Portrait assignment, step one
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This document discusses different approaches that artists have taken to self-portraiture throughout history. Some artists have taken very formal approaches that reveal little about the artist, while others have used self-portraiture to explore emotions or provide psychological insight. Additional approaches include idealizing or dramatizing oneself, incorporating significant objects, depicting oneself as something else, or portraying only a portion of the self. A wide range of styles and levels of expression are seen across the many self-portrait examples provided.
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History of self portraiture
Artists began creating self-portraits in the 15th century to depict themselves as subjects or important characters in their work. With more accessible mirrors, many painters, sculptors, and printmakers experimented with self-portraiture. Albrecht Dürer was one of the first to systematically create self-portraits at different ages over his lifetime, establishing self-portraiture as an artistic genre. Since then, many other notable artists like Rembrandt, Van Gogh, Frida Kahlo, and Lucian Freud have also used self-portraiture to represent themselves at various stages of their lives.
The self portrait
Self-portraits allow artists to freely explore and experiment without restrictions from patrons. They serve as intimate personal legacies and a form of self-promotion. Van Gogh and Kahlo created many self-portraits to study facial structures and express inner emotions and experiences. Sherman transforms herself through costumes and makeup in self-portraits that examine identity. Self-portraits reveal an artist's character, background, thoughts, and feelings.
Introducing the Self Portrait
Used for introducing a teaching unit on Self Portrait with my Year 9 & 10 students. Has produced some amazing conversations with students!
10.12.17 keith haring
Keith Haring was an American artist known for his street art in New York City subway stations in the 1980s. His art featured bold, simplified figures of people and animals surrounded by rhythmic lines that appeared to vibrate or move. Common symbols in his work included the radiating baby, dancing people, dogs, and flying saucers. Haring created a visual language of pictographs like ancient Egyptian hieroglyphics that could change meaning depending on the context. His goal was to make art accessible to the public, so in addition to his street art he opened an affordable shop and produced many public sculptures.
Keith haring
Keith Haring was born in 1958 in Pennsylvania and was inspired by pop artists like Andy Warhol. He attended art school but left to live in New York City where he began creating chalk drawings in subway stations in the 1980s. Haring developed a unique style using bold lines and simplified figures to create repeating patterns conveying social and political messages. His iconic symbols like the radiating baby became well known around the world. Haring aimed to make art accessible to the public through affordable prints and merchandise before his early death from AIDS in 1990.
Why do artists make self portraits?
Artists create self-portraits for several reasons: [1] Traditionally, artists create self-portraits over the course of their careers to represent their physical attributes. [2] Self-portraiture can also announce an artist's place in society or style. [3] Frida Kahlo produced many self-portraits because she was often alone and herself was the subject she knew best.
Keith haring
Keith Haring was a street artist from Pennsylvania who became famous for his chalk drawings on subway platforms in New York City in the 1980s. He would draw with quick lines that came to life, often featuring radiant babies, barking dogs, groups of people, and other motifs. While his artwork was displayed in galleries and became very expensive, Haring also opened an affordable shop called the Pop Shop to make his art more accessible to the public. He collaborated with Andy Warhol and created large murals with children before passing away at the young age of 31, though his iconic pop art style continues to influence visual culture globally.
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Yayoi Kusama is a famous Japanese artist known for her polka dot motifs. She began incorporating polka dots into her paintings and other artworks at age 10. Despite her parents' disapproval, she was determined to become an artist. Kusama later moved to New York City where she had successful exhibitions and influenced American pop artists like Andy Warhol. Now in her 90s, Kusama continues producing art from her studio in Japan.
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History of self portraiture
Artists began creating self-portraits in the 15th century to depict themselves as subjects or important characters in their work. With more accessible mirrors, many painters, sculptors, and printmakers experimented with self-portraiture. Albrecht Dürer was one of the first to systematically create self-portraits at different ages over his lifetime, establishing self-portraiture as an artistic genre. Since then, many other notable artists like Rembrandt, Van Gogh, Frida Kahlo, and Lucian Freud have also used self-portraiture to represent themselves at various stages of their lives.
The self portrait
Self-portraits allow artists to freely explore and experiment without restrictions from patrons. They serve as intimate personal legacies and a form of self-promotion. Van Gogh and Kahlo created many self-portraits to study facial structures and express inner emotions and experiences. Sherman transforms herself through costumes and makeup in self-portraits that examine identity. Self-portraits reveal an artist's character, background, thoughts, and feelings.
Introducing the Self Portrait
Used for introducing a teaching unit on Self Portrait with my Year 9 & 10 students. Has produced some amazing conversations with students!
10.12.17 keith haring
Keith Haring was an American artist known for his street art in New York City subway stations in the 1980s. His art featured bold, simplified figures of people and animals surrounded by rhythmic lines that appeared to vibrate or move. Common symbols in his work included the radiating baby, dancing people, dogs, and flying saucers. Haring created a visual language of pictographs like ancient Egyptian hieroglyphics that could change meaning depending on the context. His goal was to make art accessible to the public, so in addition to his street art he opened an affordable shop and produced many public sculptures.
Keith haring
Keith Haring was born in 1958 in Pennsylvania and was inspired by pop artists like Andy Warhol. He attended art school but left to live in New York City where he began creating chalk drawings in subway stations in the 1980s. Haring developed a unique style using bold lines and simplified figures to create repeating patterns conveying social and political messages. His iconic symbols like the radiating baby became well known around the world. Haring aimed to make art accessible to the public through affordable prints and merchandise before his early death from AIDS in 1990.
Why do artists make self portraits?
Artists create self-portraits for several reasons: [1] Traditionally, artists create self-portraits over the course of their careers to represent their physical attributes. [2] Self-portraiture can also announce an artist's place in society or style. [3] Frida Kahlo produced many self-portraits because she was often alone and herself was the subject she knew best.
Keith haring
Keith Haring was a street artist from Pennsylvania who became famous for his chalk drawings on subway platforms in New York City in the 1980s. He would draw with quick lines that came to life, often featuring radiant babies, barking dogs, groups of people, and other motifs. While his artwork was displayed in galleries and became very expensive, Haring also opened an affordable shop called the Pop Shop to make his art more accessible to the public. He collaborated with Andy Warhol and created large murals with children before passing away at the young age of 31, though his iconic pop art style continues to influence visual culture globally.
Yayoi Kusama for kids
Yayoi Kusama is a famous Japanese artist known for her polka dot motifs. She began incorporating polka dots into her paintings and other artworks at age 10. Despite her parents' disapproval, she was determined to become an artist. Kusama later moved to New York City where she had successful exhibitions and influenced American pop artists like Andy Warhol. Now in her 90s, Kusama continues producing art from her studio in Japan.
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The document lists years associated with various artists including Picasso, Van Gogh, Da Vinci, Salvador Dali, Andy Warhol, and others. Dates range from 1512 to 2002, with the majority from the late 19th century through mid 20th century, showing the era of many influential artists covered in a brief chronological listing.
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The document discusses several topics related to art history including Botticelli's famous painting "Birth of Venus", Van Gogh's "Sunflowers" selling for a record price long after his death, the ancient Greek practice of decorating pottery, Gilbert Stuart's portraits of George Washington, the Statue of Liberty gift from France to the US, James McNeill Whistler's painting known as "Whistler's Mother", and Henri Matisse's vibrant Fauvist style that was initially called "wild beasts" by a critic.
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This document provides an overview of Expressionism in art. It describes two key Expressionist groups that formed in Germany in the early 20th century: Die Brucke and Der Blaue Reiter. Expressionist art was a revolt against Impressionism, featuring distorted subjects, bold colors, and emotional content intended to connect with viewers. Key artists discussed include Kirchner, Kandinsky, Marc, Munch, and Van Gogh, whose work influenced Expressionism through use of color, brushstrokes, and subject matter to express inner feelings and dreams. Expressionism also impacted literature, drama, film, and music through experimental approaches.
Georgia senor center
Georgia O'Keeffe was an American artist known for her paintings of flowers, landscapes, and cityscapes. She pioneered abstract painting in the early 20th century, creating non-representational works using only shapes, colors, and forms as early as 1915. Her early abstract paintings were prominently displayed by her husband Arthur Stieglitz at his 291 gallery, exposing the American public to this new style of art. O'Keeffe was influenced by Arthur Wesley Dow's principles of composition and abstraction, and she credited Arthur Dove as having the most significant impact on her development as a young artist moving her style towards abstraction.
Rembrandt Self Portrait Analysis
This document discusses and analyzes several self-portraits by notable artists from different time periods and cultures. It begins by discussing Rembrandt's 1632 self-portrait in which he depicts himself in a fashionable manner at age 26, showing a sense of youth and pride. It then briefly discusses Van Gogh's 1889 self-portrait with his bandaged ear and how the function of realistic painting had been replaced by photography in the 19th century. Finally, it analyzes Busschers' self-portrait from 2018 that shows raw emotions and a sense of fragility, allowing viewers to feel the artist's sadness and connection to her experience through her realistic depiction.
New a2 fine art
The document discusses the relationship between photography and art movements such as Impressionism, Post-Impressionism, Surrealism, and Futurism. It explores how photographers like Eadweard Muybridge and Etienne-Jules Marey influenced these movements with their experiments in capturing motion. Examples are provided of artists from different eras, like Francis Bacon, Umberto Boccioni, Jeff Wall, and Gregory Crewdson, who incorporated photography into their work in various ways.
Week 2 Lecture, 20th century
This document provides an overview of major developments in 20th century art from 1900 to 1914, focusing on movements and artists in Europe. It discusses Symbolism and Expressionism in Austria and Germany, including the works of Klimt, Schiele, and the Blue Rider group. In France, it outlines Post-Impressionism and the influence of Gauguin, then covers Fauvism and the works of Matisse. It also summarizes Picasso's revolutionary Demoiselles d'Avignon, and the emergence of Cubism. Finally, it discusses the Futurist movement in Italy led by Marinetti that celebrated industrialization and technology.
Portrait web
Portraits have a long history, dating back tens of thousands of years, and serve to represent specific individuals. They typically show a person's appearance and reveal something about their personality. Portraits can be created in any medium, from cave paintings to sculptures to digital photographs. Some portraits, like self-portraits, allow artists to represent themselves, while commissioned portraits capture notable people. Famous portraits throughout history have documented individuals and artistic styles across time periods and cultures.
What dreams may come
In this painting titled "The Dream (The Bed)", Frida Kahlo expresses her feelings about death by depicting herself asleep in a bed alongside a skeleton that is wired with explosives. While Frida sleeps, the skeleton watches over her awake. On Frida's body are green plants symbolizing life and rebirth, while the background clouds create a sense that the bed is floating in the sky. The painting reflects Kahlo's personal experiences with suffering and her real-life reminder of mortality in the form of a skeleton placed on the canopy of her bed.
Paul Klee-Noah Goldberg
Paul Klee was a Swiss-German artist born in 1879 who was influenced by cubism and expressionism. He was part of the Blue Rider group and taught at the Bauhaus school of art. Klee's work was dreamlike and featured squares like cubism as well as simplistic, childlike elements of primitivism. His art was condemned by the Nazis in 1933. He incorporated styles of surrealism, cubism, and primitivism and is known for works that depicted his dreams and inner child.
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KCC Art 211 Ch 20 Late Eighteenth And Nineteenth Centuries
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Portraits drawn while my kids nap. The document provides guidance on selecting good photographs to work from when drawing portraits, including ensuring the image is in focus, large enough, and has clear facial features and contrast. It also emphasizes observing and drawing what you see in the photograph accurately rather than altering features. Basic anatomical proportions and measurements for portraits are described to help artists get proportions correct, including dividing the head and face into sections and using eye placement to guide other facial features. Rendering details like eyes, nose, mouth, and facial contours with value and shadow rather than outlines is emphasized for realistic portraits.
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This document discusses using value in contour drawings to add focal points. It explains that adding detailed shading and contour lines with attention to line weight can create a full composition while also focusing the viewer's attention on an important area. Examples are provided of drawings that use value in a small area, like a face or arm, to draw the eye while still providing background information through contour lines. Students will be asked to draw a still life using contour lines for composition and details, and then select a small area to add value and emphasis through shading rather than just contours.
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This document lists various artists that inspired students to create self portraits using different mediums like pencil, charcoal, and more. It describes each student's artistic inspiration and the medium they used for their self portrait, with the largest influences being Chuck Close, Jack Beal, and Frida Kahlo based on the multiple mentions.
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When using charcoal and white conte on gray paper, do not blend the two but instead use each separately to define different values - white conte for lighter tones, gray paper for mid-tones, and charcoal for darker tones and blacks. The gray paper provides a mid-tone value that falls in the scale depending on how dark or light it is. If filling the background with a darker tone, be sure to cover the entire background evenly rather than just making a dark halo around the subject.
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This document provides feedback on student collage assignments. It notes that one collage works well due to consistent paper sizing and breaking up space throughout, while another is less successful because colors and image scales are distracting. A third collage effectively uses a continuous background image to make a positive image stand out, but pencil lines distract from this effect. Students should rely only on collage materials to define spaces.
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Hatching uses lines of varying closeness to create shading and value, from dark to light. Cross hatching overlays hatched lines at an angle to achieve shading. Scumbling uses layers of small scribbled marks in varying directions to build texture and value, such as depicting the texture of walls.
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Chuck Close is famous for his extremely detailed portraits which are created by photographing subjects, gridding the images, and carefully reproducing each square to capture every hair, pore, and flaw; this process results in large-scale, highly realistic portraits that feel personal because they choose not to idealize subjects but depict each wrinkle and expression.
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Georgia O'Keefe was an influential American artist in the 1920s who challenged conventions by abstracting subjects she painted from life. She examined common natural objects like flowers from unusual perspectives and compositions, simplifying forms while using the entire composition space. This allowed her works to be both realistic paintings and abstract representations, as she carefully depicted shadows, surfaces, and tonal shifts despite manipulating scale and perspective.
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The document discusses various techniques for mixing and layering colored pencils to create depth, texture, and realism in drawings. It explains that all color mixing uses primary colors of red, blue, and yellow, and secondary colors are created by combining primaries. Various layering techniques are described such as hatching, cross hatching, scumbling, burnishing, and directional lines to build up color and texture through overlapping layers. Examples of drawings demonstrate how these techniques can be used to render different surfaces and textures like fabric, wood, and fruit.
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Hatching uses lines of varying closeness to create shading and value. Closer lines produce darker tones, while lines farther apart appear lighter. Hatching has been used effectively in the image to shade the building and provide dark shadows on the coat with thick, heavy lines and lighter tones on the collar, face, and hands with thinner lines spaced farther apart. Cross hatching overlays hatched lines at an angle so the lines cross, resulting in shading. The drawing uses various hatching techniques like long or short lines, evenly spaced versus random lines, to achieve different effects. Our first assignment is to create three nine step value scales using pen with different techniques like hatching, cross hatching, and a texture
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Mark
Using expressive marks in drawing can add interest and show action. Different sized hatched lines can convey both movement and shading. Drawing the subject multiple times, erasing, and redrawing on top adds motion. Artists like William Kentridge use expressive marks that are smudged and moved to create animation in still images. Controlled hatching can provide great detail while still expressing movement. Varied marks can define different elements, such as sweeping lines suggesting light.
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Drawing reflective surfaces requires careful observation of the environment and object being reflected. Reflections can show different parts of objects than what is directly visible, and reflections in curved surfaces will appear warped. The type of reflective material, whether glass, metal, or other smooth surface, impacts what is reflected and how distortions appear. Successful drawings of reflections involve paying close attention to lighting and all potential objects and surroundings that could be reflected.
Miniscule To Monumental
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Portrait assignment, step one
- 2. Coronation Master “ Marcia Paints her Portrait” 15th C There is a long history of self-portraiture in art. Some of this is because of the availability of the self as a model.
- 3. John Singleton Copley “ Self-Portrait” 1770 We are all curious about our own identities and wonder how the perceptions others have of us might square with what we know about ourselves; self-portraiture can be used to explore this universal question.
- 4. Albrect Durer “ Self Portrait in a Fur Cloak” 1500 Self-portraits throughout history range in their self-expression in many ways. Some are very formal and provide little information beyond the image of the artist.
- 5. Angelica Kauffmann “ Self Portrait” 1785 Some artists render themselves as idealized and romanticized in their self-portraits.
- 6. Gustave Courbet “ Desperate Man (Self Portrait)” 1843 In an effort to imply drama or emotion, some self-portraits provide insight into the artist by the emotions depicted.
- 7. Henry Fuseli “ Self-Portrait” 1777
- 8. Vincent van Gogh “ Self Portrait” 1887 The textures that Van Gogh achieves paired with his stern expression points to some psychological insight.
- 9. Vincent van Gogh “ Self-Portrait with Bandaged Ear and Pipe” 1889 This piece also uses interesting textures and also implies a story. Why is his ear bandaged?
- 10. Lovis Corinth “ Self-Portrait with Skeleton” 1896 Notice that this artist is not concerned with idealizing himself.
- 11. Giorgio De Chirico “ Self Portrait” 1922
- 12. Diane Edison “ Self-Portrait (Shadow)” 1996
- 14. Victor Brauner “ Self Portrait” 1931 Brauner’s portrait idealizes in a different way-- he has mutilated himself in this image.
- 15. Henry Church “ Self-Portrait” 1880 Another approach is to include things in the portrait which are significant to your life.
- 16. Frida Kahlo “ Self-Portrait with Small Monkey” 1945 In portraits by Frida Kahlo she often sits stiffly in the center of the image while pets, plants, or objects with great symbolism are incorporated around her.
- 17. Frida Kahlo “ Self-Portrait” 1947
- 18. Auguste Bouquet “ Self-Portrait as a transvestite” 1831 Another, occasionally humorous approach to self-portraiture is rendering yourself as something or someone else.
- 19. Luis Cruz Azaceta “ Self-Portrait as a She-Wolf” 1985
- 20. Red Grooms “ Self-Portrait with Hat Top, Maine” 1977
- 21. Paul Cezanne “ Self-Portrait”
- 22. Salvidor Dali “ Self Portrait for ‘Impres-sions of Africa’ ” 1938 Finally, some artists prefer to only depict a portion of themselves in a self portrait.
- 23. David Hockney “ Self-Portrait with Maurice Payne, London” 1977
- 24. David Hockney “ Self-Portrait in old Powis Terrace studio, London” 1972
- 25. James Ensor “ Self-Portrait with Masks” 1899