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Photography is the art, science, and
practice of creating durable images
by recording light or other
electromagnetic radiation, either
chemically by means of a light-
sensitive material such as
photographic film, or electronically
by means of an image sensor.[
 Cinematography (from Greek, kinema
"movements" and, graphein "to record")
 is the art or science of motion picture
photography.[1] It is the technique of
movie photography, including both the
shooting and development of the film
 Key light- main
light on the subject
 Fill light- soften the
hard edges of the
key and balances
the light
 Back light- light
behind a subject
creating a
separation from the
background
 Color light-used in determining the time, mood and
emotional effects
 A lamp that uses a
tungsten filament.
 Also known as Hot
lights.
 Ideal for indoor
locations
 HMIs are arc lights
contained in a
sealed
capsule.The HMI
(and the MSR
version)
 its incredible
efficiency; it can
produce five times
the light output of
tungsten light per
watt i.e.
 more of its power
consumption is
going into the
actual light output
(Hydrargyrum Medium-arc-length Iodide)
 This painting by
Caravaggio shows
how some
exceptionally moody
lighting can be
achieved without
backlight (“The
calling of Saint
Matthew,” 1599-
1600)
 meaning dark
subject against
very bright
background
Putting real film lights outside windows
instead of relying on natural light – always
worth it
 A beautiful blue can be achieved with
HMI lights and a digital camera set to
tungsten balance
 A beautiful
“Matrix”-style
green can be
achieved by
shooting with
regular
fluorescent lights
with the camera
set to tungsten
balance
 The effect of
backlight is
clear: it
increases
contrast,
reduces
“muddiness”
and enhances
perceived
sharpness.
Bokeh consists of blurred point sources
of light in the background.
Bokeh makes images glamorous and
visually appealing.
 The Slanted Lens
experimented with
different aperture settings
and subject/background
placements to find these
three principles for getting
the most Bokeh:
 1. Get as close to the
subject as you can
 2. Keep the background
with the lights far away
 3. Keep the aperture wide
open

The Arriflex-S is a vary
popular camera
because of it's very
steady film
movement.
 This movement
helps to create very
high quality
professional images
 A true Hollywood
Classic 35 mm studio
camera
 The number one
work horse of the
movie industry in the
US
Digital cameras are
everywhere, but the
appeal of shooting with
film will never fade.
Look to the retro-chic
Lomography
Belair Jetsetter X
6-12
if you want the analog
shooting experience
again. The beautifully
designed medium-format
camera takes standard
6x9 or panoramic 6x12
shots
 Lens 10-
22mm
f/3.5-4.5
Focal
Length
10mm
 70-200mm
(and
above)
 This lens
zooms in
more than
the 18-
55mm.
 Lens 100mm f/2.8
Macro
Focal Length 100mm
 Allows you to zoom
in closer
Water is your friend in night work
The Twilight Runner by Robin Ryan
The Rock by Robin Ryan
Photography as foundation of cinematography

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Photography as foundation of cinematography

  • 1.
  • 2.
  • 3. Photography is the art, science, and practice of creating durable images by recording light or other electromagnetic radiation, either chemically by means of a light- sensitive material such as photographic film, or electronically by means of an image sensor.[
  • 4.
  • 5.
  • 6.
  • 7.
  • 8.
  • 9.
  • 10.
  • 11.
  • 12.
  • 13.
  • 14.
  • 15.
  • 16.  Cinematography (from Greek, kinema "movements" and, graphein "to record")  is the art or science of motion picture photography.[1] It is the technique of movie photography, including both the shooting and development of the film
  • 17.
  • 18.
  • 19.  Key light- main light on the subject  Fill light- soften the hard edges of the key and balances the light  Back light- light behind a subject creating a separation from the background
  • 20.
  • 21.  Color light-used in determining the time, mood and emotional effects
  • 22.  A lamp that uses a tungsten filament.  Also known as Hot lights.  Ideal for indoor locations
  • 23.
  • 24.  HMIs are arc lights contained in a sealed capsule.The HMI (and the MSR version)  its incredible efficiency; it can produce five times the light output of tungsten light per watt i.e.  more of its power consumption is going into the actual light output (Hydrargyrum Medium-arc-length Iodide)
  • 25.
  • 26.  This painting by Caravaggio shows how some exceptionally moody lighting can be achieved without backlight (“The calling of Saint Matthew,” 1599- 1600)
  • 27.  meaning dark subject against very bright background
  • 28. Putting real film lights outside windows instead of relying on natural light – always worth it
  • 29.
  • 30.  A beautiful blue can be achieved with HMI lights and a digital camera set to tungsten balance
  • 31.  A beautiful “Matrix”-style green can be achieved by shooting with regular fluorescent lights with the camera set to tungsten balance
  • 32.  The effect of backlight is clear: it increases contrast, reduces “muddiness” and enhances perceived sharpness.
  • 33.
  • 34. Bokeh consists of blurred point sources of light in the background. Bokeh makes images glamorous and visually appealing.
  • 35.  The Slanted Lens experimented with different aperture settings and subject/background placements to find these three principles for getting the most Bokeh:  1. Get as close to the subject as you can  2. Keep the background with the lights far away  3. Keep the aperture wide open
  • 36.
  • 37.
  • 38.  The Arriflex-S is a vary popular camera because of it's very steady film movement.  This movement helps to create very high quality professional images
  • 39.  A true Hollywood Classic 35 mm studio camera  The number one work horse of the movie industry in the US
  • 40. Digital cameras are everywhere, but the appeal of shooting with film will never fade. Look to the retro-chic Lomography Belair Jetsetter X 6-12 if you want the analog shooting experience again. The beautifully designed medium-format camera takes standard 6x9 or panoramic 6x12 shots
  • 41.
  • 42.
  • 43.
  • 44.
  • 45.
  • 46.
  • 48.  70-200mm (and above)  This lens zooms in more than the 18- 55mm.
  • 49.  Lens 100mm f/2.8 Macro Focal Length 100mm  Allows you to zoom in closer
  • 50.
  • 51.
  • 52.
  • 53.
  • 54.
  • 55.
  • 56.
  • 57. Water is your friend in night work
  • 58. The Twilight Runner by Robin Ryan
  • 59. The Rock by Robin Ryan