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Paul Henry (1876-1958)
• Born 11 April 1877 -
Belfast
• His father, Robert
Henry, was a
Protestant preacher
• Attended Belfast
School of Art
• Moved to Paris in
1898
Paris and London
• Studied in Paris under
James McNeill Whistler
• Henry moved to London
in 1901
• Married Grace Mitchell
• Spent 10 years working
as a graphic artist,
illustrator and cartoonist
• Became a member of the
Fitzroy Street Group
Influences
• Paul Henry was influenced by Post-Impressionists like
Van Gogh and Cézanne.
Starry Night
Hortense Fiquet in a Striped
Skirt
Post-Impressionism
The Post-Impressionists extended Impressionism by
- emphasising geometric forms,
- distorting form for expressive effect,
- using unnatural or arbitrary colour.
From Post-Impressionism Paul Henry took a blunt and
uncompromising approach to the formal challenges of
landscape painting
He simplified shapes and textures, reducing the visible
world to its bare necessities
Influences
• Influenced by Jean
Francois Millet
• Barbizon School - part
of an art movement
towards Realism
• From Millet, Paul Henry
borrowed an interest in
humble rural life, and a
close study of farmers
and peasant women
Achill Island
• Visited Achill Island on
holiday – 1910
• Paul Henry stayed on
Achill Island for 10 years
• Henry read JM Synge’s
‘Riders to the Sea’
• The play was to have an
impact on how he viewed
the harshness of island
life
Achill Island
Work on Achill Island
• Belfast 1911 Joint
Exhibition with his wife
Grace
• Titled “Paintings on Irish
Life”
• ‘A Prayer for the
Departed’
• Comment - 'the grimness
and something of the
dignity of the closing
scene in "Riders to the
Sea"
Belfast exhibition 1911
• ‘The Watcher’ 1911
• "... You will look through this
exhibition in vain for the
'sweetly pretty' Ireland of the
popular illustrators, for the
chocolate-box colleen or the
cardriver with his budget of
comic stories. In place of the
glamour of false romance you
get the veracity of the thing
seen; sentimentalism gives
way to stark sincerity". (“The
Northern Whig”)
Launching the Curragh 1911
• Paul Henry was
deeply moved by the
harshness of life on
Achill Island, both the
living conditions and
the hardness of the
economic life.
..."the people cling with pathetic heroism to their holdings
with a dumb ferocity of affection. Existence [for many of
them] would be simply impossible were it not for the
money coming in from [relatives in] America".
Landscapes
• In later years Paul Henry moved from painting
people to landscapes without any figures in them
• One suggestion for this is that the women of Achill
did not want to be sketched by Paul Henry, at
least, did not want to be portrayed in the manner
that he wanted
• Paul Henry castigated the young girls on Achill for
turning up to model for him wearing modern silk
stockings and high heeled shoes, rather than
barefoot and in the everyday clothes handed down
to them by their grandmothers. (Mary Cosgrave)
Achill to Dublin
• Paul and Grace Henry left Achill Island in 1919
• Their marriage had become increasingly strained
• Grace preferred an urban lifestyle
• Paul Henry found the Royal Hibernian Academy
to be conservative
• The Henry’s founded the Society of Dublin
Painters
• Henry achieved international recognition when “In
Connemara” was used as a poster for tourism in
1925
“In
Connemara”
A Connemara Village
An example of
the later
landscapes of
Paul Henry
Painted in
1934
Paul Henry’s legacy
• Paul Henry became internationally renowned
• Many of his paintings were reproduced as posters or
prints
• Ironic that his paintings were used to promote tourism
in the West of Ireland when he was actually
distressed about the impact of tourism on Achill Island
• His pictorial naturalism continues to represent a vision
of Ireland that many people regard as truly authentic.
• Paul Henry died in 1958

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Paul Henry

  • 1. Paul Henry (1876-1958) • Born 11 April 1877 - Belfast • His father, Robert Henry, was a Protestant preacher • Attended Belfast School of Art • Moved to Paris in 1898
  • 2. Paris and London • Studied in Paris under James McNeill Whistler • Henry moved to London in 1901 • Married Grace Mitchell • Spent 10 years working as a graphic artist, illustrator and cartoonist • Became a member of the Fitzroy Street Group
  • 3. Influences • Paul Henry was influenced by Post-Impressionists like Van Gogh and Cézanne. Starry Night Hortense Fiquet in a Striped Skirt
  • 4. Post-Impressionism The Post-Impressionists extended Impressionism by - emphasising geometric forms, - distorting form for expressive effect, - using unnatural or arbitrary colour. From Post-Impressionism Paul Henry took a blunt and uncompromising approach to the formal challenges of landscape painting He simplified shapes and textures, reducing the visible world to its bare necessities
  • 5. Influences • Influenced by Jean Francois Millet • Barbizon School - part of an art movement towards Realism • From Millet, Paul Henry borrowed an interest in humble rural life, and a close study of farmers and peasant women
  • 6. Achill Island • Visited Achill Island on holiday – 1910 • Paul Henry stayed on Achill Island for 10 years • Henry read JM Synge’s ‘Riders to the Sea’ • The play was to have an impact on how he viewed the harshness of island life Achill Island
  • 7. Work on Achill Island • Belfast 1911 Joint Exhibition with his wife Grace • Titled “Paintings on Irish Life” • ‘A Prayer for the Departed’ • Comment - 'the grimness and something of the dignity of the closing scene in "Riders to the Sea"
  • 8. Belfast exhibition 1911 • ‘The Watcher’ 1911 • "... You will look through this exhibition in vain for the 'sweetly pretty' Ireland of the popular illustrators, for the chocolate-box colleen or the cardriver with his budget of comic stories. In place of the glamour of false romance you get the veracity of the thing seen; sentimentalism gives way to stark sincerity". (“The Northern Whig”)
  • 9. Launching the Curragh 1911 • Paul Henry was deeply moved by the harshness of life on Achill Island, both the living conditions and the hardness of the economic life. ..."the people cling with pathetic heroism to their holdings with a dumb ferocity of affection. Existence [for many of them] would be simply impossible were it not for the money coming in from [relatives in] America".
  • 10. Landscapes • In later years Paul Henry moved from painting people to landscapes without any figures in them • One suggestion for this is that the women of Achill did not want to be sketched by Paul Henry, at least, did not want to be portrayed in the manner that he wanted • Paul Henry castigated the young girls on Achill for turning up to model for him wearing modern silk stockings and high heeled shoes, rather than barefoot and in the everyday clothes handed down to them by their grandmothers. (Mary Cosgrave)
  • 11. Achill to Dublin • Paul and Grace Henry left Achill Island in 1919 • Their marriage had become increasingly strained • Grace preferred an urban lifestyle • Paul Henry found the Royal Hibernian Academy to be conservative • The Henry’s founded the Society of Dublin Painters • Henry achieved international recognition when “In Connemara” was used as a poster for tourism in 1925
  • 13. A Connemara Village An example of the later landscapes of Paul Henry Painted in 1934
  • 14. Paul Henry’s legacy • Paul Henry became internationally renowned • Many of his paintings were reproduced as posters or prints • Ironic that his paintings were used to promote tourism in the West of Ireland when he was actually distressed about the impact of tourism on Achill Island • His pictorial naturalism continues to represent a vision of Ireland that many people regard as truly authentic. • Paul Henry died in 1958