Download as PDF, PPTX
![BENIAMINO SERVINO, Applicazione di una doppia Pennata a residui di viadotti [qui con un ardito andamento curvo]. Mentre il paesaggio va per fatti suoi, 2013](https://image.slidesharecdn.com/pixellandscapes-150430112326-conversion-gate01/75/Pixel-landscapes-l-immagine-urbana-come-collage-42-2048.jpg){kind=tracking}
![A technique [...] is brought into being and widely
adopted in order to solve specific problems, often of the
most practical type, or to articulate a theory or worldview.
Once a technique is widely practised and professionals are
trained to use it, the technique begins to shape the profession
itself, dictating prejudices, biases and preferences. Some
techniques may be easily adapted to new problems and
approaches, others less; there is limited predictability
regarding adaptability when a technique is created. A
constraining, rigid technique faces increasing challenges
as the profession transforms.
TAHL KAMINER, Architecture, Crisis and Resuscitation. 2011](https://image.slidesharecdn.com/pixellandscapes-150430112326-conversion-gate01/75/Pixel-landscapes-l-immagine-urbana-come-collage-52-2048.jpg){kind=tracking}
Uploaded byDavide Tommaso Ferrando
Pixel landscapes: l'immagine urbana come collage
This document contains images and descriptions of works related to pixel landscapes and the urban image as collage. It includes pieces from Pablo Picasso, Paul Citroen, Mies van der Rohe, Archigram, Richard Hamilton, Hans Hollein, Superstudio, David Hockney, Botto&Bruno, Cyprien Gaillard, Kobas Laksa, Mansilla Tuñon, Office, Dogma, and other artists. The works depict cities and landscapes composed of pixels, fragments, and collages that reimagine the urban environment.
More Related Content
Similar to Pixel landscapes: l'immagine urbana come collage
![Azuma house by tadao ando[1]](https://cdn.slidesharecdn.com/ss_thumbnails/azumahousebytadaoando1-120327130419-phpapp02-thumbnail.jpg?width=640&height=640&fit=bounds)
Pixel landscapes: l'immagine urbana come collage
- 1. PIXEL LANDSCAPES L'IMMAGINE URBANACOME COLLAGE LAB. DI PROGETTAZIONE DEL PAESAGGIO URBANO* 02ODRPZ
- 2. PABLO PICASSO, Bottleof Vieux Marc, Glass, Guitar and Newspaper, 1913
- 3.
- 4. MIES VAN DERROHE, Friedrichstrasse Skyscraper, 1921
- 5. MIES VAN DERROHE, Resor House Project, 1938
- 6. MIES VAN DERROHE, Convention Hall, 1954
- 7.
- 8.
- 9.
- 10. RICHARD HAMILTON, Justwhat it is that makes today’s home so different, so appealing?, 1956
- 11. HANS HOLLEIN, AircraftCarrier City in Landscape, 1964
- 12. HANS HOLLEIN, Monumentto the victims of the Holocaust, 1967
- 13. HANS HOLLEIN, BuriedCopenhagen, 1969
- 14. SUPERSTUDIO, Monumento Continuo,Veduta di Piazza Navona, 1969
- 15.
- 16.
- 17. DAVID HOCKNEY, PearblossomHighway, 1986
- 18.
- 19. BOTTO&BRUNO, When wewere little kids II, 2002
- 20. BOTTO&BRUNO, La scatoladi Polly II, 2003
- 21. CYPRIEN GAILLARD, Beliefin the Age of Disbelief, 2005
- 22. KOBAS LAKSA, TheAfterlife of Buildings, 2008
- 23. KOBAS LAKSA, TheAfterlife of Buildings, 2008
- 24. KOBAS LAKSA, TheAfterlife of Buildings, 2008
- 25. MANSILLA TUÑON, Cruzin Teruel, 2001
- 26. MANSILLA TUÑON, Museumof Cantabria, 2002
- 27. MANSILLA TUÑON, GrandSlam in Madrid, 2002
- 28. OFFICE, A Grammarfor the City, 2005
- 29.
- 30. OFFICE, Cite derefuge, 2007
- 31.
- 32.
- 33. DOGMA, A simpleheart, 2011
- 34. CARMELO BAGLIVO, Omaggioa Sol Lewitt, 2012
- 35.
- 36. CARMELO BAGLIVO, Strutturae ragazza con valigia, 2014
- 37. LUCA GALOFARO, Paesaggioabitato n.02, 2011
- 38. LUCA GALOFARO, Upsidedownn.01, 2012
- 39. LUCA GALOFARO, Equilibriurbani, 2013
- 40. BENIAMINO SERVINO, Ilquieto spazio domestico, 2013
- 41. BENIAMINO SERVINO, Whata wonderful green world, 2013
- 42. BENIAMINO SERVINO, Applicazionedi una doppia Pennata a residui di viadotti [qui con un ardito andamento curvo]. Mentre il paesaggio va per fatti suoi, 2013
- 43. CHERUBINO GAMBARDELLA, Lavita con gli oggetti, 2011
- 44. CHERUBINO GAMBARDELLA, Nientepaura Cherubino è tutta scena!, 2011
- 45.
- 46. FALA ATELIER, RevisedPantheon, 2012
- 47.
- 48. FALA ATELIER, Agarden with white walls, 2013
- 49.
- 50.
- 51.
- 52. A technique [...]is brought into being and widely adopted in order to solve specific problems, often of the most practical type, or to articulate a theory or worldview. Once a technique is widely practised and professionals are trained to use it, the technique begins to shape the profession itself, dictating prejudices, biases and preferences. Some techniques may be easily adapted to new problems and approaches, others less; there is limited predictability regarding adaptability when a technique is created. A constraining, rigid technique faces increasing challenges as the profession transforms. TAHL KAMINER, Architecture, Crisis and Resuscitation. 2011
- 53.
- 54.
- 55.
- 56.
- 57. On the acontextualproduction of genius loci, 2014
- 58.
- 59. The Italianness ofItalian Landscape | Piazza della Signoria, 2014
- 60. The Italianness ofItalian Landscape | Piazza del Duomo, 2014
- 61. The Italianness ofItalian Landscape | Certosa di San Martino with Castel Sant’Elmo, 2014
- 62. A simple dam,2014
- 63. The great damof Kanagawa, 2014
- 64. Virtue out ofnecessity, 2014