Pixie lott
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The document provides background information on the song "All About Tonight" by Pixie Lott. It was her third number one single in the UK. The document then discusses plans for a music video to accompany the song, including locations, outfits, shots, and narrative elements that will depict a party scene to match the lyrics. Close-ups, outfit changes, and shots showing the actress getting ready and at the party are proposed.
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Costume & makeup 
Both Cate and Colton's costumes are designed to portray different personas - Cate's black dress and red lipstick convey conventional attractiveness for a party, while Colton's band t-shirt and ripped jeans depict a rock fan. Their costumes will be ordered online or borrowed, with backups prepared in case of issues. The locations of the girls' and boys' rooms will use props and decor to represent stereotypical teenage spaces, while the boys' room additionally includes disturbing elements relating to Colton's obsession with Cate.
Style
The document discusses choosing costumes for characters in a music video. For the main character, they wanted something embodying rebellion and youth, so they pulled different outfit options and styled them. For less prominent characters, they created a mood board to depict the desired look. Several potential outfits were tried on the main character, ranging from a dungaree dress to showcase a "free spirit," to a denim skirt and vest representing a generic look. Ultimately, they decided on an outfit with a dress underneath an oversized jumper and fishnet tights to portray both a rebellious and feminine side through the video's scenes.
Assignment 28: Summary of ideas
The document contains ideas for music videos for three songs: "Born to Run", "Tenerife Sea", and "Sober". The "Born to Run" idea involves the singer traveling through different areas and eventually joining the band. The "Tenerife Sea" idea shows memories of a couple intercut with scenes of them together and the artist singing. The "Sober" idea focuses on an alcoholic man rushing to make a date after a night of drinking.
Assignment 27: Group Idea 2
The group proposes ideas for three music videos:
1. For "I'm Born to Run", it will show a boy wandering through different areas while a band plays without a singer. It will cut between the boy in different locations and him joining the band to sing.
2. For "Tenerife Sea", the story will use a couple looking through photos on a phone that transport them to memories of their relationship, starting with how they met.
3. For "Sober", it will show a man rushing to get ready for a late date after waking from a drunken sleep. It will cut between him getting dressed and arriving at the restaurant to find his date has left. He will later be seen singing
Assignment 26: Individual music video ideas
This document contains ideas for three music videos:
1) For Shawn Mendes' "Honest", showing a guy trying to win back his ex-girlfriend after cheating on her.
2) For Saint Raymond's "We Are Fire", depicting different people escaping abusive or poor home situations and gathering around a bonfire.
3) For The Shimmer Band's "Ya Ya (Uh Oh)", portraying a love story through a couple reliving memories on their iPhone by chasing through photos and videos.
The document provides details on the concept, target audience, and example lyrics that relate to each storyline.
Proposal
The proposal is for a music video for Ed Sheeran's song "Afire Love" created by Megan Sellar. The video will tell the story of a man losing his grandfather to Alzheimer's through a narrative that uses flashbacks. It will appeal to both male and female audiences aged 16-25 through its emotional depiction of sadness and use of indie/pop music genres. Key elements that will be used include filming entirely in black and white, using flashbacks to contrast past and present, and slow motion effects to match the song's melody and convey looking back in time.
Assignment 27: Types of music videos for diffrent artists
The document discusses two different types of music videos: a performance video for the song "In the End" by Black Veil Brides, and a narrative video for the song "1-800-273-8255" by Logic. The Black Veil Brides video focuses on their performance in different locations like churches and deserts to match the theme of death in their music. This allows them to promote their concerts by demonstrating their performances. The Logic video tells a story instead of a performance, as the song's lyrics about suicide require a deeper meaning. A narrative connects better to Logic's target audience of 16-23 year olds who are more prone to suicidal thoughts due to life pressures.
Cd album cover textual analysis on j cole
J Cole's album cover portrays him sitting in a school corridor and on a bench, dressed in school clothes to represent telling his life story from his school days. The dark lighting and settings symbolize bringing his hidden past experiences out of the shadows. He presents himself as a misunderstood artist trying to get others to understand his truth and path to success despite potential tough circumstances. The typography emphasizes J Cole's name in bigger font while crediting featured artists in smaller, harder to read red text.
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Costume & makeup
Both Cate and Colton's costumes are designed to portray different personas - Cate's black dress and red lipstick convey conventional attractiveness for a party, while Colton's band t-shirt and ripped jeans depict a rock fan. Their costumes will be ordered online or borrowed, with backups prepared in case of issues. The locations of the girls' and boys' rooms will use props and decor to represent stereotypical teenage spaces, while the boys' room additionally includes disturbing elements relating to Colton's obsession with Cate.
Style
The document discusses choosing costumes for characters in a music video. For the main character, they wanted something embodying rebellion and youth, so they pulled different outfit options and styled them. For less prominent characters, they created a mood board to depict the desired look. Several potential outfits were tried on the main character, ranging from a dungaree dress to showcase a "free spirit," to a denim skirt and vest representing a generic look. Ultimately, they decided on an outfit with a dress underneath an oversized jumper and fishnet tights to portray both a rebellious and feminine side through the video's scenes.
Assignment 28: Summary of ideas
The document contains ideas for music videos for three songs: "Born to Run", "Tenerife Sea", and "Sober". The "Born to Run" idea involves the singer traveling through different areas and eventually joining the band. The "Tenerife Sea" idea shows memories of a couple intercut with scenes of them together and the artist singing. The "Sober" idea focuses on an alcoholic man rushing to make a date after a night of drinking.
Assignment 27: Group Idea 2
The group proposes ideas for three music videos:
1. For "I'm Born to Run", it will show a boy wandering through different areas while a band plays without a singer. It will cut between the boy in different locations and him joining the band to sing.
2. For "Tenerife Sea", the story will use a couple looking through photos on a phone that transport them to memories of their relationship, starting with how they met.
3. For "Sober", it will show a man rushing to get ready for a late date after waking from a drunken sleep. It will cut between him getting dressed and arriving at the restaurant to find his date has left. He will later be seen singing
Assignment 26: Individual music video ideas
This document contains ideas for three music videos:
1) For Shawn Mendes' "Honest", showing a guy trying to win back his ex-girlfriend after cheating on her.
2) For Saint Raymond's "We Are Fire", depicting different people escaping abusive or poor home situations and gathering around a bonfire.
3) For The Shimmer Band's "Ya Ya (Uh Oh)", portraying a love story through a couple reliving memories on their iPhone by chasing through photos and videos.
The document provides details on the concept, target audience, and example lyrics that relate to each storyline.
Proposal
The proposal is for a music video for Ed Sheeran's song "Afire Love" created by Megan Sellar. The video will tell the story of a man losing his grandfather to Alzheimer's through a narrative that uses flashbacks. It will appeal to both male and female audiences aged 16-25 through its emotional depiction of sadness and use of indie/pop music genres. Key elements that will be used include filming entirely in black and white, using flashbacks to contrast past and present, and slow motion effects to match the song's melody and convey looking back in time.
Assignment 27: Types of music videos for diffrent artists
The document discusses two different types of music videos: a performance video for the song "In the End" by Black Veil Brides, and a narrative video for the song "1-800-273-8255" by Logic. The Black Veil Brides video focuses on their performance in different locations like churches and deserts to match the theme of death in their music. This allows them to promote their concerts by demonstrating their performances. The Logic video tells a story instead of a performance, as the song's lyrics about suicide require a deeper meaning. A narrative connects better to Logic's target audience of 16-23 year olds who are more prone to suicidal thoughts due to life pressures.
Cd album cover textual analysis on j cole
J Cole's album cover portrays him sitting in a school corridor and on a bench, dressed in school clothes to represent telling his life story from his school days. The dark lighting and settings symbolize bringing his hidden past experiences out of the shadows. He presents himself as a misunderstood artist trying to get others to understand his truth and path to success despite potential tough circumstances. The typography emphasizes J Cole's name in bigger font while crediting featured artists in smaller, harder to read red text.
Music video Proposal
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The document summarizes the key details of a film opening, including:
1) The title "Her Name is Alice" adds mystery as the audience wonders who Alice is.
2) The opening is set in the village of "Darkton" and features characters Alice and Rosie.
3) It will show Rosie biking and having a picnic with Alice, with the song "Blackbirds" playing and Rosie narrating.
4) Alice believes Rosie is dead but is actually dead herself without realizing it.
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The proposal is for a music video for the song "Latch" by Disclosure. The video will tell a narrative of a woman falling in love with a city rather than a man. It will feature one actress traveling through New York and London, using close-up shots to connect with the audience. The target audience is explorers and teenagers/young adults aged 16-25 who will understand the storyline. Inspiration is drawn from other music videos using shots that set mood through lights and locations.
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The proposal is for a music video for the song "Latch" by Disclosure. The video will focus on a main character, Tom, performing BMX stunts at a skatepark to match the upbeat, fast-paced nature of the song. Scenes of the artist lip syncing the song will also be filmed in locations like busy London at night and a dark room with spotlights. The target audience is fans of dance music, like Disclosure, in their teens or people who love or have been in love. A similar Disclosure video, "White Noise" featuring AlunaGeorge, also features a performer and mixes bright and dark scenes.
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The document discusses plans for a music video for the instrumental song "Crewcabanger" by Chelsea Grin. The filmmaker wants to base the video around the performance of the song and include elements that portray the experience of being in a band and making music with friends. He plans to dress the band members in stereotypical metal genre clothing like band merch, skinny jeans, and beanies to look authentic. The low-budget performance video will be filmed in the filmmaker's house to resemble a small local band playing before they make it big.
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- The contents page will include large images of Jake Bugg and Scott Ritchie performing live, along with a smaller image of The Courteeners.
- A double page spread will interview Adam Thornton, former member of Sly Digs, who will be pictured holding a bass guitar with a direct gaze. Additional casual images of him performing solo and drinking tea at home will accompany the article.
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1) The title "Her Name is Alice" adds mystery as the audience wonders who Alice is.
2) The opening is set in the village of "Darkton" and features characters Alice and Rosie.
3) It will show Rosie biking and having a picnic with Alice, with the song "Blackbirds" playing and Rosie narrating.
4) Alice believes Rosie is dead but is actually dead herself without realizing it.
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The proposal is for a music video for the song "Latch" by Disclosure. The video will tell a narrative of a woman falling in love with a city rather than a man. It will feature one actress traveling through New York and London, using close-up shots to connect with the audience. The target audience is explorers and teenagers/young adults aged 16-25 who will understand the storyline. Inspiration is drawn from other music videos using shots that set mood through lights and locations.
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This document discusses the concept of intertextuality and provides examples found in the music video for Titanium by David Guetta featuring Sia. It references how Titanium contains allusions to films by Steven Spielberg from the 1970s-80s that create a sense of suburban American childhood. Specifically, it references how the video borrows the same child actor from JJ Abrams' 2011 film Super 8, an homage to Spielberg. The document analyzes how these intertextual references enhance the video's representations and position audiences.
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Emma and Izzy propose a music video for the song "Anything" by indie band Catfish and the Bottlemen. They will tell a narrative story of a teenage boy and girl with a strong friendship/relationship through activities like baking, walks, and reading together. Towards the end, something will happen to separate them, with one leaving on a train. The video will have themes of love, enjoyment, adventure, and feature locations like record stores, concerts, and parks to fit the indie style of the band and song lyrics about a relationship.
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The proposal is for a music video for the song "Latch" by Disclosure. The video will focus on a main character, Tom, performing BMX stunts at a skatepark to match the upbeat, fast-paced nature of the song. Scenes of the artist lip syncing the song will also be filmed in locations like busy London at night and a dark room with spotlights. The target audience is fans of dance music, like Disclosure, in their teens or people who love or have been in love. A similar Disclosure video, "White Noise" featuring AlunaGeorge, also features a performer and mixes bright and dark scenes.
Proposal
The document discusses plans for a music video for the instrumental song "Crewcabanger" by Chelsea Grin. The filmmaker wants to base the video around the performance of the song and include elements that portray the experience of being in a band and making music with friends. He plans to dress the band members in stereotypical metal genre clothing like band merch, skinny jeans, and beanies to look authentic. The low-budget performance video will be filmed in the filmmaker's house to resemble a small local band playing before they make it big.
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The music video for Halsey's "Colors" tells a story that both contradicts and amplifies the song's lyrics. It is set in a 1950s-style prep school. At first, it seems the main character has feelings for a boy her age. However, it is revealed she is actually in love with the boy's father. This twist aligns with Goodwin's theory that lyrics and visuals in a music video can have a relationship, with the video both contradicting and then reinforcing the meaning of the song. The video also features many close-up shots of Halsey, as demanded by her record label according to Goodwin's theory about the commercial needs of the industry.
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This document analyzes key music video features identified by Andrew Goodwin in his book "Dancing in the Distraction Factory". It summarizes Goodwin's theory that music videos demonstrate relationships between the lyrics and visuals, music and visuals, and genre characteristics. It also discusses common music video techniques like artist close-ups, star iconography, voyeurism, and intertextual references. The document then provides a detailed analysis of the Cold War Kids music video for "First", relating it to Goodwin's identified features.
Planning production
The document provides details about planning the production of an indie music magazine, including:
- The front cover will feature a medium close-up shot of Amy Clarke holding a microphone against a union jack background.
- The contents page will include large images of Jake Bugg and Scott Ritchie performing live, along with a smaller image of The Courteeners.
- A double page spread will interview Adam Thornton, former member of Sly Digs, who will be pictured holding a bass guitar with a direct gaze. Additional casual images of him performing solo and drinking tea at home will accompany the article.
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The document discusses plans for a music video project. It will use various camera angles, including medium and long shots as well as close-ups and low or high angle shots. The target audience for the video will be girls aged 5-10 years old, as the main character is 9 years old and the song is suitable for young girls. Simple, natural clothing without makeup or hairstyles will be used for the main character to keep her looking childish and realistic as she is still young.
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The document proposes a concept for a music video promoting a 17-year-old female pop artist. It discusses influences from other artists' music videos incorporating split screens, camera movements, and props. Three London locations are proposed- Clink Street for its narrow pathway, the Tate Modern for trees as a prop, and the London Eye for its iconic setting. Costumes aim to portray the artist as stylish yet ordinary to appeal to teenage girls. The record label EMI is proposed to promote the artist similarly to Gabrielle Aplin. Andrew Goodwin's view of music videos illustrating lyrics in a non-traditional narrative is referenced.
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Emeli Sande is a Scottish singer-songwriter known for R&B and soul music. Her debut single "Heaven" was released in 2011 to critical acclaim. The song explores themes of morality, temptation, and spirituality. The music video was filmed in London and features scenes of Sande singing to the sky outside a cathedral, with many shots of a statue of Mary. It was directed by Jake Nava, who is known for working with major artists. The video aims to emphasize the song's lyrics through simple visuals that capture a real British atmosphere. Sande has said the song came from discussing what it means to be good in today's world, and the video depicts her desire to keep her heart pure
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Proposal/Initial Pitch
Faux Pas is a band from North Yorkshire formed in 2015 that plays indie rock inspired by bands like The Cribs and Placebo. They have become a popular local act through sold out shows in Yorkshire and performances at festivals like Leeds and Reading. The proposal is for a best of album featuring their most popular songs on the first disc and a second DVD containing behind the scenes footage and music videos. The chosen song for the music video is "Not So Sad" and the proposed video storyline follows a boy who turns his life around in an effort to impress a girl at his school.
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These two songs were chosen to highlight how values and expectations have changed over time. Blue Suede Shoes by Elvis Presley from the 1950s promoted materialism and the importance of possessions. In contrast, Royals by Lorde from 2013 sends the message that wealth and status are not everything, and one should not judge others based on superficial attributes. Both songs impacted society upon their release by influencing cultural views, though in different ways related to the eras in which they were released.
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The group plans to create a music video for the song "The Man Who Can't Be Moved" by the band The Script. The video will tell the story of a man who sits in the place he first met his love, hoping she will return to rekindle their relationship. It will be shot on location in Hartlepool at the Headland and the city center to showcase the beauty and bustle. Natural lighting and a variety of camera shots will be used to convey emotion and make the video look professional. Flashbacks and color/black and white effects may also be included to illustrate the happiness of the past versus the sadness of the present. The target audience is teens and young adults who can relate to the heart
Pitch presentation
The group has chosen the song "We Don't Have to Take Our Clothes Off" by Ella Eyre for their music video. They will tell a story about a teenage girl named Pixie facing social pressures. Pixie will be portrayed as unique and individualistic to relate to the audience. The brand for Pixie will revolve around R&B/pop genres and portray everyday struggles and a nightlife theme. The target audience is ages 14-20 as the message of not giving in to pressures will resonate most with teens. The video will show different struggles in a relationship through scenes of a couple and shots of Pixie singing while observing.
Pitch presentation
The group has chosen the song "We Don't Have to Take Our Clothes Off" by Ella Eyre for their music video. They will tell a story about a teenage girl named Pixie facing social pressures. Their style will be R&B/pop inspired by videos like "Here" by Alessia Cara. The video will feature shots of Pixie observing a couple dealing with relationship pressures on the streets of London at night. They aim to create a unique image for Pixie that reflects today's society.
Evaluation
The video uses conventions of pop music videos such as attractive actors, lip syncing, a narrative storyline, and editing to the beat of the music. It received positive feedback from the target audience for its quick editing, variety of shots, and how it sold the artist. The only criticism was that some wanted more dancing. The ancillary texts of the album cover and magazine ad effectively complemented the video through a consistent feminine theme, font, and photos. Media technologies like cameras, editing software, and the internet were important tools in the production and evaluation process.
Evaluation question 1
1. The document outlines shots that should be included in a music video submission to demonstrate various technical and creative elements.
2. It provides 8 categories of shots that should be included such as shots that link the lyrics and music, demonstrate the artist's representation, illustrate the music genre, show intertextual references or influence from other music videos, and demonstrate the use of camera, lighting, and mise-en-scene.
3. For each shot the respondent should provide a short description and justification for why it fits the specified category.
Recce shots finished
The document discusses plans for makeup, outfits, hairstyles, shoes, bikinis, and locations for a music video. Makeup includes red lipstick and nails, false lashes, neutral colors. Outfits include a red jumpsuit, green dress. Hairstyles include down and up styles. Shoes include heels, flats, and vibrant colors. Locations include apartments and houses for getting ready, party, and hot tub scenes and a bar. The goal is to portray a fun, feminine look to appeal to audiences.
Evaluating our A2 music video
The document summarizes the process of creating a music video for a class project. It discusses researching conventions of similar artists like Katy Perry and Taylor Swift. It created a fictional pop star named Lois Lame to emulate these artists. The video had a simple narrative taken from the song lyrics. Various software, cameras, and social media were used during planning, production, editing, and promotion of the music video and related materials. Feedback was gathered on how well it fit the genre and appealed to the target audience.
A2 PRE-PRODUCTION
This document provides details for producing a music video, CD cover, and magazine advertisement to promote Ke$ha's song "Take it Off." The music video concept depicts a teenage rave party to match the song's lyrics. Key moments in the video show the characters dancing wildly and a color explosion finale. The locations chosen were a field and abandoned barn to suit the rave theme. Bright neon colors will be used throughout to convey excitement. The art style aims to portray Ke$ha as both classy yet wild to surprise viewers and challenge expectations of her typical persona. Consistent bright colors will also be used for the CD cover featuring Ke$ha and the advertisement promoting the party atmosphere.
Missing you pitch
The document is a pitch for a music video production project recreating the music video for the song "Missing You" by the girl group The Saturdays. The summary is:
The project will recreate the music video for the song "Missing You" by The Saturdays. It will include scenes of the group singing and dancing in different locations, intercut with a black-and-white narrative of a dysfunctional relationship. The video aims to represent the pop genre and style of girl groups through choreography, close-ups, and quick editing between shots. The intended audience is teenage girls, but it also aims to attract male viewers.
Missing you pitch
The document is a pitch for a music video production project recreating the music video for the song "Missing You" by the girl group The Saturdays. The summary is as follows:
1) The genre is pop music aimed at teenage girls, focusing on love and relationships, with influences from other girl groups like the Saturdays and Girls Aloud.
2) The video will include solo shots of each band member interspersed with group shots, as well as choreography, drawing from the style of referenced music videos.
3) It will tell a story of a dysfunctional relationship through black and white cutbacks filmed in a house.
4) Additional materials like a digipack and magazine
Pitch presentation
The document discusses plans for a music video to promote a new female pop artist named Crystal. The video will feature Crystal singing Demi Lovato's "Confident" and show her participating in a girls vs boys competition. Scenes will include Crystal walking aggressively down an alleyway, performing confidently in the woods, and competing in basketball against boys. The video aims to portray Crystal as rebellious yet feminine through her costumes, makeup, and locations.
Question one powerpoint finished
Pop artists are typically portrayed as mainstream, happy, young adults and teenagers to appeal to their target demographic. However, this music video challenges conventions by portraying a negative storyline of a girl experiencing a mental breakdown from a lost love through symbolic scenes like taking pills and sitting in a bath of water fully clothed. While conforming to technical aspects of editing and filming used in other pop videos, the video's dark tone and exploration of mental health issues differs from the typically positive narratives and party atmospheres shown in other genres.
Treatment for Mr Blue Sky
This document discusses plans for creating a music video for the song "Mr. Blue Sky" by Electric Light Orchestra. It will be filmed at Shiplake College on a sunny winter day to establish a calm tone. Scenes will include a character having breakfast and another running. Multiple stories will show different ways people enjoy their day. The target audience is people over 35 who were familiar with the 1978 song, but the upbeat nature may also appeal to younger viewers unfamiliar with the original video.
Question one powerpoint final
Pop music videos typically portray artists as happy and fashionable to appeal to young audiences. They often feature themes of romance and partying. The documentary challenges some conventions by portraying a singer experiencing a mental breakdown after a relationship ends. Scenes of the singer taking pills and sitting in a bath fully clothed convey deep sadness rather than the usual positivity. While pushing boundaries thematically, the video technically conforms to pop conventions through techniques like lip syncing scenes and symbolic imagery familiar from other media. It uses contrasts and unexpected elements to engage viewers like successful pop videos.
Treatment
The document proposes a concept for Ellie Goulding's music video for her song "Your Song". It suggests illustrating the love song's lyrics metaphorically by surrounding Ellie with candles to portray feelings of love. It outlines using different locations and camera shots to follow Ellie through her life as she daydreams about her love, without fully revealing who she is describing. Lighting, including candles and a changing-color bridge, would help portray emotions. The video aims to strip things down with simplistic shots and movement to complement the emotional lyrics rather than incorporating dance.
Evaluation 1
The document discusses how the media product develops conventions of real pop music videos. It was influenced by other pop artists like Jessie J to portray the solo female artist and appeal to teenage girls. Locations and shots were chosen that followed the narrative of getting ready for a night out, as depicted in the original music video. Close-ups and club scenes were used to fit the upbeat and danceable nature typical of pop music videos. The simple album cover was designed to represent the artist's brand as pretty and elegant while subtly appealing to older male audiences.
Synopsis
The music video will feature a female main character whose face is not revealed until the end to build mystery and tension. Various shots from her point of view will be used to make the viewer feel like they are experiencing her journey. Scenes will be filmed in several London locations, including a train station, Hyde Park, and streets, to showcase ordinary lives and link to the song's lyrics. The narrative aims to tell a story about people's lives through the main character's eyes and show the highs and lows, building to a revelation of her story at the end when her face is shown as she finds her "one," connecting to the religious theme of finding God.
Q1
The document provides details about the planning and research process for a final music video production. It discusses researching existing pop music videos from artists like Cheryl Cole, Little Mix, and Katy Perry to understand conventions. Elements like costumes, locations, lighting, and editing techniques were analyzed. A questionnaire was used to determine the target demographic of 15-19 year olds. Storyboarding and test screenings helped finalize ideas. Costumes and props were chosen to fit the narrative and autumn season. Filming involved using different shot types from the storyboard, though some shots were altered for pacing.
Production Meeting Three
The meeting discussed plans for a music video for the song "Respect" by Kelly Clarkson. They will tell the story of a married woman who receives attention from other men but stays loyal to her husband. There will be dancers between scenes relating to the storyline and pop music genre. The video will include both a narrative and dance performances. It will use common conventions like bright colors, wealth displays, and dance routines. The target audience is 16-26 year olds and the video will portray relationships and strong female characters they can relate to.
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This document contains analysis from a student of how their media product used or challenged conventions of real music videos.
The student looked at other pop music videos like One Direction to follow genres conventions to seem professional but also wanted to be unique. They used a range of settings to tell the story over days, had natural settings like most pop videos, and included shots of the characters to relate to the lyrics and audience. Some shots like the ex following her ex were intended to appeal to the target audience. Locations and costumes were kept casual. The student reflects on some shots that could be improved upon.
Similar to Pixie lott (20)
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More from MelissaHall94
Risk assessment
The document provides risk prevention guidelines for various situations that may occur during film production, such as ensuring safe walking surfaces to prevent falls, careful application of makeup to avoid eye injuries, choreographed dance moves with sensible shoes, proper hot tub water level and seating to prevent drowning, licensed drivers for transportation, secure wiring placement, no electrical devices near water, turning cameras off between shots to conserve battery, consistent branding across video, packaging and advertising for audience understanding, sticking to the chosen genre to attract fans and make money, familiarizing crew and actors with locations before filming, researching the target genre and audience tastes, and making sure actresses are comfortable with outfits and makeup.
Lyrics breakdown actual version
The document provides a detailed breakdown and description of shots for a music video for the song "All About Tonight". It outlines shots for each verse and chorus section that show the actress getting ready, arriving at and enjoying a party, and dancing with others. The shots include close-ups, medium shots, and long shots of the actress and aspects of the party from different locations to keep a fast pace and match the lyrics and beat of the song.
Record label
A student named Daniel Bullock wrote a letter to Mercury Records requesting permission to use Pixie Lott's song "All About Tonight" for a lip sync music video project for his media studies class. He and two classmates must create a lip sync video and chose that song, but need permission due to copyright. The letter asks for permission to use the song for their school project.
Record label
A student named Daniel Bullock wrote a letter to Mercury Records requesting permission to use Pixie Lott's song "All About Tonight" for a lip sync music video project for his media studies class. He and two classmates must create a lip sync video and chose that song, but need permission due to copyright. The letter asks for permission to use the song for their school project.
Personal skills audit
The document is a personal skills audit that discusses the skills developed during the creation of a horror film project. It outlines the various software used like Final Cut, GarageBand, and Photoshop. Specific skills with these programs were developed like smooth cutting and adding music/sound. Research was conducted on horror conventions and planning included storyboards. For the next project, the student intends to develop faster editing skills and use a wider range of technologies on their blog.
Personal skills audit
The document discusses the personal skills the author acquired for creating a horror film project. It describes the software used, including Final Cut, Garage Band, and Photo Shop. Planning tasks are mentioned, such as researching similar films, creating a timeline and storyboards. Specific software features from Final Cut and Garage Band were utilized. Conventions from films like Nightmare on Elm Street and Saw provided inspiration. The author adhered to horror conventions but also included some action film techniques. Plans are discussed to further develop these skills for an upcoming A2 project involving additional media.
Magazine advert analysis
The advertisement analyzes promotes Gwen Stafani's album "Love. Angel. Music. Baby" using relationships between text and images. Gwen's face is centrally focused in the large image to attract fans and create a personal connection. The colors of gold, white and red are used throughout consistently to promote themes from songs like "Rich Girl." Additionally, her appearance and accessories depict themes from the album title like "Angel" and "Love." The similar gold text and graffiti font style link the image and text while appealing to Gwen's audience. The text mentions specific songs and informs viewers that the album is available now in stores.
Digipak avril
This document analyzes the album cover, back cover, and interior contents of Avril Lavigne's "The Best Damn Thing" album. On the front cover, Lavigne's posture, clothes, makeup, and the font/color scheme convey her rock and girly image across genres. The back cover features a close-up of Lavigne looking at the song list, continuing the theme while providing information. Inside, the pink CD and lyric booklet maintain coherence with the cover design through consistent colors and logos, reinforcing Avril Lavigne's artistic brand.
Headlines digipak analysis
The album cover for The Saturdays' "Headlines" depicts the band members sitting at a hair salon reading magazines with headlines about themselves, relating to the album title. The cover shows the convergence of headlines and music. The black and white CD features the title in a headline font with varying text sizes to denote importance. The back cover continues the hair salon theme with illuminated writing listing songs, placing more familiar songs at the top to encourage purchases.
Music video study
The document provides an analysis of the Avril Lavigne music video "Smile". Key points analyzed include:
1) How the guitar beats in the song are visualized through cuts between narrative and solo performance shots of Avril.
2) The video has two parts - a black and white narrative section and a solo performance section in a white room.
3) Avril maintains her punk/pop princess image through features like eyeliner, green hair, and rebellious actions.
Digipak analysis
Katy Perry's album "Teenage Dream" uses a sweet theme with bright pinks, reds and blues throughout the digipak design. The front cover features Katy Perry looking provocative to attract both female and male audiences. It also hints at familiar song titles to pique interest. The inside continues the cohesive sweet theme with images of circles representing doughnuts and candies. The back provides information on songs and legal terms while maintaining the visual theme through a cotton candy backdrop and circular O's mimicking sweets. The consistent sweet theme and attractive presentation of Perry is meant to draw in the target audience of 15-23 year old girls and boys to purchase the album.
Studying a music video bruno
1. The music video being analyzed is Bruno Mars' "The Lazy Song".
2. The video tells the narrative of a typical lazy day for a male student through Bruno's portrayal and lyrics.
3. Bruno and monkey backup dancers illustrate the lyrics through their literal movements and dances coordinated with the music.
4. The video aims to appeal to its target audience of male students by amplifying aspects of typical student life and using humor that students would relate to.
9 frame analysis katy perry
The video begins with a long shot introducing Katy Perry as the bride whose fiancé is having second thoughts on their wedding day. It then cuts to a close up of Katy angrily lip syncing to the lyrics as her fiancé runs away, leading to her chasing after him. Katy is joined by other brides dressed in ripped wedding dresses as they corner her fiancé. The video depicts Katy's character switching between hysterical and perfectly fine, representing the song's theme of being "hot and cold" like her changing moods. It ends with Katy standing over her fiancé from his point of view, revealing he was daydreaming the whole scenario.
Pink
This document provides a frame-by-frame analysis of key shots in the music video for Pink's song "So What". It summarizes the narrative conveyed and Pink's character in each shot. Some shots show Pink's rebellious attitude as she plays guitar aggressively and cuts down a tree representing her relationship. Other shots highlight the lyrics, like her looking confused as her boyfriend covers her eyes. The analysis examines symbolism and how the shots and narrative relate to the song's lyrics and Pink's emotional journey after a breakup.
Natorious
The music video for "Natorious" by The Saturdays uses many shots that change quickly to match the fast-paced song. When each girl sings solo, the shot focuses on just her. The video also uses conventions of the pop and dance genres, such as the girls' confident style with high heels. Clever techniques link the narrative of the girls working in an office, like the phone displaying "verse 1" and stamps saying the title. The video aims to represent and relate to the band's target audience of working women aged 20-30 through the girls' attitudes and roles.
Natorious
The music video for "Natorious" by The Saturdays uses many shots that change quickly to match the fast-paced song. When each girl sings solo, the shot focuses on just her. The video also uses conventions of the pop and dance genres, such as the girls' confident style with high heels. Clever techniques link the narrative of the girls working in an office, like the phone displaying "verse 1" and stamps saying the title. The video aims to represent and relate to the band's target audience of working women aged 20-30 through the girls' attitudes and roles.
Shot count activity
The video analyzes the first minute of Nicole Scherzinger's "Don't Hold Your Breathe" music video. It found over 20 shots with Nicole as the central focus. The shots changed as the music got louder or when Nicole began singing, showing the shots were cut to the beat of the music. This represents key media concepts normally seen in music videos like changing shots that follow the music.
Analysis of rihanna video
Rihanna's "Take A Bow" music video follows typical conventions of the R&B genre, featuring her in stylish outfits driving a convertible to attract audiences. The narrative shows Rihanna vulnerable after a breakup, reluctant to see her ex at her door. Through body language, she expresses no longer caring for him. The video helps viewers understand the sarcastic lyrics by revealing her hurt feelings. Rihanna wears casual clothes to relate to her target audience of women ages 15-30 who can connect to the experience of moving on from a bad relationship. Her changing outfits and confidence level reflect her emotional journey from heartbreak to strength.
Using garage band 1
The document summarizes using GarageBand to create a song for a film soundtrack. It describes starting with a quiet guitar sound to build tension and choosing a "Delayed Guitar String 03" sample in C minor. Additional ambient guitar samples were added in the same key to provide consistency. More guitar was added to give the song "more of a kick" and it finishes with the opening sound.
How we made logo
The document describes the process of creating a logo for a company called Blind Productions. The logo was painted with a black background and circular eyes. Bloody tear drops were added to give it a scary feel and the caption "see it and believe" was included as an ironic reference to the company name Blind Productions.
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In today's video, we explore the intense and gripping philosophy of one of the most resilient and tough-as-nails soldiers in the Call of Duty series—Frank Woods. Join me as we journey through the life and philosophy of Frank Woods, a character who embodies the raw power of brutality tempered by the unbreakable bonds of brotherhood. Whether you're a fan of Call of Duty or someone interested in the deeper philosophical themes of warfare and loyalty, this video will offer you a unique perspective on one of gaming's most iconic soldiers.
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As we step into 2024, the landscape of television continues to evolve rapidly, and Eternal IPTV is at the forefront of this transformation. With technological advancements and changing viewer preferences, IPTV (Internet Protocol Television) is reshaping how we consume entertainment. Eternal IPTV, known for its diverse and high-quality streaming options, is setting new trends that will define the future of TV.
Robert Downey Jr. Net Worth: A Comprehensive Analysis
Introduction
Robert Downey Jr., synonymous with Hollywood success. has had a career marked by dramatic ups and downs. Downey's journey is remarkable, from his early days as a promising young actor to his well-documented struggles with addiction and his triumphant comeback in Iron Man. Central to this narrative is his financial success. This article delves into Robert Downey Jr. net worth, exploring how he amassed his fortune. the various income streams contributing to his wealth, and his financial management strategies.
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Early Life and Career Beginnings
Childhood and Family Background
Robert Downey Jr. was born on April 4, 1965, in Manhattan, New York City. His father, Robert Downey Sr., was an influential filmmaker and actor. while his mother, Elsie Ann, was an actress. Growing up in a creative environment, Downey was exposed to the entertainment industry at a very young age, appearing in his father's films as early as age five.
Breakthrough in the 1980s
Downey's career began in earnest in the 1980s when he joined the cast of Saturday Night Live. His early film roles in movies like Weird Science (1985) and Less Than Zero (1987) showcased his talent and potential. Despite his initial success, these early years were also marked by personal challenges. Particularly his struggles with substance abuse.
The Downfall and Recovery
Struggles with Addiction
The 1990s were a tumultuous period for Downey. Despite critical acclaim for roles in films such as "Chaplin" (1992), for which he received an Academy Award nomination, his career was derailed by legal troubles related to his drug addiction. Frequent arrests and stints in rehab created an image of an actor whose potential was being overshadowed by his demons.
Comeback and Redemption
The early 2000s marked the beginning of Downey's remarkable comeback. With the support of friends and family and a strong will to overcome his addictions. he gradually rebuilt his career. Key to this resurgence was his role in the TV series Ally McBeal, which not only earned him a Golden Globe but also proved that he still had the talent and appeal needed for Hollywood stardom.
The Marvel Era and Explosive Financial Growth
Casting as Iron Man
2008 was a pivotal year for Downey, as he was cast as Tony Stark/Iron Man in the Marvel Cinematic Universe (MCU). This role would redefine his career and boost Robert Downey Jr. net worth. Marvel Studios took a risk by casting him, but it paid off as "Iron Man" (2008) became a critical and commercial success.
Earnings from the Marvel Cinematic Universe
Downey's portrayal of Iron Man became iconic. Leading to roles in many MCU films, including the "Avengers" series. His compensation for these films varied significantly, starting with a modest (by Hollywood standards) $500,000 for the first "Iron Man" movie. But, his earnings skyrocketed as the MCU grew and his role expanded. For example, Downey reportedly earned $50 million for "The Avengers" (2012) a
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You know you're an adult when every check-up gets you down. View What Going to the Doctor is Like as an Adult and more funny posts on salty vixen stories & more-saltyvixenstories.com
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Pixie lott
- 1. Pixie Lott- All about Tonight by Melissa Hall, Daniel Bullock and Claire Armitage <br />Background to the song<br />“All about tonight” is a pop song written by Pixie lott, Canadian singer-songwriter Tebey and producer Brian Kidd in Los Angeles. It was the debut song from Pixie Lotts second album “Young Foolish Love” and was number one on the” UK singles sales chart” becoming Pixie Lotts third number one. It was released in the United Kingdom on 4 September 2011 as the album's lead single. The song has had mainly positive reviews such as Pip Ellwood of Entertainment Focus review which was “another gem that sits nicely next to Pixie's previous singles but stands alone as a strong pop track..quot; We have chosen this track because we like the dance pop genre that it has to it and we have a range of ideas for the narrative and video that we can develop and use below. <br />The music video<br />Our video is going to be narrative based as videos in this genre usually are, it is going to be centrally focused on the main actress of the video who is going to do the lip sync and is centrally focused in the narrative and video. She is going to be dressed vibrantly throughout the video to show the positive message of the songs narration. Hoping to use a range of various outfits for the different shots and different lipsticks as well to keep the viewers entertained but still continue with the feminine sexy theme. To show her femininity the shots and outfits will emphasize her sexuality and attract the male eye however the outfits will also be bright and vibrant to make the females attracted wanting to wear the clothes.<br />The narrative of the video will link in with the lyrics which we feel are about a party so we are going to create various situations which fit in with this theme. The different locations will be shown consistently and evenly throughout the video in different shots. The locations we are aiming to have in the shots are: Firstly at a flat showing the actress getting ready for the party showing a range of shots of her getting ready, specifically at the start and this is the location the video will begin with. Also there will a location of the party itself with the female as the centre focus, Shots which we also hope to show are aspects of the party such as the female in the hot tub or convertible possibly to relate to the theme and narrative. Close ups of the female will also be used of the face and of the shoes to relate to the lyrics as a key line is “I got a new pair of shoes.” We hope to show a diverse amount of makeup and shoes which will keep the viewers entertained in close up shots from the first and party location. <br />The shots in which we hope to use throughout the video hopefully show a wide range of skill. At the start of the video we hoped to show quick shots of the flat and things the female has used to get ready such as makeup and mirrors. When the line which says “I’ve got a new pair of shoes” we hope to show the shoes walking. Another shot we hope to do is when the line says “I got a new attitude when I walk cause I’m so over you” She will walked down the corridor of the house and point to the camera to direct with the audience. We also hope to create a shot wear the camera is focused on one location then spins and goes to another location at one point. Another shot we hoped to show is a close up of the female with her eyes closed which will suddenly open to the beat of the song. We also hope to show a range of close up and shots for the various locations and create shorter faster shots on the faster parts of the song.<br />We are hoping to find locations that fit all four of the places which we hoped to have in the video and a range of bright and colourful outfits and makeup to complete our narrative and video. We are gaining inspiration from videos such as Katy Perry “Last Friday Night” and Lady Gaga “Just dance” for the narrative and setting of the video.<br />