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‘The Expulsion From Eden’
Grayson Perry 2012
The Expulsion from Number Eight Eden Close,
2012
Tim is at university studying computer science, where
he is going steady with a nice girl from Tunbridge
Wells. Tim's mother and stepfather now live on a
private development and own a luxury car. She
hoovers the Astroturf lawn, he returns from a game of
golf.
There has been an argument and Tim and his
girlfriend are leaving. They pass through a rainbow.
Jamie Oliver, the god of social mobility, looks down.
They are guilty of a sin just like Adam and Eve in
Masaccio's Expulsion from the Garden of Eden.
A dinner party is just starting. Tim's girlfriend's parents
and fellow guests toast the new arrival.
Developing ideas
• Experimenting
• Exploring
• Showing your journey visually
• Using your research in your book
creatively
• Making links and connections
• Using practical outcomes to inform your
progress - reviewing and refining.
Decisions to make...
• What images do I want to develop?
• Do I have a theme - e.g. music / objects
/ portraits / landscapes etc
• What materials will I use?
• What processes will I use?
• Which artists will influence my work?
• What type of artwork will I make? 3d /
2d / textile / mixed media / installation ?
Experiments to
create• Combining imagery into possible
compositions
• Trying out materials and processes
• Creating artists references to help
influence your ideas
• Testing out colour combinations
• Finding more 1st hand imagery to use
in your final piece - drawings and
photographs
developing ideas
using artists
reference• Your final piece should not look like an
artists reference - do not copy an artists
work.
• Use your chosen artists to feed your
ideas - take parts of what they do and
use it in your own way.
• Use your own images & research as the
base of your ideas - then use artists to
help you explore / develop / expand
Collecting ideas
• Look through your book and at the
images available to help you.
• Inside the footprints create / gather -
Colours / Images / Words / Textures
that interest you for ideas.
• 30 minutes!
Marco Fernandes
Recycled objects / Collage /
Photo Montage
Valerio D’Ospina
Oil pastels / Acrylic Paint / Pencil / Pen
Anna Gillespie
Paint / Photo montage / Collage / print / Clay
Pani Jurek
Photo montage / Collage / paper cut
/ Water colours / paper folding
Barbara Franc
Recylced tin cans / photo
montage / collage / wire
Print / Paint / Collage /
DKNG
Jim Kazanjian
Pencil drawing / Photo
montage / Print /
Collograph/
Ed Fairburn
Mixed media / Collage & pen
/ Print / Water colour paint
Tomás Saraceno
Paper folding / Print / Clay
Carne Griffiths
Water colour / pen / pencil / print / mixed media
Haroshi
Paint / Collage / Sculpture / Print
Photo montage & stencil / Collage /
Paint
Sagaki Keita Pen / Print
Henrietta Harris
Paint / watercolours / pen / pencil / Photo montage
Francesca Pastine paper cut / magazines /layered stencil
Michal Trpák
Photo montage / clay / paint / collage / relief
Kate McDowell clay / paint / drawing
Clement Briend photomontage / paint / collage
Emma-Jane
Cammak
paint / photo montage / mixed media
Justin Gershenson-Gates recycled objects / photo collage / drawing / clay
Flower Sculptures
photo montage / origami/
print / paint / collage
David Walker paint / ink / photo/ print
John Pusateri pencil / paint / ink / watercolours
Pedro Reyes
photo montage / paint / drawing
card relief
Alexander Korzer-Robinson Recycled books / photos / painting
Sakir Gökçebag photography / collage / paint
Borondo
Stencil / paint / photo /
layers / mixed media
Daniel Agdag paper sculpture / card relief / montage / collage
Jason D’Aquino
Albert Seveso
manipulated fabric / ink / paint
/dye
David de la Mano
stencil / paint / photo-montage
Tasha Lewis
print / draw / paper cut / install / paint / photo /
collage
Lorenzo Durán
collage / photo-stencil/ paper cut / paint /
David Machwire / line / pen / pencil
Sayaka Ganz
recycled objects / photo
montage
China Environmental Protection Foundation
paint/print/fabric/paper
Shaka
stencil / paint / photo
Matthew Shlian
paper fold / origami / card sculpture / photo sculpture
Lee Kyu-Hak recycled books / collage
Yuken Teruya
paper sculpture
Banksy stencil / photo montage
Possible final pieces
• The following slides will give you some ideas
for POSSIBLE final pieces and how to
create them.
• YOU CAN HAVE AN ALTERNATIVE IDEA
TO THESE!!
3D CERAMIC WORK
Create an
abstract design
using shapes
and patterns
from your
research.
Create a pot, a
sculpture or a
relief work.
CREATE A 3D RELIEF WORK
Build up shapes and images from your
research using card, mod rock, material, wire,
paper. Work upwards from a flat surface, layer
and stack shapes. Add colour using paint.
Incorporate real objects.
CREATE A PAINTING
Use shapes, images and textures from your
research. Combine them inside a simple shape to
make a new composition. Add colour and detail
using acrylic, or watercolour paints. Add raised
details using card, paper and string.
CREATE A PAPER MACHE OR MODROC
SCULPTURE OR RELIEF
Use paper mache or mod roc to build up textures
and shapes from your research imagery. You can
build a sculpture or 3d relief by creating a skeleton
structure in wire – then covering it with layers of
paper mache. Add colour using ink and, or paints.
CREATE A MIXED MEDIA PAINTING USING
YOUR PORTRAIT
Use paint, print & collage and drawing to create a
self portrait. Use images and textures and colours
from your research to create interesting
backgrounds and imagery to surround or fill features
of your body or face.
CREATE AN ASSEMBLAGE PIECE
Use collections of real objects and found images or
photographs together with painting and drawing.
Create a composition inside a box or a hanging
sculpture, or a free standing artwork
CREATE AN ABSTRACT PAINTING
Use overlapping and repeated images from your
research to create an abstract design. Add colours
and patterns from objects or photographs, or create
a personal colour scheme.
CREATE A REPEAT PRINTED IMAGE
Use imagery from your research to create
poly-tile prints, mono-prints and stencils in a
range of colours. Cut these out, re-arrange
and collage them into a layered composition.
CREATE A MIXED MEDIA
PRINTED COLLAGE
Use a range of printing
techniques on different papers to
re-create images from your
research.
Cut these out and layer them
with other textures and shapes
cut from ink stained paper to
create a layered collage.
CREATE A LAYERED
TEXTURED COLLAGE
Use a range of imagery
from your research and
combine them into a new
composition. Use various
materials to add colours
and textures in layers.
Sew into collage, use wire
and string, create detail
using a range of materials.
CREATE A 2D MIXED MEDIA COLLAGE
Use images from your research and re-create them
using a range of techniques in 2D to make a new
composition. Use paint, print, ink-stained paper,
patterned paper, news print, magazine imagery. Cut and
tear imagery or layer it to make a complex mixed media
collage.
CREATE AN INTERIOR OR LANDSCAPE
Use painting and drawing to create small parts of a
landscape or room which you join together to create
a disjointed or distorted composition.
Developing ideas
• Decide what you could make and create a series of
experiments using combinations of images, textures
and colours from your research so far.
• Think about techniques you have already used.
• Write notes about what the piece means and how
you would make it – how does it reflect the exam
title? Where do your ideas come from?
observe
• Create an observed drawing of an object that
relates to your ideas - this can be in any materials
of your choice and should fill an A4 page.
• You should spend at least 30 minutes on this
task.
Together and Apart - FINAL PIECE IDEAS
Together and Apart - FINAL PIECE IDEAS

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Together and Apart - FINAL PIECE IDEAS

  • 1. ‘The Expulsion From Eden’ Grayson Perry 2012
  • 2. The Expulsion from Number Eight Eden Close, 2012 Tim is at university studying computer science, where he is going steady with a nice girl from Tunbridge Wells. Tim's mother and stepfather now live on a private development and own a luxury car. She hoovers the Astroturf lawn, he returns from a game of golf. There has been an argument and Tim and his girlfriend are leaving. They pass through a rainbow. Jamie Oliver, the god of social mobility, looks down. They are guilty of a sin just like Adam and Eve in Masaccio's Expulsion from the Garden of Eden. A dinner party is just starting. Tim's girlfriend's parents and fellow guests toast the new arrival.
  • 3. Developing ideas • Experimenting • Exploring • Showing your journey visually • Using your research in your book creatively • Making links and connections • Using practical outcomes to inform your progress - reviewing and refining.
  • 4. Decisions to make... • What images do I want to develop? • Do I have a theme - e.g. music / objects / portraits / landscapes etc • What materials will I use? • What processes will I use? • Which artists will influence my work? • What type of artwork will I make? 3d / 2d / textile / mixed media / installation ?
  • 5. Experiments to create• Combining imagery into possible compositions • Trying out materials and processes • Creating artists references to help influence your ideas • Testing out colour combinations • Finding more 1st hand imagery to use in your final piece - drawings and photographs
  • 6. developing ideas using artists reference• Your final piece should not look like an artists reference - do not copy an artists work. • Use your chosen artists to feed your ideas - take parts of what they do and use it in your own way. • Use your own images & research as the base of your ideas - then use artists to help you explore / develop / expand
  • 7. Collecting ideas • Look through your book and at the images available to help you. • Inside the footprints create / gather - Colours / Images / Words / Textures that interest you for ideas. • 30 minutes!
  • 8. Marco Fernandes Recycled objects / Collage / Photo Montage
  • 9. Valerio D’Ospina Oil pastels / Acrylic Paint / Pencil / Pen
  • 10. Anna Gillespie Paint / Photo montage / Collage / print / Clay
  • 11. Pani Jurek Photo montage / Collage / paper cut / Water colours / paper folding
  • 12. Barbara Franc Recylced tin cans / photo montage / collage / wire
  • 13. Print / Paint / Collage / DKNG
  • 14. Jim Kazanjian Pencil drawing / Photo montage / Print / Collograph/
  • 15. Ed Fairburn Mixed media / Collage & pen / Print / Water colour paint
  • 17. Carne Griffiths Water colour / pen / pencil / print / mixed media
  • 18. Haroshi Paint / Collage / Sculpture / Print
  • 19. Photo montage & stencil / Collage / Paint
  • 20. Sagaki Keita Pen / Print
  • 21. Henrietta Harris Paint / watercolours / pen / pencil / Photo montage
  • 22. Francesca Pastine paper cut / magazines /layered stencil
  • 23. Michal Trpák Photo montage / clay / paint / collage / relief
  • 24. Kate McDowell clay / paint / drawing
  • 25. Clement Briend photomontage / paint / collage
  • 26. Emma-Jane Cammak paint / photo montage / mixed media
  • 27. Justin Gershenson-Gates recycled objects / photo collage / drawing / clay
  • 28. Flower Sculptures photo montage / origami/ print / paint / collage
  • 29. David Walker paint / ink / photo/ print
  • 30. John Pusateri pencil / paint / ink / watercolours
  • 31. Pedro Reyes photo montage / paint / drawing card relief
  • 32. Alexander Korzer-Robinson Recycled books / photos / painting
  • 33. Sakir Gökçebag photography / collage / paint
  • 34. Borondo Stencil / paint / photo / layers / mixed media
  • 35. Daniel Agdag paper sculpture / card relief / montage / collage
  • 37. Albert Seveso manipulated fabric / ink / paint /dye
  • 38. David de la Mano stencil / paint / photo-montage
  • 39. Tasha Lewis print / draw / paper cut / install / paint / photo / collage
  • 40. Lorenzo Durán collage / photo-stencil/ paper cut / paint /
  • 41. David Machwire / line / pen / pencil
  • 42. Sayaka Ganz recycled objects / photo montage
  • 43. China Environmental Protection Foundation paint/print/fabric/paper
  • 45. Matthew Shlian paper fold / origami / card sculpture / photo sculpture
  • 46. Lee Kyu-Hak recycled books / collage
  • 48. Banksy stencil / photo montage
  • 49. Possible final pieces • The following slides will give you some ideas for POSSIBLE final pieces and how to create them. • YOU CAN HAVE AN ALTERNATIVE IDEA TO THESE!!
  • 50. 3D CERAMIC WORK Create an abstract design using shapes and patterns from your research. Create a pot, a sculpture or a relief work.
  • 51. CREATE A 3D RELIEF WORK Build up shapes and images from your research using card, mod rock, material, wire, paper. Work upwards from a flat surface, layer and stack shapes. Add colour using paint. Incorporate real objects.
  • 52. CREATE A PAINTING Use shapes, images and textures from your research. Combine them inside a simple shape to make a new composition. Add colour and detail using acrylic, or watercolour paints. Add raised details using card, paper and string.
  • 53. CREATE A PAPER MACHE OR MODROC SCULPTURE OR RELIEF Use paper mache or mod roc to build up textures and shapes from your research imagery. You can build a sculpture or 3d relief by creating a skeleton structure in wire – then covering it with layers of paper mache. Add colour using ink and, or paints.
  • 54. CREATE A MIXED MEDIA PAINTING USING YOUR PORTRAIT Use paint, print & collage and drawing to create a self portrait. Use images and textures and colours from your research to create interesting backgrounds and imagery to surround or fill features of your body or face.
  • 55. CREATE AN ASSEMBLAGE PIECE Use collections of real objects and found images or photographs together with painting and drawing. Create a composition inside a box or a hanging sculpture, or a free standing artwork
  • 56. CREATE AN ABSTRACT PAINTING Use overlapping and repeated images from your research to create an abstract design. Add colours and patterns from objects or photographs, or create a personal colour scheme.
  • 57. CREATE A REPEAT PRINTED IMAGE Use imagery from your research to create poly-tile prints, mono-prints and stencils in a range of colours. Cut these out, re-arrange and collage them into a layered composition.
  • 58. CREATE A MIXED MEDIA PRINTED COLLAGE Use a range of printing techniques on different papers to re-create images from your research. Cut these out and layer them with other textures and shapes cut from ink stained paper to create a layered collage.
  • 59. CREATE A LAYERED TEXTURED COLLAGE Use a range of imagery from your research and combine them into a new composition. Use various materials to add colours and textures in layers. Sew into collage, use wire and string, create detail using a range of materials.
  • 60. CREATE A 2D MIXED MEDIA COLLAGE Use images from your research and re-create them using a range of techniques in 2D to make a new composition. Use paint, print, ink-stained paper, patterned paper, news print, magazine imagery. Cut and tear imagery or layer it to make a complex mixed media collage.
  • 61. CREATE AN INTERIOR OR LANDSCAPE Use painting and drawing to create small parts of a landscape or room which you join together to create a disjointed or distorted composition.
  • 62. Developing ideas • Decide what you could make and create a series of experiments using combinations of images, textures and colours from your research so far. • Think about techniques you have already used. • Write notes about what the piece means and how you would make it – how does it reflect the exam title? Where do your ideas come from?
  • 63.
  • 64.
  • 65. observe • Create an observed drawing of an object that relates to your ideas - this can be in any materials of your choice and should fill an A4 page. • You should spend at least 30 minutes on this task.