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Genre refers to a type or category of media works that share similar characteristics. A genre like horror contains subgenres, such as psychological thrillers. Genres allow audiences to understand conventions and predict plotlines, providing pleasure. Horror films often rely on suspension of disbelief and portraying mental illness in a believable way to elicit fear. Common horror conventions include using myths, monsters, and settings like forests to act as metaphors for death. Psychological thrillers conventionally focus on characters struggling with an unstable mental state and determining what is real.
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Genre
Genre refers to the different styles or categories of art such as films, literature, music, and photography. The genre provides expectations for the audience about the theme or subject matter of the piece. For example, people expect a horror film to scare them. The document discusses how genre helps audiences choose what type of art to consume and filmmakers determine the key aspects to include when creating a work for a particular genre, such as thrillers. It then analyzes the opening scenes of two thriller films, Shutter Island and The Silence of the Lambs, noting the use of fog, music, and isolated settings to build tension and unease for the audience.
Conventions of psychological genre
The document outlines several common codes and conventions used in psychological films. These include characters suffering from delusions or hallucinations that blur the lines between reality and fiction for both them and the audience. Costumes are also used to distinguish real characters from imagined ones. While horror elements create tension, the focus is on psychological fear rather than graphic violence. Questions of reality, identity and perception are central themes as characters and viewers struggle to determine what is real. The deterioration of the main character's mental state drives the narrative.
Semantics and syntactics
This document discusses semantic and syntactic conventions of the horror genre. Semantically, it identifies common costume elements like dark or plain clothing, as well as typical props including weapons, candles, and religious items. It also mentions common colors and character archetypes. Syntactically, it provides examples of common narrative structures, such as a woman becoming possessed or a group of teenagers being killed one by one in the woods. Overall, the document examines the visual cues and storytelling patterns that audiences expect from the horror genre.
1. in what ways does your media product use, develop or challenge forms and c...
The document discusses the process of creating a two minute opening scene for a psychological thriller film. It outlines some typical conventions for the genre, including a main character suffering from mental illness, mind games, a sense of danger and isolation, and dark settings. The student's group incorporated some of these conventions, such as portraying the main character Sonia as suffering from neglect and isolation. Their opening scene builds tension and establishes key elements without revealing too much of the overall plot, conforming to typical conventions for thriller and psychological thriller opening scenes. They subverted one convention by portraying the female character Sonia as strong rather than weak.
Genre investigation
The document discusses media genres and the horror genre in particular. It states that genres are recognized by common codes and conventions, and that audiences expect certain elements based on the genre. Producers market products according to genre since the target audience is already known. It then defines the horror genre as aiming to create fear and dread by portraying audiences' worst fears and nightmares through unsettling films. Several theories about genre are also mentioned that relate to common elements, social messages, and genre-specific conventions that define the structure of a media text.
1. in what ways does your media product use, develop or challenge forms and c...
The document discusses the process of creating a two minute opening scene for a psychological thriller film. It outlines some typical conventions for the genre including a main character with a mental illness, mind games, a sense of danger and isolation, and dark settings. The student incorporated some of these conventions like a character with a mental illness and a sense of isolation. The opening scene builds tension and establishes characters and themes without revealing too much of the plot, conforming to typical conventions. It subverts one convention by portraying the female character as strong rather than weak.
Genre Theory
Mittell argues that genres are cultural categories that exist beyond individual media texts and operate within industries, audiences, and culture. He states that industries use genres to market products to specific audiences by using familiar conventions and cultural references. Genres allow audiences to choose media texts that fulfill a particular pleasure or need. Neale disagrees with the idea that genres are static systems, arguing instead that genres evolve over time based on changing audience ideologies. Altman identifies four types of pleasures genres provide audiences: emotional, visceral, intellectual puzzles, and formal experimentation.
Detective Fiction
This document discusses the genre of detective fiction across various mediums such as film, literature, and television. It explores common elements of detective stories, including the character of the detective as either a professional or amateur, working alone or in a team. Investigations often center around solving mysteries related to a specific person, object, or crime. The genre also examines psychological themes through the portrayal of murderers with mental disorders and traumatic pasts. Across media, detective fiction blurs generic boundaries and may incorporate elements of other genres like science fiction, documentaries, comedy, horror, and thriller.
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Genre
Genre refers to the different styles or categories of art such as films, literature, music, and photography. The genre provides expectations for the audience about the theme or subject matter of the piece. For example, people expect a horror film to scare them. The document discusses how genre helps audiences choose what type of art to consume and filmmakers determine the key aspects to include when creating a work for a particular genre, such as thrillers. It then analyzes the opening scenes of two thriller films, Shutter Island and The Silence of the Lambs, noting the use of fog, music, and isolated settings to build tension and unease for the audience.
Conventions of psychological genre
The document outlines several common codes and conventions used in psychological films. These include characters suffering from delusions or hallucinations that blur the lines between reality and fiction for both them and the audience. Costumes are also used to distinguish real characters from imagined ones. While horror elements create tension, the focus is on psychological fear rather than graphic violence. Questions of reality, identity and perception are central themes as characters and viewers struggle to determine what is real. The deterioration of the main character's mental state drives the narrative.
Semantics and syntactics
This document discusses semantic and syntactic conventions of the horror genre. Semantically, it identifies common costume elements like dark or plain clothing, as well as typical props including weapons, candles, and religious items. It also mentions common colors and character archetypes. Syntactically, it provides examples of common narrative structures, such as a woman becoming possessed or a group of teenagers being killed one by one in the woods. Overall, the document examines the visual cues and storytelling patterns that audiences expect from the horror genre.
1. in what ways does your media product use, develop or challenge forms and c...
The document discusses the process of creating a two minute opening scene for a psychological thriller film. It outlines some typical conventions for the genre, including a main character suffering from mental illness, mind games, a sense of danger and isolation, and dark settings. The student's group incorporated some of these conventions, such as portraying the main character Sonia as suffering from neglect and isolation. Their opening scene builds tension and establishes key elements without revealing too much of the overall plot, conforming to typical conventions for thriller and psychological thriller opening scenes. They subverted one convention by portraying the female character Sonia as strong rather than weak.
Genre investigation
The document discusses media genres and the horror genre in particular. It states that genres are recognized by common codes and conventions, and that audiences expect certain elements based on the genre. Producers market products according to genre since the target audience is already known. It then defines the horror genre as aiming to create fear and dread by portraying audiences' worst fears and nightmares through unsettling films. Several theories about genre are also mentioned that relate to common elements, social messages, and genre-specific conventions that define the structure of a media text.
1. in what ways does your media product use, develop or challenge forms and c...
The document discusses the process of creating a two minute opening scene for a psychological thriller film. It outlines some typical conventions for the genre including a main character with a mental illness, mind games, a sense of danger and isolation, and dark settings. The student incorporated some of these conventions like a character with a mental illness and a sense of isolation. The opening scene builds tension and establishes characters and themes without revealing too much of the plot, conforming to typical conventions. It subverts one convention by portraying the female character as strong rather than weak.
Genre Theory
Mittell argues that genres are cultural categories that exist beyond individual media texts and operate within industries, audiences, and culture. He states that industries use genres to market products to specific audiences by using familiar conventions and cultural references. Genres allow audiences to choose media texts that fulfill a particular pleasure or need. Neale disagrees with the idea that genres are static systems, arguing instead that genres evolve over time based on changing audience ideologies. Altman identifies four types of pleasures genres provide audiences: emotional, visceral, intellectual puzzles, and formal experimentation.
Detective Fiction
This document discusses the genre of detective fiction across various mediums such as film, literature, and television. It explores common elements of detective stories, including the character of the detective as either a professional or amateur, working alone or in a team. Investigations often center around solving mysteries related to a specific person, object, or crime. The genre also examines psychological themes through the portrayal of murderers with mental disorders and traumatic pasts. Across media, detective fiction blurs generic boundaries and may incorporate elements of other genres like science fiction, documentaries, comedy, horror, and thriller.
Horror and mystery
This document discusses different genres of books, movies, and music. It defines genre as a type or category of creative works and provides examples of the horror and mystery genres. For horror, it notes that horror involves intense fear or shock and gives scary movies and books as examples. For mystery, it defines mystery as something difficult to understand or explain and mentions mystery is popular in books, TV shows, and films. The document also asks questions about unsolved mysteries, aliens, ghosts, the afterlife, and whether the reader believes in such things.
Question 5
The document discusses how the audience was addressed in a horror film opening sequence. It attracted the audience using typical genre conventions like narrative and suspense. Music was used to create an unnatural, scary feeling. The camera mimicked the character's heartbeat to make the audience feel their fear. It established stereotypical teenage characters to make the audience relate to them. It introduced a dilemma at the beginning through a cliffhanger ending to engage the audience and leave them with questions. Sound and editing were used to set the frightening mood and atmosphere.
Narrative theory
Narrative refers to the way events are structured and presented to an audience, rather than just being a sequence of events themselves. When analyzing a narrative, we examine how the story is constructed, not just the story content. All media texts use narrative, whether they are long or short forms. Narrative theory is important for defining the horror genre, as Noel Carroll's "Philosophy of Horror" identifies a traditional 3-part structure for horror films including an onset phase introducing a monster, a discovery phase where characters find the monster, and a disruption phase where characters destroy the monster and restore normality.
Evaluation question 5
The document discusses how the filmmakers addressed their target audience of late teens to young adults in their thriller film. They included gory and disturbing elements like torture and blood to appeal to this age group. They also included a teenage victim to make the story more relatable. Current fashion trends and technology like smartphones were featured to match what teenagers are interested in. Point-of-view shots and close ups of the victim were used to elicit fear and sympathy from viewers. Suspense was created through ominous music, decreasing light, and an ambiguous killer's mask. The film ends on a cliffhanger to encourage viewers to continue watching.
Film posters
The document discusses themes and conventions in film posters for different genres:
- Posters aim to capture the imagination through graphic design and various themes. Common layouts and the use of technology were also learned.
- Comedies often feature ironic poses suggesting chaos or contrasts between main characters.
- Horror posters effectively convey darkness and mystery through themes of holes and faces that imply screaming or unseen threats.
- Action films frequently utilize black and white with fire imagery in the center to immediately give a sense of carnage and chaos.
Survey
The document is a technical survey that asked questions about film genres and conventions to help plan a psychological horror film targeted at teenage females. Respondents preferred psychological horror and crime/thriller genres. They expected dark themes, scary sounds and characters in the opening scenes. They enjoyed thought-provoking plots and being messed with psychologically. The survey results will influence how the film establishes its genre, setting and characters to effectively target this audience.
Burton’s genre theory
Burton's Genre Theory analyzes elements of horror movies like protagonists, stock characters, plot, icons, setting, and themes. The author provides examples analyzing these elements from trailers for The Ring 2, Freddy vs. Jason, Curfew, The Ring 2, and Apollo 18. The analysis found many similarities showing Burton's Theory effectively captures common elements of the horror genre. Understanding this theory will help the author create an effective horror movie trailer that incorporates standard genre elements.
Psychological thrillers as a genre
Psychological thrillers emphasize the unstable psychology of characters. They incorporate elements of mystery, drama, and horror to explore themes of perception, identity, and the nature of reality. Characters often struggle to determine what is real, understand their purpose, and discover their true selves while facing threats to their existence.
This image has the features of a horror film
This image uses several techniques common in horror films to build suspense and tension. It features dark, natural lighting that obscures details and emotions, creating an unsettling close-up headshot of a girl in an isolated setting. The downward camera angle makes her seem smaller and vulnerable, reminiscent of typical horror film victims. These visual elements leave the audience unsure of her surroundings and wanting to find out what might happen next.
Evaluation 1
The document discusses how a media product uses conventions of the horror/thriller genre. It chose this genre after audience research found it would be popular. Horror conventions included isolated locations, disguises/weapons as props, a killer and victim, and non-diegetic sound. For thrillers, it added suspense/mystery to keep the audience engaged. The film employed these by leaving the mystery of why the stalker kidnapped the girl. It also took inspiration from openings of films like Candyman and Psycho to inform its own opening sequence.
Inglourious basterds worksheet
Inglourious Basterds is a war film set during World War 2 that explores how audiences emotionally respond to characters like Hitler given the social context of his atrocities. The genre as a revenge fantasy invites audiences to dislike the Nazi villains and sympathize with the heroic Basterds, while the film's cinematography, editing, mise-en-scene, and performances are designed to elicit an emotional engagement with the characters and their situations.
Manchester 03 06_2010
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The document discusses the genre of horror films and the subgenre of psychological horror. It provides definitions of both genres and notes that psychological horror relies more on character fears and mental instability to build tension rather than graphic violence. It also lists some common elements of both genres, such as antagonists, protagonists, sound design techniques, and storyline structures.
Saw poster analysis
The poster has a simple design with a grey and white color scheme, featuring a bruised and bloody hand against a tiled floor, implying a hospital setting. This graphic image suggests violence and horror, showing only the victim's tortured hand rather than their face, leaving the viewer to imagine what could have happened. By revealing little about the story or characters, the poster intrigues audiences and sets the tone for the first film in the Saw franchise without giving away plot details.
Evaluation 1
The document discusses how the media product "The Revenge" uses conventions of the thriller genre. It provides examples of how the film creates emotional effects, builds suspense around an unknown character to make the audience question who they are and their motives, and includes a McGuffin in the form of a CD that drives the plot but is ultimately less important than the character relationships and mystery. These conventions were inspired by films like Psycho and North by Northwest.
Genre Investigation
The document discusses genre in media texts such as film, music and literature. Genre is a way to categorize media based on its content and style in order to help audiences understand and identify different types of media they may enjoy. Common genres include comedy, crime, animation, sci-fi, romance, horror and thriller. Theorists like Culler, Ryall and Hartley see genre as providing a framework that establishes expectations for creators and audiences and can limit a text's meaning potential. Genre conventions in horror films typically include isolated settings, dark lighting, villains and a structure where the victim faces a killer who eliminates others until a climactic confrontation.
Question 1
Our film opening, titled "Hallowed Ground", aims to fit within the genre of psychological horror through following several conventions of the genre. We chose an unusual but creepy font for the title similar to films like Insidious. The credits are overlapped with the opening scene, another convention seen in films such as Insidious and Paranormal Activity. The antagonist is portrayed as a female killer with potential psychological problems driving her actions, emulating films with troubled female protagonists like The Ring. Rather than focusing on graphic violence, the film aims to achieve psychological scares without extensive blood and gore that could detract from the sophisticated audience the film seeks.
Verisimilitude & diegesis
The document discusses the concepts of verisimilitude and diegesis in storytelling and film. Verisimilitude refers to how close a fictional story or theory is to the truth, and the appropriate level of realism for different genres. Diegesis describes a style of narrative where the audience experiences the story world through the perspective of characters within it. The document examines how filmmakers use verisimilitude to make genres like musicals and science fiction feel truthful while ignoring realism, and how certain genres rely more on cultural accuracy than others.
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The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms for those who already suffer from conditions like anxiety and depression.
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Horror and mystery
This document discusses different genres of books, movies, and music. It defines genre as a type or category of creative works and provides examples of the horror and mystery genres. For horror, it notes that horror involves intense fear or shock and gives scary movies and books as examples. For mystery, it defines mystery as something difficult to understand or explain and mentions mystery is popular in books, TV shows, and films. The document also asks questions about unsolved mysteries, aliens, ghosts, the afterlife, and whether the reader believes in such things.
Question 5
The document discusses how the audience was addressed in a horror film opening sequence. It attracted the audience using typical genre conventions like narrative and suspense. Music was used to create an unnatural, scary feeling. The camera mimicked the character's heartbeat to make the audience feel their fear. It established stereotypical teenage characters to make the audience relate to them. It introduced a dilemma at the beginning through a cliffhanger ending to engage the audience and leave them with questions. Sound and editing were used to set the frightening mood and atmosphere.
Narrative theory
Narrative refers to the way events are structured and presented to an audience, rather than just being a sequence of events themselves. When analyzing a narrative, we examine how the story is constructed, not just the story content. All media texts use narrative, whether they are long or short forms. Narrative theory is important for defining the horror genre, as Noel Carroll's "Philosophy of Horror" identifies a traditional 3-part structure for horror films including an onset phase introducing a monster, a discovery phase where characters find the monster, and a disruption phase where characters destroy the monster and restore normality.
Evaluation question 5
The document discusses how the filmmakers addressed their target audience of late teens to young adults in their thriller film. They included gory and disturbing elements like torture and blood to appeal to this age group. They also included a teenage victim to make the story more relatable. Current fashion trends and technology like smartphones were featured to match what teenagers are interested in. Point-of-view shots and close ups of the victim were used to elicit fear and sympathy from viewers. Suspense was created through ominous music, decreasing light, and an ambiguous killer's mask. The film ends on a cliffhanger to encourage viewers to continue watching.
Film posters
The document discusses themes and conventions in film posters for different genres:
- Posters aim to capture the imagination through graphic design and various themes. Common layouts and the use of technology were also learned.
- Comedies often feature ironic poses suggesting chaos or contrasts between main characters.
- Horror posters effectively convey darkness and mystery through themes of holes and faces that imply screaming or unseen threats.
- Action films frequently utilize black and white with fire imagery in the center to immediately give a sense of carnage and chaos.
Survey
The document is a technical survey that asked questions about film genres and conventions to help plan a psychological horror film targeted at teenage females. Respondents preferred psychological horror and crime/thriller genres. They expected dark themes, scary sounds and characters in the opening scenes. They enjoyed thought-provoking plots and being messed with psychologically. The survey results will influence how the film establishes its genre, setting and characters to effectively target this audience.
Burton’s genre theory
Burton's Genre Theory analyzes elements of horror movies like protagonists, stock characters, plot, icons, setting, and themes. The author provides examples analyzing these elements from trailers for The Ring 2, Freddy vs. Jason, Curfew, The Ring 2, and Apollo 18. The analysis found many similarities showing Burton's Theory effectively captures common elements of the horror genre. Understanding this theory will help the author create an effective horror movie trailer that incorporates standard genre elements.
Psychological thrillers as a genre
Psychological thrillers emphasize the unstable psychology of characters. They incorporate elements of mystery, drama, and horror to explore themes of perception, identity, and the nature of reality. Characters often struggle to determine what is real, understand their purpose, and discover their true selves while facing threats to their existence.
This image has the features of a horror film
This image uses several techniques common in horror films to build suspense and tension. It features dark, natural lighting that obscures details and emotions, creating an unsettling close-up headshot of a girl in an isolated setting. The downward camera angle makes her seem smaller and vulnerable, reminiscent of typical horror film victims. These visual elements leave the audience unsure of her surroundings and wanting to find out what might happen next.
Evaluation 1
The document discusses how a media product uses conventions of the horror/thriller genre. It chose this genre after audience research found it would be popular. Horror conventions included isolated locations, disguises/weapons as props, a killer and victim, and non-diegetic sound. For thrillers, it added suspense/mystery to keep the audience engaged. The film employed these by leaving the mystery of why the stalker kidnapped the girl. It also took inspiration from openings of films like Candyman and Psycho to inform its own opening sequence.
Inglourious basterds worksheet
Inglourious Basterds is a war film set during World War 2 that explores how audiences emotionally respond to characters like Hitler given the social context of his atrocities. The genre as a revenge fantasy invites audiences to dislike the Nazi villains and sympathize with the heroic Basterds, while the film's cinematography, editing, mise-en-scene, and performances are designed to elicit an emotional engagement with the characters and their situations.
Manchester 03 06_2010
The document discusses research on how people used Facebook to discuss the 2009 earthquake in L'Aquila, Italy that killed over 280 people. It analyzed over 21,000 Facebook posts from the first 5 groups created about the earthquake. The analysis found 9 types of narratives, including requests for help, expressions of empathy, and personal stories. Interviews with 25 Facebook users found they joined groups after invitations from friends or searches, and posted to share feelings of solidarity, memories, or promote initiatives. The researcher proposes a model of 4 functions served by Facebook in the aftermath: (1) therapeutic for personal expression, (2) socio-affective for empathy, (3) pragmatic for coordination, and (4) memorial for re
Similar Media Works
The document discusses the genre of horror films and the subgenre of psychological horror. It provides definitions of both genres and notes that psychological horror relies more on character fears and mental instability to build tension rather than graphic violence. It also lists some common elements of both genres, such as antagonists, protagonists, sound design techniques, and storyline structures.
Saw poster analysis
The poster has a simple design with a grey and white color scheme, featuring a bruised and bloody hand against a tiled floor, implying a hospital setting. This graphic image suggests violence and horror, showing only the victim's tortured hand rather than their face, leaving the viewer to imagine what could have happened. By revealing little about the story or characters, the poster intrigues audiences and sets the tone for the first film in the Saw franchise without giving away plot details.
Evaluation 1
The document discusses how the media product "The Revenge" uses conventions of the thriller genre. It provides examples of how the film creates emotional effects, builds suspense around an unknown character to make the audience question who they are and their motives, and includes a McGuffin in the form of a CD that drives the plot but is ultimately less important than the character relationships and mystery. These conventions were inspired by films like Psycho and North by Northwest.
Genre Investigation
The document discusses genre in media texts such as film, music and literature. Genre is a way to categorize media based on its content and style in order to help audiences understand and identify different types of media they may enjoy. Common genres include comedy, crime, animation, sci-fi, romance, horror and thriller. Theorists like Culler, Ryall and Hartley see genre as providing a framework that establishes expectations for creators and audiences and can limit a text's meaning potential. Genre conventions in horror films typically include isolated settings, dark lighting, villains and a structure where the victim faces a killer who eliminates others until a climactic confrontation.
Question 1
Our film opening, titled "Hallowed Ground", aims to fit within the genre of psychological horror through following several conventions of the genre. We chose an unusual but creepy font for the title similar to films like Insidious. The credits are overlapped with the opening scene, another convention seen in films such as Insidious and Paranormal Activity. The antagonist is portrayed as a female killer with potential psychological problems driving her actions, emulating films with troubled female protagonists like The Ring. Rather than focusing on graphic violence, the film aims to achieve psychological scares without extensive blood and gore that could detract from the sophisticated audience the film seeks.
Verisimilitude & diegesis
The document discusses the concepts of verisimilitude and diegesis in storytelling and film. Verisimilitude refers to how close a fictional story or theory is to the truth, and the appropriate level of realism for different genres. Diegesis describes a style of narrative where the audience experiences the story world through the perspective of characters within it. The document examines how filmmakers use verisimilitude to make genres like musicals and science fiction feel truthful while ignoring realism, and how certain genres rely more on cultural accuracy than others.
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The document discusses conventions and codes of the psychological thriller genre. It provides definitions of psychological thriller and outlines some common themes such as reality, perception, mind, existence/purpose, obsession, and identity. It then discusses several codes and conventions used in psychological thrillers, including costume and makeup, props, running water, vast landscapes, confined spaces, and shadows. Examples are given of how each convention is used to build tension, suspense, and unease.
Genre Conventions
The document discusses different genres and subgenres of horror films. It defines horror as a genre that aims to frighten or scare audiences by inducing feelings of terror. Some common subgenres of horror discussed include psychological horror, slasher horror, zombie horror, gothic horror, and sci-fi horror. Psychological horror relies on playing on the characters' and audiences' existing fears rather than showing explicit violence or supernatural elements. Settings for psychological horror films are often places like woods, hospitals, or large houses that create a sense of realism and fear. Sounds used in psychological horror also aim to unnerve audiences rather than match what is shown on screen.
Genre convention analysis
The document discusses the analysis of horror film trailers that the author and their partner Kitty carried out. They decided they preferred conventions from the HORROR genre after analyzing trailers such as 'Woman in Black' and 'Paranormal Activity'. They chose horror as the genre for their own film trailer because there are exciting conventions to explore that can elicit fear, thrill, and excitement in audiences.
Genre conventions analysis
The document discusses the analysis of horror and psychological thriller genres carried out by the author and their partner Kitty. They watched trailers for films like "Woman in Black" and "Paranormal Activity" and decided they enjoyed conventions of the horror genre. They chose to focus their own film trailer project on horror because they thought it would be exciting to employ common horror elements and techniques to elicit fear and thrill in audiences.
Thriller
This document discusses the thriller genre, its conventions and codes, and various thriller subgenres. It explains that thrillers aim to keep audiences on the edge of their seats through tension and suspense. Key conventions include the use of flashbacks, anticipation, and a highly stressful climax. Psychological thrillers focus more on characters battling their own minds and perceptions of reality. The document also discusses media language techniques used in thrillers and how readings have informed the understanding of what defines the thriller genre.
Genre Theories
The document discusses genres in film and their conventions. It defines genre as a category of art that helps classify films into groups to indicate their content. Genres create certain moods and audiences expect certain narrative elements and story developments based on the genre. Examples are provided of common genres like comedy, horror, thriller, and romance and their typical characteristics around characters, plots, music and more. Institutions aim to appeal to audiences by sticking to genre conventions so their films are easily recognizable and understandable.
Types of horrors (sub-genre)
This document outlines several major sub-genres of horror films, including supernatural/paranormal horrors which feature ghosts, spirits, and possession; comedy horrors which spoof typical horror conventions; psychological horrors which aim to challenge viewers mentally with plot twists; slasher films featuring masked killers targeting teenagers; and body/gore horrors focusing on graphic torture. It also briefly mentions action horrors and gothic horrors involving vampires and werewolves.
Film Studies Homework
Genre is an important concept in film studies. Genres are vague categories that films can belong to or cross between based on conventions. The Western genre is closely tied to the origins of cinema itself. Genre creates expectations in audiences and conditions their responses. It allows audiences to understand what type of film they are watching and compare it to other genres. Horror films can be identified by feelings of anticipation, settings, music, camera work and how the plot evolves over time. They appeal to audiences by letting them escape real life fears and anxieties by projecting them onto the characters in the film.
Horror genre coneventions
The document discusses the conventions of the horror genre. It begins by explaining that horror films seek to elicit fear in audiences by playing on their fears. The generic plot involves an evil force that is supernatural or paranormal, or the setting itself is evil. Horror films are most popular among 16-24 year olds. The history of horror films is then discussed, noting that the first was created in 1896. Subgenres like action horror, comedy horror, and psychological horror are also outlined. Common conventions in horror films include isolated settings, characters being stalked and killed, power outages, phone lines being cut, strange noises being investigated, characters hiding where they will be found, victims falling, vehicles not starting, and weather reflecting
Thriller pres
The thriller genre became popular after the assassination of John F. Kennedy in 1963 due to the political thrillers and paranoid thrillers that explored conspiracy theories around his death. Thrillers heavily stimulate emotions like anticipation, excitement, and tension through techniques like cliffhangers and misleading clues. Common elements include investigations, kidnappings, and stalking, depending on the subgenre. The goal is to keep audiences on the "edge of their seats" and satisfy their emotions with a climactic resolution. While similar to horrors in iconography and themes, thrillers appeal to both genders but are often considered more male-oriented.
Genre research
Psychological thrillers focus on characters' unstable mental states and complex relationships. They emphasize characters relying on mental rather than physical strength as they battle for equilibrium in their own minds or prey on each other mentally. Common themes include death, loss of reality, identity struggles, and guilt. Psychological thrillers commonly use first-person narratives and ambiguity about reality to focus on characters' minds. They tend to be set in urban areas and use costumes to portray characters as fitting social norms. Cinematography, music, and iconography like knives and shadows are employed to build tension and mystery.
GENRE CONVENTIONS
This document discusses genre conventions in film, specifically for psychological horror movies. It provides details on common elements found in horror films, including iconography (masks, blood), props (weapons, candles), settings (isolated areas), narratives (being trapped), characters (serial killers, victims), and themes (death, fear). These conventions help audiences identify the genre and convey the intended mood. The document also notes that horror film audiences typically include men and young adults seeking the thrill of exploring the unknown.
SUB-GENRES POWERPOINT
This document summarizes several subgenres of horror films, including supernatural, slasher, psychological, possession, and zombie films. It provides examples for each subgenre, such as The Conjuring for supernatural horror and Scream for slasher films. The document also discusses conventions for each subgenre, like the use of children as victims in supernatural films or the "final girl" character in slashers. Finally, it states that the author's chosen subgenre for a film project is psychological horror, as they find these films most interesting and able to grip audiences through fear and tricks.
Genre conventions analysis
The document discusses the genre and conventions of psychological thriller/horror films that the student and their partner Kitty chose for their film trailer A2 production. It defines psychological horror as focusing on characters' fears and instability to build tension. It outlines common themes of reality, perception, mind, existence/purpose, and identity. It also describes generic conventions for the genre like stream of consciousness narration, first-person perspectives, backstory, common settings like isolated houses and forests, iconography like low lighting and blood, and camera techniques like jump cuts.
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4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
From Swing Music to Big Band Fame_ 5 Iconic Artists.pptx
Know about the five famous artists who have transitioned to Big Band Music from Swing Music. Here is a glimpse of their work and contributions.
Leonardo DiCaprio Super Bowl: Hollywood Meets America’s Favorite Game
Introduction
Leonardo DiCaprio is synonymous with Hollywood stardom and acclaimed performances. has a unique connection with one of America's most beloved sports events—the Super Bowl. The "Leonardo DiCaprio Super Bowl" phenomenon combines the worlds of cinema and sports. drawing attention from fans of both domains. This article delves into the multifaceted relationship between DiCaprio and the Super Bowl. exploring his appearances at the event, His involvement in Super Bowl advertisements. and his cultural impact that bridges the gap between these two massive entertainment industries.
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Leonardo DiCaprio: The Hollywood Icon
Early Life and Career Beginnings
Leonardo Wilhelm DiCaprio was born in Los Angeles, California, on November 11, 1974. His journey to stardom began at a young age with roles in television commercials and educational programs. DiCaprio's breakthrough came with his portrayal of Luke Brower in the sitcom "Growing Pains" and later as Tobias Wolff in "This Boy's Life" (1993). where he starred alongside Robert De Niro.
Rise to Stardom
DiCaprio's career skyrocketed with his performance in "What's Eating Gilbert Grape" (1993). earning him his first Academy Award nomination. He continued to gain acclaim with roles in "Romeo + Juliet" (1996) and "Titanic" (1997). the latter of which cemented his status as a global superstar. Over the years, DiCaprio has showcased his versatility in films like "The Aviator" (2004). "Start" (2010), and "The Revenant" (2015), for which he finally won an Academy Award for Best Actor.
Environmental Activism
Beyond his film career, DiCaprio is also renowned for his environmental activism. He established the Leonardo DiCaprio Foundation in 1998, focusing on global conservation efforts. His commitment to ecological issues often intersects with his public appearances. including those related to the Super Bowl.
The Super Bowl: An American Institution
History and Significance
The Super Bowl is the National Football League (NFL) championship game. is one of the most-watched sporting events in the world. First played in 1967, the Super Bowl has evolved into a cultural phenomenon. featuring high-profile halftime shows, memorable advertisements, and significant media coverage. The event attracts a diverse audience, from avid sports fans to casual viewers. making it a prime platform for celebrities to appear.
Entertainment and Advertisements
The Super Bowl is not only about football but also about entertainment. The halftime show features performances by some of the biggest names in the music industry. while the commercials are often as anticipated as the game itself. Companies invest millions in Super Bowl ads. creating iconic and sometimes controversial commercials that capture public attention.
Leonardo DiCaprio's Super Bowl Appearances
A Celebrity Among the Fans
Leonardo DiCaprio's presence at the Super Bowl has noted several times. As a high-profile celebrity. DiCaprio attracts
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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Presentation1
- 2. What is genre? Genre is a French word which means ‘type’ A genre has certain characteristics that are known and recognised by the mass audience. Media products can be placed into a type of genre by the conventions which they convey. Horror is a genre of film, but within this there are sub genres. A sub genre is a smaller category under a broad genre heading. For example: A psychological thriller is a sub genre within horror.
- 3. Genre and Audience As films fit into specific genres it allows the audience to learn the conventions of these genres to apply them to the film they are about to see. By having set genres the audience create expectations of the plot or storyline and it gives them pleasure to know that they can predict how the the film will pan out.
- 4. Genre and Audience cont… A suspension of disbelief is used in horror films, especially in psychological thrillers as they portray a story or a mental illness so well that the audience genuinely believe that everyone with that illness really acts this way. These films are made so believable that even the most far out ideas seem the ‘norm’. The audience hope that their own fears will be overcome when they go to see/watch a horror film.
- 5. Horror conventions They rely on myth and legends for the plot and themes. Monsters and Vampires are seen as a metaphor for death and illness. Settings; Forest/Woods, mental hospitals, usually quiet areas (villages/towns), warehouses Props; Knives, chainsaws, blood, dolls Music and Sounds; Creaking doors, echoes of quietness, slow/eerie music to drive the narrative and create tension
- 6. Psychological thriller conventions The characters try to determine what is real and what is not. It’s them battling a mental issues that consume their minds. The character has a different perception of the world than others, often seeking advice or seen mingling with people who think the same as them. Unstable and emotional state of a character Themes; reality, perception, mind, existence/ purpose, identity, death