him.
  • 27.
  • 28.
  • 29.
  • 30.
  • 31.
  • 32.
  • 33.
  • 34.
  • 35. PUPPY AND I BY A. A. MILNE I met a Man as I went walking: We got talking, Man and I. "Where are you going to, Man?" I said (I said to the Man as he went by). "Down to the village, to get some bread. Will you come with me?" "No, not I."
  • 36. I met a horse as I went walking; We got talking, Horse and I. "Where are you going to, Horse, today?" (I said to the Horse as he went by). "Down to the village to get some hay. Will you come with me?" "No, not I."
  • 37. I met a Woman as I went walking; We got talking, Woman and I. "Where are you going to, Woman, so early?" (I said to the Woman as she went by). "Down to the village to get some barley. Will you come with me?" "No, not I."
  • 38. I met some Rabbits as I went walking; We got talking, Rabbits and I. "Where are you going in your brown fur coats?" (I said to the Rabbits as they went by). "Down to the village to get some oats. Will you come with us?" "No, not I."
  • 39. I met a Puppy as I went walking; We got talking, Puppy and I. "Where are you going this nice fine day?" (I said to the Puppy as he went by). "Up to the hills to roll and play." "I'll come with you, Puppy," said I.