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Four Graphs, showing Primary Research (Qualtive Data)
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SCREENPLAY - THROUGH HER EYES
Raj used to insult and mistreat his mother when he was younger because she had only one eye. As an adult, Raj argues frequently with his wife and says his mother was a better cook. Raj's daughter is frightened when Raj's mother, now living alone, comes to their door with one eye. Raj yells at his mother to go away. Later, Raj has dreams of his mother crying for help. He goes to her home and discovers from a letter that she donated her eye to him as a child after he lost his own in an accident. Overcome with emotion, Raj breaks down crying in the street, calling out for his mother.
Shot list
This document contains a shot list for the movie "Through Her Eyes" with 51 shots described. The shots include a variety of camera angles, types of shots, movements and notes on the scene or purpose of each shot. Key shots include a close-up of an alarm clock, establishing shots of various locations, medium close-ups of characters playing cricket and arguing, point-of-view shots from different characters, and long shots of the main character driving and walking while crying.
Lighting plan
The document discusses lighting techniques used in films. It explains that there are two main types of lighting: high key and low key. High key lighting has little dramatic effect and is used in upbeat scenes, while low key lighting comprises both bright and dark areas and is used in more tense scenes to create drama or negative emotions. The document provides the example of the film Raincoat (2004), which effectively uses both high key and low key lighting to manipulate the viewer's attitudes and portray different emotions. It also describes how the author of the document similarly used both lighting techniques in their own short film to positively portray outdoor scenes but create a sense of anger and sorrow in indoor scenes through low key lighting.
Character Sketches
This document provides character sketches for a film. It describes 5 main characters:
1. Raj as a child, who resents his mother for having one eye and considers her embarrassing.
2. Adult Raj, the protagonist, who has moved out and has conflicts with his wife and ignores his daughter.
3. Raj's mother, who loves her son unconditionally and donated her eye to him as a child.
4. Raj's wife, who argues frequently with her husband but takes good care of their daughter.
5. Their daughter Maliha, who gets upset by her parents' fights and spends time with both parents.
Film treatment
Raj hated his mother because she had only one eye, which made him ashamed of her. As an adult with a family of his own, Raj was still disrespectful towards his mother when she visited. After having a nightmare where his mother cries out to him, Raj decides to apologize. However, he discovers that his mother has passed away. A note reveals that she donated her eye to Raj as a child to replace the one he lost in an accident, showing her deep love for him, though he failed to appreciate her. Raj is overcome with grief and regret for his past mistreatment of his mother.
Target Audience Research Questionnaire- Responses
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Film Referencing
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2. Swades is a 2004 film about an Indian man named Mohan who works for NASA but returns to his village in India to find his nanny. He witnesses the poverty and social issues plaguing the village and works to make improvements. However, he ultimately must return to the US, feeling a greater responsibility to help improve conditions in
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Industry Research: Bollywood
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Editing note
The filmmaker used various editing techniques including dip to white and dip to black video transitions between most frames to make the video more coherent. Fast, low-pitched background music was used when Charlie was alone to build audience interest, and fast-paced music during the scene where Charlie realizes he needs to run from the witch was intended to convey what the character was feeling. Voice-over was dubbed for Charlie's recitation of a magic spell. Basic tools like razor cuts were also used to edit clips, and audio mixer controlled the background music and voice-over levels.
Shooting schedule
The shooting schedule outlines 3 days of filming with scenes being shot on the 24th, 25th, and 26th of February 2015. On the 24th, Scene 1 would be filmed from 12:00 PM to 2:30 PM. Scene 2 would be filmed on the 25th from 12:00 PM to 2:30 PM. Finally, Scene 2 would continue filming on the 26th from 1:00 PM to 1:55 PM.
Location pictures
This document discusses location pictures. Photographs taken at specific locations can provide useful context and information. Sharing location pictures allows others to see images from that place to learn more about it.
Mise-en-scene note
Mise-en-scene refers to all the visual elements that appear within a film frame, including costumes, props, lighting, and setting, which help characterize the people and stories filmed. It describes everything visible in a scene and how it is arranged. For example, a witch's clothes and a candle shown together portray a character as a witch, while notebooks in a character's hand portray them as a nerdy student. Choice of location can also provide context, like a college setting suggesting students working on projects or socializing.
Character sketch shan
Charlie is a studious teenage boy who likes to get good grades but often feels scared when alone. He spends free time studying and has no friends. A witch haunts Charlie's college floor; she is the ghost of a woman in her 20s wearing white clothes and holding a lit candle, with messed hair and swollen eyes who seems terrified and tries to approach Charlie, scaring him as her dead soul.
Shot list
The document is a shot list for the movie "The 4th Floor" containing 29 shots ranging from establishing shots, wide shots, medium shots, close-ups, and point-of-view shots. The shots include different angles, movements, and notes describing what is happening in each scene such as characters performing experiments, writing notes, picking up pens, experiencing headaches, fainting, waking up, seeing ghosts, running, and entering an elevator.
Lighting plan
Low-key lighting is mainly used in horror films to create tension through dim, shadowy scenarios that reveal characters and surroundings in a mysterious, dark atmosphere. The document discusses how low-key lighting sets the tone and mood for danger by keeping backgrounds dark and dim. It also explains that the filmmaker used natural low-key lighting by blocking light on one side to create a feeling of fear and suspense as a witch haunts the main character, enhancing the tension and suspense throughout the film.
Film treatment..
Charlie, an antisocial college student, finds a scrap of paper with a magic spell. When he recites the spell, he falls unconscious. He awakens to the voice of a witch calling his name and realizes he is alone in the empty college. As he flees in an elevator, the lights go out and Charlie screams, suggesting he has encountered the witch or some other threat. The film will follow Charlie as he is tormented by a witch and tries to escape her in an empty college building.
Film treatment
Charlie, an antisocial college student, finds a scrap of paper with a magic spell. When he recites the spell, he falls unconscious. He awakens to the voice of a witch calling his name and realizes he is alone in the empty college. As he flees in an elevator, the lights go out and Charlie screams, suggesting he has encountered the witch or some other threat. The film follows Charlie as he is tormented by a witch and tries to escape her in an empty college building.
Film treatment
Charlie, a nerdy college student, is bullied by Tony and his gang who take and toss around Charlie's glasses. When Charlie retrieves them from under furniture, he finds a scrap of paper with a magic spell. Upon reading it, Charlie passes out and wakes to strange occurrences - he is called by a witch and chased by a ghostly little girl. As Charlie searches for answers, signs point to "Help Me!" written in blood, with the witch emerging behind him.
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Camera shots and angles
- 3. LONG SHOT
- 10. OVER THE SHOULDER SHOT
- 11. POINT OF VIEW SHOT
- 12. TWO-SHOT
- 13. WIDE SHOT
- 14. LOW ANGLE SHOT