Pitch
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The song being performed is "Waves" by Mr Probz (Robin Schulz Remix), which is in the genre of tropical house. The artist's name is Ichor and the music video will be a narrative point-of-view style inspired by "I Got U" by Duke Dumont, filmed using a GoPro. The location will be beaches and towns in Spain to capture a holiday vibe, with natural lighting enhanced through video editing.
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Question 2
The document discusses the design choices made for ancillary materials for a dance genre album. Dark grey and dark pink colors were selected to be unique and similar to other albums in the genre. Consistent fonts and imagery across the ancillary materials, music video, and poster were used to create a cohesive professional look that clearly related the pieces and would be recognized by the target audience. Camera shots like medium shots that capture people and body language as well as point of view shots were used in the music video to make it more exciting and convey the feeling of chaos of a night out. Mise-en-scene elements like a club setting with lights, dancing, and alcohol were focused on so viewers would recognize it as depicting a dance
Presentation1
This document provides details about creating a music video for the song "Spring/Sun/Winter/Dread" by the band Everything Everything. It discusses the band, song, target audience, lyrics, ideas for the concept and filming of the music video including using lighting, effects and camera techniques to represent the passage of time. The video will feature close-up shots of the band's performance in a dark room illuminated by spotlights to create a mysterious atmosphere.
Treatment sheet
The document provides details on the planned treatment for a music video for the song "Still Life" by the band The Horrors. It will tell the story of a day through landscape shots and performances by the band. Landscape shots will be filmed at Roseberry Topping to create a time lapse showing the progression of the day. Shots of the band performing will be filmed in a studio with dark lighting and angles that only show half their faces. Editing techniques like graphic matches will link the landscape and performance elements.
Treatment sheet
The music video will tell the story of a day through the song's lyrics and landscape shots. It will feature the band performing live in a studio with dark lighting and landscape shots of Roseberry Topping to convey a psychedelic rock genre. Editing techniques like time lapses and graphic matches will link the studio and landscape scenes. The band will wear dark, modern clothes to fit the alternative rock genre and contrast with the bright landscapes.
Storm Thorgeson
Storm Thorgeson is a British designer and artist known for his iconic album cover designs for bands such as Pink Floyd and Biffy Clyro. His design process typically involves meeting with the band to discuss ideas, creating rough illustrations, developing prototypes, photographing shoots that can involve models and complex lighting/filtering, lengthy editing of photos, and finalizing the selected artwork. Though the steps seem simple written down, Thorgeson's album covers like Pink Floyd's Dark Side of the Moon and Biffy Clyro's Many of Horror would have required extensive time and effort to achieve the perfect look through elaborate photo shoots and editing.
Evaluation question 1
Camera angles and placements commonly show the artist from dominant angles or close-mid range shots to showcase wealth and props. Close-ups focus on objects of wealth like brands, watches, and alcohol, replicating conventions. Flickers match the fast tempo of hip hop music and can show the next shot, usually implying wealth through objects flashed. Background colors in hip hop magazines strongly contrast with the artist's color to draw the eye, using solid, consistent shades for a clear canvas. Digipak text is readable yet iconic for the artist, with consistent color and font, correlating between the name and tracklist for clarity and memorability.
Arcade fire (po mo) (1)
The Arcade Fire are known for their unique style and original music. While they don't often directly sample other artists' songs, they have respectfully covered songs like "This Must Be The Place." They create interactive music videos that engage audiences and have the band members sometimes wear augmented reality masks. Their live performances involve elaborate lighting, costumes, and special appearances by other artists to provide an immersive show for audiences.
Media Get Ur Money Up
The music video pitch is for the song "Get Your Money Up" by Detail$. The genre is hip hop/R&B and the video will be filmed in various club locations. Stylistic influences include music videos showing performers interacting in a club environment. The target audience is teens to 30-year-olds who listen to R&B and hip hop. Filming will use interesting shots and cuts to keep the audience engaged. Costumes will be glamorous evening wear and locations will include clubs and public transportation.
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Question 2
The document discusses the design choices made for ancillary materials for a dance genre album. Dark grey and dark pink colors were selected to be unique and similar to other albums in the genre. Consistent fonts and imagery across the ancillary materials, music video, and poster were used to create a cohesive professional look that clearly related the pieces and would be recognized by the target audience. Camera shots like medium shots that capture people and body language as well as point of view shots were used in the music video to make it more exciting and convey the feeling of chaos of a night out. Mise-en-scene elements like a club setting with lights, dancing, and alcohol were focused on so viewers would recognize it as depicting a dance
Presentation1
This document provides details about creating a music video for the song "Spring/Sun/Winter/Dread" by the band Everything Everything. It discusses the band, song, target audience, lyrics, ideas for the concept and filming of the music video including using lighting, effects and camera techniques to represent the passage of time. The video will feature close-up shots of the band's performance in a dark room illuminated by spotlights to create a mysterious atmosphere.
Treatment sheet
The document provides details on the planned treatment for a music video for the song "Still Life" by the band The Horrors. It will tell the story of a day through landscape shots and performances by the band. Landscape shots will be filmed at Roseberry Topping to create a time lapse showing the progression of the day. Shots of the band performing will be filmed in a studio with dark lighting and angles that only show half their faces. Editing techniques like graphic matches will link the landscape and performance elements.
Treatment sheet
The music video will tell the story of a day through the song's lyrics and landscape shots. It will feature the band performing live in a studio with dark lighting and landscape shots of Roseberry Topping to convey a psychedelic rock genre. Editing techniques like time lapses and graphic matches will link the studio and landscape scenes. The band will wear dark, modern clothes to fit the alternative rock genre and contrast with the bright landscapes.
Storm Thorgeson
Storm Thorgeson is a British designer and artist known for his iconic album cover designs for bands such as Pink Floyd and Biffy Clyro. His design process typically involves meeting with the band to discuss ideas, creating rough illustrations, developing prototypes, photographing shoots that can involve models and complex lighting/filtering, lengthy editing of photos, and finalizing the selected artwork. Though the steps seem simple written down, Thorgeson's album covers like Pink Floyd's Dark Side of the Moon and Biffy Clyro's Many of Horror would have required extensive time and effort to achieve the perfect look through elaborate photo shoots and editing.
Evaluation question 1
Camera angles and placements commonly show the artist from dominant angles or close-mid range shots to showcase wealth and props. Close-ups focus on objects of wealth like brands, watches, and alcohol, replicating conventions. Flickers match the fast tempo of hip hop music and can show the next shot, usually implying wealth through objects flashed. Background colors in hip hop magazines strongly contrast with the artist's color to draw the eye, using solid, consistent shades for a clear canvas. Digipak text is readable yet iconic for the artist, with consistent color and font, correlating between the name and tracklist for clarity and memorability.
Arcade fire (po mo) (1)
The Arcade Fire are known for their unique style and original music. While they don't often directly sample other artists' songs, they have respectfully covered songs like "This Must Be The Place." They create interactive music videos that engage audiences and have the band members sometimes wear augmented reality masks. Their live performances involve elaborate lighting, costumes, and special appearances by other artists to provide an immersive show for audiences.
Media Get Ur Money Up
The music video pitch is for the song "Get Your Money Up" by Detail$. The genre is hip hop/R&B and the video will be filmed in various club locations. Stylistic influences include music videos showing performers interacting in a club environment. The target audience is teens to 30-year-olds who listen to R&B and hip hop. Filming will use interesting shots and cuts to keep the audience engaged. Costumes will be glamorous evening wear and locations will include clubs and public transportation.
Kid a introduction presentation
- Kid A is the 4th album by Radiohead that featured a new, more electronic sound compared to their previous work.
- The student proposes a short stop-motion music video for the title track "Kid A" using materials like clay or plastercine.
- The video will be inspired by films and videos that capture the album's hollow, gloomy atmosphere like Empire of the Sun.
Proposal revised
This proposal is for a music video to accompany the song "Crying For No Reason" by Katy B. The video aims to use a variety of shots and locations to feature performances by a ballet dancer and actor miming the song. Equipment like a steadicam, tripod, and lighting will be used to achieve clear footage. Scenes will be shot in a studio for the ballet routine and with the actor in front of a black background. The target audience is fans of dance music and the artist, who tend to be educated females and males within social classes C2 through E. The video aims to focus on the performances rather than a narrative to match the open genre and target audience.
Treatment sheet
The music video will tell the story of a day through the song's lyrics and landscape shots. It will feature the band's live performance alongside nature scenes to convey the psychedelic rock genre. The video will contrast bright outdoor lighting with a darker studio setting. Transition shots and a time lapse will link the landscape narrative and help depict the events of a day.
Codes and conventions of music videos finished
Codes and conventions are techniques used to construct meaning in music videos. Technical techniques include camera angles, shots, editing, and sound. Symbolic techniques convey meaning through facial expressions and gestures. Common conventions include performance, narrative, and cameo styles as well as techniques like panning, tracking, and jump cutting. Understanding codes and conventions allows audiences to interpret meaning and genres in music videos.
Music video proposal the black atlantic
The music video proposal summarizes the theories and approach that will be used to create a video for the song "Fragile Meadow" by the band The Black Atlantic. It will subvert audience expectations by depicting a lower class woman in a worn-down overgrown park, rather than the graceful woman and lush field suggested by the lyrics and folk music genre. The video will be shot using a Canon DSLR camera, tripod, and steadycam at the same location and dates as a previous music video for consistency.
How have I used, developed or challenged the language of music videos? Mise e...
The document discusses the filming techniques and locations used in a music video. It describes shooting scenes of the drummer at home and biking through villages to establish the narrative. Performance shots at gigs were included to show the drummer's role in the band. Memory scenes at beaches, arcades, and BBQs were used to create a nostalgic summer vibe. Close-up and wide shots were utilized to make the audience feel close to the drummer as the video's focus. An orange color palette and vintage camera effects aimed to achieve a nostalgic style.
Music video inspiration – ‘chameleon'
- The song "Chameleon" by Andrew Watt describes a woman who keeps changing her mind and leading the singer on.
- To gain recognition as a new artist, Andrew Watt's music video focuses on his full performance and centers him throughout.
- The video utilizes various camera techniques common to rock music videos like the artist, including close-ups, lighting, angles, and editing to the beat of the music.
Presentation
The document discusses plans for producing a music video cover of the song "Dry Your Eyes" by The Streets. It provides details on the genre, which is described as alternative hip hop/R&B. conventions of the genre include editing to match the rhythm, mise-en-scene to match the genre, use of special effects, and lip syncing. Examples are given from other music videos to illustrate different camera shots, special effects techniques, ways to relate visuals to lyrics, and methods of storytelling through editing polaroids together. Market research suggests the target audience is ages 13-30 of both genders, with influences from YouTube, TV, magazines, and websites.
Music video theory
This document discusses different types of music videos and how to analyze them. There are three main types of music videos: performance videos that simply show the artist performing, narrative videos that tell a story to fit the song's lyrics and mood, and conceptual videos based around a single idea with little connection to the song. When analyzing a music video, key aspects to consider include how it demonstrates genre characteristics, relates its visuals to the lyrics and music, portrays the artist's image through close-ups and motifs, uses techniques like voyeurism, and includes intertextual references. Music videos can be analyzed by examining how the visuals relate to the song through illustration, amplification, or disjunction of its meaning.
Photo shoot planning
The band plans to have an outdoor photo shoot in the natural scenery around Summerhill to capture shots of the band members climbing rocks or sitting on high rocks with the landscape in the background. They will wear indie-style clothing similar to an earlier test shoot, such as jumpers, coats, and skinny jeans. Another proposed location is Ward Jackson Park, known for its chilled environment, where shots of the band sitting on swings or a climbing frame could portray an immature look linking to the song's theme of needing to grow up. An indoor test shoot in studio lights did not work well but provided an idea for an advertisement photo showing darkness that could symbolize the band's name.
BMTH music video analysis
1) The song "Go to Hell for Heaven's Sake" is featured on Bring Me the Horizon's fourth studio album Sempiternal.
2) The music video depicts the band performing in an ironic setting of a church, with intercutting shots of disturbing and frightening images relating to the song's themes of religion and rebelling against religious views.
3) The video draws from conventions of both rock music videos and horror films, containing references to works like The Grudge and incorporating lighting, camera techniques, and symbolic imagery to create an ominous atmosphere in line with the song's message.
Digipak presentation
The document provides details about the digipak packaging for several albums, including Kanye West's Graduation, Gorillaz' Demon Days, Bjork's Biophilia (live) and Vulnicura albums. Key details summarized include the album artwork featured on the covers and inside packaging, incentives for purchasing the digipak version over the digital download, and extras included like posters, booklets and DVDs.
Photo shoot planning
The band plans to have an outdoor photo shoot at Summerhill to capture natural scenery and a countryside feel. They will consider photos of the band climbing rocks or sitting on high rocks with their legs dangling. Another location under consideration is Ward Jackson Park, known for its chilled environment, where photos on swings or a climbing frame could portray an immature look linked to their song "Not Nineteen Forever". The band will wear indie-style clothing similar to a past test shoot to match their genre.
Andrew goodwin’s music video theory
Andrew Goodwin theorized there are three ways a music video can connect to the song: amplification, illustration, and disjuncture. Amplification enhances the song's concept without changing the meaning. Illustration uses visuals to represent lyrics. Disjuncture takes a different, abstract approach and does not relate the video to the song. Goodwin provides examples for each type, such as Demi Lovato's "Skyscraper" video amplifying rising from the ground in the desert.
Representation in my music video
The document discusses representations and conventions in rock and indie/alternative/electronic music videos. For rock videos, it notes conventions like a dark, low-key tone; performance-based content with little narrative or dancing; and imagery of dark clothing and high energy. The document plans to incorporate these conventions through the protagonist's dark ripped jeans and energetic lip-syncing and movement. For indie videos, it mentions conventions like casual clothing and less special effects. It plans to include some of these conventions to seem more realistic while also using unusual camera movements to represent the female protagonist and broader imagination.
Music Video Pitch (Unit 5) - Rebecca Lin
Pitch of my final idea for Unit 5, I gave to my class and teacher.
Idea: Music Video using Stop-motion, for Youtube singer/song writer - Kina Grannis
Props
The document discusses props that will be used in a music video to convey meaning and represent the artist's genre. Headphones will be worn by the main character to identify him as a chillwave artist and differentiate between him and his "spiritual self". Other props include a realistic latex heart to depict the character having a heart condition, a stress ball to illustrate how he developed the condition, and red paint/wine to suggest a heart attack through splatters and smashing a glass.
Initial genre research rock
This document provides information about common conventions in rock music videos. It discusses elements like band members wearing black, use of low-key lighting to match mood, inclusion of outdoor settings, incorporation of storylines through lyrics and visuals, use of faster editing and jump cuts to match upbeat tempos, featuring of live performances, and use of close-ups and wide shots. It then analyzes two specific music videos, noting how they employ conventions like changing shot duration to match drum beats and use of black clothing to represent death for Queen's "Bohemian Rhapsody", and inclusion of dark colors, wide shots, and high angles to depict power and audience perspective for U2's "Sunday Bloody Sunday."
Production planning
This document outlines a production plan and schedule for two albums over 11 weeks. For Album A called "Archipelagos," the artist will create a concept album inspired by revolution against oppression, depicted through island artwork and graffiti styles. A gatefold album cover and additional art will be digitally produced. For Album B called "Lunar Sea," the cover will feature a famous photo of an astronaut to commemorate the Apollo 11 mission, with the footprint photo on the back. Both albums aim to combine famous images with music to create striking hybrid artworks.
Evaluation
The ancillary projects for the artist's album used conventions of electronic dance music, including bright neon colors for text and imagery. The music video setting recreated a club environment with a stage and lighting. Camera shots focused on close-ups and mid-shots to give the impression of a larger crowd. The ancillary projects helped design consistency elements for the video, such as backdrops with the artist's name and logo, drawing from conventions used by other artists. Different media programs like Photoshop, Premiere, and Prezi were used at various stages of construction, planning, filming, and evaluation. Practice with test footage and sequences helped improve skills with camera settings, editing techniques, and program functions.
Media Studies A2 Evaluation question 1
The document discusses conventions used in music videos, album packaging, and advertisements for both. It summarizes that the music video uses visuals linked to lyrics, following Goodwin's theory. It uses typical rap music video conventions like dark colors, close-ups of the artist rapping, and locations. However, it also challenges conventions by using open grassy spaces and brighter shots. The album digipak and advertisement include standard elements like the artist image, album title, and tracklist, but the advertisement challenges conventions by placing the image on the right side. Using conventions like a meaningful narrative, black and white shots, and close-ups of the artist rapping may appeal to the target rap/hip-hop audience.
Proposal
The document discusses plans for a music video to promote the song "Christ Conscious" by Joey Bada$$. It will feature a performance-based video filmed mainly outdoors at a skate park using a Canon HD camera. Special effects will emphasize lyrics and the artist will perform daily activities. A small crew is needed to film, provide lighting/sound, edit, and assist. The target audience is ages 15-27 and the video will feature 17-year-old Joseph who listens to hip hop and dresses in an urban style appropriate for conscious rap.
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Kid a introduction presentation
- Kid A is the 4th album by Radiohead that featured a new, more electronic sound compared to their previous work.
- The student proposes a short stop-motion music video for the title track "Kid A" using materials like clay or plastercine.
- The video will be inspired by films and videos that capture the album's hollow, gloomy atmosphere like Empire of the Sun.
Proposal revised
This proposal is for a music video to accompany the song "Crying For No Reason" by Katy B. The video aims to use a variety of shots and locations to feature performances by a ballet dancer and actor miming the song. Equipment like a steadicam, tripod, and lighting will be used to achieve clear footage. Scenes will be shot in a studio for the ballet routine and with the actor in front of a black background. The target audience is fans of dance music and the artist, who tend to be educated females and males within social classes C2 through E. The video aims to focus on the performances rather than a narrative to match the open genre and target audience.
Treatment sheet
The music video will tell the story of a day through the song's lyrics and landscape shots. It will feature the band's live performance alongside nature scenes to convey the psychedelic rock genre. The video will contrast bright outdoor lighting with a darker studio setting. Transition shots and a time lapse will link the landscape narrative and help depict the events of a day.
Codes and conventions of music videos finished
Codes and conventions are techniques used to construct meaning in music videos. Technical techniques include camera angles, shots, editing, and sound. Symbolic techniques convey meaning through facial expressions and gestures. Common conventions include performance, narrative, and cameo styles as well as techniques like panning, tracking, and jump cutting. Understanding codes and conventions allows audiences to interpret meaning and genres in music videos.
Music video proposal the black atlantic
The music video proposal summarizes the theories and approach that will be used to create a video for the song "Fragile Meadow" by the band The Black Atlantic. It will subvert audience expectations by depicting a lower class woman in a worn-down overgrown park, rather than the graceful woman and lush field suggested by the lyrics and folk music genre. The video will be shot using a Canon DSLR camera, tripod, and steadycam at the same location and dates as a previous music video for consistency.
How have I used, developed or challenged the language of music videos? Mise e...
The document discusses the filming techniques and locations used in a music video. It describes shooting scenes of the drummer at home and biking through villages to establish the narrative. Performance shots at gigs were included to show the drummer's role in the band. Memory scenes at beaches, arcades, and BBQs were used to create a nostalgic summer vibe. Close-up and wide shots were utilized to make the audience feel close to the drummer as the video's focus. An orange color palette and vintage camera effects aimed to achieve a nostalgic style.
Music video inspiration – ‘chameleon'
- The song "Chameleon" by Andrew Watt describes a woman who keeps changing her mind and leading the singer on.
- To gain recognition as a new artist, Andrew Watt's music video focuses on his full performance and centers him throughout.
- The video utilizes various camera techniques common to rock music videos like the artist, including close-ups, lighting, angles, and editing to the beat of the music.
Presentation
The document discusses plans for producing a music video cover of the song "Dry Your Eyes" by The Streets. It provides details on the genre, which is described as alternative hip hop/R&B. conventions of the genre include editing to match the rhythm, mise-en-scene to match the genre, use of special effects, and lip syncing. Examples are given from other music videos to illustrate different camera shots, special effects techniques, ways to relate visuals to lyrics, and methods of storytelling through editing polaroids together. Market research suggests the target audience is ages 13-30 of both genders, with influences from YouTube, TV, magazines, and websites.
Music video theory
This document discusses different types of music videos and how to analyze them. There are three main types of music videos: performance videos that simply show the artist performing, narrative videos that tell a story to fit the song's lyrics and mood, and conceptual videos based around a single idea with little connection to the song. When analyzing a music video, key aspects to consider include how it demonstrates genre characteristics, relates its visuals to the lyrics and music, portrays the artist's image through close-ups and motifs, uses techniques like voyeurism, and includes intertextual references. Music videos can be analyzed by examining how the visuals relate to the song through illustration, amplification, or disjunction of its meaning.
Photo shoot planning
The band plans to have an outdoor photo shoot in the natural scenery around Summerhill to capture shots of the band members climbing rocks or sitting on high rocks with the landscape in the background. They will wear indie-style clothing similar to an earlier test shoot, such as jumpers, coats, and skinny jeans. Another proposed location is Ward Jackson Park, known for its chilled environment, where shots of the band sitting on swings or a climbing frame could portray an immature look linking to the song's theme of needing to grow up. An indoor test shoot in studio lights did not work well but provided an idea for an advertisement photo showing darkness that could symbolize the band's name.
BMTH music video analysis
1) The song "Go to Hell for Heaven's Sake" is featured on Bring Me the Horizon's fourth studio album Sempiternal.
2) The music video depicts the band performing in an ironic setting of a church, with intercutting shots of disturbing and frightening images relating to the song's themes of religion and rebelling against religious views.
3) The video draws from conventions of both rock music videos and horror films, containing references to works like The Grudge and incorporating lighting, camera techniques, and symbolic imagery to create an ominous atmosphere in line with the song's message.
Digipak presentation
The document provides details about the digipak packaging for several albums, including Kanye West's Graduation, Gorillaz' Demon Days, Bjork's Biophilia (live) and Vulnicura albums. Key details summarized include the album artwork featured on the covers and inside packaging, incentives for purchasing the digipak version over the digital download, and extras included like posters, booklets and DVDs.
Photo shoot planning
The band plans to have an outdoor photo shoot at Summerhill to capture natural scenery and a countryside feel. They will consider photos of the band climbing rocks or sitting on high rocks with their legs dangling. Another location under consideration is Ward Jackson Park, known for its chilled environment, where photos on swings or a climbing frame could portray an immature look linked to their song "Not Nineteen Forever". The band will wear indie-style clothing similar to a past test shoot to match their genre.
Andrew goodwin’s music video theory
Andrew Goodwin theorized there are three ways a music video can connect to the song: amplification, illustration, and disjuncture. Amplification enhances the song's concept without changing the meaning. Illustration uses visuals to represent lyrics. Disjuncture takes a different, abstract approach and does not relate the video to the song. Goodwin provides examples for each type, such as Demi Lovato's "Skyscraper" video amplifying rising from the ground in the desert.
Representation in my music video
The document discusses representations and conventions in rock and indie/alternative/electronic music videos. For rock videos, it notes conventions like a dark, low-key tone; performance-based content with little narrative or dancing; and imagery of dark clothing and high energy. The document plans to incorporate these conventions through the protagonist's dark ripped jeans and energetic lip-syncing and movement. For indie videos, it mentions conventions like casual clothing and less special effects. It plans to include some of these conventions to seem more realistic while also using unusual camera movements to represent the female protagonist and broader imagination.
Music Video Pitch (Unit 5) - Rebecca Lin
Pitch of my final idea for Unit 5, I gave to my class and teacher.
Idea: Music Video using Stop-motion, for Youtube singer/song writer - Kina Grannis
Props
The document discusses props that will be used in a music video to convey meaning and represent the artist's genre. Headphones will be worn by the main character to identify him as a chillwave artist and differentiate between him and his "spiritual self". Other props include a realistic latex heart to depict the character having a heart condition, a stress ball to illustrate how he developed the condition, and red paint/wine to suggest a heart attack through splatters and smashing a glass.
Initial genre research rock
This document provides information about common conventions in rock music videos. It discusses elements like band members wearing black, use of low-key lighting to match mood, inclusion of outdoor settings, incorporation of storylines through lyrics and visuals, use of faster editing and jump cuts to match upbeat tempos, featuring of live performances, and use of close-ups and wide shots. It then analyzes two specific music videos, noting how they employ conventions like changing shot duration to match drum beats and use of black clothing to represent death for Queen's "Bohemian Rhapsody", and inclusion of dark colors, wide shots, and high angles to depict power and audience perspective for U2's "Sunday Bloody Sunday."
Production planning
This document outlines a production plan and schedule for two albums over 11 weeks. For Album A called "Archipelagos," the artist will create a concept album inspired by revolution against oppression, depicted through island artwork and graffiti styles. A gatefold album cover and additional art will be digitally produced. For Album B called "Lunar Sea," the cover will feature a famous photo of an astronaut to commemorate the Apollo 11 mission, with the footprint photo on the back. Both albums aim to combine famous images with music to create striking hybrid artworks.
Evaluation
The ancillary projects for the artist's album used conventions of electronic dance music, including bright neon colors for text and imagery. The music video setting recreated a club environment with a stage and lighting. Camera shots focused on close-ups and mid-shots to give the impression of a larger crowd. The ancillary projects helped design consistency elements for the video, such as backdrops with the artist's name and logo, drawing from conventions used by other artists. Different media programs like Photoshop, Premiere, and Prezi were used at various stages of construction, planning, filming, and evaluation. Practice with test footage and sequences helped improve skills with camera settings, editing techniques, and program functions.
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How have I used, developed or challenged the language of music videos? Mise e...
How have I used, developed or challenged the language of music videos? Mise e...
Similar to Pitch
Media Studies A2 Evaluation question 1
The document discusses conventions used in music videos, album packaging, and advertisements for both. It summarizes that the music video uses visuals linked to lyrics, following Goodwin's theory. It uses typical rap music video conventions like dark colors, close-ups of the artist rapping, and locations. However, it also challenges conventions by using open grassy spaces and brighter shots. The album digipak and advertisement include standard elements like the artist image, album title, and tracklist, but the advertisement challenges conventions by placing the image on the right side. Using conventions like a meaningful narrative, black and white shots, and close-ups of the artist rapping may appeal to the target rap/hip-hop audience.
Proposal
The document discusses plans for a music video to promote the song "Christ Conscious" by Joey Bada$$. It will feature a performance-based video filmed mainly outdoors at a skate park using a Canon HD camera. Special effects will emphasize lyrics and the artist will perform daily activities. A small crew is needed to film, provide lighting/sound, edit, and assist. The target audience is ages 15-27 and the video will feature 17-year-old Joseph who listens to hip hop and dresses in an urban style appropriate for conscious rap.
Music Video Planning
This document provides guidance for a music video production assignment. It includes a template presentation covering key pre-production elements. The document guides students to generate ideas for a music video, research conventions, and assess the viability of their production plans. Specific guidance is given for selecting a song, developing concepts, researching other music videos, considering locations and equipment needed.
Music Video Assignment 2
Call sheets are production documents used to communicate important production details to crew members. Since you were the sole crew member, call sheets were not necessary for your production. Let's move on to discussing your production record/log.
Assignment 6 - Michael
1. The first idea is to film a music video for the song "Plan B - ill Manors" by walking around the local area at night capturing graffiti and trash to portray the violent and corrupt environment described in the song. Footage would be taken with a drone and lamp posts to light the dark streets and the artist would wear chav/roadman clothes.
2. The second idea is a narrative music video for "White girl - Rajitheone" about a breakup. Slow motion and low light filming with a focus on emotions would show the breakup's impact. Scenes include singing in front of a black screen and driving through empty streets at night with blurry effects to represent a blurred
Conventions of indie pop
The document discusses conventions of the indie pop genre that the filmmakers plan to use in their music video. Some key conventions discussed include using low-budget settings like studios and parks, including live performance clips, telling a narrative through a sequence of images related to the song, keeping costumes, makeup and props simplistic and linked to the scene, and utilizing close-up shots of the artist to express their emotions. The filmmakers' music video will incorporate many of these elements to tell the story and emotions of the artist Savannah.
Evaluation
The document discusses conventions used in music video production based on Goodwin's theory of music videos. It analyzes several factors that record labels and producers consider when constructing music videos, including genre characteristics, relationships between lyrics/music and visuals, narrative/performance aspects, editing styles, mise-en-scene elements like location, clothing, lighting, and performers' expressions. The author applies these conventions in their own music video by mirroring shots, edits, clothing, and lighting styles from popular artists' music videos to match the song's genre.
Mv production assignment form 2019 1
Here are the key elements you need to cover in your visual planning:
LOCATIONS:
- Describe each location in detail and how it will be used. Include indoor and outdoor.
SHOT LIST:
- List each shot you need including location, camera angle, movement, and purpose.
STORYBOARD:
- Provide a visual representation of your shot list through a storyboard.
SCHEDULE:
- Create a schedule for your shoot including location, shots, and estimated time.
CREW BREAKDOWN:
- List the crew roles needed and who will fill each role.
EQUIPMENT LIST:
- Itemize all equipment needed including cameras, lights, audio gear
Research pack by group 3 for mg
This document provides research for a music video for the song "Shelter" by Porter Robinson. It includes initial ideas, storyboards, inspiration from other music videos, research on props, cameras, lighting, locations, and post-production elements like editing, graphics, and color. The proposed narrative tells the story of a depressed girl who follows colorful signals and discovers color returning to her life. Research was conducted on props like powder paint and smoke bombs, as well as suitable cameras, lighting setups, and abandoned locations for filming.
Final storyboard
The document provides context for a student music video project portraying elements of hip-hop culture. It describes how the video aims to evoke an eerie, gloomy mood through dark lighting and emotionless expressions to represent hip-hop without a storyline. Various shots from the video are presented and explained as appealing to the target hip-hop fan audience by featuring relevant clothing brands, posters, and scenes of driving and skateboarding that align with hip-hop conventions. Lighting and effects are used to add an intimidating or intoxicated effect fitting for the genre.
Finalstoryboard
The document provides context for a student music video project portraying elements of hip-hop culture. It describes how the video aims to evoke an eerie, gloomy mood through dark lighting and emotionless expressions to represent hip-hop without a storyline. Various shots from the video are presented and explained as appealing to the target hip-hop fan audience by featuring relevant clothing brands, posters, and scenes of driving and skateboarding that align with hip-hop conventions. Lighting and effects are used to add an intimidating or intoxicated effect fitting for the genre.
Pitch year 13
The document outlines plans for a grime music video featuring the artist "Frank". It will tell the story of Frank dealing with a tragic event from his past that has changed him. The video will include flashbacks showing a younger Frank and how he has been impacted by what occurred. It will have a serious tone to evoke empathy from audiences and subvert expectations for typical grime music videos.
Pitching our music video
The document discusses plans for an indie pop music video featuring the artist Robin. It will tell a narrative of Robin going through a breakup by remembering moments with her ex-boyfriend through locations like a skate park and bowling alley. Cinematography will include a wave projector, mirror shots, and a fig rig. Post-production effects like a photo transition, split screen, and video reversal will enhance the melancholy tone and match the beat of the song "Shark" by Oh Wonder. The target audience is 16-25 year olds who enjoy indie pop's carefree style.
Pitch year 13
The document outlines plans for a grime music video featuring the artist Frank, who will tell his emotional story of how past events have changed him through a narrative that includes flashbacks. The grime song "My Story" by Krept and Konan was chosen to convey meaningful lyrics and allow a realistic narrative to be created around Frank dealing with family issues. Production details such as the black and white aesthetic, outdoor locations, and sports clothing styles were selected to align with grime music video conventions.
Evaluation question 1 arifa
The media product challenges some conventions of music videos in its use of color, location, camerawork, editing, and sound. It uses a black and white color filter like Adele's "Someone Like You" video. The roof top location is similar to Professor Green's "Never Be a Right Time". Close-up shots of the artist looking at the camera follow conventions. Editing uses jump cuts between shots, as seen in Rizzle Kicks' "Lost Generation". While keeping the main track, it also changes the song speed and adds the artist's name over a black screen rather than the music.
Green light pitch
The document discusses plans for a music video for the song "Maneater" by Nelly Furtado. Key points:
1) The music video will incorporate elements from the original such as dance routines, costumes, locations, and symbolism to represent the lyrics.
2) Product placement of Rimmel London lipstick will be included to help establish the artist's image.
3) A narrative-driven story will show the artist having a dream of becoming a "maneater" that feels real.
4) Various locations like an office, skate park, and urban backdrop will be featured across day and night scenes using lighting and special effects.
Cj 123 2
Henry
Director: Me
Camera Operator: Me
Sound Recordist: Me
Editor: Me
Location Manager: Me
Props Master: Me
Costume Designer: N/A
Cast: Me, Brother
Crew Size: 2
Budget: £100
Insurance: Covered under parents
Health and Safety: Risk assessments done, first aid kit
Schedule: See below
Call Sheets: See below
Permissions: Forest is public land
Contacts: See below
Equipment List: See below
Props/Costumes List: See below
Budget Breakdown: See below
Risk Assessment: See below
Music video research
The document outlines ideas for a music video assignment, including research on sample music videos, potential songs and techniques, a final idea to film dancers at a park set to the song "Hunnybee" using bright colors and lyric signs, and pre-production planning covering locations, equipment, personnel, props, and a storyboarded structure for the video.
Question 1 - In what ways does your media product use, develop or challenge f...
The document provides an analysis of the conventions used in a music video and promotional materials for a band. It summarizes the shots in the music video and how they illustrate the band's style. It also compares the digipaks, magazine ads, and other promotional materials to those of other rock artists to demonstrate how they follow conventions of the genre. Overall, the document discusses how the project challenges some conventions to create a unique vision while still relating the various materials to continue branding the band.
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Pitch
- 1. Pitch - Waves Charlee Fear
- 2. The name and genre. The song I will be doing is Waves - Mr Probz (Robin Schulz Remix). The genre is Tropical House, which is a sub genre of ‘House’.
- 3. The name of my artist The name I have chosen for my artist is Ichor
- 4. Style of video and media that has inspired my idea. The style of my music video will be a narrative, and media that has inspired my ideas are videos such as ‘I got u’ by Duke Dumont making me do my own music video as a POV video using a GoPro.
- 5. Location, styling and lighting ideas. The location will be in Spain, in the town and beaches of Spain. The means that the styling ideas will be of holiday clothing such as the examples below. Although this is POV of the star image, the people around will be the styling. The lighting will be the natural lighting that the GoPro will capture, and if it needs to be lightened up I can edit that in Adobe After Effects