Page 3 Game flow
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In the game "Ninja Rush", the player takes on the role of a secret agent in an endless runner where they earn 25 points for killing ninjas that spawn on platforms. Over time, the ninjas would get stronger, requiring more hits to kill. As the player's score increases, their weapons would upgrade to make killing ninjas easier and allow for more points. This scoring and upgrading system ties into the story of the player character Agent Slick going on missions to destroy ninjas and advance to harder levels by improving his arsenal.
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Page 10 Cut scenes and bonus material
The game begins with a cutscene providing backstory for the main character and their mission. It then shows an intro screen and instruction menu explaining the controls. When the player dies during a level, they see a message telling them to restart. Completing levels and gaining points unlocks upgrades like more powerful starting weapons, jetpacks, and higher jumping for a limited time to aid with subsequent levels.
Tomb raider cover
This video game advertisement provides key information about the game's platform, developer studio, title, online compatibility, main character, and age rating to ensure potential buyers understand what type of game it is and whether it is appropriate for their age group. It also uses the franchise name and main character imagery to draw in both new and previous fans to the reboot title.
Job roles Audio
An audio engineer creates soundtracks for games including music, sound effects, voices and ambient noises. There is no set career path but experience with sound recording, editing and mixing is important. Graduates and those with a portfolio of music and sound engineering work can enter the field. Audio engineers must have strong communication and organizational skills to work with designers and other teams to understand requirements and manage complex sound projects on schedule. Formal qualifications are not required but courses in audio engineering and sound technology are beneficial.
Page 8 mechanics and power ups
The mechanics of the game include a double jump and unlimited bullets up to a certain point. The player must think carefully about when to jump between platforms and can die if they fall off or are hit by enemies. Potential power-ups that could be earned with points include weapon upgrades, extra lives, and more points per level to allow players to last longer in levels and earn more points with better weapons and maximum lives.
Rules of 'it'
The document outlines the rules for a tag game called "It" that requires 3 or more players and takes place within a designated game area. The main rules are that only one player can be "It" at a time, players tag each other to become "It", there is a safe zone where players cannot be tagged but can only stay for a limited time, and players must remain in the game area at all times. The game ends when the last player tagged becomes "It" or at the end of a time limit.
Page 9 enemies and bosses
The enemies in the game include ninjas that shoot ninja stars. Ninjas are programmed to shoot stars every 1.5 seconds they are on screen. As levels progress, ninjas will shoot stars faster and spawn in pairs. Ninjas also have special attacks, such as shooting multiple stars or dodging bullets. Bosses appear every 2000 points as checkpoints. Bosses can jump, deflect bullets back at the player, and rapidly shoot ninja stars, requiring the player to jump, dodge, and switch sides.
Logo design feedback 1
The design conveys the main character and his weapon choice clearly. The perspective produces a cinematic feel. The logo includes themes from the game through the main character and pistol, showing violence and informing viewers about the game. The character's color scheme and shading contrast effectively, though different background colors could provide more contrast. Consistency is present with the character, weapon, and title reflecting the game's themes.
Games industry structure
This document outlines the key roles in the games industry structure including developer, retailer, publisher, distributor, platform, and consumer. The developer makes the game, the publisher markets and promotes it, and the distributor handles logistics and delivery. Retailers are where consumers purchase games to play on platforms.
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Page 10 Cut scenes and bonus material
The game begins with a cutscene providing backstory for the main character and their mission. It then shows an intro screen and instruction menu explaining the controls. When the player dies during a level, they see a message telling them to restart. Completing levels and gaining points unlocks upgrades like more powerful starting weapons, jetpacks, and higher jumping for a limited time to aid with subsequent levels.
Tomb raider cover
This video game advertisement provides key information about the game's platform, developer studio, title, online compatibility, main character, and age rating to ensure potential buyers understand what type of game it is and whether it is appropriate for their age group. It also uses the franchise name and main character imagery to draw in both new and previous fans to the reboot title.
Job roles Audio
An audio engineer creates soundtracks for games including music, sound effects, voices and ambient noises. There is no set career path but experience with sound recording, editing and mixing is important. Graduates and those with a portfolio of music and sound engineering work can enter the field. Audio engineers must have strong communication and organizational skills to work with designers and other teams to understand requirements and manage complex sound projects on schedule. Formal qualifications are not required but courses in audio engineering and sound technology are beneficial.
Page 8 mechanics and power ups
The mechanics of the game include a double jump and unlimited bullets up to a certain point. The player must think carefully about when to jump between platforms and can die if they fall off or are hit by enemies. Potential power-ups that could be earned with points include weapon upgrades, extra lives, and more points per level to allow players to last longer in levels and earn more points with better weapons and maximum lives.
Rules of 'it'
The document outlines the rules for a tag game called "It" that requires 3 or more players and takes place within a designated game area. The main rules are that only one player can be "It" at a time, players tag each other to become "It", there is a safe zone where players cannot be tagged but can only stay for a limited time, and players must remain in the game area at all times. The game ends when the last player tagged becomes "It" or at the end of a time limit.
Page 9 enemies and bosses
The enemies in the game include ninjas that shoot ninja stars. Ninjas are programmed to shoot stars every 1.5 seconds they are on screen. As levels progress, ninjas will shoot stars faster and spawn in pairs. Ninjas also have special attacks, such as shooting multiple stars or dodging bullets. Bosses appear every 2000 points as checkpoints. Bosses can jump, deflect bullets back at the player, and rapidly shoot ninja stars, requiring the player to jump, dodge, and switch sides.
Logo design feedback 1
The design conveys the main character and his weapon choice clearly. The perspective produces a cinematic feel. The logo includes themes from the game through the main character and pistol, showing violence and informing viewers about the game. The character's color scheme and shading contrast effectively, though different background colors could provide more contrast. Consistency is present with the character, weapon, and title reflecting the game's themes.
Games industry structure
This document outlines the key roles in the games industry structure including developer, retailer, publisher, distributor, platform, and consumer. The developer makes the game, the publisher markets and promotes it, and the distributor handles logistics and delivery. Retailers are where consumers purchase games to play on platforms.
Beat chart
The document provides design details for level 1 of a game called "Ninj Rush" taking place in "The Warehouse". It will take approximately 5 minutes to complete. The level introduces mechanics like jumping, shooting, and hazards like boxes and gaps. Upon completion, the player will unlock a gun.
Page 5 Game concepts
Ninja Rush is a classic shooter game where the player kills enemies to pass through levels. To complete a level, the player must not get killed by falling, getting hit by a ninja star, or hit by a ninja. As levels progress, the story and gameplay become more complex, with new chapters starting every five levels featuring a boss battle. Each chapter increases difficulty with more enemies, but also allows the player to collect more points for upgrades. Additionally, the game includes an endless runner mode where the player aims to score highest without dying in continuously running levels.
Edmund McMillan bio
Edmund Charles McMillen is an independent American game developer known for games like Gish, Super Meat Boy, and The Binding of Isaac. He comes from a background in independent comics and flash development. He focuses on design, graphics, and animation, collaborating with other developers for programming. Currently, he works with Team Meat and others like Tommy Refenes and Florian Himsl. His games often feature a unique scary and bold art style. He is currently working on new games, iOS ports, and remakes of previous games.
Gamesalad evaluation
Gamesalad is software that allows users to create games for iPhone and PC without programming knowledge. It has pre-programmed code that allows non-programmers to drag and drop actors and attributes to add functionality like jumping. However, making small changes can inadvertently alter other parts of the game. While Gamesalad handles basic functions, it may not be clear how to implement more complex mechanics. The software provides a satisfying experience once a full working game is produced, and challenges the user to troubleshoot issues on their own.
Client feedback web banners
The client provided feedback on graphics and visual design of web banners for a game. The graphics in the banners effectively depicted the game's imagery and helped visualize it. The layout linked well to the game by using its setting as a background, helping viewers understand what the game is about. The use of direct language like "Download now" encouraged players to click and play. Some areas for improvement included giving the text more of a professional style and simplifying banners with larger amounts of text.
Legal Marketing
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Future trends unit_34
PC games of the future will reflect advances in PC technology, such as increased processing power and graphics capabilities, always-on internet access, and more realistic simulations. Future predictions include graphics processors that can produce more fluent gameplay and improved graphics. Games will also incorporate next-generation technologies like motion controls and advanced physics that simulate real-world scenarios indistinguishably from reality. All future games are expected to be online-centric, utilizing high-speed internet access for multiplayer and other online features.
Gustavo Santaolalla profile
Gustavo Alfredo Santaolalla is an Argentine musician and two-time Academy Award winning film composer, known for scoring Brokeback Mountain and Babel. He won Oscars for Best Original Score for both films in 2005 and 2006. Most recently, he composed the acclaimed music for the video game The Last of Us, featuring himself playing guitar and other instruments. He experiments with unfamiliar instruments to find new sounds for his film and game scores.
Moscow
The document outlines essential, should have, and could have features for a 2D platformer game including parallax scrolling backgrounds, a jump mechanic, breakable box assets, an original soundtrack, and moveable ninjas and platforms. It also lists some additional would have features for a 3D version such as 3D characters and assets like boxes, ninjas, weapons, and platforms.
Problems with the game
The first problem encountered was that platforms would deform and ruin gameplay when the player collided with them. This was due to the movable attribute not being selected in the platform actor's attributes. The issue was fixed by using an "Interpolate attribute" behavior to properly position and density the platforms so they would no longer move upon collision.
A second problem involved creating a double jump for the character. Tutorials were not working until one specific tutorial was followed that explained the need to create custom jumping and jump count attributes.
Spawning platforms also caused issues until it was realized that a single starting platform was needed on screen, with additional platforms spawning off screen to avoid glitches.
Pitch
A secret agent must make an abandoned warehouse safe by defeating an army of evil ninjas. It is a 2D side-scrolling shooting game where the agent constantly moves forward through different levels of the warehouse, shooting ninjas and avoiding obstacles. The levels get progressively harder, with the goal of collecting a giant ninja star at the end of each level. After every 5 levels, the agent can upgrade weapons or armor. Ultimately, the agent must defeat the final boss ninja to win the game.
Client feedback stickers
The graphics portray a cartoon-styled figure that hints at the theme and style of the game, helping to attract fans. The simple, cartoon artwork has a childish feel that is positive given the game's age rating. Bright colors like blue, light greys, and camel shades are used and the white title text stands out against the background color, making it eye catching. One design could be improved by using a lighter shade of grey. The large, bold title text with an outline is hard to miss. Some added features to the plain white text could make it look more professionally finished when printed.
Programmer
Programmers are the core developers for video games, writing computer code to control and run the game. They design code, test for bugs, and create tools for other teams. Programmers work on teams for large studios and publishers, often having long hours close to a game's release date. The job requires strong coding skills in languages like C++, an understanding of game design, and the ability to work independently and meet deadlines as part of a team.
Post production
The document summarizes the quality assurance and marketing process for the video game The Last of Us. Quality assurance involved game testing to discover bugs and provide feedback to the development team. The game was first teased in 2011 with billboards and trailers showing an apocalyptic event and references to dangerous fungi. Sony officially unveiled the game at the 2011 Spike Video Game Awards, showing gameplay of survivors defending against infected people. The first public gameplay demo was shown at E3 2012, introducing combat scenarios. The first television spot aired in March 2013 and a playable demo was released in May 2013.
Client feedback app icon
The app icon design effectively uses gradients, drop shadows, and outlines to create depth and make the main character image stand out. It incorporates recognizable elements from the Ninja Rush game like the character and weapons. The simple color scheme and lack of complex colors or unnecessary text keeps the icon clear while relating it to the game's theme. The bold outline around the character image could be slightly less prominent to better show details.
10 page pitch doc
This document summarizes the characters and controls of a game. There are two main characters: Agent Slick, the player-controlled heroic British agent, and evil ninjas working for the villain Kantura. Agent Slick's mission is to investigate an abandoned warehouse inhabited by enemy forces to get to their leader Kantura. The characters' weapons and abilities can upgrade slightly as the player progresses through levels. The player controls Agent Slick using keyboard buttons to jump, shoot bullets from his gun, and move between platforms, while the ninjas periodically throw ninja stars but do not move. The game takes place within a single warehouse world, consisting of multiple distinct level rooms or areas connected as parts of the abandoned building
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Actors
Actors represent characters or objects that players can interact with in a game. Game designers create actor prototypes that specify attributes and behaviors, like a paddle for Pong. These prototypes are templates - when placed as instances in a scene, the instances inherit properties from the prototype but can be individually customized. Prototypes allow changes to affect all linked instances and help build the elements that make up in-game scenes.
Graphics Design Evaluation and Process
The document contains summaries of analyses and evaluations of various graphic designs, including book covers, magazine covers, video game covers, app icons, web banners, and stickers. It also includes design processes and timelines for creating marketing assets for a game called "Ninja Rush", as well as research on freelance graphic design rates.
Pixar studio research
Pixar was founded in 1975 by George Lucas to produce special effects for films. It was later purchased by Steve Jobs and renamed Pixar Animation Studios in 1986. Pixar found success with films like Toy Story in 1995 and went on to produce hit animated films through partnerships with Disney. Pixar is known for developing proprietary animation software like RenderMan and Marionette that helped produce high quality computer animated films and establish Pixar as the industry leader in CGI animation.
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Beat chart
The document provides design details for level 1 of a game called "Ninj Rush" taking place in "The Warehouse". It will take approximately 5 minutes to complete. The level introduces mechanics like jumping, shooting, and hazards like boxes and gaps. Upon completion, the player will unlock a gun.
Page 5 Game concepts
Ninja Rush is a classic shooter game where the player kills enemies to pass through levels. To complete a level, the player must not get killed by falling, getting hit by a ninja star, or hit by a ninja. As levels progress, the story and gameplay become more complex, with new chapters starting every five levels featuring a boss battle. Each chapter increases difficulty with more enemies, but also allows the player to collect more points for upgrades. Additionally, the game includes an endless runner mode where the player aims to score highest without dying in continuously running levels.
Edmund McMillan bio
Edmund Charles McMillen is an independent American game developer known for games like Gish, Super Meat Boy, and The Binding of Isaac. He comes from a background in independent comics and flash development. He focuses on design, graphics, and animation, collaborating with other developers for programming. Currently, he works with Team Meat and others like Tommy Refenes and Florian Himsl. His games often feature a unique scary and bold art style. He is currently working on new games, iOS ports, and remakes of previous games.
Gamesalad evaluation
Gamesalad is software that allows users to create games for iPhone and PC without programming knowledge. It has pre-programmed code that allows non-programmers to drag and drop actors and attributes to add functionality like jumping. However, making small changes can inadvertently alter other parts of the game. While Gamesalad handles basic functions, it may not be clear how to implement more complex mechanics. The software provides a satisfying experience once a full working game is produced, and challenges the user to troubleshoot issues on their own.
Client feedback web banners
The client provided feedback on graphics and visual design of web banners for a game. The graphics in the banners effectively depicted the game's imagery and helped visualize it. The layout linked well to the game by using its setting as a background, helping viewers understand what the game is about. The use of direct language like "Download now" encouraged players to click and play. Some areas for improvement included giving the text more of a professional style and simplifying banners with larger amounts of text.
Legal Marketing
This document discusses legal considerations for marketing communications, promotions, and competitions. It notes that marketing cannot materially mislead consumers or cause widespread offense. Promotions must deal fairly with participants and avoid unnecessary disappointment. Competitions must have rules that are transparent and prizes awarded according to chance. The response discusses some imagery in advertisements that could potentially be seen as encouraging violence but is incorporated into cartoon artwork. A marketing stunt involving costumed characters handing out promotional items in public is mentioned, but could potentially be seen as controversial. Overall, the marketing plans do not include any competitions, promotions that would mislead consumers, or cause unnecessary disappointment.
Photo Analysis
This document discusses composition, focus, and lighting techniques in photography. It analyzes several plant photos that demonstrate these principles. The photos use techniques like the rule of thirds for composition, shallow depth of field to pull focus on the main subject while blurring the background, and natural sunlight to illuminate and cast shadows on the subject. Close-up shots focus on plant details, while maintaining some background context. Proper lighting enhances details and creates shadows that add depth and interest to the photos.
Future trends unit_34
PC games of the future will reflect advances in PC technology, such as increased processing power and graphics capabilities, always-on internet access, and more realistic simulations. Future predictions include graphics processors that can produce more fluent gameplay and improved graphics. Games will also incorporate next-generation technologies like motion controls and advanced physics that simulate real-world scenarios indistinguishably from reality. All future games are expected to be online-centric, utilizing high-speed internet access for multiplayer and other online features.
Gustavo Santaolalla profile
Gustavo Alfredo Santaolalla is an Argentine musician and two-time Academy Award winning film composer, known for scoring Brokeback Mountain and Babel. He won Oscars for Best Original Score for both films in 2005 and 2006. Most recently, he composed the acclaimed music for the video game The Last of Us, featuring himself playing guitar and other instruments. He experiments with unfamiliar instruments to find new sounds for his film and game scores.
Moscow
The document outlines essential, should have, and could have features for a 2D platformer game including parallax scrolling backgrounds, a jump mechanic, breakable box assets, an original soundtrack, and moveable ninjas and platforms. It also lists some additional would have features for a 3D version such as 3D characters and assets like boxes, ninjas, weapons, and platforms.
Problems with the game
The first problem encountered was that platforms would deform and ruin gameplay when the player collided with them. This was due to the movable attribute not being selected in the platform actor's attributes. The issue was fixed by using an "Interpolate attribute" behavior to properly position and density the platforms so they would no longer move upon collision.
A second problem involved creating a double jump for the character. Tutorials were not working until one specific tutorial was followed that explained the need to create custom jumping and jump count attributes.
Spawning platforms also caused issues until it was realized that a single starting platform was needed on screen, with additional platforms spawning off screen to avoid glitches.
Pitch
A secret agent must make an abandoned warehouse safe by defeating an army of evil ninjas. It is a 2D side-scrolling shooting game where the agent constantly moves forward through different levels of the warehouse, shooting ninjas and avoiding obstacles. The levels get progressively harder, with the goal of collecting a giant ninja star at the end of each level. After every 5 levels, the agent can upgrade weapons or armor. Ultimately, the agent must defeat the final boss ninja to win the game.
Client feedback stickers
The graphics portray a cartoon-styled figure that hints at the theme and style of the game, helping to attract fans. The simple, cartoon artwork has a childish feel that is positive given the game's age rating. Bright colors like blue, light greys, and camel shades are used and the white title text stands out against the background color, making it eye catching. One design could be improved by using a lighter shade of grey. The large, bold title text with an outline is hard to miss. Some added features to the plain white text could make it look more professionally finished when printed.
Programmer
Programmers are the core developers for video games, writing computer code to control and run the game. They design code, test for bugs, and create tools for other teams. Programmers work on teams for large studios and publishers, often having long hours close to a game's release date. The job requires strong coding skills in languages like C++, an understanding of game design, and the ability to work independently and meet deadlines as part of a team.
Post production
The document summarizes the quality assurance and marketing process for the video game The Last of Us. Quality assurance involved game testing to discover bugs and provide feedback to the development team. The game was first teased in 2011 with billboards and trailers showing an apocalyptic event and references to dangerous fungi. Sony officially unveiled the game at the 2011 Spike Video Game Awards, showing gameplay of survivors defending against infected people. The first public gameplay demo was shown at E3 2012, introducing combat scenarios. The first television spot aired in March 2013 and a playable demo was released in May 2013.
Client feedback app icon
The app icon design effectively uses gradients, drop shadows, and outlines to create depth and make the main character image stand out. It incorporates recognizable elements from the Ninja Rush game like the character and weapons. The simple color scheme and lack of complex colors or unnecessary text keeps the icon clear while relating it to the game's theme. The bold outline around the character image could be slightly less prominent to better show details.
10 page pitch doc
This document summarizes the characters and controls of a game. There are two main characters: Agent Slick, the player-controlled heroic British agent, and evil ninjas working for the villain Kantura. Agent Slick's mission is to investigate an abandoned warehouse inhabited by enemy forces to get to their leader Kantura. The characters' weapons and abilities can upgrade slightly as the player progresses through levels. The player controls Agent Slick using keyboard buttons to jump, shoot bullets from his gun, and move between platforms, while the ninjas periodically throw ninja stars but do not move. The game takes place within a single warehouse world, consisting of multiple distinct level rooms or areas connected as parts of the abandoned building
Page furniture
This document discusses design elements for print publications including page furniture such as headers, sidebars, pull quotes, and boxouts. It questions how many entry points or ways to engage the reader a publication needs to be effective and encourage reading.
Comparing PC
This document compares the specifications and graphics capabilities of early PC graphics cards like the Voodoo 1 from 1996 to more advanced cards like the GeForce 8800 from 2006 and Radeon HD7990 from 2013. Early cards had low resolutions, blocky colors, and no lighting or shadows while more recent cards provide higher quality graphics with realistic lighting, shadows, and environments that feel almost like reality due to higher polygon counts and more detailed 3D graphics.
Actors
Actors represent characters or objects that players can interact with in a game. Game designers create actor prototypes that specify attributes and behaviors, like a paddle for Pong. These prototypes are templates - when placed as instances in a scene, the instances inherit properties from the prototype but can be individually customized. Prototypes allow changes to affect all linked instances and help build the elements that make up in-game scenes.
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Logo design feedback 2
This document discusses the logo design for a game called "Ninja Rush". It contains 3 paragraphs:
1) The first paragraph notes that the game's setting is clearly established by the background and title color. However, it suggests that the design may give away too much of the game's setting.
2) The second paragraph provides context that the background was originally designed for the game and establishes the ninja theme.
3) The third paragraph states that the design is well polished but the main character in the background is obscured by the title. It recommends removing or repositioning the character. The design is consistent with the game but using the exact setting may make it too revealing.
Stickman assasin app colours
The figure in the center of the image is meant to attract buyers by showing what the game involves through the weapons he carries. Shading is used to highlight features of the character and give the background more of a theme. A parallax scrolling effect was used in the backdrop, using minimal colors to depict buildings with those closest being darker and bolder while farther ones are faint and blurry. Space is given in both corners to feature the character with the background placed in the corners.
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Page 3 Game flow
- 1. Game flow In our game ‘Ninja Rush’ you, the player are a secret agent, it is an endless runner so there is no ending just your high-score, each time you get 25 points for killing the ninjas that are spawned on each platform. If we had more time we would of created a shop, this shop would of allowed you to gain extra life, double points in one run, or upgrade on your bullets/weapon. Also if we had a little more time, I would make sure that the enemy’s may become a little stronger so for example, it would take two bullets to destroy one enemy etc. As your player develops through the amount of points you get each run, the upgrades of your weapons would be stronger so it would allow you to kill maybe the ninja star and ninja in one bullet, or you could unlock a move when you get say 50000 points and you can shoot anywhere on screen instead of just on the platforms, to make it easier and gain more points. The score system may change once you kill the Ninja’s for example, every 0–500 points earned they would be one hit kills, then 500–1000 would be two hit kills and so on. This ties into the story of ‘Agent Slick’ having to go on certain missions to clear where the ninja’s locations are created by destroying them and upgrading weapons so he can go to the harder levels of Ninja Rush. 17/03/2014