This document provides information about two photographers - Henri Cartier-Bresson and Adrian Dennis. It discusses Cartier-Bresson's background and style, noting he was a pioneering photojournalist known for candid shots in black and white. It then analyzes one of Cartier-Bresson's landscape photographs that differs from his typical documentary work. The document also provides biographical information about Adrian Dennis and analyzes one of his photographs of Andy Murray celebrating a Wimbledon victory, discussing the photographic techniques used.
This document provides information about several photographers:
Henri Cartier-Bresson was a pioneering French photojournalist known for his candid style. He took black and white photos that focused on documenting everyday life through singular images rather than collections.
Adrian Dennis is a British sports photographer who was named sports photographer of the year in 2013. He works to capture emotive photos of sporting events for publications. His color photos tend to have busy backgrounds compared to Cartier-Bresson's more passive shots.
The rest of the document analyzes and compares elements of specific photos by each photographer, such as composition, lighting, subject matter and how they demonstrate styles like documentary, portrait, or landscape photography.
- Henri Cartier-Bresson was a pioneering French photojournalist in the mid-20th century known for his candid street photography. He helped establish photojournalism as a genre.
- Adrian Dennis is a contemporary British sports photographer who works for Agence France Presse. He is known for unconventional photographs that capture the emotions of athletes and fans.
- Julius Shulman was an American architectural photographer in the 1960s who revolutionized the field by using innovative angles and perspectives to showcase buildings. He is most famous for documenting mid-century modern homes in California.
Photography can be used for various applications such as fashion, macro, portrait, photojournalism, landscape, and advertising. Fashion photography focuses on displaying clothing and has evolved to emphasize the model more. Macro photography captures microscopic details using close-up lenses. Portrait photography captures personality and likeness, and has become more conceptual over time. Photojournalism tells factual stories through images. Landscape photography preserves natural beauty. Advertising photography aims to sell products using memorable images.
Charlie Waite is an English landscape photographer known for his painterly use of light and shade. Before photography, he worked in television and theater. Waite's landscapes typically feature a focal point to draw the viewer's eye. He uses brightness, contrast, and color to convey the time of year. Nick Brandt exclusively photographs Africa to document animals before they are threatened by humans. He composes images like studio portraits or panoramic landscapes. Yousuf Karsh was a famous portrait photographer known for precisely lighting his subjects to capture their essence. His portrait of Winston Churchill as a defiant "roaring lion" is his most famous work.
The document discusses selecting photographs for a magazine article about a band. The author chooses several photos they took of the band performing that show the passion and togetherness of the band. The photos would be used and edited for the magazine's cover, contents page, a double page feature, and to supplement an article. The author describes how they would edit the photos, such as by adjusting lighting, saturation, and cropping, to make them suitable illustrations for the magazine.
Anne Leibovitz is an American portrait photographer known for her work with Rolling Stone magazine and Vanity Fair. She was born in 1949 in Connecticut to a family of Romanian Jewish heritage. In the 1970s, she began working for Rolling Stone, creating iconic celebrity portraits. She later worked for Vanity Fair for 13 years. Leibovitz's portraits are recognizable for their unique style and ability to capture her subjects in a compelling way.
The document discusses selecting and constructing photography for a music magazine. It examines the work of two photographers, Tom Barnes and Mark Latham. For Tom Barnes' photography of a band, the document's author likes an image that is atypical and draws the audience in with its serious tone, plain black background, and use of lighting to emphasize the subjects. They suggest it could work well as a double-page spread in the magazine. For Mark Latham's live concert photography, they like an image that captures a real performance moment and uses a low camera angle to make the subject appear powerful. They say it could be featured but not as a central image, as it is an action shot.
The document provides information about experimental photographer Wes Naman and his technique of covering subjects' faces with scotch tape. It discusses how this produces images with shock value by distorting facial features and challenging conventions. It also analyzes images by Wolfgang Tillmans and Bobby Russel, noting techniques like smoke effects, double exposures, and motion blur used to create abstract and contemporary works. The document proposes plans for the author's own experimental photography project involving light painting, with requirements like equipment, locations, and a production schedule. Contact sheets from the project show initial images that are then developed further in Photoshop by adjusting colors, levels, and adding text for two abstract final images.
This document provides information about several photographers:
Henri Cartier-Bresson was a pioneering French photojournalist known for his candid style. He took black and white photos that focused on documenting everyday life through singular images rather than collections.
Adrian Dennis is a British sports photographer who was named sports photographer of the year in 2013. He works to capture emotive photos of sporting events for publications. His color photos tend to have busy backgrounds compared to Cartier-Bresson's more passive shots.
The rest of the document analyzes and compares elements of specific photos by each photographer, such as composition, lighting, subject matter and how they demonstrate styles like documentary, portrait, or landscape photography.
- Henri Cartier-Bresson was a pioneering French photojournalist in the mid-20th century known for his candid street photography. He helped establish photojournalism as a genre.
- Adrian Dennis is a contemporary British sports photographer who works for Agence France Presse. He is known for unconventional photographs that capture the emotions of athletes and fans.
- Julius Shulman was an American architectural photographer in the 1960s who revolutionized the field by using innovative angles and perspectives to showcase buildings. He is most famous for documenting mid-century modern homes in California.
Photography can be used for various applications such as fashion, macro, portrait, photojournalism, landscape, and advertising. Fashion photography focuses on displaying clothing and has evolved to emphasize the model more. Macro photography captures microscopic details using close-up lenses. Portrait photography captures personality and likeness, and has become more conceptual over time. Photojournalism tells factual stories through images. Landscape photography preserves natural beauty. Advertising photography aims to sell products using memorable images.
Charlie Waite is an English landscape photographer known for his painterly use of light and shade. Before photography, he worked in television and theater. Waite's landscapes typically feature a focal point to draw the viewer's eye. He uses brightness, contrast, and color to convey the time of year. Nick Brandt exclusively photographs Africa to document animals before they are threatened by humans. He composes images like studio portraits or panoramic landscapes. Yousuf Karsh was a famous portrait photographer known for precisely lighting his subjects to capture their essence. His portrait of Winston Churchill as a defiant "roaring lion" is his most famous work.
The document discusses selecting photographs for a magazine article about a band. The author chooses several photos they took of the band performing that show the passion and togetherness of the band. The photos would be used and edited for the magazine's cover, contents page, a double page feature, and to supplement an article. The author describes how they would edit the photos, such as by adjusting lighting, saturation, and cropping, to make them suitable illustrations for the magazine.
Anne Leibovitz is an American portrait photographer known for her work with Rolling Stone magazine and Vanity Fair. She was born in 1949 in Connecticut to a family of Romanian Jewish heritage. In the 1970s, she began working for Rolling Stone, creating iconic celebrity portraits. She later worked for Vanity Fair for 13 years. Leibovitz's portraits are recognizable for their unique style and ability to capture her subjects in a compelling way.
The document discusses selecting and constructing photography for a music magazine. It examines the work of two photographers, Tom Barnes and Mark Latham. For Tom Barnes' photography of a band, the document's author likes an image that is atypical and draws the audience in with its serious tone, plain black background, and use of lighting to emphasize the subjects. They suggest it could work well as a double-page spread in the magazine. For Mark Latham's live concert photography, they like an image that captures a real performance moment and uses a low camera angle to make the subject appear powerful. They say it could be featured but not as a central image, as it is an action shot.
The document provides information about experimental photographer Wes Naman and his technique of covering subjects' faces with scotch tape. It discusses how this produces images with shock value by distorting facial features and challenging conventions. It also analyzes images by Wolfgang Tillmans and Bobby Russel, noting techniques like smoke effects, double exposures, and motion blur used to create abstract and contemporary works. The document proposes plans for the author's own experimental photography project involving light painting, with requirements like equipment, locations, and a production schedule. Contact sheets from the project show initial images that are then developed further in Photoshop by adjusting colors, levels, and adding text for two abstract final images.
Wes Naman is a mysterious photographer known for his "scotch tape" photo collection in which he obscures subjects' faces with tape. His photos aim to shock viewers and challenge artistic conventions. He uses techniques like high shutter speeds, plain backgrounds, and artificial lighting to make the taped subjects stand out with bold, crisp details. The meaning of Naman's photos is unclear, but they seem intended to push boundaries of experimental photography.
1) The document analyzes several photographs of model Gemma Nunn through examining their mise-en-scene elements like body positioning, lighting, clothing, and background.
2) Key aspects analyzed include how various poses and techniques are used to make the model appear thinner or emphasize different attributes like sexuality.
3) Mise-en-scene elements like clothing, makeup, backgrounds, and lighting are explored in how they convey different intended messages about the model's personality or appeal in each photograph.
The photographer has focused on the centre column using the rule of thirds to draw attention to the athlete's face. A low camera angle is used to make the athlete seem more powerful and intimidating despite his disabilities. Natural lighting is used to convey a positive message of ability despite challenges. Fast shutter speed reduces motion blur as the athlete is running.
This document analyzes and summarizes three photographs by different photographers:
1) A Martin Parr photo depicting crowded beaches and litter in Britain, meant to represent the economic struggles through social realism.
2) A Duncan Philpott landscape photo of Sheffield showing nature and a biker, capturing the location in a positive way while showing its active identity.
3) A Russell James portrait photo of Kendall Jenner in shadows, giving it an eerie feel while suggesting her emergence from a negative situation to a positive one, heavily influenced by nature.
Photography can be used for many applications such as advertising, fashion, photojournalism and portraiture. Advertising photography aims to sell products through images of the product and models. Fashion photography typically features models wearing clothing from a brand in a studio setting with artificial lighting. Photojournalism documents real-life events and issues through observational photos to contribute to news reporting. Portraiture focuses on capturing facial expressions and telling stories through images of people.
The photographer has used techniques like shallow focus and positioning the subject along the rule of thirds to draw the viewer's eye to the dirty fingers in the center of the image. This is meant to promote the use of hand sanitizer by portraying an unclean situation. A fast shutter speed was also likely used to eliminate motion blur in photographing the moving fingers. The image communicates its promotional purpose for hand sanitizer through text in the bottom right corner identifying the product.
This document discusses the photographer's experiments with long exposure photography using both film and digital cameras. They began by taking photos at a fairground to capture the movement of rides through light trails. Later experiments involved taking photos of fireworks using longer shutter speeds and moving the camera. The photographer also explored light painting portraits by using colored lights in a dark room. They aimed to refine their technique by adjusting shutter speed, ISO, using a tripod, and editing photos in Photoshop by cropping and adjusting backgrounds. The goal was to clearly capture movement while maintaining image quality.
This document provides summaries of photographs taken by various photographers. It analyzes the purpose, meaning, composition, and technical elements of each image. The photographs document everyday life in London, architectural structures, sporting events, and moments captured spontaneously. Natural lighting is used to emphasize authenticity. Composition utilizes techniques like rule of thirds and shallow depth of field to focus viewers on the subject. The images aim to represent urban culture, appreciate design, and immortalize iconic occurrences.
This document analyzes and summarizes three photographs by different photographers. The first photograph by Martin Parr depicts crowded beaches and litter in Britain, representing the country's economic struggles. The second photo by Duncan Philpott shows flowers and a biker in the background, capturing the identity of an active outdoor location. The third photo by Russell James is a black and white portrait of model Kendall that uses shadows to give an eerie feel and suggest she is emerging from a negative situation. The document discusses the style and intentions of each photographer and how they inspire the document's author in capturing social realism, landscapes, and deeper meanings through photography.
The document summarizes four photographs taken by different photographers:
1. Stewart Marsden took two black and white photos of the London underground to show everyday life. One focused on people waiting and the other showed a man looking out at the skyline.
2. Simon Kennedy took architectural photos - one of stained glass windows and another of a lit bridge reflected in water.
3. Mark Pain captured iconic sporting moments - Usain Bolt celebrating and a photo of a golf ball just before hitting his lens.
4. The photos are analyzed for purpose, meaning, lighting, composition and how they depict their subject and location.
The documentary aims to tackle an issue using styles from successful mainstream documentaries like Wife Swap and Tourettes. Extensive research was done on documentary codes, conventions, and potential distributors. Natural lighting was used to create a realistic feel, and instrumental music was chosen to build distress and atmosphere. Scenes shot in a character's home and rural/city settings were intended to show their simple life and struggles. Editing uses overlap shots for smooth transitions, and camera shots are from a fly-on-the-wall perspective or intentionally set up to gather information. The intended audience is mainly adults interested in social issues.
This document discusses and analyzes several photographs taken by renowned photographers such as Sarolta Ban, Steve McCurry, and Robert Capa. It examines each photo in terms of composition using the rule of thirds, lighting and use of shadows, focus and depth of field, cropping, narrative, and mise-en-scene. For each photo, it provides a technical breakdown and interpretation of the visual elements and intended narrative or message conveyed by the photographer.
This document discusses various photography techniques including HDR, panoramas, and the work of photographers Michael Kenna and Tony Howell. It includes descriptions of test photos taken to experiment with these techniques, evaluations of sample photos, and plans for further experiments with panoramic HDRs.
Tom Jenkins has had a 25-year career capturing sporting moments for newspapers like The Guardian and Observer. He is passionate about sports photography and has won several awards, including Young Press Photographer of the Year in 1990. The photos show English rugby player Johnny Wilkinson after scoring the winning points, exhausted but celebrated, and footballer Rolando scoring a goal from a low angle to appear impressive. A Paralympian is also shown from a low angle to convey strength and focus through natural lighting.
- Annie Leibovitz is an American photographer born in 1949 known for her portraits of celebrities. She got her start photographing for Rolling Stone magazine in the 1970s. Some of her most famous subjects include John Lennon, who she photographed just hours before his death.
- The document discusses Leibovitz's career highlights and some of her photography techniques like using lighting, angles, and shutter speed to convey mood and meaning. It also provides examples of portraits she has taken of actors and musicians.
This document discusses landscape photography and analyzes two landscape images. It describes landscape photography as depicting large outdoor areas like oceans, forests, and mountains. It notes that landscape photography includes the photographic techniques of rule of thirds and leading lines. The document then analyzes the first image in detail, noting its framing, lighting, narrative, and meaning in conveying a sense of journey along a path to an unknown destination. It similarly analyzes the second image of a lone tree, discussing its framing, narrative, and meaning in conveying loneliness.
Landscape, fashion, advertising, and portrait photography have all changed significantly over the past century due to advances in technology. Landscape photography has benefited from new cameras and lighting equipment that produce higher quality images. Fashion photography now features brighter colors, more elaborate sets, and eye-catching designs compared to older black and white portraits. Advertisements also use more vivid colors and digital editing today to draw attention compared to simpler ads of the past. Portrait photography now aims to capture personality and expression through deliberate poses.
This document discusses potential images and layouts for the front cover and contents pages of an alternative rock magazine. It analyzes 12 photos in terms of how they represent the alternative rock genre and would appeal to the target audience. For the front cover, the author is deciding between a photo of two models in simple clothing giving serious looks and a solo photo of a model in non-branded clothing directly addressing the camera. For the contents pages, photos showing musicians recording and playing instruments are discussed to feature articles on new and established artists. Simplistic, open-to-interpretation images are preferred to entice readers. Locations and compositions are selected to convey an underground feel through darkness and limited focus.
Annie Leibovitz is an American photographer known for her portraits of celebrities. She got her start working for Rolling Stone magazine in 1970. Some of her most famous photographs include portraits of John Lennon taken on the day he was assassinated. Throughout her career, Leibovitz has photographed many celebrities and politicians and worked on campaigns for magazines and companies. She is renowned for her ability to capture her subjects in unique and revealing poses through her signature use of bold colors and lighting techniques.
This document discusses different types of photography including fashion, advertising, photojournalism, portrait, landscape, and macro photography. It provides examples and comparisons of images from different eras to show how each genre has evolved over time due to changes in technology and artistic styles. Famous photographers are also mentioned for each category.
This document discusses ideas and concepts for developing the design of an energy drink brand. It begins by outlining 4 initial ideas, including targeting older demographics, females, extra strength drinks, and younger audiences. It then provides details on potential names, images, audiences, concepts, colors, fonts and copywriting for advertising. Several mind maps are included showing additional name and branding ideas. The document concludes by presenting experiments with different font styles, effects, and color schemes to find an eye-catching and readable design. The focus is on contrasting colors like black to make the branding stand out on store shelves.
This document discusses responsible journalism and summarizes the NUJ (National Union of Journalists) Codes of Practice. It analyzes examples where some media outlets have failed to adhere to the codes when reporting on groups like asylum seekers and benefit claimers. The codes aim to ensure reporting is fair, accurate, and avoids intrusion into private lives. However, some tabloids have published biased or inaccurate stories without facts, misrepresenting groups and breaking the codes. If journalists follow the guidance, it can help produce balanced coverage that considers social and cultural issues.
Wes Naman is a mysterious photographer known for his "scotch tape" photo collection in which he obscures subjects' faces with tape. His photos aim to shock viewers and challenge artistic conventions. He uses techniques like high shutter speeds, plain backgrounds, and artificial lighting to make the taped subjects stand out with bold, crisp details. The meaning of Naman's photos is unclear, but they seem intended to push boundaries of experimental photography.
1) The document analyzes several photographs of model Gemma Nunn through examining their mise-en-scene elements like body positioning, lighting, clothing, and background.
2) Key aspects analyzed include how various poses and techniques are used to make the model appear thinner or emphasize different attributes like sexuality.
3) Mise-en-scene elements like clothing, makeup, backgrounds, and lighting are explored in how they convey different intended messages about the model's personality or appeal in each photograph.
The photographer has focused on the centre column using the rule of thirds to draw attention to the athlete's face. A low camera angle is used to make the athlete seem more powerful and intimidating despite his disabilities. Natural lighting is used to convey a positive message of ability despite challenges. Fast shutter speed reduces motion blur as the athlete is running.
This document analyzes and summarizes three photographs by different photographers:
1) A Martin Parr photo depicting crowded beaches and litter in Britain, meant to represent the economic struggles through social realism.
2) A Duncan Philpott landscape photo of Sheffield showing nature and a biker, capturing the location in a positive way while showing its active identity.
3) A Russell James portrait photo of Kendall Jenner in shadows, giving it an eerie feel while suggesting her emergence from a negative situation to a positive one, heavily influenced by nature.
Photography can be used for many applications such as advertising, fashion, photojournalism and portraiture. Advertising photography aims to sell products through images of the product and models. Fashion photography typically features models wearing clothing from a brand in a studio setting with artificial lighting. Photojournalism documents real-life events and issues through observational photos to contribute to news reporting. Portraiture focuses on capturing facial expressions and telling stories through images of people.
The photographer has used techniques like shallow focus and positioning the subject along the rule of thirds to draw the viewer's eye to the dirty fingers in the center of the image. This is meant to promote the use of hand sanitizer by portraying an unclean situation. A fast shutter speed was also likely used to eliminate motion blur in photographing the moving fingers. The image communicates its promotional purpose for hand sanitizer through text in the bottom right corner identifying the product.
This document discusses the photographer's experiments with long exposure photography using both film and digital cameras. They began by taking photos at a fairground to capture the movement of rides through light trails. Later experiments involved taking photos of fireworks using longer shutter speeds and moving the camera. The photographer also explored light painting portraits by using colored lights in a dark room. They aimed to refine their technique by adjusting shutter speed, ISO, using a tripod, and editing photos in Photoshop by cropping and adjusting backgrounds. The goal was to clearly capture movement while maintaining image quality.
This document provides summaries of photographs taken by various photographers. It analyzes the purpose, meaning, composition, and technical elements of each image. The photographs document everyday life in London, architectural structures, sporting events, and moments captured spontaneously. Natural lighting is used to emphasize authenticity. Composition utilizes techniques like rule of thirds and shallow depth of field to focus viewers on the subject. The images aim to represent urban culture, appreciate design, and immortalize iconic occurrences.
This document analyzes and summarizes three photographs by different photographers. The first photograph by Martin Parr depicts crowded beaches and litter in Britain, representing the country's economic struggles. The second photo by Duncan Philpott shows flowers and a biker in the background, capturing the identity of an active outdoor location. The third photo by Russell James is a black and white portrait of model Kendall that uses shadows to give an eerie feel and suggest she is emerging from a negative situation. The document discusses the style and intentions of each photographer and how they inspire the document's author in capturing social realism, landscapes, and deeper meanings through photography.
The document summarizes four photographs taken by different photographers:
1. Stewart Marsden took two black and white photos of the London underground to show everyday life. One focused on people waiting and the other showed a man looking out at the skyline.
2. Simon Kennedy took architectural photos - one of stained glass windows and another of a lit bridge reflected in water.
3. Mark Pain captured iconic sporting moments - Usain Bolt celebrating and a photo of a golf ball just before hitting his lens.
4. The photos are analyzed for purpose, meaning, lighting, composition and how they depict their subject and location.
The documentary aims to tackle an issue using styles from successful mainstream documentaries like Wife Swap and Tourettes. Extensive research was done on documentary codes, conventions, and potential distributors. Natural lighting was used to create a realistic feel, and instrumental music was chosen to build distress and atmosphere. Scenes shot in a character's home and rural/city settings were intended to show their simple life and struggles. Editing uses overlap shots for smooth transitions, and camera shots are from a fly-on-the-wall perspective or intentionally set up to gather information. The intended audience is mainly adults interested in social issues.
This document discusses and analyzes several photographs taken by renowned photographers such as Sarolta Ban, Steve McCurry, and Robert Capa. It examines each photo in terms of composition using the rule of thirds, lighting and use of shadows, focus and depth of field, cropping, narrative, and mise-en-scene. For each photo, it provides a technical breakdown and interpretation of the visual elements and intended narrative or message conveyed by the photographer.
This document discusses various photography techniques including HDR, panoramas, and the work of photographers Michael Kenna and Tony Howell. It includes descriptions of test photos taken to experiment with these techniques, evaluations of sample photos, and plans for further experiments with panoramic HDRs.
Tom Jenkins has had a 25-year career capturing sporting moments for newspapers like The Guardian and Observer. He is passionate about sports photography and has won several awards, including Young Press Photographer of the Year in 1990. The photos show English rugby player Johnny Wilkinson after scoring the winning points, exhausted but celebrated, and footballer Rolando scoring a goal from a low angle to appear impressive. A Paralympian is also shown from a low angle to convey strength and focus through natural lighting.
- Annie Leibovitz is an American photographer born in 1949 known for her portraits of celebrities. She got her start photographing for Rolling Stone magazine in the 1970s. Some of her most famous subjects include John Lennon, who she photographed just hours before his death.
- The document discusses Leibovitz's career highlights and some of her photography techniques like using lighting, angles, and shutter speed to convey mood and meaning. It also provides examples of portraits she has taken of actors and musicians.
This document discusses landscape photography and analyzes two landscape images. It describes landscape photography as depicting large outdoor areas like oceans, forests, and mountains. It notes that landscape photography includes the photographic techniques of rule of thirds and leading lines. The document then analyzes the first image in detail, noting its framing, lighting, narrative, and meaning in conveying a sense of journey along a path to an unknown destination. It similarly analyzes the second image of a lone tree, discussing its framing, narrative, and meaning in conveying loneliness.
Landscape, fashion, advertising, and portrait photography have all changed significantly over the past century due to advances in technology. Landscape photography has benefited from new cameras and lighting equipment that produce higher quality images. Fashion photography now features brighter colors, more elaborate sets, and eye-catching designs compared to older black and white portraits. Advertisements also use more vivid colors and digital editing today to draw attention compared to simpler ads of the past. Portrait photography now aims to capture personality and expression through deliberate poses.
This document discusses potential images and layouts for the front cover and contents pages of an alternative rock magazine. It analyzes 12 photos in terms of how they represent the alternative rock genre and would appeal to the target audience. For the front cover, the author is deciding between a photo of two models in simple clothing giving serious looks and a solo photo of a model in non-branded clothing directly addressing the camera. For the contents pages, photos showing musicians recording and playing instruments are discussed to feature articles on new and established artists. Simplistic, open-to-interpretation images are preferred to entice readers. Locations and compositions are selected to convey an underground feel through darkness and limited focus.
Annie Leibovitz is an American photographer known for her portraits of celebrities. She got her start working for Rolling Stone magazine in 1970. Some of her most famous photographs include portraits of John Lennon taken on the day he was assassinated. Throughout her career, Leibovitz has photographed many celebrities and politicians and worked on campaigns for magazines and companies. She is renowned for her ability to capture her subjects in unique and revealing poses through her signature use of bold colors and lighting techniques.
This document discusses different types of photography including fashion, advertising, photojournalism, portrait, landscape, and macro photography. It provides examples and comparisons of images from different eras to show how each genre has evolved over time due to changes in technology and artistic styles. Famous photographers are also mentioned for each category.
This document discusses ideas and concepts for developing the design of an energy drink brand. It begins by outlining 4 initial ideas, including targeting older demographics, females, extra strength drinks, and younger audiences. It then provides details on potential names, images, audiences, concepts, colors, fonts and copywriting for advertising. Several mind maps are included showing additional name and branding ideas. The document concludes by presenting experiments with different font styles, effects, and color schemes to find an eye-catching and readable design. The focus is on contrasting colors like black to make the branding stand out on store shelves.
This document discusses responsible journalism and summarizes the NUJ (National Union of Journalists) Codes of Practice. It analyzes examples where some media outlets have failed to adhere to the codes when reporting on groups like asylum seekers and benefit claimers. The codes aim to ensure reporting is fair, accurate, and avoids intrusion into private lives. However, some tabloids have published biased or inaccurate stories without facts, misrepresenting groups and breaking the codes. If journalists follow the guidance, it can help produce balanced coverage that considers social and cultural issues.
This document discusses the topic of censorship and whether it is a good or bad idea. It presents arguments on both sides of the debate. It discusses censorship of different types of media like films, books, the internet and how they are censored to different degrees. It also discusses age restrictions and ratings for different media and whether all media should be treated equally in terms of censorship. The document considers many examples related to censorship and asks questions about where the line should be drawn on censorship and who should have control over censorship decisions.
The document describes the steps taken to create a page layout in Adobe InDesign. It discusses placing an image, adding text boxes, using the text wrap tool to fit text around the image, rearranging text between boxes to establish a pattern, adding a 3x3 grid layout with 5mm gutters, including a drop capital by adjusting paragraph settings, and adding a title using the text tool. The final layout utilized grids and guidelines to clearly present an article.
The document discusses various camera techniques including aperture, shutter speed, ISO settings, and white balance. It provides detailed explanations of how each setting works and its effects on the photograph. Aperture controls depth of field, with smaller apertures increasing depth of field. Shutter speed determines how movement is captured, with faster speeds freezing action and slower speeds showing movement trails. ISO makes the sensor more or less sensitive to light, with higher ISOs increasing noise. White balance alters color tones to match lighting conditions. Examples are given showing the visual impact of different settings.
NME, Q Magazine, and Mojo Magazine represent individuals, groups, genders, ages, and social issues in different ways based on their target demographics. NME targets a younger audience (15-25) so features younger cover stars and more images. Q and Mojo target an older audience (29+) so include both young and classic artists. All three magazines represent genders equally and avoid stereotypes to allow readers to form their own opinions. Technical elements like page count and house style vary between the magazines based on their weekly or monthly publication schedules and intended audiences.
The document discusses various camera techniques for controlling depth of field, shutter speed, aperture, ISO, white balance, and post-processing options.
It explains that aperture controls depth of field, with smaller apertures increasing depth of field for landscapes. Shutter speed "freezes" or blurs movement depending on speed. Higher ISO makes the sensor more sensitive to light but adds noise. White balance alters color temperature. Post-processing allows adjusting levels, cropping, dodging and burning, and color.
The document provides a critical analysis of four existing vegetarian recipe cards:
- Recipe 1's photography is cropped rather than cut properly, and its font is dull and wouldn't stand out in a book. However, it looks professional.
- Recipe 2 lacks a photo, so viewers won't know what the finished recipe looks like, making it less appealing.
- Recipe 3 has striking blue and yellow colors but would benefit from a photo.
- Recipe 4 frames its high-quality central photo with dark borders, making it the main focus.
The document discusses different genres of photography including fashion, macro, portrait, photojournalism, landscape, and advertising. It provides examples of images from each genre and analyzes differences in subjects, purposes, techniques and how technology has changed each genre over time. Key points include fashion photography now prioritizes models over clothing, macro photography allows close-up details to appear larger, portrait photography has become more conceptual, photojournalism aims to truthfully document events, and advertising photography heavily uses editing to enhance products.
An American photographer named Ansell Adams is known for his black and white nature photography from the early 20th century. He used large format cameras to capture dramatic landscapes and close-ups of natural forms. His photos were appreciated for their aesthetic value and sometimes used commercially, with the goal of displaying natural beauty on a grand scale.
The document discusses different types of photography including documentary, portrait, nature, landscape, and advertising photography. It provides examples and descriptions of each type. For documentary photography, it notes that the goal is to show something truthfully and objectively, as seen in photos taken by photojournalists. Portrait photography aims to express emotion and personality through faces. Nature photography focuses on animals and plants. Landscape photography shows natural beauty. Advertising photography aims to make products look appealing.
Documentary photography aims to truthfully capture real life situations as they occur. It has evolved as camera technology has advanced, allowing for less staged photos. A good example is provided showing poverty in another country in an objective, unstaged manner. Portrait photography focuses on conveying emotion and personality through facial expressions. Landscape photography seeks to depict natural beauty, while nature photography captures plants and animals. Advertising photography aims to make products look appealing.
Melissa Cruz Santos is a medical photographer. Her photographs are used in medical textbooks and publications to show factual information about medical conditions or procedures. The photos are often not highly controlled, as she is observing real medical scenes and surgeries and cannot control the lighting or environment. Some photos may be in black and white to give an artistic style, but the goal is to represent medical realities accurately rather than be purely artistic. Post-production editing is usually minimal to maintain authenticity.
The document discusses different types of photography including portrait, landscape, nature, and documentary photography. It provides examples of each type and discusses how technology has advanced each genre over the past 100 years. Portrait photography captures expressions and personalities of individuals or groups. Landscape photography focuses on wide outdoor spaces. Nature photography depicts plants, animals, and other natural subjects. Documentary photography documents real-life events and social issues. The document also includes the writer's own attempts at different genres and how technology has improved clarity, detail, and color reproduction in photographs.
The document provides an analysis of three photos based on their visual language elements, including subject matter, lines, color, shapes, depth of field, lighting, and style.
For the first photo, the analysis describes the subject as a window handle with stained glass in natural colors. It notes the horizontal lines and rich, full colors.
The second photo's subject is light shining through a window onto a painting on a wall. The analysis describes the diagonal lines created by shadows and unsaturated dark colors.
Finally, the third photo's subject is an antique bowl. The analysis discusses its small depth of field, vertical lines, naturalistic lighting, and deep saturated colors with restrained saturation.
Overall,
This document discusses photographs by the fine art landscape photographer Steen Doessing. The photographs analyzed are all in black and white and feature landscapes and common objects like trees and fields that have been composed to look surreal. The student analyzes various techniques used by Doessing like shutter speed, depth of field, and rule of thirds. While the student likes how eye catching the photos are, they feel adding some color could make the photos stand out more.
This document discusses several photographs by different artists. It analyzes Juan Felipe Rubio's photos of couples showing love and intimacy through bright colors. It also examines David Hilliard's gloomy photo "In Pursuit of Other Things" with dark tones. Additionally, it looks at David Hilliard's mysterious photo "Ponchos" of hooded figures in a forest, and David Hockney's abstract portrait of Henry Moore made of multiple angled shots.
This document discusses and analyzes several photographs by different artists. It examines Juan Felipe Rubio's photos depicting couples and their use of bright colors to convey positivity. It also analyzes David Hilliard's photo "In Pursuit of Other Things" and its dark, gloomy tones. Lee Summers' "Portrait Triptych Series" is discussed for its mysterious atmosphere created through repetitive poses.
This document discusses several photographs by different artists. It analyzes Juan Felipe Rubio's photos of couples showing love and intimacy through bright colors. It also examines David Hilliard's gloomy photo "In Pursuit of Other Things" with dark tones. Additionally, it looks at David Hilliard's mysterious photo "Ponchos" of hooded figures in a forest, and David Hockney's abstract portrait of Henry Moore made up of 24 sections.
Photography can be used for many applications such as advertising, fashion, photojournalism, and portraiture. Advertising photography aims to sell products by featuring them in attractive images. Fashion photography promotes clothing brands by showing their items on models. Photojournalism documents real-life events and issues through images to tell stories. Portraiture captures facial expressions and details to characterize individuals. Across applications, photography may involve controlled studio shoots or candid outdoor photos, with variations in lighting, lenses, and minor post-production editing.
The document discusses different types of photography including advertising and promotional, fashion, photojournalism, portraiture, high street studios, architectural, medical, fine art, and documentary photography. For each type, it describes common purposes, techniques, equipment, lighting, and post-production processes. Examples are provided and analyzed for advertising, fashion, photojournalism, portraiture, and architectural photography. The document serves to educate about photographic genres and the distinguishing characteristics of each.
- Annie Leibovitz was born in 1949 in Connecticut and found her love of photography while studying at the San Francisco Art Institute in 1967. She got her first job working with the Rolling Stones in 1970, developing her trademark technique using bold colors and poses.
- Throughout her career, Leibovitz has photographed many famous celebrities and high-profile campaigns. Some of her most notable works include photographing John Lennon on the day he was assassinated and working on the 1980 Olympics campaign for American Express.
- Leibovitz has won several awards for her work, including the Honorary Clio Award and Glamour Award for The Visionary in 2012. She has three children and faced financial challenges in
Photography is used widely in the media industry for purposes such as fashion, landscape, portrait, advertising and photojournalism. Fashion photography has evolved from strictly selling clothing to becoming more artistic. Landscape photography now uses more color and detail compared to past black and white paintings. Portrait photography styles have changed from formal posed shots to more casual captured moments. Advertising photography is now more colorful, creative with angles and uses people compared to simple product shots of the past. Photojournalism aims to tell stories through instantly captured images of events.
This photo by war photographer Robert Capa documents American soldiers raising a flag at Iwo Jima during World War 2. The rule of thirds is used effectively, with focal points on the top of the flag and a soldier raising it. Lighting lacks contrast to convey a war atmosphere. The narrative captures the documentation of American efforts in the war by raising the flag to boost morale. Depth of field focuses on the soldiers and flag, blurring the background. Framing is not perfect due to the dangerous conditions, but captures the flag in a hot spot. The mise-en-scene includes the struggling soldiers, flag, and rubble from destroyed structures, conveying the hard work of soldiers. The purpose is to document
This document discusses several surreal photographs by photographer Sarolta Ban. It analyzes her use of composition, lighting, focus, cropping, narrative, mise-en-scene, and purpose in her surreal images. It also briefly discusses the work of portrait photographers Steve McCurry and the narratives and techniques used in some of his photographs of individuals in Afghanistan.
Photography can be used in many areas of the media industry. Some key areas discussed in the document include fashion photography, landscape photography, portrait photography, and advertising photography. Over time, the styles and techniques used in these areas have evolved significantly with advances in technology and changes in social attitudes. Fashion photography in particular has become more experimental and relaxed in its portrayal of models. Landscape photography now features bolder colors and more angles compared to earlier black and white paintings of landscapes. Advertising photos also stand out more with unusual angles and effects rather than just showing the product directly.
The document discusses several experimental photography techniques including long exposure, HDR, panoramic, and light painting photography.
For long exposure photography, the shutter speed is slow, capturing multiple moving cars over a long period of time and creating light trails. HDR photography merges multiple images at different exposures into one image to show a wide range of intensities. Panoramic photography stitches together multiple images to capture a wide field of view. Light painting involves using lights to "paint" exposures during long shutter speeds.
The document discusses various experimental photography techniques including long exposure, HDR, panoramic, and light painting photography.
For long exposure photography, the shutter speed is slow, capturing moving cars over time and creating light trails. HDR photography merges multiple exposures to show a wide range of intensities, from bright sunlight to dark shadows. Panoramic photography stitches together multiple images to capture a wide field of view, while light painting involves using lights to "paint" exposures during long shutter speeds. The document also provides examples analyzing images using these techniques.
Similar to Producing photographs project task 1 (20)
Pitching is an important skill for entrepreneurs. To create an effective pitch, focus on clearly explaining your product or service, how it benefits customers, and how it will generate revenue. Keep the pitch concise by highlighting only the most important details in 3 minutes or less to engage potential investors or partners.
Pitch is a short summary of an idea or product in order to interest investors or customers. It should be brief and highlight the problem, solution, and call to action in 3 sentences or less. The document provides the name "Pitch" and "Task 10" as the title with "Patrick Gouldsbrough" likely being the author or presenter.
Here is a comparison of the original intentions versus the resulting outcomes for the key elements of this project:
Logo Design:
- Original intention was for a literal design featuring litter in the shape of a surfer to directly represent Surfers Against Sewage.
- Resulting outcome was a more abstract wave design using contrasting colors to make it eye-catching while positively representing surfing.
Poster:
- Originally wanted to use only positive imagery to promote SAS in a positive light
- Realized negative imagery works better to grab attention and elicit an emotional response, so resulting poster used slogans and listing of threatened beaches.
Merchandise:
- Initially wanted to directly adapt unused logo designs onto products
This document discusses case studies of Greenpeace and the NHS and their social media campaigns. For Greenpeace, the purposes of their campaigns are to raise awareness of environmental issues like global warming, change attitudes towards pollution, and challenge agendas that don't prioritize protecting the planet. Their techniques use bold colors and fonts to emphasize key messages and graphic images to depict potential consequences of inaction. For the NHS, the purposes of their anti-smoking campaigns are to change public attitudes towards smoking and raise awareness of health risks, like the link between smoking and cancer. Both campaigns aim to educate the public and encourage behavior change on important social issues.
This document summarizes a case study about a campaign by the University of Kent to promote careers in media for ethnic minority students. The purposes of the campaign are to bring about national change by increasing diversity in UK media, change attitudes about racial inequality in employment, raise awareness of the lack of representation of ethnic minorities in media jobs, and create more access and opportunities for non-traditional groups. The campaign aims to both inform ethnic minority students about career opportunities and educate non-ethnic groups about the inequality faced by ethnic minorities in media industries. Key techniques used in the campaign materials include using bold text to clearly communicate the purpose upfront and providing information and resources to build relationships with target audiences.
The document discusses the evaluation of various logo, membership form, merchandise, and poster designs created for Surfers Against Sewage. For the logo design, the author notes that their initial design featuring litter in the shape of a surfer fulfilled the purpose but was not eye-catching enough. Their subsequent surf-themed logo was more positive and customizable. For the membership form, the author's initial leaflet design fulfilled the content purpose but had layout issues. They improved it by changing to a booklet format. Some merchandise designs like a cushion were not effective. The author realized posters needed negative imagery to stand out, against their initial goal of positive imagery.
The document discusses final designs for Task 8. It was authored by Patrick Gouldsbrough and appears to pertain to a design project involving multiple tasks. The brief title and author name provide limited contextual information about the specific contents or purpose of the document.
The document outlines plans for a poster design. It discusses choosing simple sans serif fonts for readability. Potential color choices are considered, including lighter blues that appeal to all demographics or incorporating the logo's blue. Text amount is debated - too much bores readers but some information is needed to explain the charity's work and goals. Mockups show main copy over or within the logo with social media/website details. The final design may differ from these initial concepts.
The document discusses the development of a campaign poster for a client. It considers whether to use positive or negative themes, and decides on positive themes to appeal to a wider audience. Font, color, and image choices are explored to target multiple demographics and present a cohesive product range. Various fonts, colors, and images are considered before narrowing options down based on testing designs and ensuring appeal across age, gender, and social groups.
The document discusses potential merchandise ideas for an environmental charity called SAS. It analyzes t-shirts, bags, posters, coffee cups, phone cases, and towels as potential merchandise options. T-shirts are identified as a popular, profitable option while bags would be more difficult to mass produce. Posters are suggested as an inexpensive impulse purchase. Coffee cups could sell through convenience rather than impulse. Phone cases are deemed inappropriate due to environmental concerns. Towels may not have high enough demand compared to other options. The document also notes some existing logo and design ideas that could be applied to merchandise, as well as other potential product types not featured on the mood board.
The document discusses the design of a membership form for a charity called SAS that works to reduce beach litter. It will include imagery to appeal to a mass market, short statistics and social media comments to encourage membership, enticing offers for new and existing members, direct debit information and payment methods to allow donations, and the charity's tagline and logo to increase familiarity. The goal is to promote the charity and increase its followers and popularity through an effective membership form and rebranding.
The document discusses final designs for Task 8. It was authored by Patrick Gouldsbrough and appears to pertain to a design project involving multiple tasks. The document title and author provide high-level context but no other details about the specific designs or task are included in the short document.
This document contains a SWOT analysis for a proposed new MP3 player that allows streaming music from Spotify. Some strengths identified include the innovative streaming feature, ability to undercut Apple's prices, and potential to break into the market. Weaknesses include potential issues streaming without internet and lack of brand recognition. Opportunities lie in partnerships, future product iterations, and resurrecting the MP3 format. Threats include over-reliance on Spotify, technical issues, inability to compete with Apple, and unresolved issues from past MP3 players like battery life.
The document discusses creating mood boards for different target demographics of a product range for Surfers Against Sewage (SAS). It analyzes including social media posts to appeal to younger audiences, using bright colors and professional/amateur surfers to inspire women, and focusing on challenges and competition to attract men. Color schemes and fonts are selected accordingly - bright for youth, pastel for women, and darker tones for men. Images of clean beaches and SAS advocacy are included to showcase the charity's goals and impact. The document emphasizes using clear, readable fonts and experimenting with combinations of imagery, colors and styles to determine the most effective design.
The document discusses ideas for promotional posters for Surfers Against Sewage (SAS), a charity that campaigns against ocean pollution. It considers whether the posters should use positive or negative imagery. It also discusses whether the layout should be busy or clear, and what type of fonts would be most effective. While negative imagery and bold fonts have traditionally worked well for SAS, the document notes that a fresh approach using positive messaging or a clearer layout could help SAS expand its reach and impact. Any design choices would need to be carefully considered to avoid losing recognition or interest from the target audience.
This document discusses several posters and logos created by Surfers Against Sewage (SAS) to raise awareness about the dangers of littering and dumping waste in oceans and waterways.
The first poster uses imagery of a plastic bag shaped like a shark to personify the threat of litter to surfers. It aims to build relationships and raise awareness among the general public. Another poster employs dark colors and negative imagery like a piece of litter shaped like a noose to strongly impact viewers.
The document analyzes the visual design elements, intended messages, and effectiveness of SAS's branding over time as the organization worked to establish recognition and expand from a local to national initiative on a limited budget. It provides suggestions for experiment
This document summarizes a case study about a campaign by the University of Kent to promote careers in media for ethnic minority students. The purposes of the campaign are to bring about national change by increasing diversity in UK media, change attitudes about racial inequality in employment, raise awareness of the lack of representation of ethnic minorities in media jobs, and create more access and opportunities for non-traditional groups. The campaign aims to both inform ethnic minority students about career opportunities and educate non-ethnic groups about the inequality faced by ethnic minorities in media industries. Key techniques used in the campaign materials include using bold text to clearly communicate the purpose upfront and providing information and resources to build relationships with target audiences.
James Argent is a 55-year-old rock artist launching his first solo album "In the Wind" after previously being in the band Masonic Temple. The objectives for the album are to establish Argent as a solo artist with his own fanbase rather than being associated with his previous band, regain some fans of Masonic Temple who may have been divided after the band split, and sell 200,000 copies of the album within 3 months. The target audience includes previous Masonic Temple fans aged 50-55 as well as new, younger fans attracted by the album's soft rock and alternative genres. Publicity for the album would focus on magazines like MOJO and Q, TV shows on mainstream channels, and radio stations like Radio 2
James Argent is a 55-year-old rock artist launching his first solo album "In the Wind" after previously being in the band Masonic Temple. The objectives for the album are to establish Argent as a solo artist with his own fanbase rather than being associated with his previous band, target both existing fans of Masonic Temple as well as new fans interested in soft rock/alternative genres, and sell over 200,000 copies of the album within 3 months. The key messages that will be communicated are that this album shows Argent's ability to adapt genres and should be viewed as the work of a solo artist rather than a continuation of Masonic Temple.
This SWOT analysis examines a proposed new MP3 player that would stream music from Spotify. Strengths include the innovative streaming feature, ability to undercut Apple's prices, and potential to break into the market. Weaknesses are lack of offline functionality, potential need for dual storage of personal music, and lack of advanced features. Opportunities exist to compete with Apple on price and emulate Spotify's success, while threats include increased royalty demands and hacking risks from internet reliance.
The cats, Sunny and Rishi, are brothers who live with their sister, Jessica, and their grandmother, Susie. They work as cleaners but wish to seek other kinds of employment that are better than their current jobs. New career adventures await Sunny and Rishi!
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Tom Cruise Daughter: An Insight into the Life of Suri Cruisegreendigital
Tom Cruise is a name that resonates with global audiences for his iconic roles in blockbuster films and his dynamic presence in Hollywood. But, beyond his illustrious career, Tom Cruise's personal life. especially his relationship with his daughter has been a subject of public fascination and media scrutiny. This article delves deep into the life of Tom Cruise daughter, Suri Cruise. Exploring her upbringing, the influence of her parents, and her current life.
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Introduction: The Fame Surrounding Tom Cruise Daughter
Suri Cruise, the daughter of Tom Cruise and Katie Holmes, has been in the public eye since her birth on April 18, 2006. Thanks to the media's relentless coverage, the world watched her grow up. As the daughter of one of Hollywood's most renowned actors. Suri has had a unique upbringing marked by privilege and scrutiny. This article aims to provide a comprehensive overview of Suri Cruise's life. Her relationship with her parents, and her journey so far.
Early Life of Tom Cruise Daughter
Birth and Immediate Fame
Suri Cruise was born in Santa Monica, California. and from the moment she came into the world, she was thrust into the limelight. Her parents, Tom Cruise and Katie Holmes. Were one of Hollywood's most talked-about couples at the time. The birth of their daughter was a anticipated event. and Suri's first public appearance in Vanity Fair magazine set the tone for her life in the public eye.
The Impact of Celebrity Parents
Having celebrity parents like Tom Cruise and Katie Holmes comes with its own set of challenges and privileges. Suri Cruise's early life marked by a whirlwind of media attention. paparazzi, and public interest. Despite the constant spotlight. Her parents tried to provide her with an upbringing that was as normal as possible.
The Influence of Tom Cruise and Katie Holmes
Tom Cruise's Parenting Style
Tom Cruise known for his dedication and passion in both his professional and personal life. As a father, Cruise has described as loving and protective. His involvement in the Church of Scientology, but, has been a point of contention and has influenced his relationship with Suri. Cruise's commitment to Scientology has reported to be a significant factor in his and Holmes' divorce and his limited public interactions with Suri.
Katie Holmes' Role in Suri's Life
Katie Holmes has been Suri's primary caregiver since her separation from Tom Cruise in 2012. Holmes has provided a stable and grounded environment for her daughter. She moved to New York City with Suri to start a new chapter in their lives away from the intense scrutiny of Hollywood.
Suri Cruise: Growing Up in the Spotlight
Media Attention and Public Interest
From stylish outfits to everyday activities. Suri Cruise has been a favorite subject for tabloids and entertainment news. The constant media attention has shaped her childhood. Despite this, Suri has managed to maintain a level of normalcy, thanks to her mother's efforts.
Leonardo DiCaprio Super Bowl: Hollywood Meets America’s Favorite Gamegreendigital
Introduction
Leonardo DiCaprio is synonymous with Hollywood stardom and acclaimed performances. has a unique connection with one of America's most beloved sports events—the Super Bowl. The "Leonardo DiCaprio Super Bowl" phenomenon combines the worlds of cinema and sports. drawing attention from fans of both domains. This article delves into the multifaceted relationship between DiCaprio and the Super Bowl. exploring his appearances at the event, His involvement in Super Bowl advertisements. and his cultural impact that bridges the gap between these two massive entertainment industries.
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Leonardo DiCaprio: The Hollywood Icon
Early Life and Career Beginnings
Leonardo Wilhelm DiCaprio was born in Los Angeles, California, on November 11, 1974. His journey to stardom began at a young age with roles in television commercials and educational programs. DiCaprio's breakthrough came with his portrayal of Luke Brower in the sitcom "Growing Pains" and later as Tobias Wolff in "This Boy's Life" (1993). where he starred alongside Robert De Niro.
Rise to Stardom
DiCaprio's career skyrocketed with his performance in "What's Eating Gilbert Grape" (1993). earning him his first Academy Award nomination. He continued to gain acclaim with roles in "Romeo + Juliet" (1996) and "Titanic" (1997). the latter of which cemented his status as a global superstar. Over the years, DiCaprio has showcased his versatility in films like "The Aviator" (2004). "Start" (2010), and "The Revenant" (2015), for which he finally won an Academy Award for Best Actor.
Environmental Activism
Beyond his film career, DiCaprio is also renowned for his environmental activism. He established the Leonardo DiCaprio Foundation in 1998, focusing on global conservation efforts. His commitment to ecological issues often intersects with his public appearances. including those related to the Super Bowl.
The Super Bowl: An American Institution
History and Significance
The Super Bowl is the National Football League (NFL) championship game. is one of the most-watched sporting events in the world. First played in 1967, the Super Bowl has evolved into a cultural phenomenon. featuring high-profile halftime shows, memorable advertisements, and significant media coverage. The event attracts a diverse audience, from avid sports fans to casual viewers. making it a prime platform for celebrities to appear.
Entertainment and Advertisements
The Super Bowl is not only about football but also about entertainment. The halftime show features performances by some of the biggest names in the music industry. while the commercials are often as anticipated as the game itself. Companies invest millions in Super Bowl ads. creating iconic and sometimes controversial commercials that capture public attention.
Leonardo DiCaprio's Super Bowl Appearances
A Celebrity Among the Fans
Leonardo DiCaprio's presence at the Super Bowl has noted several times. As a high-profile celebrity. DiCaprio attracts
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The Evolution and Impact of Tom Cruise Long Hairgreendigital
Tom Cruise is one of Hollywood's most iconic figures, known for his versatility, charisma, and dedication to his craft. Over the decades, his appearance has been almost as dynamic as his filmography, with one aspect often drawing significant attention: his hair. In particular, Tom Cruise long hair has become a defining feature in various phases of his career. symbolizing different roles and adding layers to his on-screen characters. This article delves into the evolution of Tom Cruise long hair, its impact on his roles. and its influence on popular culture.
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Introduction
Tom Cruise long hair has often been more than a style choice. it has been a significant element of his persona both on and off the screen. From the tousled locks of the rebellious Maverick in "Top Gun" to the sleek, sophisticated mane in "Mission: Impossible II." Cruise's hair has played a pivotal role in shaping his image and the characters he portrays. This article explores the various stages of Tom Cruise long hair. Examining how this iconic look has evolved and influenced his career and broader fashion trends.
Early Days: The Emergence of a Style Icon
The 1980s: The Birth of a Star
In the early stages of his career during the 1980s, Tom Cruise sported a range of hairstyles. but in "Top Gun" (1986), his hair began to gain significant attention. Though not long by later standards, his hair in this film was longer than the military crew cuts associated with fighter pilots. adding a rebellious edge to his character, Pete "Maverick" Mitchell.
Risky Business: The Transition Begins
In "Risky Business" (1983). Tom Cruise's hair was short but longer than the clean-cut styles dominant at the time. This look complemented his role as a high school student stepping into adulthood. embodying a sense of youthful freedom and experimentation. It was a precursor to the more dramatic hair transformations in his career.
The 1990s: Experimentation and Iconic Roles
Far and Away: Embracing Length
One of the first films in which Tom Cruise embraced long hair was "Far and Away" (1992). Playing the role of Joseph. an Irish immigrant in 1890s America, Cruise's long, hair added authenticity to his character's rugged and determined persona. This look was a stark departure from his earlier. more polished styles and marked the beginning of a more adventurous phase in his hairstyle choices.
Interview with the Vampire: Gothic Elegance
In "Interview with the Vampire" (1994). Tom Cruise long hair reached new lengths of sophistication and elegance. Portraying the vampire Lestat. Cruise's flowing blonde locks were integral to the character's ethereal and timeless allure. This hairstyle not only suited the gothic aesthetic of the film but also showcased Cruise's ability to transform his appearance for a role.
Mission: Impossible II: The Pinnacle of Long Hair
One of the most memorable instances of Tom Cruise long hair came in "Mission: Impossible II" (2000). His character, Ethan
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2. Henri Cartier-Bresson
A French born photographer, who was considered one of the
highest rated Photojournalists ever, hence him been branded
‘the father of Photojournalism’. His approach to photography
was a candid approach, like most photojournalistic images
are, due to the true representation you must communicate
to the viewer. The colours of all, if not most of his
photographs, is black and white, similar to all of the
photographers of his time. This is due to the technology and
the style yet to be established. The vast Majority of CartierBresson’s pieces feature at east one subject and it’s mostly
documentary work, as opposed to landscape style works.
An example of a busy, expressive and documentary
photograph.
3. An expressive form of photography is captured here. This
means that the subjects facial features and emotions are
captured within the image. This gives more meaning to the
photograph, while raising questions, such as: Why is he
feeling like this? and what happened in the narrative
before the shot was taken?
This particular photograph
is a piece of documentary
photography, opposed to
an abstract piece.
However, unlike many
documentary pieces, this
photograph was taken
singularly, instead of been
in a set or a collection of
images. This is unusual
because the photographer
wants to convey a
narrative to the viewer.
Instead, Cartier-Bresson
lets his individual works
tell the story.
As well as been documentary and photojournalism, this
photograph is also portrait. This is evident from the head
and shoulders only been included in the frame of the shot.
However, these 3 applications can be linked. For example,
someone's portrait could be used to accompany
journalistic works, or to tell the story itself. The
documentary comes into it if more than one image is been
used as a collection to tell the narrative.
The colouring of the image is
monochrome. This is not a style
the photographer has used,
instead a style all photographers
used in those days. This, as
previously stated, is due to the
technology not been invented
yet.
Unlike Cartier-Bresson’s most
popular pieces, this image is not
an observational piece. The way
The focus of this shot is the
main subject within the
photograph. This can be seen
from the background been
blurred out to give greater
detail to the main feature in
the image.
High key and low key lighting
is not predominantly used on
this photograph. Instead,
features of both are used.
The image is a dark and dull
image, but has a lot of light
parts, more than categorised
in low key lighting.
Location, instead of studio is used for this photograph. This
is because not many photojournalism pieces are captured
in studios. This is because the news stories don’t generally
take place in a studio. This inks to the argument of true
representations must be carried out when taking
photojournalism photographs.
4. Unlike the examples I have found, along with CartierBresson’s other works, this image is a landscape piece.
The Frenchman was traditionally a documentary
photographer, due to him specialising in
photojournalism. Even though photojournalism does
encompass landscapes sometimes, in general, this is
unconventional to Henri’s work.
Very little visual information is communicated to the consumer
through this photograph, which therefore concludes the image
is of a passive nature. This is because not many things within
the frame. However, this could be also regarded busy if you look
in great detail at the quantity of trees in the image. On the
other hand, the image as a whole isn’t cramped.
Due to this photograph
been a landscape, which is
linked to nature, organic
shape is used to create this
image. Organic shape
means natural things
creating the shapes you
see on a photograph. On
this particular piece you
see the tree making a
certain shape, therefore
demonstrating the organic
shape technique.
In terms of balance and
symmetry, this image isn’t
balanced. This is evident in the
image, which you can’t see the
exact same on one side
compared to the other.
The photograph looks like it
goes back some distance and
looks like there is plenty of
space in the image. In this
particular example it is done
so the consumer can add
their own interpretations to
the image, which includes
raising questions, such as:
where does the path lead?
How far back does it go and
it bends at both sides, does it
split into two paths?
Trees and roads within
the photograph act as
lines to guide the eyes
to the central focus of
the image (the trees and
the main path).
High key lighting is used to capture this
particular photograph. This is because
ambient light from the on location setting
is used. Artificial light isn’t used very
often in landscape photography, instead,
post-production colour saturation and
shadowing would be added.
5. The image is neither high key or low key lighting.
This is due to the image not been bright enough for
high key, but not dark and shaded enough for low
key lighting. However, the main focus of the image,
the cyclist, is shadowed in black to make him stand
out.
Documentary photography
as well as photojournalism
are the applications used
on this photograph. The
man on the cycle makes it
a documentary piece,
however, if the cyclist
wasn’t there, this piece
would turn to landscape or
architectural. This shows
how closely linked each
application is to one
another.
This picture is a very unconventional style of taking a
photograph. The way Cartier-Bresson has taken it makes the
central focus, the cyclist, look blurred and therefore not what
the eye is drawn to at first glance. However, like mentioned in
the colour and shadow part, the cyclists black colouring,
compared to the white background makes it stand out instead.
Dynamic range is featured in this photograph and is
one of the most noticeable features. You can see
that at the bottom of the photograph, the image is
dark and shadowed, where as the top of the image
is light, which is the main feature of dynamic range.
A candid or an observational
image is captured here, instead
of a manipulated photograph.
As mentioned previously, this
shot is a documentary
photography piece, however,
like many documentary pieces,
it would have been nearly
impossible to take multiple
shots of the cyclist. This would
therefore mean it would be a
stand alone piece instead of a
collection, unlike traditional
documentary photographs.
The angle which the photograph was taken is from
a high vantage point, looking down at the subject,
the cyclist. A wide lens was used for this shot, this
is to ensure a bit of the surrounding setting was
captured, not just the main feature.
6. Adrian Dennis
Commonly known for his sports photography, Adrian Dennis is a
modern photojournalist, who has just been crowned sports
photographer of the year 2013. As well as sporting events,
Adrian captured photographs to accompany journalistic pieces
during his time at the Independent newspaper. Currently
working at Agence France Presse as a photojournalist. Like
stated above, he mainly focuses on sporting events but does
photograph current news events.
7. Not a proper documentary piece but
could be categorised as one. It’s mainly a
photojournalism piece, with elements of
illustration as well. It has these elements
because it could be anchored to a
newspaper story to help accompany the
written copy.
This particular image conveys
expressive photographic features
but isn’t actually fully showing
the subjects full facial features so
can’t be branded an expressive
photography piece.
The main/central focus of the
image is Andy Murray and the
Wimbledon trophy. This is
further clarified by the
photographer, who blurs the
background to leave the
consumer in no doubt.
A feature which Adrian Dennis
hasn’t used is various angles. If
a low vantage point would
have been used, Murray's
achievement would have
looked greater because it
would seem your looking up to
him. However, the emotions on
the subjects face wouldn’t have
been communicated to the
audience and some
effectiveness may have been
lost.
A wide lens was used for this
image because a telephoto lens
would have meant the entirety
of the background, which gives
it many good features, would
not have been captured.
Even though this image looks
controlled, due to the pose,
it’s actually candid
photography with good
timing from Adrian Dennis.
Lighting used in the image is
natural because of the on
location setting. Artificial light
wouldn’t have been possible to
add in this situation, unless
added via post-production
The photo suggests that the fans continue for
many more tiers, which makes the achievement
look even more greater. This is done by the
blurriness of the background and the
photographers choice of what to put in the
actual photographic frame.
The blurred effect twinned
with the busy background
which includes the fans, gives
the image a repetitious feel to
it.
8. This photograph is a
documentary image. You can
see this because it aims to
capture an event or individual,
instead of a natural
environment, like landscape
photography.
The intention of this image was
to show a unconventional style
could be very popular, thus the
image been one of the reason
for Adrian Dennis’s 2013
photography success.
Dynamic range is used to good effect in the photograph.
The colourful and bright scene at the forefront of the
image, before going to darkness and shadowing a the
back. This is done because it adds enigma to the amount
of fans in that darkness at the back, as well as making
the bright colours stand out more at he front of the
image.
Space within the photograph
shows that the image goes
back quite a bit after the
central focus. This technique
suggests the photographer is
trying to show how many
people want to get in the
picture with one of the
greatest athletes, while
showing it’s busy and not a
passive scene. The fans are
captured in this way by Adrian
Dennis using a low vantage
point and a high angle to show
the high quantities of fans.
Space within the photograph
shows that the image goes
back quite a bit after the
central focus. This technique
suggests the photographer is
trying to show how many
people want to get in the
picture with one of the
greatest athletes, while
showing it’s busy and not a
passive scene. The fans are
captured in this way by Adrian
Dennis using a low vantage
point and a high angle to show
the high quantities of fans.
New and unconventional techniques are in place in this
photograph. This is due to this image been a candid image
capturing a posed photograph. This is very unusual in
photography, which is furthered by the blurring of the actual
image and the central focus been the camera phone instead.
The blurred effect is similar to the previous Andy Murray
example, except the picture within a picture is not captured
like this one.
In the Frame, Adrian Dennis
manages to depict a picture
within a picture. This is a
technique that only a few
photographers capture or
manage to capture. This type of
image shows how real and part
of everyday life athletes are.
The light that is available
is bright, however, not
high key lighting
because of the shadow
at the back of the
photograph, instead it’s
a very well lit
photograph.
9. The main theme in the image is
continuing the photography type
best suited to Adrian, a sports
photography piece.
This photograph is one of only a handful that have been analysed, which can be
considered ‘concluded’. This means that the consumer can be confident that the
subjects/objects stop and don’t continue past what’s been captured in the
frame. Like in the other Adrian Dennis images, he’s left the consumer to decide
how far the crowd go up, where as in this image he doesn’t. This is done
predominantly by the vantage point been high and angled down, while all the
subjects, including the crowd, stop in the original image, instead of been cut out
halfway.
Like his Usain Bolt
photograph, this example is
also unconventional to
photojournalism and
documentary photography.
It’s unconventional because
it’s got a high vantage
point, while taking a birds
eye view of the action.
Documentary photography
traditionally relies on
expressive photographs of
people, which therefore
means a lower vantage
point is normally taken.
Due to the nature of Adrian
Dennis’s work, as sports
photographer, candid
photographs are the norm
for this kind of field. This is
due to the subject not been
able to stage or pose while
performing the tasks Adrian
photographs.
What furthers the
effectiveness of the image is
the photograph could be
almost monochrome, if it
weren’t for the addition of the
bright colours added to the
central focus. It’s a real
contrast between the dark of
the shadows and the light and
vibrant colours at the centre
of the image. This photograph
also gives a good example of
dynamic range, where it
changes from dark to light,
back to dark again.
Another unusual thing
about the composition of
this image is the lighting.
While it’s got elements of
low-key lighting, such as the
many shadows in this
image, all of the image,
including the central focus,
are all visible.
The image manages to look busy with only one
main subject in the initial photograph. Shadow is
used to great effect and allows the image to look
less passive, compared to if the image was taken
from a level ground vantage point.
10. The main theme in the image is
continuing the photography type
best suited to Adrian, a sports
photography piece.
This photograph is one of only a handful that have been analysed, which can be
considered ‘concluded’. This means that the consumer can be confident that the
subjects/objects stop and don’t continue past what’s been captured in the
frame. Like in the other Adrian Dennis images, he’s left the consumer to decide
how far the crowd go up, where as in this image he doesn’t. This is done
predominantly by the vantage point been high and angled down, while all the
subjects, including the crowd, stop in the original image, instead of been cut out
halfway.
Like his Usain Bolt
photograph, this example is
also unconventional to
photojournalism and
documentary photography.
It’s unconventional because
it’s got a high vantage
point, while taking a birds
eye view of the action.
Documentary photography
traditionally relies on
expressive photographs of
people, which therefore
means a lower vantage
point is normally taken.
Due to the nature of Adrian
Dennis’s work, as sports
photographer, candid
photographs are the norm
for this kind of field. This is
due to the subject not been
able to stage or pose while
performing the tasks Adrian
photographs.
What furthers the
effectiveness of the image is
the photograph could be
almost monochrome, if it
weren’t for the addition of the
bright colours added to the
central focus. It’s a real
contrast between the dark of
the shadows and the light and
vibrant colours at the centre
of the image. This photograph
also gives a good example of
dynamic range, where it
changes from dark to light,
back to dark again.
Another unusual thing
about the composition of
this image is the lighting.
While it’s got elements of
low-key lighting, such as the
many shadows in this
image, all of the image,
including the central focus,
are all visible.
The image manages to look busy with only one
main subject in the initial photograph. Shadow is
used to great effect and allows the image to look
less passive, compared to if the image was taken
from a level ground vantage point.