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Continuity editing allows film clips to run longer, giving audiences a fuller understanding of scenes by keeping footage continuous without breaks. Montage editing cuts together short clips to show different aspects of a film quickly, allowing viewers to identify elements in a short time. This technique is commonly used in trailers. Establishing shots use long or extreme long shots to establish settings, locations, and characters. Shot reverse shot edits between two shots, showing one character's perspective then the other's in that scene. The 180-degree rule states that successive shots should not cross 180 degrees to keep the line of vision natural. The 30-degree rule ensures successive angles do not exceed 30 degrees to maintain space between characters.
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media additional editing
Through overlapping editing, a film producer can make shots last longer than in real life to emphasize important scenes and give the audience more viewing time. This creates the effect that the shot is important. Graphic match editing connects shots with similar themes across time and space to portray reality in one frame and a character's aspirations in another, showing creativity across genres. Sources for additional information on editing techniques can be found online.
media additional editing
Overlapping editing allows film producers to extend shots longer than in real life, creating the effect that the shot is important and emphasizes it for the audience. Graphic match is a creative editing technique that can portray reality in one frame and a character's aspiration in another, similar frame. It separates shots with a similar theme across time and space.
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Evaluation Question 3: Combination
How do my 3 products connect? How are they a recognisable brand?
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The document outlines the roles and responsibilities for each member of a film production team. Faiza will be the production designer and makeup designer. Bavleen will be the producer, property manager, and director of cinematography. Jeet will be the editor, sound producer, and costume designer. Indiana will be the film director, storyboard animator, and casting director. Each role is described briefly along with the qualifications or experience of each team member that makes them well-suited for the role.
Research- Trailer
Trailers are short clips used to generate interest in upcoming films. They aim to capture audience attention and create anticipation through dramatic images and sounds over 3 acts: (1) introducing the context and characters, (2) establishing problems and climax, (3) highlighting key moments and stars. Trailers use transitions like fades and cuts, shots like close-ups, and non-diegetic sounds to set mood and imply drama. The goal is to attract large audiences and profit for film distributors.
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Film and video editing techniques template 2014 v2
In Harry Potter, the shots are generally temporally continuous through the use of matching on action. Some key ways the films create temporal continuity include:
- Cutting between shots at logical pause points in the action/dialogue to flow seamlessly from one moment to the next. For example, cutting from a wide shot of characters talking to a close-up as one finishes their line.
- Matching eye lines and gestures between shots to imply two shots are happening simultaneously or immediately consecutively. For example, a character looking off screen in one shot then cutting to what they are looking at.
- Using shot/reverse shot patterns in conversations to bounce between speakers, maintaining the real-time flow of the exchange.
Film and video editing techniques template 2014 v2
This document provides an overview of film and video editing techniques. It begins with definitions of film editing and examples of early film editing approaches. It then discusses the concept of montage and juxtaposition, listing different types of cuts/edits and their uses. The document also covers the four relationships between shots - graphic, rhythmic, temporal, and spatial. Specific techniques like continuity editing, cross-cutting, point-of-view shots, and ellipses are defined and examples provided. Finally, the concept of "intensified continuity" is introduced to explain how continuity editing has evolved over time.
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media additional editing
Through overlapping editing, a film producer can make shots last longer than in real life to emphasize important scenes and give the audience more viewing time. This creates the effect that the shot is important. Graphic match editing connects shots with similar themes across time and space to portray reality in one frame and a character's aspirations in another, showing creativity across genres. Sources for additional information on editing techniques can be found online.
media additional editing
Overlapping editing allows film producers to extend shots longer than in real life, creating the effect that the shot is important and emphasizes it for the audience. Graphic match is a creative editing technique that can portray reality in one frame and a character's aspiration in another, similar frame. It separates shots with a similar theme across time and space.
Evaluation Question 3: Combination
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How do my 3 products connect? How are they a recognisable brand?
Production Roles- Faiza Wasim
The document outlines the roles and responsibilities for each member of a film production team. Faiza will be the production designer and makeup designer. Bavleen will be the producer, property manager, and director of cinematography. Jeet will be the editor, sound producer, and costume designer. Indiana will be the film director, storyboard animator, and casting director. Each role is described briefly along with the qualifications or experience of each team member that makes them well-suited for the role.
Research- Trailer
Trailers are short clips used to generate interest in upcoming films. They aim to capture audience attention and create anticipation through dramatic images and sounds over 3 acts: (1) introducing the context and characters, (2) establishing problems and climax, (3) highlighting key moments and stars. Trailers use transitions like fades and cuts, shots like close-ups, and non-diegetic sounds to set mood and imply drama. The goal is to attract large audiences and profit for film distributors.
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Film and video editing techniques template 2014 v2
In Harry Potter, the shots are generally temporally continuous through the use of matching on action. Some key ways the films create temporal continuity include:
- Cutting between shots at logical pause points in the action/dialogue to flow seamlessly from one moment to the next. For example, cutting from a wide shot of characters talking to a close-up as one finishes their line.
- Matching eye lines and gestures between shots to imply two shots are happening simultaneously or immediately consecutively. For example, a character looking off screen in one shot then cutting to what they are looking at.
- Using shot/reverse shot patterns in conversations to bounce between speakers, maintaining the real-time flow of the exchange.
Film and video editing techniques template 2014 v2
This document provides an overview of film and video editing techniques. It begins with definitions of film editing and examples of early film editing approaches. It then discusses the concept of montage and juxtaposition, listing different types of cuts/edits and their uses. The document also covers the four relationships between shots - graphic, rhythmic, temporal, and spatial. Specific techniques like continuity editing, cross-cutting, point-of-view shots, and ellipses are defined and examples provided. Finally, the concept of "intensified continuity" is introduced to explain how continuity editing has evolved over time.
Edititng techniques
This document outlines various editing techniques used in filmmaking to direct audience attention and maintain continuity. Continuity editing combines shots into a coherent narrative sequence across time and location. The eyeline match ensures characters appear to look at each other. The 180-degree rule orients the audience by keeping the camera on the same side of an imaginary line between characters. Ellipses remove unnecessary footage to streamline the narrative. Non-continuity editing disrupts spatial and temporal continuity to draw attention to editing.
Continuity editing
Continuity editing refers to techniques used in film and television to maintain a clear and coherent narrative through seamless editing. It establishes spatial relationships and prevents confusion by following rules like the 180-degree rule for camera placement and shot/reverse-shot patterns. Maintaining continuity is important for an undetected edit and smooth storyline comprehension. Key techniques include establishing shots, match cuts, and eyeline matches to subtly embed edits while preserving the flow and understanding of a scene.
180 rules and continuity editing
The 180-degree rule states that the camera should remain on the same side of an imaginary line drawn between characters during a scene to maintain spatial continuity. Breaking this rule can confuse audiences as it disorients their understanding of where characters are in relation to each other. Continuity editing aims to smoothly transition between shots through techniques like matching actions, diegetic sound, and establishing shots to logically connect scenes and prevent viewer disorientation. Common techniques include ellipses to imply breaks in time, diegetic sound to overlap shots, and matching actions to maintain temporal continuity across cuts.
Glossary
This document provides descriptions of various film editing techniques, including seamless editing, continuity editing, motivated shots, montage, jump cutting, parallel editing/cross cutting, the 180 degree rule, splicing, transitions, cutaways, point-of-view shots, shot reverse shot, providing and withholding information, editing rhythm, and cutting to the soundtrack. For each technique, a brief explanation is given of what the technique is and what purpose or effect it has on the audience.
Editing
Editing involves combining visual and audio material through techniques like cuts, transitions, and shot sequencing to present narratives, ideas, and tell stories. Proper editing follows conventions like the 180-degree rule, shot-reverse-shot pattern, and match cuts to clearly convey relationships between characters and scenes. By strategically employing techniques such as parallel editing, motivated edits, and manipulating time and space, editors craft meaning and influence audience understanding of media.
The Development and Techniques of Editing
Editing involves combining shots and footage to tell a story or present an idea through techniques like cuts, transitions, and following conventions such as the 180 degree rule and shot-reverse-shot patterns; the style and pace of editing depends on the genre and intended meaning or message. Proper planning during shooting can make editing easier by providing coverage from different angles that can seamlessly follow the action.
Edit techniques
Editing is a key technical part of filmmaking that involves selecting shots and arranging them to tell a story. It transforms raw footage into a polished film. Some common editing techniques include match cuts, overlapping action, graphic matches, standard cuts, and montages. Match cuts and overlapping action smoothy transition between shots or extend the duration of an action for emphasis. Graphic matches thematically connect shots separated by time and space. Standard cuts are basic transitions while montages signify the passage of time through quick cuts, often set to music. Together, these techniques are fundamental to crafting a professional, coherent film.
Question no 7
The document discusses several basic filmmaking techniques:
1) Matching on action is an editing technique where shots are cut together during actions to enhance continuity.
2) The 180 degree rule ensures filming looks realistic by keeping characters on the same left-right side to avoid confusion.
3) Shot reverse shot is used in conversations, alternating between what characters see and their reverse angles, relating to the 180 degree rule.
Editing for film
Editing is used to make motion pictures flow coherently between scenes and enhance visual effects. There are typically three stages of editing: rough cut, director's cut, and final cut. Editing techniques like shot reverse shot and the 180-degree rule help generate meaning and keep narratives coherent by facilitating the audience's understanding of characters' perspectives and spatial relationships. Timing, continuity, and invisible editing are important aspects of constructing suspense and maintaining realism in films.
Editing
Editing is the process of organizing film shots into a narrative sequence. Films are typically not shot in chronological order, so editing is necessary to piece the story back together. There are various editing techniques like continuity, montage, shot-reverse-shot, and transitions that can be used to clearly convey space, time, and meaning to the audience. Effective editing ensures the narrative is coherent and engages the viewer in the intended way.
Assignment
Film editing involves selecting shots from raw footage and combining them into a finished motion picture. Early developments included in-camera editing by Alfred Hitchcock and following the action with moving camera shots. The purposes of film editing include telling stories through techniques like continuity, engaging viewers, managing pace, and following genre conventions. Key editing techniques include seamless cuts, continuity, motivated shots, montages, and transitions between scenes.
Final assign22f
Film editing is the process of assembling shots into a coherent narrative. An editor shapes the raw film material and reorders shots to tell a specific story and elicit emotive responses from audiences. Effective editing makes the construction of the film seem "invisible" and engages viewers in the story. Editing has evolved greatly from its early origins, utilizing techniques like shot variation, manipulation of time, and different editing styles to immerse audiences in cinematic worlds.
Editing as an Art Form- Style and StoryClass RequirementsThis .docx
Editing as an Art Form- Style and Story
Class Requirements
This class requires that students purchase the book Adobe Premiere Pro CC: Classroom In a Book by Adobe Creative Team (Official training workbook from Adobe Systems) prior to the next class. BE SURE YOU HAVE THE BOOK AND HAVE INSTALLED THE VIDEO FILES BEFORE YOU START UNIT 3.
Once you have your book, transfer (download) the video files. If you buy the regular version of the book it will include a DVD containing the video files you will need for the course. If you purchase the Kindle (or other online) version, it will include a link to download the video files.
NOTE: If you are downloading the video asset files rather than transferring them from the DvD included with the paperback version of the book, you will need to register your book online, go to the Registered Products tab, click on Access Bonus Content, and then download all the files. The current version has a download link for Lesson Files as well as sixteen (16) Assets file links - or possibly more, since they seem to keep adding assets files! You need to download all of these and then organize them on your hard drive as indicated on the Peachpit Downloads Page! (Yes, it's probably a lot simpler if you buy the book and just copy everything from the DvD disc -- the files on the DvD are already organized, so if transferring from the DvD there is no additional file organization step needed.)
You should also take this week to buy and install the Adobe Premiere Pro Software if you have not already done so. You may want to go ahead and install and open the program in order to familiarize yourself with the interface. More information can be found on the syllabus.
Next week’s class will introduce the editing basics of the software. Take this week to download and install the software and copy (/download) the media files so that your computer is already prepared when you begin Unit 3 next week!
Editing Tools
The process of editing has changed drastically since the beginning of filmmaking. The example films discussed in Unit 1 were edited using quite a different system than we use today. Before digital filmmaking was possible, all movies were shot on film. The film was literally cut into pieces and taped back together. So at one time it was very important to be sure of an edit before it was made. Each individual edit was a process and therefore a specific choice.
With the advent of digital editing platforms, or Non Linear Editing Systems (NLE), it is now much easier for editors to make an endless amount of changes to a film and always be able to revert back to the original clips. It is very easy to take for granted the incredible ability that non linear editing offers filmmakers today. But it is important to understand the changes that have occurred within the editing industry in order to more accurately analyze films from a variety of time periods.
As mentioned above, in this class we will be editing with Adobe Premiere Pro. With th.
21 a film editing
The document discusses various film editing techniques such as continuity editing, non-continuity editing, match cuts, flash cuts, and cross-cutting. It provides examples of how these techniques are used in different genres like horror, comedy, and drama to fulfill purposes such as building tension, eliciting laughs, or focusing audience attention. Historic editing innovations are also outlined, from the early one-shot films to advances like elliptical editing and the jump cut. Overall, the document examines how editing techniques are applied to tell stories and convey meaning effectively.
Continuity editing
Continuity editing refers to techniques used to create a sense of spatial and temporal coherence in films. There are two main categories - temporal continuity, which maintains a logical flow of time, and spatial continuity, which provides a clear physical narrative space. Specific techniques like match cuts, establishing shots, and eye line matches help preserve continuity and prevent disorienting the viewer. Ellipses, fades, and flashbacks can be used to convey temporal discontinuities like the passage of time.
180 Rule
The 180° rule in filmmaking states that shots should only be filmed within a 180° range to prevent disorienting viewers. This technique maintains continuity by keeping characters on the same side of the frame. Shot-reverse-shot can be used to show other elements while following the 180° rule by cutting between the character and what they are looking at. Match cuts and matching actions between shots also aid continuity by creating a seamless transition between scenes.
Editing
Film editing is an important part of post-production that assembles raw footage into a coherent story. The editor works closely with the director to construct scenes through various shots that follow conventions like the 180-degree rule. This helps the audience understand spatial relationships. Transitions like cuts, fades, and dissolves affect the pace and mood. For example, in the battle scene from "Hot Fuzz", the editor builds tension by extending the duration through crosscutting between characters in different locations. Continuity editing, such as shot-reverse-shot, allows the audience to follow the conversation between characters.
Continuity presentation
The 180 degree rule refers to an imaginary line across a scene that should not be crossed by the camera, as it can disorient viewers. Match on match cuts ensure no time has passed between shots from different angles showing the same action. Shot-reverse-shot is the standard way to film a conversation between two people, alternating between each participant's point of view to avoid tedious long takes. Continuity editing aims to make a scene appear seamless through following conventions like the 180 degree rule and match cuts, allowing the audience to infer what occurs between shots.
Technique
This document discusses various film editing techniques, providing definitions and examples of each. It covers techniques like continuity editing, motivated cutting, montage, jump cuts, parallel editing/cross-cutting, the 180 degree rule, splicing, transitions, cutaways, point-of-view shots, shot reverse shot, providing and withholding information, editing rhythm, and cutting to soundtrack. For each technique, it explains what it is and when it would be used, and provides a film example and YouTube link to illustrate the technique and its effect on the audience.
Continuity editing presentation
Continuity editing helps ensure a consistent and smooth flow between shots through various techniques. This includes shot reverse shot which cuts between two characters facing each other to imply a conversation, establishing shots which set the scene location at the start of a scene, and the 180 degree rule which keeps the camera on the same side of an imaginary line between subjects to maintain continuity. Matching on action cuts from a wide shot to a close-up of the same action to show it in more detail.
Relate theory to vlogging
The document discusses theories relating to vlogging and how it challenges Andrew Keen's theory that web 2.0 devalues media expertise. David Gauntlett's theory that web 2.0 allows more creativity and connectivity is examined in relation to vlogging. Examples are provided about how popular vloggers like KSI have found success, demonstrating vlogging can be a career. While Keen argues web 2.0 threatens traditional media, vlogging shows large media businesses using YouTube successfully. Gauntlett's theory is supported by statistics showing YouTube's widespread use and the connectivity it provides users globally.
Lighting
Three point lighting refers to key lighting, fill lighting, and back lighting used in film production. Key lighting is the brightest light that aims at the main subject. Fill lighting reduces shadows created by the key light. Back lighting separates the subject from the background. There are different types of lighting like high key lighting which uses more fill light and creates brighter images, and low key lighting which uses less fill light and creates darker images with more shadows. Lighting techniques like backlighting, top lighting, and under lighting can be used to draw attention to certain objects or characters and create different moods like fear.
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Edititng techniques
This document outlines various editing techniques used in filmmaking to direct audience attention and maintain continuity. Continuity editing combines shots into a coherent narrative sequence across time and location. The eyeline match ensures characters appear to look at each other. The 180-degree rule orients the audience by keeping the camera on the same side of an imaginary line between characters. Ellipses remove unnecessary footage to streamline the narrative. Non-continuity editing disrupts spatial and temporal continuity to draw attention to editing.
Continuity editing
Continuity editing refers to techniques used in film and television to maintain a clear and coherent narrative through seamless editing. It establishes spatial relationships and prevents confusion by following rules like the 180-degree rule for camera placement and shot/reverse-shot patterns. Maintaining continuity is important for an undetected edit and smooth storyline comprehension. Key techniques include establishing shots, match cuts, and eyeline matches to subtly embed edits while preserving the flow and understanding of a scene.
180 rules and continuity editing
The 180-degree rule states that the camera should remain on the same side of an imaginary line drawn between characters during a scene to maintain spatial continuity. Breaking this rule can confuse audiences as it disorients their understanding of where characters are in relation to each other. Continuity editing aims to smoothly transition between shots through techniques like matching actions, diegetic sound, and establishing shots to logically connect scenes and prevent viewer disorientation. Common techniques include ellipses to imply breaks in time, diegetic sound to overlap shots, and matching actions to maintain temporal continuity across cuts.
Glossary
This document provides descriptions of various film editing techniques, including seamless editing, continuity editing, motivated shots, montage, jump cutting, parallel editing/cross cutting, the 180 degree rule, splicing, transitions, cutaways, point-of-view shots, shot reverse shot, providing and withholding information, editing rhythm, and cutting to the soundtrack. For each technique, a brief explanation is given of what the technique is and what purpose or effect it has on the audience.
Editing
Editing involves combining visual and audio material through techniques like cuts, transitions, and shot sequencing to present narratives, ideas, and tell stories. Proper editing follows conventions like the 180-degree rule, shot-reverse-shot pattern, and match cuts to clearly convey relationships between characters and scenes. By strategically employing techniques such as parallel editing, motivated edits, and manipulating time and space, editors craft meaning and influence audience understanding of media.
The Development and Techniques of Editing
Editing involves combining shots and footage to tell a story or present an idea through techniques like cuts, transitions, and following conventions such as the 180 degree rule and shot-reverse-shot patterns; the style and pace of editing depends on the genre and intended meaning or message. Proper planning during shooting can make editing easier by providing coverage from different angles that can seamlessly follow the action.
Edit techniques
Editing is a key technical part of filmmaking that involves selecting shots and arranging them to tell a story. It transforms raw footage into a polished film. Some common editing techniques include match cuts, overlapping action, graphic matches, standard cuts, and montages. Match cuts and overlapping action smoothy transition between shots or extend the duration of an action for emphasis. Graphic matches thematically connect shots separated by time and space. Standard cuts are basic transitions while montages signify the passage of time through quick cuts, often set to music. Together, these techniques are fundamental to crafting a professional, coherent film.
Question no 7
The document discusses several basic filmmaking techniques:
1) Matching on action is an editing technique where shots are cut together during actions to enhance continuity.
2) The 180 degree rule ensures filming looks realistic by keeping characters on the same left-right side to avoid confusion.
3) Shot reverse shot is used in conversations, alternating between what characters see and their reverse angles, relating to the 180 degree rule.
Editing for film
Editing is used to make motion pictures flow coherently between scenes and enhance visual effects. There are typically three stages of editing: rough cut, director's cut, and final cut. Editing techniques like shot reverse shot and the 180-degree rule help generate meaning and keep narratives coherent by facilitating the audience's understanding of characters' perspectives and spatial relationships. Timing, continuity, and invisible editing are important aspects of constructing suspense and maintaining realism in films.
Editing
Editing is the process of organizing film shots into a narrative sequence. Films are typically not shot in chronological order, so editing is necessary to piece the story back together. There are various editing techniques like continuity, montage, shot-reverse-shot, and transitions that can be used to clearly convey space, time, and meaning to the audience. Effective editing ensures the narrative is coherent and engages the viewer in the intended way.
Assignment
Film editing involves selecting shots from raw footage and combining them into a finished motion picture. Early developments included in-camera editing by Alfred Hitchcock and following the action with moving camera shots. The purposes of film editing include telling stories through techniques like continuity, engaging viewers, managing pace, and following genre conventions. Key editing techniques include seamless cuts, continuity, motivated shots, montages, and transitions between scenes.
Final assign22f
Film editing is the process of assembling shots into a coherent narrative. An editor shapes the raw film material and reorders shots to tell a specific story and elicit emotive responses from audiences. Effective editing makes the construction of the film seem "invisible" and engages viewers in the story. Editing has evolved greatly from its early origins, utilizing techniques like shot variation, manipulation of time, and different editing styles to immerse audiences in cinematic worlds.
Editing as an Art Form- Style and StoryClass RequirementsThis .docx
Editing as an Art Form- Style and Story
Class Requirements
This class requires that students purchase the book Adobe Premiere Pro CC: Classroom In a Book by Adobe Creative Team (Official training workbook from Adobe Systems) prior to the next class. BE SURE YOU HAVE THE BOOK AND HAVE INSTALLED THE VIDEO FILES BEFORE YOU START UNIT 3.
Once you have your book, transfer (download) the video files. If you buy the regular version of the book it will include a DVD containing the video files you will need for the course. If you purchase the Kindle (or other online) version, it will include a link to download the video files.
NOTE: If you are downloading the video asset files rather than transferring them from the DvD included with the paperback version of the book, you will need to register your book online, go to the Registered Products tab, click on Access Bonus Content, and then download all the files. The current version has a download link for Lesson Files as well as sixteen (16) Assets file links - or possibly more, since they seem to keep adding assets files! You need to download all of these and then organize them on your hard drive as indicated on the Peachpit Downloads Page! (Yes, it's probably a lot simpler if you buy the book and just copy everything from the DvD disc -- the files on the DvD are already organized, so if transferring from the DvD there is no additional file organization step needed.)
You should also take this week to buy and install the Adobe Premiere Pro Software if you have not already done so. You may want to go ahead and install and open the program in order to familiarize yourself with the interface. More information can be found on the syllabus.
Next week’s class will introduce the editing basics of the software. Take this week to download and install the software and copy (/download) the media files so that your computer is already prepared when you begin Unit 3 next week!
Editing Tools
The process of editing has changed drastically since the beginning of filmmaking. The example films discussed in Unit 1 were edited using quite a different system than we use today. Before digital filmmaking was possible, all movies were shot on film. The film was literally cut into pieces and taped back together. So at one time it was very important to be sure of an edit before it was made. Each individual edit was a process and therefore a specific choice.
With the advent of digital editing platforms, or Non Linear Editing Systems (NLE), it is now much easier for editors to make an endless amount of changes to a film and always be able to revert back to the original clips. It is very easy to take for granted the incredible ability that non linear editing offers filmmakers today. But it is important to understand the changes that have occurred within the editing industry in order to more accurately analyze films from a variety of time periods.
As mentioned above, in this class we will be editing with Adobe Premiere Pro. With th.
21 a film editing
The document discusses various film editing techniques such as continuity editing, non-continuity editing, match cuts, flash cuts, and cross-cutting. It provides examples of how these techniques are used in different genres like horror, comedy, and drama to fulfill purposes such as building tension, eliciting laughs, or focusing audience attention. Historic editing innovations are also outlined, from the early one-shot films to advances like elliptical editing and the jump cut. Overall, the document examines how editing techniques are applied to tell stories and convey meaning effectively.
Continuity editing
Continuity editing refers to techniques used to create a sense of spatial and temporal coherence in films. There are two main categories - temporal continuity, which maintains a logical flow of time, and spatial continuity, which provides a clear physical narrative space. Specific techniques like match cuts, establishing shots, and eye line matches help preserve continuity and prevent disorienting the viewer. Ellipses, fades, and flashbacks can be used to convey temporal discontinuities like the passage of time.
180 Rule
The 180° rule in filmmaking states that shots should only be filmed within a 180° range to prevent disorienting viewers. This technique maintains continuity by keeping characters on the same side of the frame. Shot-reverse-shot can be used to show other elements while following the 180° rule by cutting between the character and what they are looking at. Match cuts and matching actions between shots also aid continuity by creating a seamless transition between scenes.
Editing
Film editing is an important part of post-production that assembles raw footage into a coherent story. The editor works closely with the director to construct scenes through various shots that follow conventions like the 180-degree rule. This helps the audience understand spatial relationships. Transitions like cuts, fades, and dissolves affect the pace and mood. For example, in the battle scene from "Hot Fuzz", the editor builds tension by extending the duration through crosscutting between characters in different locations. Continuity editing, such as shot-reverse-shot, allows the audience to follow the conversation between characters.
Continuity presentation
The 180 degree rule refers to an imaginary line across a scene that should not be crossed by the camera, as it can disorient viewers. Match on match cuts ensure no time has passed between shots from different angles showing the same action. Shot-reverse-shot is the standard way to film a conversation between two people, alternating between each participant's point of view to avoid tedious long takes. Continuity editing aims to make a scene appear seamless through following conventions like the 180 degree rule and match cuts, allowing the audience to infer what occurs between shots.
Technique
This document discusses various film editing techniques, providing definitions and examples of each. It covers techniques like continuity editing, motivated cutting, montage, jump cuts, parallel editing/cross-cutting, the 180 degree rule, splicing, transitions, cutaways, point-of-view shots, shot reverse shot, providing and withholding information, editing rhythm, and cutting to soundtrack. For each technique, it explains what it is and when it would be used, and provides a film example and YouTube link to illustrate the technique and its effect on the audience.
Continuity editing presentation
Continuity editing helps ensure a consistent and smooth flow between shots through various techniques. This includes shot reverse shot which cuts between two characters facing each other to imply a conversation, establishing shots which set the scene location at the start of a scene, and the 180 degree rule which keeps the camera on the same side of an imaginary line between subjects to maintain continuity. Matching on action cuts from a wide shot to a close-up of the same action to show it in more detail.
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The document discusses theories relating to vlogging and how it challenges Andrew Keen's theory that web 2.0 devalues media expertise. David Gauntlett's theory that web 2.0 allows more creativity and connectivity is examined in relation to vlogging. Examples are provided about how popular vloggers like KSI have found success, demonstrating vlogging can be a career. While Keen argues web 2.0 threatens traditional media, vlogging shows large media businesses using YouTube successfully. Gauntlett's theory is supported by statistics showing YouTube's widespread use and the connectivity it provides users globally.
Lighting
Three point lighting refers to key lighting, fill lighting, and back lighting used in film production. Key lighting is the brightest light that aims at the main subject. Fill lighting reduces shadows created by the key light. Back lighting separates the subject from the background. There are different types of lighting like high key lighting which uses more fill light and creates brighter images, and low key lighting which uses less fill light and creates darker images with more shadows. Lighting techniques like backlighting, top lighting, and under lighting can be used to draw attention to certain objects or characters and create different moods like fear.
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George is the main character who is represented through the document as responsible, clever, hardworking, persistent, confident and optimistic. Screenshots provide visual representations of George being hardworking, a student, clever, and optimistic based on mise-en-scene clues like folders, a laptop, colored cups, and setting of a dorm room. The document analyzes how the screenshots depict George as hardworking through focused study materials and as a student through dorm room props.
Exam revision q1a digital technology essay
Over the course of a two-year media studies course, the student learned important skills for filming, editing, and designing media projects. In the first year, the student gained basic skills like operating a camera, editing footage, and using software through preliminary tasks. These skills were applied to subsequent projects, including an opening sequence that required various shot types and advanced editing. In the second year, the student took on new challenges like designing a magazine cover and movie poster using Photoshop. Experience capturing footage with a DSLR and editing projects in Final Cut Pro allowed the student to improve and complete a culminating crime thriller teaser trailer. Through continuous practice across various assignments, the student became proficient with different media technologies and platforms.
Media evaluation task 3
The document discusses the importance of audiences for media content like films. Without audiences, there would be no financial incentive to create new content. It also notes that target audiences for certain media content include those aged 15-30 and content may contain explicit language or violence. The document then discusses how film students screened a rough cut of a teaser trailer for feedback, and comments pointed out needed improvements in areas like sound quality. Student filmmakers used this feedback to refine their media products before final screening.
Media evaluation task 1
1) The document discusses conventions for creating a teaser trailer, poster, and magazine cover for a thriller film project. Research was done on existing thriller media to ensure conventions were properly followed.
2) Genre conventions for thriller narratives, characters, and settings are outlined. Characters often deal with mental instability, crime, and violence. Narratives involve crime, investigations, and obstacles for protagonists. Settings commonly include dark, isolated places that heighten tension.
3) Thrillers are meant to create a thrilling atmosphere and contain frightening elements making them unsuitable for young children. Subgenres like psychological thrillers incorporate more psychological aspects.
Media evaluation task2
The document discusses three media products created to promote a thriller film. All three products represent the thriller genre through their use of dark, misty backgrounds that connote mystery and fear. They also show the narrative and main character through depictions of the main character on the magazine cover and poster, establishing his importance to the story of saving his younger brother. The products are meant to represent the main character of the film, who is central to the movie's plot as it depends on his actions.
Media evaluation task 4
The document discusses the process of creating sound, recording footage, and editing for a teaser trailer. Garage Band was used to create custom sound effects. A Canon DSLR was used to record high quality footage with different tones and lighting. Final Cut Pro, Photoshop, and Illustrator were used to edit the footage, create posters, and design company logos. Key features like favoriting clips, multiple versions, noise removal, and voice alterations were utilized.
Media evaluation task 4
The document discusses the processes of creating sound, recording, and editing for a teaser trailer. Sound was created in GarageBand since desired sounds could not be found online. Recording was done using a Canon DSLR to capture quality footage. Final Cut Pro and Photoshop were used for editing clips, adding effects, and designing posters. Multiple versions were created to allow for experimentation without overwriting work.
Media Evaluation Task 4
This document discusses media evaluation tasks related to sound recording and editing. It focuses on analyzing audio components of media and reworking audio elements like adjusting levels or applying effects. The goal is to refine sound quality and balance for broadcast or distribution.
Media evaluation 3
The document discusses the importance of audiences for media content like films and music. Without audiences, there would be no financial incentive to create new content. It also mentions that the target audience for the media content discussed is ages 15-30 and includes explicit language and violence. The document then talks about receiving feedback on a rough cut of a teaser trailer from others in a class, with comments pointing out both good elements and areas needing improvement, particularly with the sound in the teaser trailer.
Media evaluation task2
The three media products all represent the thriller genre through their use of dark, misty backgrounds and serious facial expressions that convey mystery and fear. The narrative theme is shown through the main character appearing on the magazine cover and poster, representing his importance to the story of trying to save his younger brother. The products focus on accurately representing the main character through his body language, dark clothing, and facial expression as the movie centers around his actions.
Media Evaluation Task 3
All three media products - a magazine cover, movie poster, and film - suggest the same thriller genre through similar dark, mysterious backgrounds and serious facial expressions that convey fear. They also share the same narrative theme around a main character's mission to save his younger brother. This main character is prominently featured on both the magazine cover and poster to emphasize his importance to the story and appeal to the target thriller genre audience.
Media evaluation task 1
1) The document discusses conventions for advertising films using teasers, posters, and magazines. Research was done on examples like Prisoners and Inception to ensure conventions were properly used.
2) Key details that were researched for different genre representations include characters, narratives, and settings commonly seen in psychological thrillers. Examples like investigators and criminals are described.
3) Thrillers are meant to create thrills for audiences over 15. Psychological thrillers in particular involve psychological elements and focus on characters descending into madness. Settings commonly involve dark, haunted places that enhance the psychological elements.
Media trailer idents
- In teaser trailers, idents act as branding for the film's distribution company and can influence a viewer's interest in the film. For example, someone may be more inclined to watch a film distributed by Sony if they are already a fan of Sony.
- Movie idents in teaser trailers are typically animated for one or two seconds to create excitement and build atmosphere.
- Film idents usually appear at the very beginning of a trailer as one of the first things viewers see. Distribution companies that add their ident are responsible for marketing the film and providing financing.
Lighting
Three point lighting refers to key lighting, fill lighting, and back lighting used in film production. Key lighting is the brightest light that aims at the main subject. Fill lighting reduces shadows created by the key light. Back lighting separates the subject from the background. There are different types of lighting like high key lighting which uses more fill light and creates brighter images, and low key lighting which uses less fill light and creates darker images with more shadows. Lighting techniques like backlighting, top lighting, and under lighting can be used to draw attention to certain objects or characters and create different moods like fear.
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Presentation4
- 2. Continuity Editing Continuity editing is one of the more common forms of editing that is used when creating films. Continuity editing allows clips to run on for longer periods of time allowing for the audience to get a fuller understanding of the clip. Continuity editing allows the audience to be able to get a good understanding of the setting and plot of the scene. Footage in continuity editing as is stated in the name is continuous there aren't any breaks within that particular clip.
- 3. Montage editing Montage editing is also considered to be another form of editing which is commonly used by film producers in order to create certain effects. Montage editing is when clips are put together and clips are short, the effect this has is that views will be able to see different aspects of the film in a short space of time allowing them to identify different elements that the movie has in a short period of time. This editing technique is commonly used in trailers and teaser trailers.
- 4. Editing Establishing shot Establishing shots are commonly used to make out an area and establish the setting or location as well as establishing a character. Commonly shots that are used to create this kind of effect could be long shots or extreme long shots. Shot reverse shot Typically in this form of editing two shots are adapted together. For example it could show the perceptive of one character and the reverse to the perceptive of the other character in that particular shot. 180 degree rule This is a rule that is followed by movie producers and is not commonly broken. The 180 degree rule states that no successive shots should eclipse 180 degrees, this should be done so that there is space within the shot and so that the shot appears to come across more natural. Making sure the line of vision isn't crossed is essential as it could give viewers a hard time in understanding the scene 30 degree rule The 30 degree rule states that any successive angles should not surpass the 30 degree angle. This is done to make sure that there is enough space between characters in a shot.