Presentation - Tim Marrs
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This document provides background information on Tim Marrs, a graphic designer. It summarizes Marrs' educational background and lists some of his clients, which include Nike Asia and Bentley. It then analyzes and describes several pieces of Marrs' artwork, focusing on his use of techniques like digital collage, layered imagery, and bold colors. The document also lists some of Marrs' inspirations and influences, such as Christian Northeast, Clayton Brothers, David Hughes, American Pop Culture, Polish film posters, and Pop Art.
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Tim marrs presentation
This document provides background information on Tim Marrs, a graphic designer. It summarizes Marrs' educational background and lists some of the clients he has worked for, including Nike, Bentley, and Amare. The document also analyzes and describes several pieces of Marrs' artwork, focusing on his use of techniques like digital collage, layered imagery, and bold colors. It discusses how his work is inspired by other designers and influenced by styles like American pop culture, Polish film posters, and pop art.
Tim marrs presentation
This document contains information about graphic designer Tim Marrs, including his educational background and experience. It discusses some of his client work for brands like Nike and Bentley, analyzing the design techniques used. The document also examines one of Marrs' pieces of artwork about the evolution of electric cars. It provides details on the imagery, colors, and layered elements used to convey the abstract concept. Overall, the document profiles Tim Marrs' background and style as a graphic designer known for digital collage work and bold color palettes.
Tim marrs
Tim Marrs is an illustrator who graduated from Central St Martins Art School. He has created work for several clients including Audi, Rihanna, KFC, and Nike. His styles draws from American pulp and pop culture and uses bold colors associated with his clients' brands. He uses a variety of techniques including drawing, photography, print, and digital media.
Daniel's College Work Portfolio
This portfolio document outlines Daniel Berumen's 3D modeling work including rigging, modeling, lighting and texturing done for classes in media, arts, animation, interior design, virtual reality, unity, character modeling, materials and lighting, advanced materials and lighting, character rigging and 3D animation. The document provides examples of 3D modeled assets and work done in texturing and lighting as well as character rigging.
Basicink
Hatching uses lines of varying closeness to create shading and value, from dark to light. Cross hatching overlays hatched lines at an angle to achieve shading. Scumbling uses layers of small scribbled marks in varying directions to build texture and value, such as depicting the texture of walls.
Task 3 finished
Pixel art is a form of digital art created using raster graphics software. It involves the precise manual arrangement of pixels, as tools that automatically calculate new pixel values are not considered valid for pixel art. Drawings typically start with a line art outline before pixels are placed.
Concept art is a visual representation of a design, idea, or mood created before a product is finalized, such as for films, games, or comics. A concept artist generates visual designs for items or characters that do not yet exist using software or traditional techniques.
Texture in art refers to the perceived surface quality or properties of a work, such as smooth, furry, or grainy. Both actual and visual textures can affect the feel of
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This document provides information about digital circilism, a modern artistic technique that combines elements of pointillism and pop art. Digital circilism involves creating artwork using thousands of flat circles in various colors and sizes arranged in patterns on a black background to form an image, such as a portrait. The document gives guidelines for a digital circilism project, instructing students to use digital tools in Adobe Illustrator to create a portrait using circles of different colors and sizes placed on a black background while referencing a photo.
Fundamentals of Design for Non-Designers
This is a compressed, annotated version of a presentation I gave at Esri Australia's Ozri conference in September 2015. It's intended to be a high-level overview of a few visual design principles that are relevant to mapmaking. Being mindful of these principles while you're making and viewing maps will help you improve your visual communication skills.
Check out the resources section at the end of the presentation (from slide 44) for a bunch of links to useful blog posts, websites and online tools.
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Tim marrs presentation
This document provides background information on Tim Marrs, a graphic designer. It summarizes Marrs' educational background and lists some of the clients he has worked for, including Nike, Bentley, and Amare. The document also analyzes and describes several pieces of Marrs' artwork, focusing on his use of techniques like digital collage, layered imagery, and bold colors. It discusses how his work is inspired by other designers and influenced by styles like American pop culture, Polish film posters, and pop art.
Tim marrs presentation
This document contains information about graphic designer Tim Marrs, including his educational background and experience. It discusses some of his client work for brands like Nike and Bentley, analyzing the design techniques used. The document also examines one of Marrs' pieces of artwork about the evolution of electric cars. It provides details on the imagery, colors, and layered elements used to convey the abstract concept. Overall, the document profiles Tim Marrs' background and style as a graphic designer known for digital collage work and bold color palettes.
Tim marrs
Tim Marrs is an illustrator who graduated from Central St Martins Art School. He has created work for several clients including Audi, Rihanna, KFC, and Nike. His styles draws from American pulp and pop culture and uses bold colors associated with his clients' brands. He uses a variety of techniques including drawing, photography, print, and digital media.
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This portfolio document outlines Daniel Berumen's 3D modeling work including rigging, modeling, lighting and texturing done for classes in media, arts, animation, interior design, virtual reality, unity, character modeling, materials and lighting, advanced materials and lighting, character rigging and 3D animation. The document provides examples of 3D modeled assets and work done in texturing and lighting as well as character rigging.
Basicink
Hatching uses lines of varying closeness to create shading and value, from dark to light. Cross hatching overlays hatched lines at an angle to achieve shading. Scumbling uses layers of small scribbled marks in varying directions to build texture and value, such as depicting the texture of walls.
Task 3 finished
Pixel art is a form of digital art created using raster graphics software. It involves the precise manual arrangement of pixels, as tools that automatically calculate new pixel values are not considered valid for pixel art. Drawings typically start with a line art outline before pixels are placed.
Concept art is a visual representation of a design, idea, or mood created before a product is finalized, such as for films, games, or comics. A concept artist generates visual designs for items or characters that do not yet exist using software or traditional techniques.
Texture in art refers to the perceived surface quality or properties of a work, such as smooth, furry, or grainy. Both actual and visual textures can affect the feel of
Digital Circlism Media Arts
This document provides information about digital circilism, a modern artistic technique that combines elements of pointillism and pop art. Digital circilism involves creating artwork using thousands of flat circles in various colors and sizes arranged in patterns on a black background to form an image, such as a portrait. The document gives guidelines for a digital circilism project, instructing students to use digital tools in Adobe Illustrator to create a portrait using circles of different colors and sizes placed on a black background while referencing a photo.
Fundamentals of Design for Non-Designers
This is a compressed, annotated version of a presentation I gave at Esri Australia's Ozri conference in September 2015. It's intended to be a high-level overview of a few visual design principles that are relevant to mapmaking. Being mindful of these principles while you're making and viewing maps will help you improve your visual communication skills.
Check out the resources section at the end of the presentation (from slide 44) for a bunch of links to useful blog posts, websites and online tools.
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The document summarizes the layout and design choices of a double page magazine spread. Key details include:
- The image used is of the lead singer of The Attack band, showing only one side of his face lit to seem mysterious.
- The layout is inspired by brick textures and typography choices that tie the two pages together in a bold, powerful way to draw in the reader.
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This document summarizes the key visual elements in art and photography - line, shape, form, texture, tone/value, pattern, and color. It provides examples of how each element can be used to convey different emotions. Lines can portray tranquility or strength depending on their orientation. Form is created through light and shadow. Shape, color, and silhouettes can highlight subjects and portray feelings of unity or protection. Texture relies on light to depict surfaces. Patterns add depth. Combining elements coherently engages the viewer, while too much of one element leads to boredom. The document demonstrates incorporating these principles into a self-portrait photography project.
Leanne visual elements.ppt uploads
This document discusses visual elements in art and photography, including line, shape, form, tone/value, pattern, texture, and color. It provides examples of how each element can impact a photograph. Lines can evoke different emotions, like horizontal lines representing tranquility and vertical lines representing strength. Form refers to 3D shapes created by light and shadow. Shape, color, texture and pattern are also discussed. The document emphasizes that combining multiple visual elements can create depth and feeling in an image. It concludes by stating the author will apply their new understanding of visual elements to a self-portrait collage project.
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- A follow up focus group provided feedback on initial designs for websites, album artwork, and merchandise to identify what the target audience preferred.
- The feedback was very helpful for determining the right colors, images and content to engage the target demographic for the ancillary materials.
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- The image used is of the lead singer of The Attack band, showing only one side of his face lit to seem mysterious.
- The layout is inspired by brick textures and typography choices that tie the two pages together in a bold, powerful way to draw in the reader.
- Exclusive new facts and quotes are used to make the interview stand out from others and attract readers through a sense of exclusiveness.
- Visual elements like the band name in a large font first catch the eye, while smaller intro text uses personal language to invite the reader in.
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The poster summarizes the thriller/noir genre through its bleak color scheme and focus on the two main characters. The simple layout draws attention to the characters' serious facial expressions, hinting at danger and intrigue. It effectively links to the genre portrayed in other marketing materials like the magazine cover through consistent tones and imagery. The balance of a well-known and unknown actor attracts audiences while maintaining mysteries around the film's plot.
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This document summarizes the key visual elements in art and photography - line, shape, form, texture, tone/value, pattern, and color. It provides examples of how each element can be used to convey different emotions. Lines can portray tranquility or strength depending on their orientation. Form is created through light and shadow. Shape, color, and silhouettes can highlight subjects and portray feelings of unity or protection. Texture relies on light to depict surfaces. Patterns add depth. Combining elements coherently engages the viewer, while too much of one element leads to boredom. The document demonstrates incorporating these principles into a self-portrait photography project.
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This document discusses visual elements in art and photography, including line, shape, form, tone/value, pattern, texture, and color. It provides examples of how each element can impact a photograph. Lines can evoke different emotions, like horizontal lines representing tranquility and vertical lines representing strength. Form refers to 3D shapes created by light and shadow. Shape, color, texture and pattern are also discussed. The document emphasizes that combining multiple visual elements can create depth and feeling in an image. It concludes by stating the author will apply their new understanding of visual elements to a self-portrait collage project.
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Mise-en-scène refers to the overall look and feel of a movie, including the setting, costumes, props, decor, lighting, and acting. It has two aspects: 1) design, which is the look and feel of all visual elements, and 2) composition, which is the arrangement of objects and actors within the frame. Mise-en-scène works to advance the narrative and create motifs, while the setting can relate to the action, other settings, and settings in other films. Composition arranges elements within the frame to present the action and develop themes visually.
2 objects in charcoal
The document provides instructions for a charcoal drawing assignment. Students are asked to render at least two objects from a still life setup in class realistically, paying close attention to light logic, volume, and foreshadowing. They should tone the ground with charcoal powder before sketching with vine charcoal and using various erasers, charcoal pencils, and blending tools to develop form and detail. The objectives are naturalistic depiction of objects in space using tonal values to create three-dimensional renderings, with an emphasis on craftsmanship. The project will be graded on conceptual understanding and professional rendering without blemishes or incomplete areas.
Value Gradations
Students are to create value scales using at least 5 different charcoal materials, masking each strip with tape and labeling the material used. The gradations should be smooth without blemishes, allowing more room for light grays and avoiding sudden fading. Practicing different value spectrums will help students achieve subtle tonal gradations and a convincing command of basic drawings. The objectives are smooth value shifts with even transitions, overall attention to detail, and demonstrated grasp of materials.
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The document discusses value drawing techniques. Value drawing uses ranges of light and dark tones to create a three-dimensional illusion without outlines. An object can be defined solely by its values. Successful value drawings use light and dark tones throughout the entire composition. Creating a value scale is recommended to help artists identify the range of tones in their subject matter.
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This document discusses the formal elements of photography through examples of images that showcase different elements. It explores how color, contrast, form, line, shape, space, and texture can be depicted in photographs. For each element, it provides 2-3 short paragraphs explaining how the example images demonstrate that element through techniques like varied tones, lighting, lens usage, and focal points. The overall document serves to analyze how formal composition contributes to effectively conveying visual concepts and appealing to audiences.
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To create the banner advertisement, the team digitally stitched together multiple pictures of a brick wall to form a large background image. They then used selection tools to isolate the text and logo elements and layered them over the background. Shadow effects were added to elements to make them appear three-dimensional. Fonts, colors, and positioning of elements were based on the Channel 4 style guide to achieve branding consistency.
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The document provides instructions on how to design a film set. It begins by explaining that set design, also called production design, involves creating the scenery and look of the set. It discusses analyzing the storyline, time period, location, and characters to inform the design. Lessons then cover elements of the set like props, costumes, and makeup. It teaches the principles of composition, line, shape, color and other design elements. The document instructs on sketching concepts and provides practical guidelines for set design like budget and timeline. Exercises help apply the concepts. Overall it serves as a comprehensive guide to planning and designing an effective film set.
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The document provides instructions for a still life drawing assignment. Students are asked to render at least 7 objects placed on a tableau, paying close attention to light, shadow, and reflected light to depict volume and three-dimensional space. Composition and the placement of objects should be coherent, balanced, and make use of foreshortening. The grading rubric evaluates successful use of foreshortening, compositional balance, and a naturalistic depiction of real objects in real space that demonstrates an understanding of tonal value and light.
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This document analyzes the cover of a soap opera magazine. It discusses several design elements of the cover and how they are used to attract readers' attention and create intrigue. These elements include the masthead, cover lines, main images, typography, and barcode. The masthead establishes the brand identity using bold red letters. The cover line uses punctuation and bold colors to stand out and hint at drama. The main image shows characters' expressions to generate interest and tension. Bold typography with outlines is used for attention. Facial expressions and backgrounds in the images also create mystery and intrigue.
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The document discusses various visual concepts including relationships between objects, elements of the communication process, and uses of lines and textures. Proximity, similarity and continuity are described as relationships objects can have with each other. The communication process involves a transmitter, code, message, channel/medium, reference, context and recipient. Realistic drawings use lines to portray shapes as seen, with volume and defined forms. Different line types can transmit different messages like straight lines for rigidity vs curved lines for fluidity. Visual textures include ornamental, accidental and mechanical textures. Texture can be used to organize and balance a composition by ordering shapes from greater to lesser importance.
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- A follow up focus group provided feedback on initial designs for websites, album artwork, and merchandise to identify what the target audience preferred.
- The feedback was very helpful for determining the right colors, images and content to engage the target demographic for the ancillary materials.
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The powerpoint for my Art project 'The Place in Question', which gives an overview of the steps to took to complete the project.
Introduction to Graphic design
This document provides an introduction to graphic design. It defines graphic design as visual communication and problem solving using tools like software. It discusses color models such as RGB, CMYK, and HSV. It explains color schemes including monochromatic, warm, and cool colors. It describes vector and raster images as well as graphic design programs like Adobe Photoshop and CorelDRAW. The document demonstrates photo manipulation, retouching, and using Photoshop tools and layers. It provides examples of billboard designing and creating interesting effects.
Nick Havranek's Portfolio (Fall 2013)
This portfolio document from Nick Havranek showcases his work as a visual communication major at Ball State University. It includes summaries of 12 projects involving book layout design, 3D word art using materials, wallpaper pattern design, oil painting, metal plate etching, woodblock printing, website creation, and typographic experiments. For each project, Havranek provides the goal, his creative solution using various software programs, and images of the final results.
Student Portfolio Two
This document is Madison Everett's design portfolio, showcasing graphic designs she has created using Adobe programs like Photoshop and Illustrator. It includes summaries of 6 designs, each 3 sentences or less describing the design, its purpose, and Madison's process. The portfolio is accompanied by Madison's resume and contact information, demonstrating her skills and experience in graphic and web design.
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Students investigate the techniques of various artists who use the element of line to create form, movement, and depth.
Visual Arts - Design elements & Principles with original images
This document discusses various elements of visual art, including line, color, shape, texture, and value. It provides examples of how artists use these elements and defines key terms. Specific points covered include how line can delineate contours, direct eye movement, and simulate textures. Color is discussed in relation to its symbolic meanings and how it can be classified. Shape is defined as spaces enclosed by lines and how positive and negative shapes interact. Texture relates to both physical surfaces and simulated textures in artwork. Value concerns the lightness and darkness in tones and how a full tonal range adds complexity. Overall the document serves to define and illustrate fundamental design elements in visual art.
Overall Evaluation
The student created a magazine called "Blue Rayne" targeting the gothic/rock music genre. For the front cover, content page, and double page spread, the student attempted to follow conventions of existing magazines while incorporating dark colors associated with the genre. To represent the target audience, the student used darker, mysterious images and focused on gothic/rock bands. A survey showed that while the magazine appealed most to teenagers, it could also attract young adults. The student learned skills in Photoshop and online survey tools to construct the media product.
Overall Evaluation
The student created a magazine called "Blue Rayne" targeting the gothic/rock music genre. For the front cover, content page, and double page spread, the student attempted to follow conventions of existing magazines while incorporating dark colors associated with the genre. To represent the target audience, the student used darker, mysterious images and focused on gothic/rock bands. A survey showed that while the magazine appealed most to teenagers, it could also attract young adults. The student learned skills in Photoshop and online survey tools to construct the media product.
Research into exsisting products
The document provides a summary and analysis of several charity advertisements and branding materials, including:
- A SASH website that features a smiling young person to challenge stereotypes of homelessness.
- A Shelter online ad showing a family living outside to raise awareness of how easily people can lose their homes.
- A Global Cause ad using a simple image of a red chair against a dark background to draw attention to poverty.
- A Simon on the Streets ad featuring an image of a homeless man to evoke an emotional response and highlight homelessness issues.
- A Spare Room ad using a childlike drawing of a house and bright colors to help young people facing housing instability.
DigiPac Poster Analysis
The document analyzes advertising posters for three bands - Magnetic Man, The Horrors, and Two Door Cinema Club. It finds that all the posters use simple color schemes of black and white, centered layouts with the main image taking up the full area, and the band's own unique font to showcase continuity between the album and poster. While Magnetic Man and The Horrors feature images of the band, Two Door Cinema Club uses a completely abstract image of a cat to provide a "cheeky" personality.
Express yourself portrait 2021 version 2 grade 6
This document provides instructions for a Year 6 art unit on portraits. It outlines various activities for students to explore different portrait drawing techniques including observational drawing, continuous line drawing, and using shading to create 3D effects. Students will take self-portraits from different angles and experiment with materials like charcoal and pastels. They will analyze famous portraits, create portraits in styles inspired by artists like Tim Burton, and reflect on their learning through a final self-portrait. The goal is for students to express themselves through portraiture while learning key art elements and techniques.
Together and Apart - FINAL PIECE IDEAS
This three sentence summary provides the key details from the given document:
Tim and his girlfriend are leaving his mother's house after an argument. They pass through a rainbow as they exit, observed by Jamie Oliver, the god of social mobility. They are experiencing the same fate as Adam and Eve being expelled from the garden of Eden in Masaccio's famous painting, as a dinner party is starting at Tim's girlfriend's parents' house.
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Visual Arts - Design elements & Principles with original images
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留信网认证的作用:
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3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
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8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
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1所有材料真实但资料不全无法提供完全齐整的原件。【如：成绩单丶毕业证丶回国证明等材料中有遗失的。】
2获得真实的国外最终学历学位但国外本科学历就读经历存在问题或缺陷。【如：国外本科是教育部不承认的或者是联合办学项目教育部没有备案的或者外本科没有正常毕业的。】
3学分转移联合办学等情况复杂不知道怎么整理材料的。时间紧迫自己不清楚递交流程的。
如果你是以上情况之一请联系我们我们将在第一时间内给你免费咨询相关信息。我们将帮助你整理认证所需的各种材料.帮你解决国外学历认证难题。
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Presentation - Tim Marrs
- 1. Tim Marrs Matt Compton and Rebecca Meredith
- 2. Background history Foundation course/Arts Diploma 1990-1991 BA Hons Degree in Graphic Design/Illustration 1991-1994 Masters Degree in Design Communication 1996-1999
- 3. Clients Nike Asia Amare This collage type advertising work well for ‘Nike’ as the brand itself is very well known. Their advertising doesn’t need to make the brand image the top of the advertising hierarchy. The artwork focuses mainly on the sport and use of the product.
- 4. Bentley This artwork is bold and vibrant from the use of bright colours. The car is placed in the centre to draw the eye to the point of advertisement. Layered imagery and textures are behind the Bentley to help it stand out.
- 5. This artwork features photography, illustration, graphic elements and textures layered to create a collage. The colours used are shades of green as well as blue and yellow which makes an analogous colour scheme. The hierarchy of the elements draws the eye to the mermaids at first due to their dark colouring and the tail extends the group of elements in the centre. The text used is small and handwritten which does not impact the viewer instantly. This makes the viewer study the image for the message being portrayed. The man and women are edited photographs. The leaves and mermaids tails appear to be digitally drawn or hand printed. The other elements including the sun, cloud and text banner are digitally created. The background seems to be a scanned in piece of paper. Rebecca
- 6. This is a piece of artwork created by Tim Marrs. The artwork is based on evolution and the development of the electric car. Marrs has used the iconic ape to human theory to complete this piece. Using the facial features and shape of an ape, Marrs have created that from plugs, wires and electricity. The aim of the piece is to create an image of a vision of the future among the visions of the past. The image uses vibrant colours to create the hierarchy of the artwork. The brighter orange colour is the main focus of the piece as it describes electricity, but the image unfolds when you see the background details. The piece is very abstract and take some imagination to picture the story around the artwork. Tim Marrs has used many different tools in this piece such as brush effects and layering. The text in this image is very subtle but yet it still manages to complete the piece.
- 7. Techniques - Digital collage using drawings, manipulated/abstract photographs, mark making, print and textures - Bold and wide colour palettes - Abstract scenes – lack of scale and sometimes perspective from layered imagery
- 8. Inspirations Christian Northeast Clayton Brothers David Hughes Bold colour to reflect the fun element of the design. Abstracted imagery. Sketchy outline with a wide range of colours. Layered images. Sketchy outline. Soft pastel, limited colour palette. Realistic imagery but altered to give a quirky look.
- 9. Influences American Pop Culture Polish film posters Pop Art Bold, vibrant colours. Abstract, bold, with a humorous element. Bold with solid colours and magazine styled pop art.