This document provides an overview of American Indian literature. It discusses the oral tradition of Native Americans and how their traditions were impacted by European colonization. It then summarizes some of the key early Native American authors who wrote about native rights and culture from the 19th to early 20th centuries such as Samson Occom, Yellow Bird, and Simon Pokagnon. The document notes that the late 1960s saw a renaissance in Native American fiction and poetry sparked by writers like N. Scott Momaday and James Welch. It discusses how authors in the 1970s like Louise Erdrich became major literary figures, helping give voice to indigenous histories and cultures.
Covers important cultural developments in the United States up until the mid-nineteenth century. Discusses the cultural contributions of Daniel Boone, Washington Irving, James Fenimore Cooper, Ralph Waldo Emerson and the Transcendentalists, Joseph Smith and the Mormons, and abolitionists such as William Lloyd Garrison.
Examine Australian and Canadian Literature in the light of the statement that ‘English literature outside Britain have been considered as individual, national enterprises forming and reflecting each country’s culture’. You should discuss the work of two writers.
Langston Hughes was an American poet and a social activist. Missouri. He is one of the earliest innovators of jazz poetry. He is best known as a leader of the Harlem Renaissance. In these slides, his poem "Let America Be America Again" is disused, which highlights the disparity between the ideals of the American Dream and the harsh realities of life in America.
Covers important cultural developments in the United States up until the mid-nineteenth century. Discusses the cultural contributions of Daniel Boone, Washington Irving, James Fenimore Cooper, Ralph Waldo Emerson and the Transcendentalists, Joseph Smith and the Mormons, and abolitionists such as William Lloyd Garrison.
Examine Australian and Canadian Literature in the light of the statement that ‘English literature outside Britain have been considered as individual, national enterprises forming and reflecting each country’s culture’. You should discuss the work of two writers.
Langston Hughes was an American poet and a social activist. Missouri. He is one of the earliest innovators of jazz poetry. He is best known as a leader of the Harlem Renaissance. In these slides, his poem "Let America Be America Again" is disused, which highlights the disparity between the ideals of the American Dream and the harsh realities of life in America.
POEMS by Emily Dickinson· 1830-1886; one of the two most impor.docxstilliegeorgiana
POEMS by Emily Dickinson
· 1830-1886; one of the two most important figures (the other being Walt Whitman) in establishing the specific identity of AMERICAN POETRY (especially MODERN American poetry)
· from a prominent Amherst, Massachusetts, family (father a lawyer)
· After school (Amherst Academy and a year at the Mount Holyoke Female Seminary), she lived as a RECLUSE, almost never leaving the Dickinson family home.
· She remained close with her family, particularly her brother, and maintained several “friendships” via correspondences, most notably with the Boston writer and critic Thomas Wentworth Higginson, who eventually—POSTHUMOUSLY!—published her poems with the help of another of Emily’s friends, Mabel Todd Loomis.
· Only 7 of her poems were published—anonymously!—during her lifetime. THERE ARE 1,775! Not all of them reached print until 1955!
· eccentric punctuation: especially DASHES indicating emphasis and interruption
· influenced by the English Romantics, especially Keats, and the early Victorian poets, especially Elizabeth Barrett Browning
· a mixture of death, uncompromising truth, and playful humor
· ROMANTIC CHARACTERISTICS:
· sentimental melancholy
· importance/exceptionality of the poet
· the failure of knowledge/reason
· fascination with the grotesque
· mystical imagery
· unorthodox religious interpretation/beliefs
· wish to transcend worldly cares/priorities
· ROMANTIC INVERSIONS: American “Dark” Romanticism (according to literary critic Leslie Fiedler)
· disturbingly falling short of salvation (uncertainty or damnation, etc.)
· mocking the false comforts that sweet, picturesque imagery might provide
QUESTION #11:
Citing examples from her poems, discuss Dickinson’s Dark Romanticism. (3 paragraphs)
Walt Whitman
· 1819-1892; born in West Hills, Long Island, New York
· revolutionized American poetry: the long line, “catalogs,” frank subject matter, “free verse”
· responded to the call in Emerson’s “The Poet” (1842) for an all-encompassing American bard
· persona characteristics: amoral (even seeming to fatalistically excuse the atrocities associated with Manifest Destiny and colonially expansionist drive); representatively omnipresent (Transcendentally pantheistic); “American” universality and commonality represented sexually (as metaphor)
QUESTION #12:
How does both the form of Whitman’s poem and the imagery it uses reflect Emerson’s Transcendentalist call for an “American” poet?
Rebecca Harding Davis
· 1831-1910; born in Washington, Pennsylvania
· had a long career as both a fiction writer and a journalist
· “Life in the Iron-Mills” (1861) made her a literary celebrity; an early American literary example of combining REALISM, NATURALISM, and MUCK-RAKING
REALISM:
· mainly a reaction against the aesthetics and ideals of Romanticism, roughly surfacing as a consistent literary movement in the mid-19th century
· focus: a fidelity to actuality in its representation in literature (verisimilitude)
· focus ...
In linguistics, X-bar theory is a model of phrase-structure grammar and a theory of syntactic category formation[1] that was first proposed by Noam Chomsky in 1970[2] reformulating the ideas of Zellig Harris (1951,[3]) and further developed by Ray Jackendoff (1974,[4] 1977a,[5] 1977b[6]), along the lines of the theory of generative grammar put forth in the 1950s by Chomsky.[7][8] It attempts to capture the structure of phrasal categories with a single uniform structure called the X-bar schema, basing itself on the assumption that any phrase in natural language is an XP (X phrase) that is headed by a given syntactic category X. It played a significant role in resolving issues that phrase structure rules had, representative of which is the proliferation of grammatical rules, which is against the thesis of generative grammar.
In linguistics, X-bar theory is a model of phrase-structure grammar and a theory of syntactic category formation[1] that was first proposed by Noam Chomsky in 1970[2] reformulating the ideas of Zellig Harris (1951,[3]) and further developed by Ray Jackendoff (1974,[4] 1977a,[5] 1977b[6]), along the lines of the theory of generative grammar put forth in the 1950s by Chomsky.[7][8] It attempts to capture the structure of phrasal categories with a single uniform structure called the X-bar schema, basing itself on the assumption that any phrase in natural language is an XP (X phrase) that is headed by a given syntactic category X. It played a significant role in resolving issues that phrase structure rules had, representative of which is the proliferation of grammatical rules, which is against the thesis of generative grammar.
X-bar theory was incorporated into both transformational and nontransformational theories of syntax, including government and binding theory (GB), generalized phrase structure grammar (GPSG), lexical-functional grammar (LFG), and head-driven phrase structure grammar (HPSG).[9] Although recent work in the minimalist program has largely abandoned X-bar schemata in favor of bare phrase structure approaches, the theory's central assumptions are still valid in different forms and terms in many theories of minimalist syntax.
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The people of Punjab felt alienated from main stream due to denial of their just demands during a long democratic struggle since independence. As it happen all over the word, it led to militant struggle with great loss of lives of military, police and civilian personnel. Killing of Indira Gandhi and massacre of innocent Sikhs in Delhi and other India cities was also associated with this movement.
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PAPER 8 CULTURAL STUDIES
1. Topic
American Indian Literature
NAME: JANKIBA K. RANA
PAPER NO: 8C
CULTURAL STUDIES
M.A. SEM – II ROLL NO: 09
YEAR 2014-2015
SUBMITTED TO:
DEPARTMENT OF ENGLISH
MAHARAJA KRISHNAKUMARSINHJI
BHAVNAGAR
2. AMERICAN MULTICULTURALISM:
African American Writers
Latina writers
American Indian Literatures
Asian American writers
Culturalism:
Abridged Red Indians also called Americans Indian.
Their Tradition:
Oral Tradition
Folk Tradition
It get destroyed or get’s new tradition.
3. Over powering of whites means European
• And changes came into tribal tradition.
• Contribution to literature:
The earliest mainstream Indian author in the
anthologies is
Samson Occom,
A Mohegan School master, who published as
early as 1772.
4. • Later writers of the nineteenth and early twentieth
centuries, such as
– Yellow Bird
– Simon Pokagnon
– Sara Winnemucca Hopkins
– D’Arcy Mcnickle
– Mourning Dove
Dealt with native rights, the duplicates of U.S.
government and military leaders, racial ambivalence
creation myths, trickster human and tribal constancy in
face of repeated assaults.
5. • N.Scott “House made of Dawn”,
which had won the Pulitzer prize for
fiction in 1968 and his memoir, the way
to Rainy Mountain (1969) beginning a
renaissance of Indian fiction and poetry.
• James Welch’s Novel, “Winters in the
blood”.
• After that, it got more difficult.
• The anthology “The man to send Rain Clouds”
had been published in 1974. Several anthologies
of natives American poetry had also been
published in the early 70s “Voice of Rainbow”
carriers of the dream wheel and come to power,
many of the writers were dealing with the kinds of
issues of identity, social, political, cultural and
metaphysical that Silko’s book raisd.
6. • Louis Owens, a writer of “Choctaw
Cherokee” descent who is both a scholar of
native American literature and a novelist
himself, has asserted that prior to 1968 there
had only been 9 novels published by American
Indian writers, beginning in 1854
• Louise, Erdrich, Joy Harjo and others became
major literary figures, making little known but
historically rich sections of the country speak of
their Indian past and present.
• Erdrich’s novel “Love Medicine” – 1984
“The Best Queen” – 1986
“Tracks” – 1988
• Follow the fortunes of several North Dakota
Indian families in an epic unsparing in its satiric
revelations of their venality, libidinousness and
grotesquerie.