This document discusses color management techniques in Adobe CC applications like InDesign, Illustrator, and Photoshop. It covers assigning color profiles when opening files, placing files of different formats like TIFF and keeping color profiles embedded, previewing separations, tracking changes, searching text and object attributes, editing dictionaries and checking spelling, and creating color-managed PDF files.
This document provides an overview of various tools and features for graphic design in Adobe CC software like InDesign, Illustrator, and Photoshop. It discusses topics such as creating and formatting text, working with graphics and images, exporting to PDF, and managing transparency when outputting or flattening files. The document offers brief explanations and tips for tools like the swatches panel, layers, effects, baselines grids, and exporting with transparency settings.
This document provides an overview of various tools and features in Adobe InDesign, Illustrator, and Photoshop CC for graphic design projects, including how to work with swatches, layers, effects, text formatting, exporting to PDF, and flattening transparency when outputting files. It discusses topics like creating and managing swatches, hiding and locking objects, applying gradients and effects, formatting text, setting up baselines grids, and options for exporting and compressing PDFs in a way that preserves image quality and transparency.
InDesign Project 4 Museum Exhibits BookletJerry Arnold
The document discusses various layout and formatting tools in Adobe InDesign CC including master pages, primary text frames, auto-flowing text, styles, bullets and numbering, imposition, and exporting to PDF. It provides instructions on how to use tools like the gap tool, eyedropper, and special characters. The document also covers topics like facing pages, overriding master objects, hyphenation, and page transitions.
InDesign Project 3 Aerospace NewsletterJerry Arnold
This document discusses various features and functions in Adobe InDesign CC including working with templates and styles, checking for missing fonts and images, using the links panel, importing and formatting tables, checking spelling, preflighting documents, and packaging jobs for output. Templates can store reusable elements like guides and styles. The links panel displays linked images and their status. Tables can be formatted and edited using options in the table panel and cell/table options. Preflighting verifies documents for errors before output and packaging assembles all needed files.
Illustrator Project 3 Identity PackageJerry Arnold
This document discusses various tools and techniques in Adobe Illustrator CC including working with gradient meshes, type, multiple artboards, the appearance panel, converting type to outlines, spot colors, page geometry, placing and printing files. It provides instructions on using tools like the mesh tool, eyedropper tool, artboard tool and selecting type formatting options at the character and paragraph level.
HTML elements are categorized as block, inline, or list item. Block elements begin on a new line, inline elements flow within surrounding text, and list item elements create lists. Some common block elements include headings, paragraphs, tables, and forms. Inline elements include anchors, emphasis, and images. Knowing the element categories helps determine which CSS style properties can be applied.
PDF is a file format used to present and exchange documents reliably across operating systems. It combines elements of page description languages, font embedding/replacement, and structured storage. PDF files can be shared, viewed, printed by anyone using the free Adobe Reader software. While PDF files allow markup and annotation, they are generally not intended for extensive editing beyond rearranging existing text or adding basic annotations. Both free and proprietary software exist for creating, viewing, and otherwise working with PDF files.
Adobe Acrobat 8 Professional enables users to create, combine, and control PDF documents for easy distribution, collaboration, and data collection. It allows users to create PDFs, combine files from different sources into single PDFs, and export PDFs to other formats. The software also offers features for securing documents with passwords and digital signatures, as well as creating and distributing forms for electronic data collection.
This document provides an overview of various tools and features for graphic design in Adobe CC software like InDesign, Illustrator, and Photoshop. It discusses topics such as creating and formatting text, working with graphics and images, exporting to PDF, and managing transparency when outputting or flattening files. The document offers brief explanations and tips for tools like the swatches panel, layers, effects, baselines grids, and exporting with transparency settings.
This document provides an overview of various tools and features in Adobe InDesign, Illustrator, and Photoshop CC for graphic design projects, including how to work with swatches, layers, effects, text formatting, exporting to PDF, and flattening transparency when outputting files. It discusses topics like creating and managing swatches, hiding and locking objects, applying gradients and effects, formatting text, setting up baselines grids, and options for exporting and compressing PDFs in a way that preserves image quality and transparency.
InDesign Project 4 Museum Exhibits BookletJerry Arnold
The document discusses various layout and formatting tools in Adobe InDesign CC including master pages, primary text frames, auto-flowing text, styles, bullets and numbering, imposition, and exporting to PDF. It provides instructions on how to use tools like the gap tool, eyedropper, and special characters. The document also covers topics like facing pages, overriding master objects, hyphenation, and page transitions.
InDesign Project 3 Aerospace NewsletterJerry Arnold
This document discusses various features and functions in Adobe InDesign CC including working with templates and styles, checking for missing fonts and images, using the links panel, importing and formatting tables, checking spelling, preflighting documents, and packaging jobs for output. Templates can store reusable elements like guides and styles. The links panel displays linked images and their status. Tables can be formatted and edited using options in the table panel and cell/table options. Preflighting verifies documents for errors before output and packaging assembles all needed files.
Illustrator Project 3 Identity PackageJerry Arnold
This document discusses various tools and techniques in Adobe Illustrator CC including working with gradient meshes, type, multiple artboards, the appearance panel, converting type to outlines, spot colors, page geometry, placing and printing files. It provides instructions on using tools like the mesh tool, eyedropper tool, artboard tool and selecting type formatting options at the character and paragraph level.
HTML elements are categorized as block, inline, or list item. Block elements begin on a new line, inline elements flow within surrounding text, and list item elements create lists. Some common block elements include headings, paragraphs, tables, and forms. Inline elements include anchors, emphasis, and images. Knowing the element categories helps determine which CSS style properties can be applied.
PDF is a file format used to present and exchange documents reliably across operating systems. It combines elements of page description languages, font embedding/replacement, and structured storage. PDF files can be shared, viewed, printed by anyone using the free Adobe Reader software. While PDF files allow markup and annotation, they are generally not intended for extensive editing beyond rearranging existing text or adding basic annotations. Both free and proprietary software exist for creating, viewing, and otherwise working with PDF files.
Adobe Acrobat 8 Professional enables users to create, combine, and control PDF documents for easy distribution, collaboration, and data collection. It allows users to create PDFs, combine files from different sources into single PDFs, and export PDFs to other formats. The software also offers features for securing documents with passwords and digital signatures, as well as creating and distributing forms for electronic data collection.
This document provides an overview of key functions for working with templates, styles, tables, and preflighting and packaging jobs in Adobe InDesign, Illustrator, and Photoshop CC. It discusses topics such as opening template files, managing missing fonts and images, using the Links panel, applying paragraph and character styles, importing Excel and Word files, setting up tables, preflighting a document to check for errors, and packaging a job for output.
The document discusses various tools and techniques in Adobe InDesign CC including importing and formatting text, working with color models and swatches, hiding and locking objects, using gradients, clipping paths, effects, threading type frames, exporting to PDF, and flattening transparency for print output. It provides information on projects, graphics, color management, layers, type formatting, anchored objects, baseline grids, and exporting options.
This document provides an overview of tools and functions for creating vector graphics in Adobe Illustrator. It discusses the different types of digital artwork like vector, raster, and line art. It then covers topics like creating and saving documents, using shape tools to draw basic shapes, applying fills and strokes, transforming and arranging objects using tools like Free Transform and align panel, using layers and sublayers to organize artwork, and grouping multiple objects. The document serves as a beginner tutorial for learning the basic Illustrator interface and tools for graphic design projects.
This document discusses basic graphic design and illustration tools in Adobe CC programs like InDesign, Illustrator, and Photoshop. It covers topics such as vector vs raster images, creating and saving documents, using shape and selection tools, transforming objects, working with layers and grouping, and drawing techniques like lines and pencil tools. The goal is to provide an overview of fundamental skills for graphic design projects and portfolios.
This document provides an overview of various tools and functions in Adobe Photoshop, Illustrator, and InDesign. It discusses vector and raster graphics, and how to create and save documents. It also describes how to use shape, selection, alignment and transformation tools to draw and manipulate objects. Layers, grouping, the pencil and line tools are also covered. The document serves as a tutorial for basic graphic design workflows in the three Adobe applications.
This document provides an overview of key concepts for using Adobe InDesign CC including: creating and formatting text frames; placing and formatting images; vector drawing tools; layers and object stacking; color controls; and printing files. Key topics covered include frame geometry, selection tools, transforming and aligning objects, working with vector paths, grouping objects, and fitting images within frames. The document also distinguishes between raster and vector image types as well as resolution terminology.
This document provides instructions for various tasks in Adobe Illustrator CC including creating a letterfold brochure with multiple artboards, placing and managing raster images, importing and formatting text, using type styles and character styles, checking spelling, and creating PDF presets and packaging files. It discusses setting up documents with folding geometry, marks, and bleeds and explains how to place images while maintaining effective resolution and link or embed files. Methods for finding and replacing fonts and formatting hidden characters are also outlined.
The document discusses graphic design portfolio projects involving Adobe Photoshop, Illustrator, and InDesign. It covers topics like creating music CD artwork, managing layers, selecting images, and saving files for print. It also discusses vector graphics, raster images, resolution, the history panel, rulers and guides, cropping tools, compositing layers, and layer basics.
This document provides an overview of key functions and tools in Adobe InDesign, Illustrator, and Photoshop CC for graphic design projects. It discusses how to set up documents, place images and text, transform and arrange objects, work with layers, apply colors and styles, and print files. The document also explains functions for creating frames, vectors, and groups, as well as aligning, fitting, and formatting content.
This document provides an overview of key functions and tools in Adobe InDesign, Illustrator, and Photoshop CC for graphic design projects. It discusses how to set up documents with proper geometry, rulers, and guides. It also covers how to create and format frames, text, and images; transform, arrange, group, and align objects; work with layers; apply colors, strokes and fills; and print files. The goal is to introduce basic skills for laying out and preparing graphic design projects.
The document discusses the user interfaces of Adobe InDesign, Illustrator, and Photoshop CC. It describes the panels, tools, document views, and screen modes available in each program. These include panels like Tools and Pages, tools like Zoom and Hand, views like Rotate Spread View, and screen modes like Full Screen with Menu and Standard Screen Mode. The document also covers how to open, place, and close files in InDesign as well as previews and screen modes in Illustrator.
The document discusses the user interfaces of Adobe InDesign, Illustrator, and Photoshop CC. It describes the panels, tools, document views, and screen modes available in each program. These include panels like Tools and Pages, navigation tools like Hand and Zoom, viewing files through tabs and percentages, and full screen versus standard screen modes. The interfaces are customizable through workspaces and shortcuts to optimize workflows.
The document discusses various tools and techniques for graphic design projects in Adobe InDesign, Illustrator, and Photoshop, including working with gradient meshes, type, and multiple artboards. It provides instructions for using tools like the mesh tool, eyedropper tool, and artboard tool, and covers formatting type, converting it to outlines, setting up page geometry, placing and printing files across multiple artboards.
The document discusses various tools and techniques for graphic design projects in Adobe InDesign, Illustrator, and Photoshop, including working with gradient meshes, outline mode, the eyedropper tool, appearance panel, point type, type formatting, converting type to outlines, using multiple artboards, spot colors, page geometry, placing files, and printing files. It provides instructions for using various tools and options related to these techniques.
The document discusses various tools and techniques for graphic design projects in Adobe InDesign, Illustrator, and Photoshop, including working with gradient meshes, type, and multiple artboards. It provides instructions for using tools like the mesh tool, eyedropper tool, and artboard tool, and covers formatting type, converting it to outlines, setting up page geometry, placing and printing files across multiple artboards.
The document discusses various techniques for correcting and enhancing digital images in Adobe Photoshop, including removing grain, healing imperfections with tools like the Spot Healing Brush, filling areas with Content-Aware Fill, adjusting lighting and colors using tools like Levels and Curves, correcting images for print by converting color modes and managing color profiles, and working with high dynamic range images.
Project 1 Campground Icons-IllustratorJerry Arnold
The document discusses various topics in Adobe Illustrator CC including vector graphics vs raster images, creating and saving documents, using shape and selection tools, transforming objects, working with layers and grouping, and drawing techniques like using the pencil and line segment tools. Smart guides, rulers, templates, and the fill and stroke panels are also covered. The document provides information on the basic tools and functions for working on projects in Adobe Illustrator CC.
The document discusses various tools and techniques in Adobe Photoshop CC including creating and manipulating layers, working with text and type, content-aware scaling and moving tools, blur gallery effects, 3D modeling workspace, and saving layer comps. Key topics covered are creating and defining new files, foreground and background color selection, formatting and styling type, rasterizing and converting type, locking layers, and the 3D modeling vocabulary and tools.
This document discusses various tools and techniques for graphic design projects using Adobe CC software like Illustrator and Photoshop. It covers topics like creating and editing vector paths, pasting and arranging objects, using tools like the shape builder and blob brush, working with color modes and swatches, applying gradients, and combining shapes using the pathfinder panel. The final section discusses exporting and saving files as PDF.
This document discusses various tools and techniques for graphic design projects using Adobe CC software like Illustrator and Photoshop. It covers topics like creating and editing vector paths, pasting and arranging objects, using tools like the shape builder and blob brush, working with color modes and swatches, applying gradients, and combining shapes using the pathfinder panel. The final section discusses exporting and saving files as PDF.
This document provides instructions for creating a dimensional looking sphere in Photoshop using gradient tools and layer styles. The steps include:
1) Adding horizontal and vertical guides to center a new layer.
2) Drawing an elliptical selection using the guides and modifier keys to create a perfect circle.
3) Setting the foreground and background colors and choosing a radial gradient with multiple color stops to mimic the shading of a sphere.
4) Applying a drop shadow layer style to further enhance the three-dimensional appearance.
This document provides an overview of key functions for working with templates, styles, tables, and preflighting and packaging jobs in Adobe InDesign, Illustrator, and Photoshop CC. It discusses topics such as opening template files, managing missing fonts and images, using the Links panel, applying paragraph and character styles, importing Excel and Word files, setting up tables, preflighting a document to check for errors, and packaging a job for output.
The document discusses various tools and techniques in Adobe InDesign CC including importing and formatting text, working with color models and swatches, hiding and locking objects, using gradients, clipping paths, effects, threading type frames, exporting to PDF, and flattening transparency for print output. It provides information on projects, graphics, color management, layers, type formatting, anchored objects, baseline grids, and exporting options.
This document provides an overview of tools and functions for creating vector graphics in Adobe Illustrator. It discusses the different types of digital artwork like vector, raster, and line art. It then covers topics like creating and saving documents, using shape tools to draw basic shapes, applying fills and strokes, transforming and arranging objects using tools like Free Transform and align panel, using layers and sublayers to organize artwork, and grouping multiple objects. The document serves as a beginner tutorial for learning the basic Illustrator interface and tools for graphic design projects.
This document discusses basic graphic design and illustration tools in Adobe CC programs like InDesign, Illustrator, and Photoshop. It covers topics such as vector vs raster images, creating and saving documents, using shape and selection tools, transforming objects, working with layers and grouping, and drawing techniques like lines and pencil tools. The goal is to provide an overview of fundamental skills for graphic design projects and portfolios.
This document provides an overview of various tools and functions in Adobe Photoshop, Illustrator, and InDesign. It discusses vector and raster graphics, and how to create and save documents. It also describes how to use shape, selection, alignment and transformation tools to draw and manipulate objects. Layers, grouping, the pencil and line tools are also covered. The document serves as a tutorial for basic graphic design workflows in the three Adobe applications.
This document provides an overview of key concepts for using Adobe InDesign CC including: creating and formatting text frames; placing and formatting images; vector drawing tools; layers and object stacking; color controls; and printing files. Key topics covered include frame geometry, selection tools, transforming and aligning objects, working with vector paths, grouping objects, and fitting images within frames. The document also distinguishes between raster and vector image types as well as resolution terminology.
This document provides instructions for various tasks in Adobe Illustrator CC including creating a letterfold brochure with multiple artboards, placing and managing raster images, importing and formatting text, using type styles and character styles, checking spelling, and creating PDF presets and packaging files. It discusses setting up documents with folding geometry, marks, and bleeds and explains how to place images while maintaining effective resolution and link or embed files. Methods for finding and replacing fonts and formatting hidden characters are also outlined.
The document discusses graphic design portfolio projects involving Adobe Photoshop, Illustrator, and InDesign. It covers topics like creating music CD artwork, managing layers, selecting images, and saving files for print. It also discusses vector graphics, raster images, resolution, the history panel, rulers and guides, cropping tools, compositing layers, and layer basics.
This document provides an overview of key functions and tools in Adobe InDesign, Illustrator, and Photoshop CC for graphic design projects. It discusses how to set up documents, place images and text, transform and arrange objects, work with layers, apply colors and styles, and print files. The document also explains functions for creating frames, vectors, and groups, as well as aligning, fitting, and formatting content.
This document provides an overview of key functions and tools in Adobe InDesign, Illustrator, and Photoshop CC for graphic design projects. It discusses how to set up documents with proper geometry, rulers, and guides. It also covers how to create and format frames, text, and images; transform, arrange, group, and align objects; work with layers; apply colors, strokes and fills; and print files. The goal is to introduce basic skills for laying out and preparing graphic design projects.
The document discusses the user interfaces of Adobe InDesign, Illustrator, and Photoshop CC. It describes the panels, tools, document views, and screen modes available in each program. These include panels like Tools and Pages, tools like Zoom and Hand, views like Rotate Spread View, and screen modes like Full Screen with Menu and Standard Screen Mode. The document also covers how to open, place, and close files in InDesign as well as previews and screen modes in Illustrator.
The document discusses the user interfaces of Adobe InDesign, Illustrator, and Photoshop CC. It describes the panels, tools, document views, and screen modes available in each program. These include panels like Tools and Pages, navigation tools like Hand and Zoom, viewing files through tabs and percentages, and full screen versus standard screen modes. The interfaces are customizable through workspaces and shortcuts to optimize workflows.
The document discusses various tools and techniques for graphic design projects in Adobe InDesign, Illustrator, and Photoshop, including working with gradient meshes, type, and multiple artboards. It provides instructions for using tools like the mesh tool, eyedropper tool, and artboard tool, and covers formatting type, converting it to outlines, setting up page geometry, placing and printing files across multiple artboards.
The document discusses various tools and techniques for graphic design projects in Adobe InDesign, Illustrator, and Photoshop, including working with gradient meshes, outline mode, the eyedropper tool, appearance panel, point type, type formatting, converting type to outlines, using multiple artboards, spot colors, page geometry, placing files, and printing files. It provides instructions for using various tools and options related to these techniques.
The document discusses various tools and techniques for graphic design projects in Adobe InDesign, Illustrator, and Photoshop, including working with gradient meshes, type, and multiple artboards. It provides instructions for using tools like the mesh tool, eyedropper tool, and artboard tool, and covers formatting type, converting it to outlines, setting up page geometry, placing and printing files across multiple artboards.
The document discusses various techniques for correcting and enhancing digital images in Adobe Photoshop, including removing grain, healing imperfections with tools like the Spot Healing Brush, filling areas with Content-Aware Fill, adjusting lighting and colors using tools like Levels and Curves, correcting images for print by converting color modes and managing color profiles, and working with high dynamic range images.
Project 1 Campground Icons-IllustratorJerry Arnold
The document discusses various topics in Adobe Illustrator CC including vector graphics vs raster images, creating and saving documents, using shape and selection tools, transforming objects, working with layers and grouping, and drawing techniques like using the pencil and line segment tools. Smart guides, rulers, templates, and the fill and stroke panels are also covered. The document provides information on the basic tools and functions for working on projects in Adobe Illustrator CC.
The document discusses various tools and techniques in Adobe Photoshop CC including creating and manipulating layers, working with text and type, content-aware scaling and moving tools, blur gallery effects, 3D modeling workspace, and saving layer comps. Key topics covered are creating and defining new files, foreground and background color selection, formatting and styling type, rasterizing and converting type, locking layers, and the 3D modeling vocabulary and tools.
This document discusses various tools and techniques for graphic design projects using Adobe CC software like Illustrator and Photoshop. It covers topics like creating and editing vector paths, pasting and arranging objects, using tools like the shape builder and blob brush, working with color modes and swatches, applying gradients, and combining shapes using the pathfinder panel. The final section discusses exporting and saving files as PDF.
This document discusses various tools and techniques for graphic design projects using Adobe CC software like Illustrator and Photoshop. It covers topics like creating and editing vector paths, pasting and arranging objects, using tools like the shape builder and blob brush, working with color modes and swatches, applying gradients, and combining shapes using the pathfinder panel. The final section discusses exporting and saving files as PDF.
This document provides instructions for creating a dimensional looking sphere in Photoshop using gradient tools and layer styles. The steps include:
1) Adding horizontal and vertical guides to center a new layer.
2) Drawing an elliptical selection using the guides and modifier keys to create a perfect circle.
3) Setting the foreground and background colors and choosing a radial gradient with multiple color stops to mimic the shading of a sphere.
4) Applying a drop shadow layer style to further enhance the three-dimensional appearance.
This document provides instructions for creating a gradient background in Photoshop using the gradient tool. It describes setting the foreground and background colors to dark blue and black. A radial gradient is dragged from the center to the right edge of the document. A new layer is filled with white and the Clouds filter is applied, then the layer mode is set to Multiply. Finally, noise is added at 20% to soften the artificial look of the background.
- In InDesign, images can be placed into rectangle frames that represent the size of the image. The image will initially appear at its actual size which may be larger than the frame.
- To improve image quality for preview, go to View > Display Performance > High Quality Display. This will make the image sharper without affecting how it prints.
- Adjusting the frame size only crops the image; the image content itself does not move or resize. Clicking the "Fit Content Proportionally" button fits the image within the frame without cropping.
The document discusses the basic shapes tool in Illustrator - the rectangle and ellipse tools. It explains how to create rectangles and ellipses using these tools, and how to modify the shapes by using modifier keys to draw perfect squares and circles. It also discusses how to set the size, change colors, adjust stroke weight and opacity, rotate objects, and select and modify anchor points and dimensions. The overall focus is on learning the basic functions of the rectangle and ellipse tools to create and modify simple shapes in Illustrator.
The document discusses the workspace elements in Creative Cloud applications like Illustrator, InDesign, and Photoshop. It explains that the default workspace contains common elements like the application bar, panels, tools, document window, and status bar. Users can customize workspaces and save multiple configurations for different tasks. The tools panel is one of the most important elements as it contains tools for creating and editing files. While the tools available vary between applications, the core tools are similar across Illustrator, InDesign, and Photoshop.
This document provides an overview of the Digital Imaging III course. The course advances students' graphic design skills using Adobe Illustrator, Photoshop, and InDesign. Students will learn to combine typography and images, and will develop portfolio projects from concept to final design. The course requires prerequisites, and students will master communication of ideas through graphic design. They will learn software tools and principles to create strong graphic designs for exhibition and publication. Students will complete assignments, quizzes, and develop a portfolio demonstrating their skills.
The document provides instructions for creating a new file in Photoshop by summarizing the options presented when clicking "Create New" such as setting the document size, orientation, color mode, and background color. It explains that the preset sizes include common print sizes like letter and legal. It also recommends setting the unit of measurement to inches and describes the color modes of RGB for digital work and CMYK for print.
The document provides instructions for creating a new document in Adobe InDesign and describes the various options and settings available when doing so. It explains how to restore default preferences, discusses the interface when starting a new document including preset sizes and templates, and goes through each section for setting up a new document such as dimensions, orientation, margins, bleed, and slug. It concludes by explaining that clicking "Create" will generate the new blank document file.
Creating an Illustrator document for VCP118-2Jerry Arnold
The document provides instructions for creating a new file in Adobe Illustrator. It describes the various options that appear when starting a new file, including selecting between templates or a blank document, choosing a page size and orientation, setting the number of artboards and bleed settings. It also explains the different color modes of RGB for digital/screen and CMYK for print, and provides recommendations for raster effect and document resolution settings based on intended use.
VCP 118-2 First class introduction informationJerry Arnold
VCP 118-2 is a digital imaging course that meets from 6:30-9:20pm on Wednesdays in room 114 of the Arts & Science building. The course advances graphic design skills using Adobe Illustrator, Photoshop, and InDesign. Students will combine typography and images, learn real-world skills, and develop portfolio pieces from concept to final design. Students must have passed VCP117, complete 90 hours of coursework over 13 weeks, and master communication, aesthetics, project development, and materials/processes using industry software and standards. The course aims to build graphic design skills and create a portfolio demonstrating technical and aesthetic competence.
This document provides information about the VCP 118-2 course being offered from January 30 to April 10, 2019 in Room 114 of the Arts & Science Building. The course focuses on combining typography and images using Adobe Illustrator, Photoshop, and InDesign. Students will further develop portfolio projects that demonstrate design principles and skills for graphic design careers. The course involves lectures, labs, homework and projects to help students master industry software and processes. Student work will be assessed through assignments, quizzes, and portfolio pieces suitable for exhibition.
This document discusses various techniques for graphic design projects in Adobe CC software including Photoshop, Illustrator, and InDesign. It covers resizing and resampling images, creating vector shapes and paths, applying styles, effects, and filters, and developing custom artistic backgrounds. Specific topics include vector tools, clipping masks, built-in styles, layer styles, filters like Liquify, the Eyedropper tool, Gradient tool, Paint Bucket tool, blending modes, and printing considerations.
The document discusses graphic design concepts like compositing images, managing layers, and creating complex selections in Adobe Photoshop. It covers topics such as different file formats, resolution, making selections using various tools, transforming and masking layers, and preparing Photoshop files for print output.
This document discusses various techniques for graphic design projects in Adobe CC software, including resizing and resampling images, creating vector shapes and paths, applying styles, effects, and filters, and developing custom artistic backgrounds. It provides information on vector tools, clipping masks, built-in styles, layer styles, filters, the eyedropper tool, gradient tool, paint bucket tool, blending modes, and printing.
The document discusses various techniques for compositing images and artwork in Photoshop such as managing layers, creating complex selections, and saving files for print. It covers topics like vector graphics versus raster images, resolution, opening and cropping images, transforming and masking layers, and output file formats.
Rethinking Kållered │ From Big Box to a Reuse Hub: A Transformation Journey ...SirmaDuztepeliler
"Rethinking Kållered │ From Big Box to a Reuse Hub: A Transformation Journey Toward Sustainability"
The booklet of my master’s thesis at the Department of Architecture and Civil Engineering at Chalmers University of Technology. (Gothenburg, Sweden)
This thesis explores the transformation of the vacated (2023) IKEA store in Kållered, Sweden, into a "Reuse Hub" addressing various user types. The project aims to create a model for circular and sustainable economic practices that promote resource efficiency, waste reduction, and a shift in societal overconsumption patterns.
Reuse, though crucial in the circular economy, is one of the least studied areas. Most materials with reuse potential, especially in the construction sector, are recycled (downcycled), causing a greater loss of resources and energy. My project addresses barriers to reuse, such as difficult access to materials, storage, and logistics issues.
Aims:
• Enhancing Access to Reclaimed Materials: Creating a hub for reclaimed construction materials for both institutional and individual needs.
• Promoting Circular Economy: Showcasing the potential and variety of reusable materials and how they can drive a circular economy.
• Fostering Community Engagement: Developing spaces for social interaction around reuse-focused stores and workshops.
• Raising Awareness: Transforming a former consumerist symbol into a center for circular practices.
Highlights:
• The project emphasizes cross-sector collaboration with producers and wholesalers to repurpose surplus materials before they enter the recycling phase.
• This project can serve as a prototype for reusing many idle commercial buildings in different scales and sizes.
• The findings indicate that transforming large vacant properties can support sustainable practices and present an economically attractive business model with high social returns at the same time.
• It highlights the potential of how sustainable practices in the construction sector can drive societal change.
My Fashion PPT is my presentation on fashion and TrendssMedhaRana1
This Presentation is in one way a guide to master the classic trends and become a timeless beauty. This will help the beginners who are out with the motto to excel and become a Pro Fashionista, this Presentation will provide them with easy but really useful ten ways to master the art of styles. Hope This Helps.
1. Adobe CC: The Graphic Design Portfolio
Project 10:
Combined Brochure
Controlling color
for output
Working with
Linked Files
Fine-tuning Text
2. Adobe InDesign, Illustrator, & Photoshop CC: Graphic Design Portfolio
Color Management
Edit>Color Settings to
define working profiles
Embedded image profiles
– Saved in file when
created, scanned, or
photographed
– As a general rule,
don’t convert when
opening/copying
View>Proof Colors
3. Adobe InDesign, Illustrator, & Photoshop CC: Graphic Design Portfolio
Assigning Profiles
Ask When Opening
(in Color Settings
dialog box)
Open file with
– no assigned profiles
– different working
profiles
Edit>Assign Profiles
4. Adobe InDesign, Illustrator, & Photoshop CC: Graphic Design Portfolio
Place options
Show Import Options
– Different options for different file types
Replace Selected Item
– Not loaded into Place cursor if an object is selected
– Loaded into Place cursor if no object is selected
6. Adobe InDesign, Illustrator, & Photoshop CC: Graphic Design Portfolio
Placing JPEG Files
Same options as
TIFF format
Not preferred for
print applications
7. Adobe InDesign, Illustrator, & Photoshop CC: Graphic Design Portfolio
Placing InDesign Files
Same options as
PDF format
Warning of missing/
modified images in
placed file
13. Adobe InDesign, Illustrator, & Photoshop CC: Graphic Design Portfolio
Searching Text
Edit>Find/Change
Search text
Use special characters
Use formatting attributes
Search specific parts of
a specific document
15. Adobe InDesign, Illustrator, & Photoshop CC: Graphic Design Portfolio
Editing the Dictionary
Edit>Spelling>
Dictionary
Add to default user
dictionary or
file-specific dictionary
Case sensitivity:
– HeartSmart
– heartsmart
16. Adobe InDesign, Illustrator, & Photoshop CC: Graphic Design Portfolio
Checking Spelling
Edit>Spelling submenu
Review suspects:
– Skip
– Ignore All
– Type in Change To field
– Select in Suggested
Corrections field
– Add to user dictionary
18. Adobe InDesign, Illustrator, & Photoshop CC: Graphic Design Portfolio
Color-Managed PDF Files
Output settings
Color management
applied
Same options
in Print:Color
Management
dialog box
Editor's Notes
Designing for print requires a basic understanding of the print production process, including how design elements are converted from what you see on your monitor to what you see on paper. This project explores both input and output issues that can turn even the most aesthetically pleasing layout into a printed disaster.
In InDesign, applied color management means defining working profiles for the various color models.
•The working RGB profile tells InDesign how you are seeing the color you work with on the screen.
•The working CMYK profile tells InDesign how the ultimate output process will create color.
This information is vital for InDesign to effectively manage the conversion from one space to another, whether temporarily displaying it on your monitor or when converting RGB to CMYK when the file is output.
The Proof Colors option in the View menu applies color management in InDesign’s design environment, allowing you to preview the conversion from a file’s color space to the working output profile. When this option is active, the on-screen preview shows you how colors (including out-of-gamut colors) will appear once converted to the defined output profile.
Remember, these previewing capabilities are only reliable if you are using an accurately calibrated monitor.
The defined color settings automatically apply to any new file you create. However, those settings do not automatically apply to existing files.
If you check the Ask When Opening option in the Color Settings dialog box, you have to determine what to do if you open a file that does not have defined profiles, or has different profiles than what you have defined as your working profiles.
You can also change the assigned working profiles for an open file by choosing Edit>Assign Profiles.
The options at the bottom of the Place dialog box can be very useful for controlling exactly what is placed, and where in the layout it is placed.
When the Show Import Options box is checked, clicking Place opens an Import Options dialog box for the selected type of image file.
The Replace Selected Item option means that the file you select will be placed into the same space as the selected object in the layout — replacing the previous content in the frame. The new placed file is automatically scaled as necessary to have the same dimensions as the replaced content.
If nothing is selected when you place a file using the Replace Selected Item option, the file is simply loaded into the Place cursor.
It is important to understand that these options remember the last-used settings. In other words, once you check the Show Import Options box (for example), it stays checked until you turn it off.
The TIFF format is commonly used for raster images — photographs, scans, images created directly in Photoshop, and so on. These files can be one-color (bitmap or monochrome), grayscale, or continuous-tone images.
InDesign allows the same Image and Color options for TIFF files as for native Photoshop files.
Although the TIFF format does support multiple layers, you can’t affect the visibility of those layers from InDesign. If you want to access the individual image layers in the layout, you should save and place the file in the native PSD format.
The JPEG format is commonly used for raster images, especially images that come from consumer-level digital cameras. Originally used for Web applications only, the JPEG format is now supported by most commercial print-design applications (including InDesign).
The JPEG format can be problematic, especially in print jobs, because it applies a lossy compression scheme to reduce the image file size. If a high-resolution JPEG file was saved with a high level of compression, you might notice blockiness or other artifacts (flaws) in the printed image. If you must use JPEG files in your work, save them with the lowest compression possible.
Options for a JPEG file are the same as for a TIFF file.
In addition to different image formats, you can also place one InDesign layout directly into another InDesign file.
Options for placing an InDesign file are the same as those for placing a PDF file. You can determine which page is placed (if the file contains more than one page), which layers are visible (if the file has more than one layer), and the specific file dimensions (bounding box) to use when the file is placed.
Placed InDesign pages are managed as individual objects in the file where they are placed.
As you know, image links need to be present and up to date for a file to output properly. Images placed in nested InDesign layouts are still links, so the link requirements apply in those files. If you place a file with missing or modified images, a warning appears when you place the file, and in the Links panel. You can expand the placed InDesign file in the panel to show the links inside the nested file.
When you place a native Photoshop file (with the extension “.psd”), you can control the visibility of Photoshop layers and layer comps, as well as access embedded paths and Alpha channels in the placed file. If a Photoshop file includes spot-color channels, the spot colors are added to the InDesign Swatches panel.
In the Image options, you can activate a clipping path or Alpha channel that has been stored in the file. (After the file has been placed, you can always choose Object>Clipping Path>Options to implement these options.)
In the Color options, the Profile menu defaults to the stored image profile. If the file was saved without an embedded profile, the menu defaults to Use Document Default.
An embedded image profile tells InDesign how the capturing device defined color when a photo was created. As a general rule, you should not change the embedded image profile. Instead, maintain embedded image profiles so that InDesign can correctly translate the colors in the image to the colors in your defined working profiles.
In the Layers options, you can determine which layers in the Photoshop file will be visible in the placed image. After the file is placed, you can also change the visible image layers by choosing Object>Object Layer Options.
The Update Link Options are the same as those in the Place PDF dialog box.
The Edit Original button at the bottom of the Links panel opens the selected file in its native application. When you save the file and return to the InDesign layout, the placed file is automatically updated.
If you change a placed file without using the Edit Original option, the Links panel shows a Modified icon. In this case, you have to manually update the link.
Unfortunately, the native application is not always what you would expect, especially if you are opening files created on a different operating system than what you are using.
To avoid opening a file in the wrong application, you can also use the Edit With submenu in the object’s contextual menu. This submenu lists all applications that can be used to open the file; if any application shows [Default], that would be the application used by the Edit Original option.
The Separations Preview panel makes it easy to see what spot colors are used, and where in the layout they appear. When Separations is selected in the View menu, all separations in the file are listed in the panel.
You can turn individual separations on and off to preview the different ink separations that will be created.
Once you have determined whether a specific spot color should be used for a particular job, you can make whatever changes are necessary to fix unwanted spot colors.
You might be able to edit swatch options to convert spot colors to process, or you might have to open a placed file (a logo created in Illustrator, for example) and make the conversion within the placed file.
Important note: Be careful when changing spot colors to process. One reason for using spot colors is to reproduce colors that are outside the CMYK gamut; when spot colors are converted to their nearest possible CMYK equivalents, some (possibly drastic) color shift will occur.
In many cases, multiple users collaborate on a single document — designers, editors, content providers, and clients all go back and forth throughout the design process. Each person in the process will request changes, from changing the highlight color in a document to rewriting the copy to fit in a defined space.
Because the words in a design are a vital part of the client’s message, tracking text changes throughout the process can be useful to make sure that all changes are accurate and approved before the job is finalized.
The Track Changes feature can be activated to monitor text editing during development. This allows multiple users to edit the text without permanently altering that text until the changes have been reviewed and approved or rejected.
Displaying tracked changes in the layout would make it impossible to fit copy and accurately format the text in a layout. To avoid this confusion, changes are tracked in a special utility called the Story Editor, which more closely resembles a word-processor screen.
The Story Editor opens in a separate window, showing only the current story. (A story in InDesign is the entire body of text in a single frame or string of linked frames.)
You can control the appearance of different tracked changes using the Preferences dialog box.
While the Story Editor is open, you can use the Track Changes panel (Window>Editorial>Track Changes) to review individual changes one at a time; accept or reject all changes in a particular story; or accept or reject all changes in the entire document.
Note: Accepting all changes without reviewing them essentially defeats the purpose of tracking changes. In a real-world workflow — and especially if more than one person has been working on the same document — you should be sure to carefully review all tracked changes before finalizing the job.
You will often need to search for and replace specific elements in a layout — a word, a phrase, a formatting attribute, or even a specific kind of object. The Find/Change dialog box allows you to easily locate exactly what you need, whether your layout is two pages or two hundred. For this brochure, you can use the Find/Change dialog box to correct the client’s typing errors.
When the insertion point is placed, you can choose to search the entire Document, All [open] Documents, only the active Story, or only text following the insertion point in the selected story (To End of Story). If the insertion point is not currently placed, you can only choose to search the active Document or All Documents.
The menus to the right of the Find What and Change To fields are used to place common special characters in the fields. When you choose a special character in the menu, the code for that character is entered in the field. (A list of possible special characters appears on Page 599.)
The Find/Change dialog box has a number of options for narrowing or extending a search beyond the basic options. The buttons below the Search menu are toggles for specific types of searches. All of these options are explained in detail on Page 597.
When More Options are visible in the Find/Change dialog box, you can find and replace specific formatting attributes of the selected text.
Clicking the button for the Find Format field opens the Find Format Settings dialog box; the same button for the Change Format field opens the Change Format Settings dialog box. You can search for and replace any combination of character formatting options that can be applied in the layout.
It’s a good idea to clear these formatting choices as soon as you’re done with them. If you leave them in place, your next search will only find the Find What text with the selected formatting.
You can also find and replace object formatting attributes by clicking the Object tab. When you search objects, you can search the current document, all documents, or the current selection. You can also limit your search to specific kinds of frames, or search all frames. You can find and change any formatting attributes that can be applied to a frame.
Note: Elements of placed Illustrator, EPS, and PDF files are not affected by the Find/Change function. Placed InDesign files are only affected by the search if those files are also open when you initiate the search, and if you specified All Documents in the Search menu.
Misspellings and typos creep into virtually every job despite numerous rounds of content proofs. These errors can ruin an otherwise perfect print job.
InDesign checks spelling based on the defined language dictionary, which you can change in the Dictionary pane of the Preferences dialog box.
When you check spelling, you are likely to find words that, although spelled correctly, are not in the selected dictionary. Proper names, scientific terms, corporate trademarks, and other custom words are commonly flagged even though they are correct. Rather than flagging these terms every time you recheck spelling, you can add them to a custom user dictionary so InDesign will recognize them as correct.
By default, the user dictionary is associated with all documents. You can define custom words for a specific file using the Target menu in the Dictionary dialog box; when you change the user dictionary for a specific file, words you add for that file will still be flagged in other files.
If Case Sensitive is not checked, InDesign would not distinguish between BLVD (which is correct) and Blvd (which is incorrect).
As soon as you open the Check Spelling dialog box, the first flagged word is highlighted in the layout; the same word appears in the Not in Dictionary field.
You can type directly in the Change To field to make the correction, or click an option in the Suggested Corrections. Clicking Change or Change All replaces the flagged word with the active contents of the Change To field.
Important note: Never simply click Change when checking spelling. Review each flagged word carefully and make the correct choices within the context of the layout.
Clicking Skip moves to the next flagged word without adding the word to the user dictionary.
If you click Ignore All, the word is added to a special list in the user dictionary so it will not be flagged again.
When you click Add, the word is added to the default user dictionary. You can also click the Dictionary button to open the Dictionary dialog box, where you can use the Target menu to add the word only to the selected file’s dictionary.
The Check Spelling function only interacts with nested files if those files are already open and the All Documents option is selected in the Search menu.
InDesign checks spelling based on the defined language dictionary. In addition to misspellings, however, InDesign also identifies repeated words (such as “the the”), uncapitalized words, and uncapitalized sentences. These options can be turned off in the Spelling pane of the Preferences dialog box.
You can turn on dynamic spelling (Edit>Spelling>Dynamic Spelling) to underline potential spelling and capitalization errors in a document without opening the Check Spelling dialog box. You can use the Spelling pane of the Preferences dialog box to assign a different-color underline for each of the four potential problems.
If you type directly into InDesign, you can turn on the Autocorrect feature (Edit>Spelling>Autocorrect) to correct misspelled words as you type. Of course, automatic corrections are not always correct; software can’t always select the correct word within the context of the layout, and it might produce some very strange results for words that are not in the active dictionary (technical or corporate terms, for example).
To avoid the potential for fixing “errors” that are not really errors, you can define what misspellings to replace and what spelling should replace those specific errors. In the Autocorrect pane of the Preferences dialog box, you can click Add to define a specific misspelling, as well as the correct spelling to use. The Autocorrect List is maintained for the specified language dictionary.
When you export a file to PDF, you can use the Output options in the Export Adobe PDF dialog box to determine how colors are managed in the resulting PDF file.
In the Color Conversion menu:
•No Color Conversion maintains all color data (including placed images) in its current space.
•Convert to Destination converts colors to the profile selected in the Destination menu.
•Convert to Destination (Preserve Numbers) converts colors to the destination profile if the applied profile does not match the defined destination profile. Objects without color profiles are not converted.
The Destination menu, which defaults to the active destination working space, defines the gamut for the output device that will be used. (Refer back to the beginning of this project if you need to brush up on the concept of profiles.)
Color information in the file (and placed images) is converted to the selected Destination profile. Spot-color information is preserved.
The Profile Inclusion Policy menu determines whether color profiles are embedded in the resulting PDF file. (Different options are available, depending on what you selected in the Color Conversion menu.)