The document discusses research on how people used Facebook to discuss the 2009 earthquake in L'Aquila, Italy that killed over 280 people. It analyzed over 21,000 Facebook posts from the first 5 groups created about the earthquake. The analysis found 9 types of narratives, including requests for help, expressions of empathy, and personal stories. Interviews with 25 Facebook users found they joined groups after invitations from friends or searches, and posted to share feelings of solidarity, memories, or promote initiatives. The researcher proposes a model of 4 functions served by Facebook in the aftermath: (1) therapeutic for personal expression, (2) socio-affective for empathy, (3) pragmatic for coordination, and (4) memorial for re
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Assignment 1 Creative Expression for TransformationGoal Re.docxjane3dyson92312
Assignment 1: Creative Expression for Transformation
Goal: Removing barriers to transformation yourself & in other people; Feel connection to interrelated web of life; Allowing yourself to become vulnerable and comfortable with expressing your subjective truth.
You select a theme that is linked to current events addressing a process of transformation and how it is playing out in a country.
Example topic: Challenge of Syrian refugees within the larger theme of forced migration and national borders
** Please contact the instructor with your topic idea before Week 4
** This will be the same theme you use for your Human Development Report (Assignment 5). Be sure to start exploring that early since that is a larger project.
Based on examples provided and ideas shared in the class videos, you will develop a creative expression (poetry, spoken word, song, visual art piece, etc ….) that encourages the progress you feel is needed in your selected country. This is your opportunity to get creative!
Hold up.. What am I submitting?
· Appropriate format of your art piece (e.g. video, audio…)
· Written reflection for each phase- submitted as a document with labeled 3 sections. The questions are just for guidance, please feel free to write with your own flow. But take the time to critically reflect on the points we’ve raised.
Part 1. Reflection
Pre- Engagement Written Reflection (1-2 pages)
Many of our social systems have remained stagnant and resistant to the large-scale transformations needed to address the roots of our sustainability challenges. Reflect deeply on the following questions as they apply to your chosen topic.
Societal Level Transformations:
· What are the major systems at play in your case (think in the different categories of social, economic, ecological, etc…)?
· What is the desired form of transformation you’re hoping for in your case?
· What is causing the systems to stay stagnant and resistant to the type of change you feel is needed?
· What is the logic/mechanism of control of the systems in your case?
· How can we harness our creative powers to transcend limitations of the current state of the system?
· For example, capitalism has kept us fixed in the money economy… systems of trading services or subsistence farming become an act of resistance to the current system and provide an alternative.
· What is the role of complexity, uncertainty, and destruction in the process of creativity and transforming a new alternative system?
Individual Level Transformations:
· How do you relate to your case?
· Are there transformations that you believe can happen at the individual scale?
· How about the idea of “adding” and “removing” for sustainability that was discussed in the class videos?
· For example, The idea behind this is that we often get trapped in the idea of unlimited growth and development, the need to have more material progress. Rather, an alternative perspective shows that we have everything we already need .
The House of Stories is a three week project from HPI School of Design Thinking Berlin.
Is a house in the middle of Berlin with an exhibition of stories of it´s own people.
Sharing stories means not being lonely but to listen and being heard, learn and wonder.
Come incrementare i propri affari - incontro del 28 novembrealemika
Giornata di corso tenuta dal dott. Baldi presso la Casa della Psicologia. Obiettivo dell'incontro formati vo è quello di fornire le basi per un avvio operativo della propria attività
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Assignment 1 Creative Expression for TransformationGoal Re.docxjane3dyson92312
Assignment 1: Creative Expression for Transformation
Goal: Removing barriers to transformation yourself & in other people; Feel connection to interrelated web of life; Allowing yourself to become vulnerable and comfortable with expressing your subjective truth.
You select a theme that is linked to current events addressing a process of transformation and how it is playing out in a country.
Example topic: Challenge of Syrian refugees within the larger theme of forced migration and national borders
** Please contact the instructor with your topic idea before Week 4
** This will be the same theme you use for your Human Development Report (Assignment 5). Be sure to start exploring that early since that is a larger project.
Based on examples provided and ideas shared in the class videos, you will develop a creative expression (poetry, spoken word, song, visual art piece, etc ….) that encourages the progress you feel is needed in your selected country. This is your opportunity to get creative!
Hold up.. What am I submitting?
· Appropriate format of your art piece (e.g. video, audio…)
· Written reflection for each phase- submitted as a document with labeled 3 sections. The questions are just for guidance, please feel free to write with your own flow. But take the time to critically reflect on the points we’ve raised.
Part 1. Reflection
Pre- Engagement Written Reflection (1-2 pages)
Many of our social systems have remained stagnant and resistant to the large-scale transformations needed to address the roots of our sustainability challenges. Reflect deeply on the following questions as they apply to your chosen topic.
Societal Level Transformations:
· What are the major systems at play in your case (think in the different categories of social, economic, ecological, etc…)?
· What is the desired form of transformation you’re hoping for in your case?
· What is causing the systems to stay stagnant and resistant to the type of change you feel is needed?
· What is the logic/mechanism of control of the systems in your case?
· How can we harness our creative powers to transcend limitations of the current state of the system?
· For example, capitalism has kept us fixed in the money economy… systems of trading services or subsistence farming become an act of resistance to the current system and provide an alternative.
· What is the role of complexity, uncertainty, and destruction in the process of creativity and transforming a new alternative system?
Individual Level Transformations:
· How do you relate to your case?
· Are there transformations that you believe can happen at the individual scale?
· How about the idea of “adding” and “removing” for sustainability that was discussed in the class videos?
· For example, The idea behind this is that we often get trapped in the idea of unlimited growth and development, the need to have more material progress. Rather, an alternative perspective shows that we have everything we already need .
The House of Stories is a three week project from HPI School of Design Thinking Berlin.
Is a house in the middle of Berlin with an exhibition of stories of it´s own people.
Sharing stories means not being lonely but to listen and being heard, learn and wonder.
Come incrementare i propri affari - incontro del 28 novembrealemika
Giornata di corso tenuta dal dott. Baldi presso la Casa della Psicologia. Obiettivo dell'incontro formati vo è quello di fornire le basi per un avvio operativo della propria attività
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The modern software delivery process (or the CI/CD process) includes many tools, distributed teams, open-source code, and cloud platforms. Constant focus on speed to release software to market, along with the traditional slow and manual security checks has caused gaps in continuous security as an important piece in the software supply chain. Today organizations feel more susceptible to external and internal cyber threats due to the vast attack surface in their applications supply chain and the lack of end-to-end governance and risk management.
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Manchester 03 06_2010
1. AFFECTIVE FABRICS OF DIGITAL CULTURE: FEELINGS, TECHNOLOGIES, POLITICS
University of Manchester – Manchester research Inititute for
Cosmopolitan Cultures (RICC)
Collective tragedy and digital emotions: the
Earthquake in Abruzzi “lived” on Facebook
Alessandra Micalizzi
IULM University – Communication dept.
alessandra.micalizzi@iulm.it
2. Framing the research: the Event
Something about the Abruzzi earthquake:
On 6th April 2009 (3.32 A.M.) there was an
hard sequence of earthquake shakes;
After few hours the L’Aquila City center was
destroyed and about ten little countries
experience the same situation;
All communication channels are disrupted;
After the following two weeks the there were
1600 hurts and 286 deads.
3. Framing the research: mediascapes
What happened on the Media and above all the
Net:
The information about the Event arrives above
all the next morning (TV and Radio gave the
news also in the night but the tragedy
happened in the night, so common people
aren’t informed about that, a part o f the direct
or indirect interested)
The movement on the Net started the next day
too, but someone, with a key modem could
inform relatives about what had happened;
The groups in Facebook started in the first
hours of the afternoon…
4. Framing the research: who are the victims?
Cusano (2002) individuates three typologies of
victims:
The persons that are directly involved
The relatives of that persons
Experts and help operators that work on the
field in case of tragedy.
According to me there are an other typology of victm:
Audience-surfers : people who “live” the events
through the media, but has a great affective
and emotional involvement
5. Framing the research: a focus on Facebook
Definition of the Net:
A narrative technology (Walzer, 2001:2002)
“where” is defined a new socio-anthropological
place, where doing experiences of virtual
togetherness (Bakardjieva, 2005)
The structure of Facebook:
The Facebook page isn’t a collective space where
writing about self (like a forum), but is a personal
space where you allow other people to access.
The group in Facebook are based on:
- The joining by invitation or direct contact
- A viral fowarding of the group link
6. The goals of the research
What is the role of the Net in the specific circumstance
of a collective tragedy?
More specifically, the research wants to understand:
the characteristics of the fragmented narratives
shared on Facebook;
the motivations (of Facebookers) connected with
the act of publishing personal feelings in a public
space;
the expectations about the effects of the posting
action;
the collective representation of the earthquake
(above all on a visual level) on Facebook;
the functions of the Net in order to elaborate a
collective trauma.
7. Methods and sample
Narrative qualitative content analisys of
21.000 posts of the first 5 groups about
the earthquake;
E-mail interviews with authors of the
posts (25 on 100 contacts);
visual analysis of 500 photos, chosen in
order to represent the first 500 groups
8. The results
In the next slides I show the results about the
narrative content analysis and about the e-mail
interviews - used as support to the first part of
the research – in order to:
describe the different typologies of narratives
Individuate motivations and expectations
Define the functions of the Net
9. The schedule for narrative analysis
Subject: What is the focus of the narrative?
The Event
The author of the narration
The object: what kind of the theme is proposed on
the post?
Anecdote: something about the earthquake
Experience: something referred to the past
Emotion: feelings and sentiment about the
event
Needs: specific request (foods, help, lost
people etc)
10. The schedule for narrative analysis
The referent: who is the addressee of the post?
All the facebookers
Specific referents (known persons or the author
of the post)
The aim: what is the implicit or explicit motivation
contained in the message?
To express (more personal)
To share
To describe (more analytic and detouched)
11. Typologies of narratives
I identified 9 typologies:
Typologies Subject Object Referent aims
Help request Event-f Needs everyone express
Empathetic I-focused Emotions Specific others Share
solidarity
Pragmatic I-focused Needs Specific others share
Solidarity
Witness Event-f. Anecdote everyone Express
Denunciation Event-f. Anecdote everyone Describe
Pray Event-f Emotion Specific others Share
Memory I-focused Experience Self Describe
Searching I-focused Experience everyone Describe
Delayed I-focused Emotions Specific others express
mourning
12. Motivations and expectations
Why they arrive to the group:
The respondents declare to be arrived to the
group through:
• Invitation forwarded by a friend
• Personal search on Facebook
• By chance
In any case, they have a link with the Abruzzi (or
the event):
Sense of belonging
Relatives
Previous experience of earthquake
Direct experience (especially of help)
13. Motivations and expectations
Why they wrote on the wall:
The reasons expressed in the e-mail interviews
confirm my classification with the content
analysis:
• To share feelings of solidarity, a pray for
the victims, memories about previous
experience
• To express emotions (above all anger, pain
and suffer) or the sense of belonging
• To promote initiatives
• To inform about incorrect actions
14. Motivations and expectations
More in depth, they underline the importance of
writing on the Net in order to:
give and to leave a memory (not to forget!)
give a sign of their presence (“we are a part of…
we are affectively close to…”)
At the same time:
Some respondents don’t remember to have
wrote on the wall (generally people less
engaged)
Some interviewees – more involved –used the
interview to tell again what happened on 6 April
2009 in their life
15. Motivations and expectations
With which expectations:
To move to an action: In a lot of cases, the act
of writing on the wall was the first sign of
pragmatic participation to the event;
They don’t express specific expectations,
especially when the message is about
emotions and feelings (I wrote only to pour out
my feelings)
They specify the importance to leave e
memory (not to forget)
They would express the sense of belonging to
Abruzzi (not of being Italians)
16. The functions
I try to elaborate e synthetic model about the
functions of the Net using two axis:
The narrative focus: I-focused vs. Event-
focused;
The aim of the posting: egocentric vs.
solidarity one.
In this way I identified 4 functions:
(proto) Therapeutic f.
Socio-affective f.
Pragmatic f.
Function of memory
17. Final model
(Proto) therapeutic f. I-focused Socio-affective f.
Delay. Mourning Emph. Solidarity
memory
searching
Pragm. solidarity
egocentricity solidarity
Witness
Denunciation
Pray Help request
Memory f. Pragmatic f.
Event-focused