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Genre Theory
Jason Mittell (2001) 
Mittell argues that genres are cultural categories 
that surpass the boundaries of media texts and 
operate within industry, audience and cultural 
practices as well. 
He states that industries use genre to sell a 
product to specific audiences. They do this by 
produces text that uses familiar codes and 
conventions that very often make cultural 
references and are relevant to todays society and 
the audiences ideologies. 
Genre allows specific audiences to make choices 
on what media texts they consume this is in order 
to fulfil a particular pleasure, for example if 
someone wanted to laugh they would watch a 
comedy film etc.
Daniel Chandler (2001) 
Chandler states that the word genre comes from the French word for ‘kind’ 
or ‘class’. This term is widely used in rhetoric, literary theory, media theory 
to refer to a distinctive type of text. 
Chandler also states that all genes that are established have sub genres and 
genres can be meshed together. 
This means that they are divided up into more specfic categories, this is so an 
audience can identify them due to their specific characteristics and they 
become familiar with the conventions of that genre.
Steve Neale (1995) 
Neale disagrees with what Chandler states and stresses that “genres are not 
‘systems’ they are processes of systematization” this means that genres 
evolve and change over time depending on the ideologies of a mass audience 
at that time. An example of this is Nosferatu (1922) and the horror genre in 
general. Nosferatu (1922) was the first appearance of Dracula in film and he 
was considered the villain of the film however over time genre has changed 
as seen by Interview with the Vampire (1994) as the vampire is seen at the 
protagonist in the film and the ‘good’ guy.
Rick Altman (1999) 
Altman argues that genre offers audiences ‘a set of pleasures’ these pleasure 
are: 
Emotional Pleasures 
These pleasures generate a strong audience response as the producer 
intended. 
Visceral Pleasures 
These pleasures are physical reactions for example a ‘gut’ response to a 
media text. This can be a feeling of revulsion and kinetic speed. 
Intellectual Puzzles 
Some media texts offer the pleasure of solving mysteries or a puzzle. 
Pleasure is from solving the plot and being surprised by the unexpected.

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Genre Theory

  • 2. Jason Mittell (2001) Mittell argues that genres are cultural categories that surpass the boundaries of media texts and operate within industry, audience and cultural practices as well. He states that industries use genre to sell a product to specific audiences. They do this by produces text that uses familiar codes and conventions that very often make cultural references and are relevant to todays society and the audiences ideologies. Genre allows specific audiences to make choices on what media texts they consume this is in order to fulfil a particular pleasure, for example if someone wanted to laugh they would watch a comedy film etc.
  • 3. Daniel Chandler (2001) Chandler states that the word genre comes from the French word for ‘kind’ or ‘class’. This term is widely used in rhetoric, literary theory, media theory to refer to a distinctive type of text. Chandler also states that all genes that are established have sub genres and genres can be meshed together. This means that they are divided up into more specfic categories, this is so an audience can identify them due to their specific characteristics and they become familiar with the conventions of that genre.
  • 4. Steve Neale (1995) Neale disagrees with what Chandler states and stresses that “genres are not ‘systems’ they are processes of systematization” this means that genres evolve and change over time depending on the ideologies of a mass audience at that time. An example of this is Nosferatu (1922) and the horror genre in general. Nosferatu (1922) was the first appearance of Dracula in film and he was considered the villain of the film however over time genre has changed as seen by Interview with the Vampire (1994) as the vampire is seen at the protagonist in the film and the ‘good’ guy.
  • 5. Rick Altman (1999) Altman argues that genre offers audiences ‘a set of pleasures’ these pleasure are: Emotional Pleasures These pleasures generate a strong audience response as the producer intended. Visceral Pleasures These pleasures are physical reactions for example a ‘gut’ response to a media text. This can be a feeling of revulsion and kinetic speed. Intellectual Puzzles Some media texts offer the pleasure of solving mysteries or a puzzle. Pleasure is from solving the plot and being surprised by the unexpected.