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TALK FOR WRITING PIE
CORBETT
HEAR IT!
SAY IT.
TALK ABOUT IT!
Common sense
➲ It is impossible to write any text without being familiar with
the language rhythms and patterns that it involves.
➲ It is impossible to write a sentence pattern without being able
to say it - and you cannot say it, if you haven't heard it before.
➲ The language required for success at any writing task must
become part of the children's linguistic repertoire.
➲ We have to structure units of work to provide the appropriate
language patterns enabling the children to hear them and say
them, read them and explore them so they really know the
patterns well.
➲ It's all about building up a bank of text types in their head so
that the language patterns are familiar to them and become
part of their linguistic compentency.
TALK FOR WRITING PIE
CORBETT
THIS AWARENESS OF THE NEED TO PROVIDE
THROUGH IMITATION A LANGUAGE
TEMPLATE ON WHICH THE CHILD CAN BUILD
AN INDEPENDENT VOICE LIES
AT THE HEART OF THE
“TALK FOR WRITING”
APPROACH.
HOW DO I DO IT?
READING MATTERS
A rich reading experience of
stories, poems and non-
fiction helps children to
internalise a living library of
non-fiction, poems and
stories, like templates that
can be used for their
imagination. Avid readers
acquire a store of patterns,
rather like building blocks
that can be used to compose.
What am I going to read to my students this term/year?
TEXT TYPE PROGRESSION
R Narrative Recount
Yr 1 Narrative Recount Information
Yr 2 Narrative Recount Information Instruction Explanation
Yr 3 Narrative Recount Information Instruction Explanation
Yr 4 Narrative Recount Information Instruction Explanation Persuasion Discussion
Yr 5 Narrative Recount Information Instruction Explanation Persuasion Discussion
Yr 6 Narrative Recount Information Instruction Explanation Persuasion Discussion
STAGE 1 - IMITATION
➲ Devise an exciting theme
or experience. Write the
basic model carefully to
ensure that it is pitched
above the children's level
and includes the overall
structure as well as the
language features that
they will need when
composing.
➲ Map it.STEP ONE
What to write? What type text? What language do I need?
Pre-teach Connectives! Don't forget the audience and
Purpose!
STAGE 1 IMITATION
➲ Learn the text orally over a
number of days until it
begins to become second
nature. Rehearse the text
for as long as it takes to
lay down the syntactical
patterns. Using actions to
represent the key features
such as connectives and a
text map....pg 8
➲ Practice:
➲ Say it in pairs like a mirror
➲ Pass it round the circle
➲ Perform like a tennis
match.
➲ Mime it
➲ Say it fast-babble gabble-
➲ Present the text as a
group or individually to
other classes....
STEP TWO
Which activities am I going to use to practice this text?
When am I going to rehearse?
STAGE 1 IMITATION
➲ It is vital that the children
understand what the
words mean. The text
should be based on
something that the
children have done, know
about and have
experienced or might be
interested in learning
about. Generative
grammar cannot work
without understanding.
➲ Practice:
➲ Spelling games
➲ Sentence games
➲ Comprehension activities
➲ Role plays
STEP THREE
Which activity is going to integrate/
involve all the students in the class?
Which activity is going to help
my weak students?
STAGE 1 IMITATION
➲ Interacting with the text. Time has to be spent loitering with the
text, play around with the information and language patterns,
interacting and imitating as much as possible “magpieing”. The
more the text is processed in different ways, the more likely it
is that the children will learn the information but also internalise
the language. To this end a number of games and activities
can be played on a daily basis as “starters” to warm up the
content.
STEP FOUR
To interact with the text there are therefore two strands that need attention:
Mingling with the information Interacting with the language patterns
STAGE 1 IMITATION
➲ Interview a child in role as “Professor Know it all”
➲ Have a panel of experts on the topic;
➲ Carry out a mock TV interview about the topic;
➲ Hold “back to back” mobile phone conversations:
➲ Hot seat experts;
➲ Make a list of amazing facts;
➲ Creat a display of “False/True”
➲ Present information as a news broadcast;
➲ Play “spot the true fact” where the teacher gives false
facts with one truthful nugget and the children have to
decide which is true......pg 10
Mingling with the text. Activities
STAGE 1 IMITATION
➲ Rehearse specific spelling patterns that will be needed for
writing;
➲ Put key connectives and language features onto cards
and when playing the drama games make sure the
children use the non-fiction language;
➲ Play “word of the day” where you all have to try and slip
the connective into classroom conversation;
➲ Take a pattern such as an “adverb starter” and challenge
the children to see who can use that construction during
the day....pg 11
Interacting with the language patterns:
STAGE 1 - Imitation
➲ Read and annotate the text to work out and “box up” the
structure, drawing out and then listing the key ingredients
and writing techniques. This involves the children in using a
problem-solving approach to see if they can identify how the
text is organised. The children work in pairs to annotate the
text. Then a grid may be drawn that will act as a planner.
This indicates how all text has a beginning, middle and end.
STEP FIVE
Title
Beginning
Middle
End. Final comment
Look at pages 13
through 18 in the book
for deeper infor-
mation-
➲ Display on the working wall the main model, with boxed
up and annotated text.
STAGE 1 - Imitation
STEP SIX
➲ Once the chidlren have become familiar with the
original text they area ready for the next stage. Do
not move on to innovation till the original model is
deeply embeded as you cannot innovate on
something that is only vaguely known..
➲ All of us write best about what we know about.
➲ Make sure that there is an interesting topic or
experience that the children will be writing about.
Whatever the and experience otherwise the writing
will suffer.
STAGE 2 - Innovation
➲ Develop the text orally. Using a text map the children
orally rehearse the text, repeating key actions for the
language features.
➲ This can be done in class, in groups, pairs.....
STAGE 2 - Innovation
➲ Continue to play games so chidlren internalise the
language patterns and understand the topic, for
example:
➲ Spelling;
➲ Sentence games;
➲ Drama activities...
STAGE 2 - Innovation
➲ Use shared and guided writing to involve the
chidlren in writing. Show the whole process from
gathering information, boxing it up into paragraphs,
drafting and crafting sentences, rereading and
polishing.
➲ Keep refering back to the model and work from the
plan.
➲ Less able chidlren can “hug” closely to the original
text.
➲ Keep rereading the text, this helps to gain flow but
also means that the children develop the habit of
listening for the tune of the text.
STAGE 2 - Innovation
➲ Use the display and writing journals as visual aid to
support the writing.
STAGE 2 - Innovation
Children write
independently their own
versions, using all the
support available. One
useful tip is for children to
use a dotted line under
any words that they may
find hard to spell and
check spelling later on.
➲ In this stage, the children move towards becoming
more independent. There are two possibilities at this
stage:
STAGE 3-Independent
Application
1. Writing about our own topics
but all tackling the same
Text type.
2. Applying the text type across
the curriculum.
STAGE 3-Independent
Application
1. Writing about our own topics but all tackling the same Text type.
The teacher will still have to use shared writing to tackle this stage
but the share wriitng can focus on aspects of the process that need
reinforcing and revisiting. Previous assessment will help the teacher
to consider what groupings are needed for guided writing.
Do I make my weak students to go thorough this stage or do I encourage
them to continue practicing previous stages? Have I done enough modelling?
Are there plenty of visula aids for the children to work independently?
theSTAGE 3-Independent
Application
2. Applying the text type across the curriculum.
The writing journals are very handy at this point as they should
be orginised so that they contain a section for each type of
writing. In each section, there should be at least one model, plus
a reminder of the overall structure, and ingerdients as well as
many writing techniques or tips.
To summarise, you need:
➔ An exciting theme or experience;
➔ Develop the text orally;;
➔ -Revisit games;;
➔ Use shared and guided writing;
➔ Add to the display and writing journals;
➔ The children write about their topic, or apply the text
across the curriculum.
STAGE 3-Independent
Application
ASSESMENT PROPOSAL
Children who reach Stage 1 are graded 5 – 6
Children who reach Stage 2 are graded 6 – 8
Children who reach Stage 3 are graded 9 +

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Pie corbett

  • 1. TALK FOR WRITING PIE CORBETT HEAR IT! SAY IT. TALK ABOUT IT!
  • 2. Common sense ➲ It is impossible to write any text without being familiar with the language rhythms and patterns that it involves. ➲ It is impossible to write a sentence pattern without being able to say it - and you cannot say it, if you haven't heard it before. ➲ The language required for success at any writing task must become part of the children's linguistic repertoire. ➲ We have to structure units of work to provide the appropriate language patterns enabling the children to hear them and say them, read them and explore them so they really know the patterns well. ➲ It's all about building up a bank of text types in their head so that the language patterns are familiar to them and become part of their linguistic compentency.
  • 3. TALK FOR WRITING PIE CORBETT THIS AWARENESS OF THE NEED TO PROVIDE THROUGH IMITATION A LANGUAGE TEMPLATE ON WHICH THE CHILD CAN BUILD AN INDEPENDENT VOICE LIES AT THE HEART OF THE “TALK FOR WRITING” APPROACH.
  • 4. HOW DO I DO IT?
  • 5. READING MATTERS A rich reading experience of stories, poems and non- fiction helps children to internalise a living library of non-fiction, poems and stories, like templates that can be used for their imagination. Avid readers acquire a store of patterns, rather like building blocks that can be used to compose. What am I going to read to my students this term/year?
  • 6. TEXT TYPE PROGRESSION R Narrative Recount Yr 1 Narrative Recount Information Yr 2 Narrative Recount Information Instruction Explanation Yr 3 Narrative Recount Information Instruction Explanation Yr 4 Narrative Recount Information Instruction Explanation Persuasion Discussion Yr 5 Narrative Recount Information Instruction Explanation Persuasion Discussion Yr 6 Narrative Recount Information Instruction Explanation Persuasion Discussion
  • 7. STAGE 1 - IMITATION ➲ Devise an exciting theme or experience. Write the basic model carefully to ensure that it is pitched above the children's level and includes the overall structure as well as the language features that they will need when composing. ➲ Map it.STEP ONE What to write? What type text? What language do I need? Pre-teach Connectives! Don't forget the audience and Purpose!
  • 8. STAGE 1 IMITATION ➲ Learn the text orally over a number of days until it begins to become second nature. Rehearse the text for as long as it takes to lay down the syntactical patterns. Using actions to represent the key features such as connectives and a text map....pg 8 ➲ Practice: ➲ Say it in pairs like a mirror ➲ Pass it round the circle ➲ Perform like a tennis match. ➲ Mime it ➲ Say it fast-babble gabble- ➲ Present the text as a group or individually to other classes.... STEP TWO Which activities am I going to use to practice this text? When am I going to rehearse?
  • 9. STAGE 1 IMITATION ➲ It is vital that the children understand what the words mean. The text should be based on something that the children have done, know about and have experienced or might be interested in learning about. Generative grammar cannot work without understanding. ➲ Practice: ➲ Spelling games ➲ Sentence games ➲ Comprehension activities ➲ Role plays STEP THREE Which activity is going to integrate/ involve all the students in the class? Which activity is going to help my weak students?
  • 10. STAGE 1 IMITATION ➲ Interacting with the text. Time has to be spent loitering with the text, play around with the information and language patterns, interacting and imitating as much as possible “magpieing”. The more the text is processed in different ways, the more likely it is that the children will learn the information but also internalise the language. To this end a number of games and activities can be played on a daily basis as “starters” to warm up the content. STEP FOUR To interact with the text there are therefore two strands that need attention: Mingling with the information Interacting with the language patterns
  • 11. STAGE 1 IMITATION ➲ Interview a child in role as “Professor Know it all” ➲ Have a panel of experts on the topic; ➲ Carry out a mock TV interview about the topic; ➲ Hold “back to back” mobile phone conversations: ➲ Hot seat experts; ➲ Make a list of amazing facts; ➲ Creat a display of “False/True” ➲ Present information as a news broadcast; ➲ Play “spot the true fact” where the teacher gives false facts with one truthful nugget and the children have to decide which is true......pg 10 Mingling with the text. Activities
  • 12. STAGE 1 IMITATION ➲ Rehearse specific spelling patterns that will be needed for writing; ➲ Put key connectives and language features onto cards and when playing the drama games make sure the children use the non-fiction language; ➲ Play “word of the day” where you all have to try and slip the connective into classroom conversation; ➲ Take a pattern such as an “adverb starter” and challenge the children to see who can use that construction during the day....pg 11 Interacting with the language patterns:
  • 13. STAGE 1 - Imitation ➲ Read and annotate the text to work out and “box up” the structure, drawing out and then listing the key ingredients and writing techniques. This involves the children in using a problem-solving approach to see if they can identify how the text is organised. The children work in pairs to annotate the text. Then a grid may be drawn that will act as a planner. This indicates how all text has a beginning, middle and end. STEP FIVE Title Beginning Middle End. Final comment Look at pages 13 through 18 in the book for deeper infor- mation-
  • 14. ➲ Display on the working wall the main model, with boxed up and annotated text. STAGE 1 - Imitation STEP SIX
  • 15. ➲ Once the chidlren have become familiar with the original text they area ready for the next stage. Do not move on to innovation till the original model is deeply embeded as you cannot innovate on something that is only vaguely known.. ➲ All of us write best about what we know about. ➲ Make sure that there is an interesting topic or experience that the children will be writing about. Whatever the and experience otherwise the writing will suffer. STAGE 2 - Innovation
  • 16. ➲ Develop the text orally. Using a text map the children orally rehearse the text, repeating key actions for the language features. ➲ This can be done in class, in groups, pairs..... STAGE 2 - Innovation
  • 17. ➲ Continue to play games so chidlren internalise the language patterns and understand the topic, for example: ➲ Spelling; ➲ Sentence games; ➲ Drama activities... STAGE 2 - Innovation
  • 18. ➲ Use shared and guided writing to involve the chidlren in writing. Show the whole process from gathering information, boxing it up into paragraphs, drafting and crafting sentences, rereading and polishing. ➲ Keep refering back to the model and work from the plan. ➲ Less able chidlren can “hug” closely to the original text. ➲ Keep rereading the text, this helps to gain flow but also means that the children develop the habit of listening for the tune of the text. STAGE 2 - Innovation
  • 19. ➲ Use the display and writing journals as visual aid to support the writing. STAGE 2 - Innovation Children write independently their own versions, using all the support available. One useful tip is for children to use a dotted line under any words that they may find hard to spell and check spelling later on.
  • 20. ➲ In this stage, the children move towards becoming more independent. There are two possibilities at this stage: STAGE 3-Independent Application 1. Writing about our own topics but all tackling the same Text type. 2. Applying the text type across the curriculum.
  • 21. STAGE 3-Independent Application 1. Writing about our own topics but all tackling the same Text type. The teacher will still have to use shared writing to tackle this stage but the share wriitng can focus on aspects of the process that need reinforcing and revisiting. Previous assessment will help the teacher to consider what groupings are needed for guided writing. Do I make my weak students to go thorough this stage or do I encourage them to continue practicing previous stages? Have I done enough modelling? Are there plenty of visula aids for the children to work independently?
  • 22. theSTAGE 3-Independent Application 2. Applying the text type across the curriculum. The writing journals are very handy at this point as they should be orginised so that they contain a section for each type of writing. In each section, there should be at least one model, plus a reminder of the overall structure, and ingerdients as well as many writing techniques or tips. To summarise, you need: ➔ An exciting theme or experience; ➔ Develop the text orally;; ➔ -Revisit games;; ➔ Use shared and guided writing; ➔ Add to the display and writing journals; ➔ The children write about their topic, or apply the text across the curriculum.
  • 23. STAGE 3-Independent Application ASSESMENT PROPOSAL Children who reach Stage 1 are graded 5 – 6 Children who reach Stage 2 are graded 6 – 8 Children who reach Stage 3 are graded 9 +