Tim marrs
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Tim Marrs is an illustrator who graduated from Central St Martins Art School. He has created work for several clients including Audi, Rihanna, KFC, and Nike. His styles draws from American pulp and pop culture and uses bold colors associated with his clients' brands. He uses a variety of techniques including drawing, photography, print, and digital media.
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Tim marrs presentation
This document contains information about graphic designer Tim Marrs, including his educational background and experience. It discusses some of his client work for brands like Nike and Bentley, analyzing the design techniques used. The document also examines one of Marrs' pieces of artwork about the evolution of electric cars. It provides details on the imagery, colors, and layered elements used to convey the abstract concept. Overall, the document profiles Tim Marrs' background and style as a graphic designer known for digital collage work and bold color palettes.
Tim marrs presentation
This document provides background information on Tim Marrs, a graphic designer. It summarizes Marrs' educational background and lists some of the clients he has worked for, including Nike, Bentley, and Amare. The document also analyzes and describes several pieces of Marrs' artwork, focusing on his use of techniques like digital collage, layered imagery, and bold colors. It discusses how his work is inspired by other designers and influenced by styles like American pop culture, Polish film posters, and pop art.
Presentation - Tim Marrs
This document provides background information on Tim Marrs, a graphic designer. It summarizes Marrs' educational background and lists some of his clients, which include Nike Asia and Bentley. It then analyzes and describes several pieces of Marrs' artwork, focusing on his use of techniques like digital collage, layered imagery, and bold colors. The document also lists some of Marrs' inspirations and influences, such as Christian Northeast, Clayton Brothers, David Hughes, American Pop Culture, Polish film posters, and Pop Art.
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Our teaser trailer follows conventions of existing romantic genre trailers to appeal to our target audience. We used close-up shots to emphasize emotion, whip pans to suggest a dreamy atmosphere, and two shots to indicate relationships between characters. The settings, props, colors, clothing, and lighting were chosen based on romantic genre conventions to help audiences identify the genre. Soft, slow editing and blurred backgrounds were used to build a wistful atmosphere, while upbeat music emphasized emotions and supported the acting. Sound effects helped build settings and create realism.
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Tim marrs presentation
This document contains information about graphic designer Tim Marrs, including his educational background and experience. It discusses some of his client work for brands like Nike and Bentley, analyzing the design techniques used. The document also examines one of Marrs' pieces of artwork about the evolution of electric cars. It provides details on the imagery, colors, and layered elements used to convey the abstract concept. Overall, the document profiles Tim Marrs' background and style as a graphic designer known for digital collage work and bold color palettes.
Tim marrs presentation
This document provides background information on Tim Marrs, a graphic designer. It summarizes Marrs' educational background and lists some of the clients he has worked for, including Nike, Bentley, and Amare. The document also analyzes and describes several pieces of Marrs' artwork, focusing on his use of techniques like digital collage, layered imagery, and bold colors. It discusses how his work is inspired by other designers and influenced by styles like American pop culture, Polish film posters, and pop art.
Presentation - Tim Marrs
This document provides background information on Tim Marrs, a graphic designer. It summarizes Marrs' educational background and lists some of his clients, which include Nike Asia and Bentley. It then analyzes and describes several pieces of Marrs' artwork, focusing on his use of techniques like digital collage, layered imagery, and bold colors. The document also lists some of Marrs' inspirations and influences, such as Christian Northeast, Clayton Brothers, David Hughes, American Pop Culture, Polish film posters, and Pop Art.
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The document discusses different techniques for creating the illusion of space and narrative in artwork, including using linear networks, value, color, and linear perspective to depict space, as well as using a series of sequential images to tell a story visually through a multiple image narrative.
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The document summarizes the creative process behind a second film poster. Key details include enhancing the model's makeup and hair to connect her visually to the first model and imply a shared past or intentions. Texture, tagline, title, and review elements were carried over from the first poster for synergy while adjusting colors and cropping for consistency across the two pieces.
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Our teaser trailer follows conventions of existing romantic genre trailers to appeal to our target audience. We used close-up shots to emphasize emotion, whip pans to suggest a dreamy atmosphere, and two shots to indicate relationships between characters. The settings, props, colors, clothing, and lighting were chosen based on romantic genre conventions to help audiences identify the genre. Soft, slow editing and blurred backgrounds were used to build a wistful atmosphere, while upbeat music emphasized emotions and supported the acting. Sound effects helped build settings and create realism.
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The document analyzes the title sequence of the film "Avengers Assemble." It notes that the bold, squared font and silver color set an action-oriented tone. Bright colors and tense, loud backing music keep the audience engaged and convey the action/adventure genre. Images change with sudden music shifts to maintain interest. Character costumes are briefly revealed to hint at superheroes' roles and create intrigue for those unfamiliar. Dark colors, lighting, and shots establish moods of action, mystery, and suspense. The introduction of characters through associated icons gives the audience a brief sense of each actor's role while setting a tense atmosphere through music and quick camera movements.
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This document summarizes a learning activity where students used Microsoft Paint to create digital paintings in the style of Claude Monet. The students:
1) Used the airbrush tool to create landscape backgrounds and tree stamps.
2) Copied and pasted tree stamps onto the background layer, dragging them to desired locations.
3) Used tools like selection, copying, pasting, and flipping to add reflections to the water.
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留信网认证的作用:
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2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
2024 MATFORCE Youth Poster Contest Winners
This document announces the winners of the 2024 Youth Poster Contest organized by MATFORCE. It lists the grand prize and age category winners for grades K-6, 7-12, and individual age groups from 5 years old to 18 years old.
All the images mentioned in 'See What You're Missing'
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一比一原版(UniSA毕业证)南澳大学毕业证成绩单如何办理
UniSA毕业证【微信95270640】（南澳大学毕业证高仿学位证书((+《Q微信95270640》))）购买UniSA毕业证修改UniSA成绩单购买南澳大学毕业证办UniSA文凭办高仿毕业证南澳大学毕业证购买修改成绩单挂科退学如何进行学历认证留学退学办毕业证书/ 出国留学无法毕业买毕业证留学被劝退买毕业证（非正常毕业教育部认证咨询） University of South Australia
办国外南澳大学南澳大学毕业证假文凭教育部学历学位认证留信认证大使馆认证留学回国人员证明修改成绩单信封申请学校offer录取通知书在读证明offer letter。
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1南澳大学毕业证+成绩单+留学回国人员证明+教育部学历认证（全套留学回国必备证明材料给父母及亲朋好友一份完美交代）;
2雅思成绩单托福成绩单OFFER在读证明等留学相关材料（申请学校转学甚至是申请工签都可以用到）。
3.毕业证 #成绩单等全套材料从防伪到印刷从水印到钢印烫金高精仿度跟学校原版100%相同。
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国外南澳大学南澳大学毕业证假文凭办理过程：
1客户提供办理信息：姓名生日专业学位毕业时间等（如信息不确定可以咨询顾问：我们有专业老师帮你查询）；
2开始安排制作毕业证成绩单电子图；
3毕业证成绩单电子版做好以后发送给您确认；
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6快递给客户（国内顺丰国外DHLUPS等快读邮寄）。让我们的父母幸福快乐地度过一生挽着清风芒耀似金的骄阳如将之绽放的花蕾一般静静的从远方的山峦间缓缓升起这一片寂静的城市默默的等待着它的第一缕光芒将之唤醒那飘散在它前方的几层薄云像是新娘的婚纱一般为它的光芒添上了几分淡淡的浮晕在悄无声息间这熙和的阳光默默的照射在大地上像是母亲的手轻轻抚摸熟睡中的孩子般柔情似水五月的盛夏从这一缕柔情中揭开了第一抹的清香清晨本是繁华喧闹的街道此时只有稀薄的人群围着冒着层聋
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Tim marrs
- 1. Tim Marrs Max Lyndon & Laura Sullivan
- 2. Background & History Tim graduated from Central St Martins Art School and now lives on she south coast of England. He quoted “move to London, share a studio, travel and then move to the seaside….. it worked for me ; )”. His works have won many awards from American Illustration and the Association of Illustration images: the Best of British Illustration
- 4. Client/Audi Tim’s work for Audi was a motion piece which portrayed a race final. It was a combination of digital and hand drawn imagery which was cleverly composed to form an interesting animation.
- 5. Client/Rihanna His piece for Rihanna was an animation that depicted her tour book. This motion featured splashes of colour which created focus points throughout the animation.
- 6. Client/KFC He created a number advertisement pieces for KFC. The vibrant colours in this piece have been cleverly used and can be associated with the brand.
- 7. Client/Nike His work for Nike was an advertising campaign and the bold orange colour is often associated with the Nike tick.
- 8. Tim has created a number of editorial pieces for a variety of clients. This piece works well as the planes represent a country, and the flags support this. The images represent travel with bold colours being used. The red is a warm colour which represents holidays, travelling and warm weather
- 9. Inspiration A few of his inspirations are the Clayton Brothers, David Hughes and Christian Northeast
- 10. Techniques Tim Marrs uses drawing, photography, print and digital techniques in his work, he draws attention on American pulp and pop culture and uses this throughout as part of his style. Tim also claims to have an ‘adaptable style.’
- 11. Slash Bold colours are used with the black and dark blue, these dark colours make the sparks from the train, the moon and the cigarette stand out. The imagery is very abstract with train having a skull face The hierarchy is the train first with slash and the moon behind it. When you look closer you can see the skulls hair turns into tree branches The technique he used was illustrator on a computer Max
- 12. Person with a guitar
- 13. Person with a guitar The colours in this piece are very bold and contrast well with one another. By using a yellow behind the head, it creates a main focal point for the image and the warm orange tones contrast well alongside the blues. The imagery in this piece consists of photographs which have been layered. Tim has almost created a hierarchy structure in which the head has been made to be a focal point and stand out the most against other imagery. The main techniques in this piece consist of layering and collage. By using a number of images related to music Tim easily communicates the idea of this piece being music related. As well as this he has used texture which creates a sense of a hand made element. The most successful element in this piece is the use of colors which ties all the images together. I also think the shape work is really effective as it draws attention to the central image. Laura