dr Nemanja Davidović, Prirodno-matematički fakultet, Departman za geografiju, turizam i hotelijerstvo
CRINSS 2013 Creative Industries Conference, Novi Sad, Serbia
Konferencija kreativnih industrija
Most of the time, you travel to discover new places. What if you could discover another side of you during your journey? Through creative tourism experiences, visitors to Thailand can expect life-enriching lessons that reveal undiscovered parts of themselves. Enrich your life through experiential activities.
www.discovertheotheryou.com
Global Sustainable Tourism Council (GSTC) Overview - Updated March 2014Randy Durband
The GSTC is the leader in developing and managing global standards for what is called "sustainable" in travel and tourism.
This presentation provides a brief overview of current activities. See also our website gstcouncil.org
dr Nemanja Davidović, Prirodno-matematički fakultet, Departman za geografiju, turizam i hotelijerstvo
CRINSS 2013 Creative Industries Conference, Novi Sad, Serbia
Konferencija kreativnih industrija
Most of the time, you travel to discover new places. What if you could discover another side of you during your journey? Through creative tourism experiences, visitors to Thailand can expect life-enriching lessons that reveal undiscovered parts of themselves. Enrich your life through experiential activities.
www.discovertheotheryou.com
Global Sustainable Tourism Council (GSTC) Overview - Updated March 2014Randy Durband
The GSTC is the leader in developing and managing global standards for what is called "sustainable" in travel and tourism.
This presentation provides a brief overview of current activities. See also our website gstcouncil.org
1. The Tourism Industry
2. Classic Tourism Development Theories
3. Ideal Sustainable Tourism Development
4. Issues in Tourism Development
5. Some Possible Solutions
In the fast moving developmental world the new form ‘smart tourism’ become more popular globally. The technological advancement and immense use of ICT in tourism directs smart tourism in that direction only, even it has some other dimensions. Although the previous researches defined the term smart tourism, the aspects like destination smartness, tourist and stakeholder’s smartness need to be focused for the better achievement of the goal. Smart tourism also directs towards the innovative use of technology in resource optimisation, sustainability, good governance and quality of life in the tourism industry. This paper defines the smart tourism and its practices in Indian context putting light on tourism trends, information services and the other aspects.
Smart tourism is a rapid growing concept in the developed countries moreover in the developed smart cities. The model of smart city also adopted in India to progress the nation from different aspects. The temple city ‘Bhubaneswar’ achieved number one rank in the smart city project initiated by Govt. of India, also the fastest growing city in eastern coast of India. From the ancient times the city has significant name tourism and in recent years the potentialities growing enormously. The conceptual study focuses on the smart tourism practices in the smart city and importantly the prospects and challenges come in the way of smart tourism also discussed. This paper extends the previous researches on smart tourism and draws attention for further study on smart tourism development and management.
Tourism and visitor management in protected areas: visitor management tools a...Anna Spenceley
This presentation shares information on visitor management tools that move away from the question of "How many visitors is too many?" towards "What are the desired conditions?" (i.e. It shares links to key resources that can help managers decide which tools are best for them to use.
Pengembangan Kepariwisataan dan Ekonomi Kreatif Nasional 2013Andrie Trisaksono
Pengembangan Kepariwisataan dan Ekonomi Kreatif Nasional 03.04.2013
oleh Drs. Ukus Kuswara, MM
SEKJEN Kementerian Pariwisata & Ekonomi Kreatif
(materi ini adalah milik Kementerian Parekraf, saya upload hanya untuk membantu mensebar luaskannya saja).
1. The Tourism Industry
2. Classic Tourism Development Theories
3. Ideal Sustainable Tourism Development
4. Issues in Tourism Development
5. Some Possible Solutions
In the fast moving developmental world the new form ‘smart tourism’ become more popular globally. The technological advancement and immense use of ICT in tourism directs smart tourism in that direction only, even it has some other dimensions. Although the previous researches defined the term smart tourism, the aspects like destination smartness, tourist and stakeholder’s smartness need to be focused for the better achievement of the goal. Smart tourism also directs towards the innovative use of technology in resource optimisation, sustainability, good governance and quality of life in the tourism industry. This paper defines the smart tourism and its practices in Indian context putting light on tourism trends, information services and the other aspects.
Smart tourism is a rapid growing concept in the developed countries moreover in the developed smart cities. The model of smart city also adopted in India to progress the nation from different aspects. The temple city ‘Bhubaneswar’ achieved number one rank in the smart city project initiated by Govt. of India, also the fastest growing city in eastern coast of India. From the ancient times the city has significant name tourism and in recent years the potentialities growing enormously. The conceptual study focuses on the smart tourism practices in the smart city and importantly the prospects and challenges come in the way of smart tourism also discussed. This paper extends the previous researches on smart tourism and draws attention for further study on smart tourism development and management.
Tourism and visitor management in protected areas: visitor management tools a...Anna Spenceley
This presentation shares information on visitor management tools that move away from the question of "How many visitors is too many?" towards "What are the desired conditions?" (i.e. It shares links to key resources that can help managers decide which tools are best for them to use.
Pengembangan Kepariwisataan dan Ekonomi Kreatif Nasional 2013Andrie Trisaksono
Pengembangan Kepariwisataan dan Ekonomi Kreatif Nasional 03.04.2013
oleh Drs. Ukus Kuswara, MM
SEKJEN Kementerian Pariwisata & Ekonomi Kreatif
(materi ini adalah milik Kementerian Parekraf, saya upload hanya untuk membantu mensebar luaskannya saja).
Eastern Ontario is in the heart of the largest economy in Canada, the 5th largest in North America and 12th largest in the world.* This geographic position presents tremendous mega-region trading opportunities in the new creative economy.
The broad theme of this paper is on the relations between creative economy and economic diplomacy in the Indonesian context. The paper believes that creative economy is a valuable asset in Indonesian economic diplomacy, besides other more established sectors, inter alia trade, investment, tourism, and services. The contribution of creative economy to the economic growth of Indonesia is evident from its share to the GDP growth, workforce absorption, and export balance. Furthermore with the establishment of the Ministry of Tourism and Creative Economy (being the first of its kind in the world), creative economy is also in synergy with the tourism sector in strengthening and promoting each other.
This paper recognized that in the venture of advancing creative economy, several challenges exist and if not carefully managed, they will shroud and hinder the creative economy to rise to a higher notch. Indeed there has to be a comprehensive approach to optimize the development of creative economy; including the creative ideas, creative technology, creative industries, and human resources. Furthermore, market penetration and access to financing have to be expanded.
Despite the current challenges that are still faced by the creative economy sector, the opportunity is still promising. The potency of the external market has not been fully utilized. In this regard, greater focus and attention for strategies to penetrate these markets, both in the traditional markets as well other countries as the nontraditional market are crucial. In addition to this, creative economy could play a very important role in promoting national tourism, including local culture and wisdom to the international audience.
On the recommendation part, this paper put forward ideas in the form of thirteen strategies to be considered by policy makers, as well as for diplomats posted in Indonesian Embassies/Consulate Generals abroad in doing their function in the economic and/or socio-culture sections, by emphasizing the synergy between the Ministry of Foreign Affairs and the Ministry of Tourism and Creative Economy.
Bali – international gateway for Indonesia creative industryAndi Boediman
Bali is a true destination brand. And Bali can become a brand by itself. This presentation explore the thesis why Bali is potentially can become the gateway for Indonesia creative industry.
There would be no future Destination Jacmel if it were not for the past that shaped its landscape and left a rich and textured patrimoine, the ever-present history and colonial buildings whose doors stand ready to open today. Aiyti, land of tall mountains and Jakmèl, its southern coastal capital, have been home to Taino, Spanish, Africans and French, a stage for Toussaint Louverture and Alexandre Pétion, and a fertile ground for tobacco, cane, sugar, indigo, cigars, coffee...and a multi-faceted artistry that expresses itself with startling originality in every medium.
Ekonomi Kreatif: Kekuatan Baru Indonesia Menuju 2025Andrie Trisaksono
Versi yang lebih baru bisa dilihat disini: http://www.slideshare.net/andrietrisaksono/rencana-aksi-jangka-menengah-ekonomi-ereatif-20152019
Buku ini adalah milik Kementerian Pariwisata dan Ekonomi Kreatif, boleh disebar luaskan, namun dilarang di perjual belikan. sumber indonesiakreatif.net
Digitalpreneur as indonesia’s new economic pillar jurry hatammimiJurry Hatammimi
Presented @ THE 36TH FEDERATION OF ASEAN ECONOMIC ASSOCIATIONS (FAEA) CONFERENCE, Malaysia 2011.
Abstract :
One of impact of the global financial crisis in Indonesia is the high number of unemployment. There is no other way to make unemployment to get a job, unless they become entrepreneur. Refer to the availability of unlimited real-time access to information as one of the characteristics of globalization and huge potential of human resource, open opportunities for Indonesia to become a producer of professional manpower in the field of Information and Communications Technology, especially the content business. Therefore it can also emerge new entrepreneurs in the content business, which known as digitalpreneur.
This paper provides a descriptive research with objectives to describe the situation of Indonesia digitalpreneur nowadays as a new promising entrepreneurship field. The description uses three approaches, the development of Indonesia digitalpreneur, digitalpreneur as a part of creative industry sector and digitalpreneur as Micro, Small, and Medium Enterprises.
Considering the various potentials, Indonesia is expected not only as user of the internet but also as internet-based business player. Business content with creative and dynamic young people as the driver is expected to become Indonesia's new economic pillar.
Day 1 - Culture & jobs: rescue, support, unleashOECD CFE
Virtual meeting entitled, "Culture & jobs: rescue, support, unleash" from 27-28 January 2021 as part of the CULTURE, CREATIVE SECTORS AND LOCAL DEVELOPMENT Policy webinar series. Providing evidence and guidance to cities and regions on ways to maximize the economic and social impact of culture and support the creative economy.
Presentation by Peter Nijkamp in cooperation with
Karima Kourtit
Advanced Brainstorm Carrefour (ABC): ‘Smart People in Smart Cities’ Matej Bel University, Banská Bystrica, Slovakia (August, 2016)
Sustainable Livelihood
Poverty Alleviation
Uplift of Rural Artists
Uplift of Rural Artisans
Empowerment of Women
Improvement in Urban and Rural Infrastructure
Better Image, Quality of Life and Attitude of People
Revival of Traditional Crafts
Heritage Conservation
Conservation of Natural Resources
Marco Kamiya in Medellin World Urban Forum Productive Transformation in Quito...Marco Kamiya
This networking event at the World Urbam Forum in Medellin discussed productive development policies related with Productive Transformation and Equity in six different cities of Asia, Africa and Latin America, and plus the Case of Bogota. The event was organized by CAF in coordination with UN Habitat and UN ESCAP. The main focus was on policies, and the discussion and subsequent publication of the proceedings seeks to strengthen cities’ approach to productive transformation as well as contribute to CAF´s Competitive Cities and Cities with Future programs in progress in Latin America.
The Department of Commerce has determined the economy in the creative industry into 14 (fourteen) sectors: (1) advertising
services, (2) architecture, (3) art and antiques market, (4) craft, (5) design, (6) fashion, (7) video, film and photography, (8)
interactive games (9) music, (10) performing arts, (11) publishing and printing, (12) computer and software services, (13)
television and radio, (14) research and development. Mapping of creative industrial areas is done so that the process of guidance
and distribution of assistance from local and central government and the management of the creative industries from each regi on
focused so that the regions have characteristics in producing the creative industry and can compete in the current era of
globalization. Creative industry in Indonesia began to mushroom in 2007, but many people still do not understand what sectors are
included into the creative industry and its development. With so many people's lack of understanding of the creative industry, it
makes its own homework for the government to socialize the creative industries so that the government seeks to map the creative
industries in Indonesia. Though the creative industry is able to contribute greatly to the Gross Domestic Product (GDP) of an area
and create jobs.
This study aims to further understand the characteristics of creative industries, as well as to identify the constraints and
opportunities faced by creative industry players in Indonesia. To identify and analyze the creative industries used 4 quadrant
statistical methods Location Quadrant (LQ) and Dynamic Location Quotient (DLQ). This study uses secondary data of large and
medium industry statistics as well as small and micro industries in 2010-2013 at Provincial level obtained from the Central Bureau
of Statistics (BPS).
The results of this mapping study will provide a general overview of the creative industries sector that has competitiveness in
every region or province in Indonesia.
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The Cherry Blossom season in Hunza begins in the second week of March and lasts until the end of April, varying with altitude. During this enchanting period, tourists from around the world flock to Hunza Valley to witness its transformation into a vibrant tapestry of white, pink, and green. The valley comes alive with cherry blossoms, creating a picturesque and mesmerizing landscape that captivates visitors.
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1. Creative Industry in Indonesia
Its
Profiles
and
How
it
Works
for
Tourism
Development
Henky
Hermantoro
henkyhermantoro@yahoo.com
A
Regional
High-‐Level
Forum
on
Intellectual
Property
and
Creative
Industries
World
Intellectual
Property
Organization
(WIPO)
in
cooperation
with
The
Malaysian
Intellectual
Property
Cooperation
(MyIPO)
Kuala
Lumpur,
11-‐14
December
2013
3. INDONESIA
courtesy: indonesia-peta.blogspot.com
Consists
of
more
than
17,000
islands
The
area
is
about
1.9
million
sqkm
of
land
and
3.1
sqkm
of
sea
It
ranges
of
5,271
km/3,275
mile
East
to
West,
and
2,210
km/1,373
mile
North
to
South
It
consists
of
34
provinces
and
almost
500
local
governments
Its
population
is
more
than
240
million
It
has
more
than
300
ethnic
groups
with
their
own
unique
local
cultures
and
language
4. THE IMPORTANCE ON DEVELOPING CREATIVE ECONOMY
IN INDONESIA
Economic
contribution
GDP,
job
creation,
export
Social
consequences
quality
of
life,
welfare
equality,
social
tolerance
Why
creative
economy?
Innovation
&
creativity
idea
&
creative
thinking,
value
creation
Business
climate
new
business
creation,
chain
reaction
for
other
sectors,
marketing
Nation’s
image
&
identity
tourism,
national
icon,
creating
value
for
local
culture
&
heritage
Renewable
resources
based
on
knowledge
&
creativity,
green
community
Source:
Ministry
of
Trade
(2008).
The
Development
of
Creative
Economy
in
Indonesia
2025
5. THE IMPORTANCE ON DEVELOPING TOURISM IN
INDONESIA
Economic
contribution
GDP,
job
creation,
export,
multiplier
effect
Social
consequences
quality
of
life,
welfare
equality,
social
tolerance
Business
climate
local
wisdom,
strengthening
community
Why
tourism?
Self
actualization
tourist
satisfaction,
community
satisfaction
Nation’s
image
&
identity
competitiveness,
uniqueness,
national
proudness
Sustainability
economy,
socio
cultural,
environment
6. THE RESPONSIBILITIES
2009
2008
the
study
2011-‐now
Year
of
Creative
Industry
The
establishment
of
Ministry
of
Tourism
and
Creative
economy
Ministry
of
Trade
Ministry
of
Tourism
and
Creative
Economy
Creative
Industry
Creative
Industry
Tourism
Tourism
Ministry
of
Culture
and
Tourism
Ministry
of
Trade
Ministry
of
Industry
Ministry
of
Cooperation
and
SMEs
Ministry
of
Culture
and
Education
Ministry
of
Justice
and
Human
Rights
Creativity-Based
Tourism
7. VISION
TOURISM AND CREATIVE ECONOMY 2012-2014
To
realize
the
welfare
and
quality
of
life
of
the
people
by
promoting
tourism
and
creative
economy
10. SUB SECTORS IN
CREATIVE INDUSTRY
ADVERTISING
ARCHITECTURE
ART & ANTIQUE MARKET
CRAFT
DESIGN
FASHION
FILM, VIDEO & PHOTOGRAPHY
INTERACTIVE GAMES
MUSIC
PERFORMING ARTS
PRINTING & PUBLISHING
IT CONSULTANT & SOFTWARE
RADIO & TV
RESEARCH & DEVELOPMENT
CULINARY
11. THE CONTRIBUTION TO GDP 2012
G
D
P
IDR
8,309,574.5
billion
Trade,
hotel,
restaurant
Transportation
&
communication
6.5%
10.9%
Construction
10.4%
Electricity,
gas,
water
0.7%
6.7% Finance,
real
estate,
corporate
services
10.3% Services
Processing
industry 20.8%
6.9%
Creative
industry
(IDR
573,890.7
billion)
Mining
&
quarrying 12.3%
Source:
Ministry
of
Tourism
and
Creative
Economy
(2012).
Strategic
Plan
2012-‐2014.
14.4%
Agriculture,
livestock,
forestry,
fishery
12. THE CONTRIBUTION TO
EMPLOYMENT 2012
EMPLOYMENT
110,808,154
people
Transportation
&
communication
4.4%
Trade,
hotel,
restaurant
15.9%
2.3% Finance,
real
estate,
corporate
services
14.7% Services
Construction 6.1%
Electricity,
gas,
water 0.2%
Processing
industry 9.2%
Creative
industry
10.6% (11,799.568
people)
1.4%
Mining
&
quarrying
35.1%
Agriculture,
livestock,
forestry,
fishery
Source:
Ministry
of
Tourism
and
Creative
Economy
(2012).
Strategic
Plan
2012-‐2014.
13. NUMBER
OF
ENTERPRISES
55,536,646
units
THE CONTRIBUTION TO NUMBER
OF ENTERPRISES 2012
Trade,
hotel,
restaurant
17.59%
0.51% Mining
&
quarrying
5.08% Services
9.72%
Creative
industry
(5,398,162
units)
0.80% Construction
Finance,
real
estate,
corporate
1.63%
services
5.45% Transportation
&
communication
55.98%
Agriculture,
livestock,
forestry,
fishery
Source:
Ministry
of
Tourism
and
Creative
Economy
(2012).
Strategic
Plan
2012-‐2014.
Electricity,
gas,
water
0.04%
3.20% Processing
industry
14. CREATIVE INDUSTRY 2012
SUB SECTORS COMPOSITION GDP (%)
1.6% IT
consultant
&
software
Interactive
games 0.7%
Music 0.8%
3.1% Radio
&
TV
Printing
&
publishing
1.9% R
&
D
7.8%
Performing
art 0.4%
Film,
video,
photography 1.3%
32.3% Culinary
Fashion 28.7%
CREATIVE
INDUSTRY
(IDR
573,890.7
billion/
6.91%
nat’l)
Design 3.8%
0.5% Advertising
0.3%
Art
&
antique
2.0% Architecture
market
Craft 14.7%
Source:
Ministry
of
Tourism
and
Creative
Economy
(2012).
Strategic
Plan
2012-‐2014.
15. CREATIVE INDUSTRY 2012
EMPLOYMENT (%)
Music 0.5%
0.7% Performing
art
4.3% Printing
&
publishing
0.6% IT
consultant
&
software
Interactive
games 0.2%
0.1% R
&
D
1.1% Radio
&
TV
Film,
video,
photography 0.5%
31.7% Culinary
Fashion 32.3%
EMPLOYMENT
11,799,568
people
(10.65%
nat’l)
0.1% Art
&
antique
market
0.2% Advertising
Design 1.4%
0.4% Architecture
26.1% Craft
Source:
Ministry
of
Tourism
and
Creative
Economy
(2012).
Strategic
Plan
2012-‐2014.
16. CREATIVE INDUSTRY
SUB SECTOR GROWTH 2006 AND 2012 (%)
15.0
11.98
8.27
5.8
5.0
5.7
3.3
5.6
2.8
1.8
6.8
7.59
5.1
6.78
1.7
1.2
9.4
7.54
5.23
2.7
4.28
3.5
6.4
5.03
6.2
5.48
3.8
-‐3.3
-‐4.43
-‐5.0
-‐7.44
-‐15.0
2012
-‐20.8
Culinary
research
&
development
Radio
&
TV
IT
consultant
&
software
Printing
&
publishing
Performing
arts
Source:
Ministry
of
Tourism
and
Creative
Economy
(2012).
Strategic
Plan
2012-‐2014.
music
interactive
games
Film,
video,
photography
Fashion
Design
Craft
Art
&
antiques
market
Architecture
Advertising
-‐25.0
2006
18. THE TYPOLOGY OF CREATIVE
INDUSTRY
Related
industries
dependent
on
art
and
culture
e.g.
tourism
Cross
over
industries
e.g.
publishing,
radio
and
TV
entertainment
and
professional
sport
Art
and
culture
industries
e.g.
art,
music,
fashion
design,
writing,
and
craft
Creative
workers
e.g.artists,
musicians,
fashion
designers,
writers
and
craftsmen
Source:
Jorgen,
R.,
et
al.
(2010).
New
Cluster
Concepts
Activities
in
Creative
Industries.
Copenhagen:
FORA,
p.
4.
19. THE TOURISM AND CREATIVE INDUSTRY
HOW THEY WORK
Improving
the
quality
of
the
product
Tourism
2011
Employment
8.5
million
GDP
contribution
4%
Creating
tourist
attractions
Creative
economy
Promotion
Promotion
Source:
Ministry
of
Tourism
and
Creative
Economy
(2012).
Strategic
Plan
2012-‐2014.
2011
Employment
11.7
million
GDP
contribution
7%
20. THE NEW ECONOMY PARADIGM
THAT INFLUENCES TOURISM
Agricultural
revolution
(8)
Agricultural
economy
Industrial
revolution
(1780-‐1840)
Post-‐industrial/
mass
production
(mid
1900s)
Industrial
economy
Service
economy
Digital
revolution
(1970-‐1990)
Knowledge
economy
Information
economy
Pleasure-‐based
tourism
Service-‐based
tourism
Creative
revolution
(2010-‐)
Creative
economy
Knowledge-‐based
tourism
21. THE TOURISM AND CREATIVE INDUSTRY
HOW THEY WORK
Intangible
Knowledge-‐based
tourism
(e.g.creative
tourism)
Service-‐based
tourism
(e.g.
cultural
and
heritage
tourism)
Tangible
Tourism
resources
Pleasure-‐based
tourism
(mass
tourism,
e.g.
sand-‐sun-‐sea
tourism)
Type
of
tourism
Knowledge
economy
Service
economy
Industrial
economy
Process
of
change
22. THE CREATIVITY-BASED TOURISM
Creativity-‐based
tourism
Tourism
Community
Tourism
products
e.g.
accommodation,
restaurants,
guides,
travel
bureaus,
etc
(13
types)
Creative
workers
Creative
products
e.g.
artists,
musicians,
fashion
designers,
writers
and
craft
etc.
(15
sub
sectors)
Creative
tourism
Creative
Action
(active)
Tourist
Interactive
process
Experience
(passive)
Cultural
tourism
23. THE CREATIVITY-BASED TOURISM
HOW IT WORKS
Creative
workers
Tourism
community
forum
Tourism
community
enterprises
Creativepreneur
Development
Private
Creative
environment
Empowerment
Business
environment
Government