Opening Sequence Analysis of James Bond
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The document analyzes the opening sequence of the James Bond film Quantum of Solace. It notes that the Bond films are highly respected and analyzing one can help understand expectations for student films. The first shot is an extreme long shot that shows isolation and suggests trouble through its dark, rural setting. The second shot is a close-up of a car's wind mirror that reveals another car, indicating a car chase is underway. The third shot is another close-up of a car's back end that makes the audience feel intimidated through its dark colors and close framing. Analyzing acclaimed action films can provide insight into dramatic openings and tense shots through techniques like isolation, implied danger, and close-ups.
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Task #10
The opening sequence of The Dark Knight Rises contains the opening credits over shots and documentation relating to the film's production. These opening credits are presented in a dark style with jump cuts that suit the film's dark and suspenseful themes. The sequence introduces the main cast and credits the film's producers, directors, and screenwriters to acknowledge their contributions.
Forms and Conventions of media
The document discusses various filmmaking techniques used in a student film project, including camera shots similar to professional films, low key lighting, and a linear narrative structure comparable to blockbuster films. Camera angles and props like headphones and a handbag were also utilized to establish the mise-en-scene. The student film features an equilibrium at the start, followed by conflict that intensifies, creating narrative suspense through an imbalance until resolution.
Research and planning
The document outlines plans for a short film scene involving one male character aged 16-20 who is approached by a group of people interrupting him on his way home. The costumes will feature black jackets and hoodies to indicate a "changed man" and youth crime themes. The location shooting is planned for outside to clearly convey the story's purpose to audiences. Potential titles are discussed that relate to the thriller genre conventions explored in the scene.
Genre signifiers
The document discusses techniques used in thriller film trailers and films to create suspense and a sense of isolation. Specifically, it mentions using night or dawn settings in abandoned areas, dark lighting and shadows to make scenes scary, constantly changing camera angles and cutting shots quickly during editing to build tension. It also notes that thrillers tend to use adult rather than teenage characters and that faster editing can build more suspense to keep audiences on the edge of their seats.
Trailer deconstructions - script
The document provides analyses of the trailers for the films Unborn and Saw. For Unborn, it summarizes the protagonist, villain, and helper characters. It also analyzes how sound, editing, and camera angles are used to create atmosphere and tension. For Saw, it similarly summarizes the main characters and analyzes the trailer's use of sound, editing, jumps cuts, and camera angles to build suspense and an unsettling mood without revealing the full plot.
Evaluation task 1
The document analyzes the shots in a media product and how they establish setting, tension, and influence from other films. It discusses how the shots set a futuristic yet realistic setting, portray tension through makeup techniques, show the storyline through a corporate advert, use camera angles to depict an out-of-body experience, include intimate close-ups to make the audience uncomfortable, and feature artistic blood shots to achieve a horror genre tone. The document compares techniques to films like Blade Runner, THX 1138, Blade 2, and Dexter.
Teaser trailer research
A teaser trailer is a short trailer, usually 30-60 seconds, that is designed to create hype for an upcoming movie, game, or television series. It often uses quick cuts of footage filmed specifically for the trailer that may not appear in the final product. The teaser trailer focuses on highlighting the genre through relating producers and directors to give audiences a slight understanding without revealing the full narrative. The Inception teaser trailer uses actual scenes from the film and enigmatic shots to portray the genre as a science fiction tale set in the architecture of the human mind and give audiences a feeling of tension and confusion. It highlights Christopher Nolan and Leonardo DiCaprio to draw on the success of previous films and build audience trust
Editing- Action VS Rom Com
The Quantum of Solace opening scene uses fast-paced editing with frequent jump cuts between close-up shots of cars, guns, and drivers to depict a tense car chase, establishing it as an action film genre. The Love Actually opening scene features soft music and muted ambient sounds as it slowly introduces various stories of romance using basic continuity editing and slow motion shots of emotional airport reunions, characterizing it as a romantic comedy. Both scenes employ editing techniques and shots that reflect their respective genres.
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Task #10
The opening sequence of The Dark Knight Rises contains the opening credits over shots and documentation relating to the film's production. These opening credits are presented in a dark style with jump cuts that suit the film's dark and suspenseful themes. The sequence introduces the main cast and credits the film's producers, directors, and screenwriters to acknowledge their contributions.
Forms and Conventions of media
The document discusses various filmmaking techniques used in a student film project, including camera shots similar to professional films, low key lighting, and a linear narrative structure comparable to blockbuster films. Camera angles and props like headphones and a handbag were also utilized to establish the mise-en-scene. The student film features an equilibrium at the start, followed by conflict that intensifies, creating narrative suspense through an imbalance until resolution.
Research and planning
The document outlines plans for a short film scene involving one male character aged 16-20 who is approached by a group of people interrupting him on his way home. The costumes will feature black jackets and hoodies to indicate a "changed man" and youth crime themes. The location shooting is planned for outside to clearly convey the story's purpose to audiences. Potential titles are discussed that relate to the thriller genre conventions explored in the scene.
Genre signifiers
The document discusses techniques used in thriller film trailers and films to create suspense and a sense of isolation. Specifically, it mentions using night or dawn settings in abandoned areas, dark lighting and shadows to make scenes scary, constantly changing camera angles and cutting shots quickly during editing to build tension. It also notes that thrillers tend to use adult rather than teenage characters and that faster editing can build more suspense to keep audiences on the edge of their seats.
Trailer deconstructions - script
The document provides analyses of the trailers for the films Unborn and Saw. For Unborn, it summarizes the protagonist, villain, and helper characters. It also analyzes how sound, editing, and camera angles are used to create atmosphere and tension. For Saw, it similarly summarizes the main characters and analyzes the trailer's use of sound, editing, jumps cuts, and camera angles to build suspense and an unsettling mood without revealing the full plot.
Evaluation task 1
The document analyzes the shots in a media product and how they establish setting, tension, and influence from other films. It discusses how the shots set a futuristic yet realistic setting, portray tension through makeup techniques, show the storyline through a corporate advert, use camera angles to depict an out-of-body experience, include intimate close-ups to make the audience uncomfortable, and feature artistic blood shots to achieve a horror genre tone. The document compares techniques to films like Blade Runner, THX 1138, Blade 2, and Dexter.
Teaser trailer research
A teaser trailer is a short trailer, usually 30-60 seconds, that is designed to create hype for an upcoming movie, game, or television series. It often uses quick cuts of footage filmed specifically for the trailer that may not appear in the final product. The teaser trailer focuses on highlighting the genre through relating producers and directors to give audiences a slight understanding without revealing the full narrative. The Inception teaser trailer uses actual scenes from the film and enigmatic shots to portray the genre as a science fiction tale set in the architecture of the human mind and give audiences a feeling of tension and confusion. It highlights Christopher Nolan and Leonardo DiCaprio to draw on the success of previous films and build audience trust
Editing- Action VS Rom Com
The Quantum of Solace opening scene uses fast-paced editing with frequent jump cuts between close-up shots of cars, guns, and drivers to depict a tense car chase, establishing it as an action film genre. The Love Actually opening scene features soft music and muted ambient sounds as it slowly introduces various stories of romance using basic continuity editing and slow motion shots of emotional airport reunions, characterizing it as a romantic comedy. Both scenes employ editing techniques and shots that reflect their respective genres.
Editing action vs rom com
The Quantum of Solace opening scene uses fast-paced editing with frequent jump cuts between close-up shots of cars, guns, and drivers to depict a tense car chase, establishing it as an action film genre. The Love Actually opening scene features soft music and muted ambient sounds as it slowly introduces various stories of romance using basic continuity editing and slow motion shots of emotional airport reunions, characterizing it as a romantic comedy. Analysis of the sound design and editing in each sequence provides insights into how they effectively set the tone for their respective genres.
Pitch
This document is a pitch for a horror film trailer to the production company Twisted Pictures. It summarizes that the proposed trailer will follow horror film conventions to appeal to Twisted Pictures' target audience. Specifically, it will be set in conventional horror locations like woods or abandoned buildings lit with low-key lighting. The trailer will keep the audience on edge with a tense build up to conflict. Market research also found the target audience prefers relatable main characters and high tension, so the trailer will include these elements.
Film trailers techniques and captions
Editors use established techniques when cutting film trailers to provoke specific emotions and tell the story, such as using long shots to establish setting, fades to black to suggest shifts in time, and quick cuts of exciting moments. The music and sound effects are also carefully selected to build tension or highlight villains. For comedies, editors have more freedom with transitions to create a lighter tone. Voiceovers and text aim to communicate the unique selling point of the film and may reference established audiences, true stories, or star names to entice viewers. The language is chosen carefully to suggest key themes and summarize the complex plot in a dramatic way.
Quantum of Solace Analysis
This scene from the James Bond film Quantum of Solace combines the key elements of film production to create a fast-paced and action-packed opening sequence. Costumes distinguish the characters and props like guns and cars keep the pace violent and engaging for action movie audiences. Minimal makeup is used to make the violence seem realistic. Suspenseful music speeds up during action scenes to intrigue viewers until it cuts out when the gunshots and car sounds take over. Fast-paced editing between different shots and characters ensures viewers don't miss any of the action-filled story. High angle shots were likely done with an expensive helicopter to set the scene and track Bond as the protagonist.
Film trailers introduction
Film trailers are meant to excite audiences about seeing a film. In just a few minutes, trailers can establish genre, mood, characters, setting, plot, and themes. As narrative texts, trailers engage students of all ages and learning styles. Trailers also introduce students to creating and structuring texts. Film trailers typically establish genre to attract the intended audience. The trailer introduces the opening, builds up relationships and the world, presents a problem or obstacle, shows key events, but avoids revealing the full resolution to leave audiences wanting more.
Evaluation t 1
The document discusses and compares several shots from films and TV shows to a shot in the opening sequence of a project. It includes shots from "Bastilles 'Rhythm of the Night'", "Drive", and "Bates Motel" that are similar in lighting, mise-en-scene, or camera angles to shots in the author's opening sequence. The author feels their crane shot over a character on a bed works well to bring something new to their opening and deeply engage the audience.
Real media presentation - James
The document analyzes thriller conventions used in the opening scenes of several films. It discusses how the openings set ominous tones through isolation of characters, mysterious implications of events, and contrasts between beauty and impending danger. Low key lighting, fog, lengthy buildups of tension, and non-diagetic music are used to generate suspense. Questions are raised without clear answers to keep audiences anxious.
Tekken
1) The screen starts with a dark image of Earth and lights slowly turning off, representing darkness closing in on the world with fewer places to hide.
2) Police cars driving towards the camera make the environment seem dangerous and run-down, with just spots of light enticing the viewer to see more.
3) Rapid editing between shots of a military camp, helicopter fire, and building explosion maintain tension and confusion about what is happening, keeping the viewer engaged.
Genre conventions
The document discusses key conventions of the horror genre including sound, technical codes, and title sequences. Regarding sound, horror films use diegetic and non-diegetic sounds to create atmosphere and suspense. Technical codes like camera angles, point-of-view shots, depth of field, handheld shots, and editing are used to build tension and indicate danger. Title sequences are often short to immediately draw the audience in without waiting for credits.
Mise en scene Lectures One and Two
This is a combination of the mise en scene lectures. It may be a bit different from the class version but it contains the same information.
Quantum of Solace Analysis
This document analyzes the opening scene of the James Bond film Quantum of Solace. It summarizes that the opening combines the key elements of film production to create a fast-paced and action-packed scene. Mise-en-scene, including costumes that distinguish Bond and the villains, advance the narrative. Props like cars and guns maintain the violent pace expected of action movies. Editing uses quick cuts between characters and settings to keep the audience engaged without missing any of the action. Suspenseful non-diegetic music and realistic diegetic sounds of guns and cars immerse viewers in the scene. Overall the opening entices audiences to continue watching through its skillful use of cinematic techniques.
Trailer analysis the shining
The document analyzes techniques used in the trailer for the film "The Shining" to build tension and atmosphere. It discusses how the trailer uses techniques like low camera angles, slow pacing with few cuts, dull color palettes, and ominous music and sounds to create an unsettling, ominous, and anxiety-inducing tone that draws in the audience and prepares them for a horror film. Close-ups of the protagonist's creepy face and inconsistent depictions of his character add to making him seem mysterious and unsettling.
Codes and conventions of thriller
The document discusses the codes and conventions of the thriller genre in film, TV, and writing. It aims to arouse feelings of ambiguity, shock, anxiety, fright and anticipation through the use of exciting, mysterious, tense, and suspenseful elements. Key conventions include the protagonist facing death, a focus on their point of view, credible representations of action and characters, themes of justice and morality, the presence of innocence in a corrupt world, and a mystery that must be solved. Locations, lighting, camera work, editing, sound, props, and costumes are all used to build atmosphere and suspense.
In what ways does your media product usedevelop or challenge forms and conven...
The media product, titled "Staircase", aims to explore the crime thriller genre by conforming to some of its conventions like low key lighting, while also challenging some aspects. It establishes equilibrium at the beginning according to Todorov's theory, and builds mystery through techniques like parallel editing and an obscured killer identity, creating narrative enigma per Barthes. Sound and lighting choices, as well as location and mise-en-scène selections, further develop tension and conceal information to stimulate audience questions.
Real media research | Carlie
The document analyzes the opening sequences of three thriller films - World War Z, Se7en, and The Dark Knight Rises. For each film, it discusses several shots or clips from the opening and how they set tension, create unease, or foreshadow danger, violence, or psychological themes in a way that is conventional for the thriller genre. Overall, the document shows how the openings draw in the audience through the use of music, lighting, colors, and imagery that leaves questions unanswered and builds a sense of mystery.
Mise En Scene Response for The Graduate
This document provides guidance on analyzing how mise en scene communicates ideas in scenes from the film The Graduate. It recommends choosing a scene with minimal editing and focusing the analysis on 2-3 key elements of mise en scene, like proxemics, territorial positioning, or camera movement. The introduction should identify the scene, elements analyzed, and idea communicated. Multiple viewings are important to closely examine how mise en scene informs the viewer's understanding. The document uses the "Party Scene" as an example and suggests the mise en scene in that scene communicates Ben's uncomfortable state of mind.
Skyfall Analysis
The opening sequence of Skyfall establishes the genre, protagonist, and tone through its visuals and sound. Through a surreal dreamscape featuring weapons and danger shown through dense shadowing and changing locations, the mise-en-scene conveys this is an action film. James Bond is clearly established as the protagonist through repeated close-ups and tracking shots that follow him. Additionally, Adele's powerful soundtrack reinforces the dark and tense atmosphere, setting the tone for the film through sound alone until dialogue begins after the opening titles.
Conventions of thriller films
Thriller films typically feature a battle between the protagonist and antagonist that builds tension towards a climactic ending. Common conventions include low key lighting and shadows to set a dark mood, quick cuts and tense music to heighten tension between characters, and changing shot angles and diegetic sounds to focus on key characters and signal danger. Black and white shots may also be used to distinguish good and bad characters as the protagonist seeks to gain power over the antagonist.
Preliminary project analysis
This document provides an analysis of a preliminary project involving Louis Price and Molly portraying characters in a hospital scene. Key points:
- The costumes and props like a hospital gown and clipboard helped set the scene in a hospital.
- They successfully showed the story and followed rules like the 180 degree rule, but could improve on elements like shot reverse shot.
- Louis learned about scheduling, teamwork, and using lighting textures to create meaning and authenticity.
- Settings, props, and costumes further demonstrated the hospital setting and characters' roles.
- Shots were chosen to focus on Louis as the main character and question his condition in the hospital.
- Editing combined footage and lighting textures to fit both
Screenplay
Vanessa Hope visits her parents' gravesite, bringing flowers and telling them about fighting at school to defend them. She cleans their plaque which lists their dates of death as the same day in April 2015. As Vanessa places a family photo and speaks about wishing her parents could meet her friend John Dean, an ominous figure watches her from a distance. The camera switches between Vanessa and the figure, building a connection. The figure is revealed to be 66-year-old Samuel Crooke, who writes down John's name in a small book before walking away.
Looking back on your preliminary task what do you feel you have learnt in the...
The document reflects on the growth the student has experienced in planning and executing film projects from their preliminary task to their full film project called "Insomnia". For the preliminary task, they had only 1-2 weeks to plan with limited resources and shot options. They have since learned how important planning, costuming, shot composition, audio, and storyboarding are to effectively communicate meaning. Their skills in editing, setting tone through lighting and color, and overall production quality have improved substantially. The student recognizes how far they have come and hopes to continue progressing in their filmmaking abilities.
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Editing action vs rom com
The Quantum of Solace opening scene uses fast-paced editing with frequent jump cuts between close-up shots of cars, guns, and drivers to depict a tense car chase, establishing it as an action film genre. The Love Actually opening scene features soft music and muted ambient sounds as it slowly introduces various stories of romance using basic continuity editing and slow motion shots of emotional airport reunions, characterizing it as a romantic comedy. Analysis of the sound design and editing in each sequence provides insights into how they effectively set the tone for their respective genres.
Pitch
This document is a pitch for a horror film trailer to the production company Twisted Pictures. It summarizes that the proposed trailer will follow horror film conventions to appeal to Twisted Pictures' target audience. Specifically, it will be set in conventional horror locations like woods or abandoned buildings lit with low-key lighting. The trailer will keep the audience on edge with a tense build up to conflict. Market research also found the target audience prefers relatable main characters and high tension, so the trailer will include these elements.
Film trailers techniques and captions
Editors use established techniques when cutting film trailers to provoke specific emotions and tell the story, such as using long shots to establish setting, fades to black to suggest shifts in time, and quick cuts of exciting moments. The music and sound effects are also carefully selected to build tension or highlight villains. For comedies, editors have more freedom with transitions to create a lighter tone. Voiceovers and text aim to communicate the unique selling point of the film and may reference established audiences, true stories, or star names to entice viewers. The language is chosen carefully to suggest key themes and summarize the complex plot in a dramatic way.
Quantum of Solace Analysis
This scene from the James Bond film Quantum of Solace combines the key elements of film production to create a fast-paced and action-packed opening sequence. Costumes distinguish the characters and props like guns and cars keep the pace violent and engaging for action movie audiences. Minimal makeup is used to make the violence seem realistic. Suspenseful music speeds up during action scenes to intrigue viewers until it cuts out when the gunshots and car sounds take over. Fast-paced editing between different shots and characters ensures viewers don't miss any of the action-filled story. High angle shots were likely done with an expensive helicopter to set the scene and track Bond as the protagonist.
Film trailers introduction
Film trailers are meant to excite audiences about seeing a film. In just a few minutes, trailers can establish genre, mood, characters, setting, plot, and themes. As narrative texts, trailers engage students of all ages and learning styles. Trailers also introduce students to creating and structuring texts. Film trailers typically establish genre to attract the intended audience. The trailer introduces the opening, builds up relationships and the world, presents a problem or obstacle, shows key events, but avoids revealing the full resolution to leave audiences wanting more.
Evaluation t 1
The document discusses and compares several shots from films and TV shows to a shot in the opening sequence of a project. It includes shots from "Bastilles 'Rhythm of the Night'", "Drive", and "Bates Motel" that are similar in lighting, mise-en-scene, or camera angles to shots in the author's opening sequence. The author feels their crane shot over a character on a bed works well to bring something new to their opening and deeply engage the audience.
Real media presentation - James
The document analyzes thriller conventions used in the opening scenes of several films. It discusses how the openings set ominous tones through isolation of characters, mysterious implications of events, and contrasts between beauty and impending danger. Low key lighting, fog, lengthy buildups of tension, and non-diagetic music are used to generate suspense. Questions are raised without clear answers to keep audiences anxious.
Tekken
1) The screen starts with a dark image of Earth and lights slowly turning off, representing darkness closing in on the world with fewer places to hide.
2) Police cars driving towards the camera make the environment seem dangerous and run-down, with just spots of light enticing the viewer to see more.
3) Rapid editing between shots of a military camp, helicopter fire, and building explosion maintain tension and confusion about what is happening, keeping the viewer engaged.
Genre conventions
The document discusses key conventions of the horror genre including sound, technical codes, and title sequences. Regarding sound, horror films use diegetic and non-diegetic sounds to create atmosphere and suspense. Technical codes like camera angles, point-of-view shots, depth of field, handheld shots, and editing are used to build tension and indicate danger. Title sequences are often short to immediately draw the audience in without waiting for credits.
Mise en scene Lectures One and Two
This is a combination of the mise en scene lectures. It may be a bit different from the class version but it contains the same information.
Quantum of Solace Analysis
This document analyzes the opening scene of the James Bond film Quantum of Solace. It summarizes that the opening combines the key elements of film production to create a fast-paced and action-packed scene. Mise-en-scene, including costumes that distinguish Bond and the villains, advance the narrative. Props like cars and guns maintain the violent pace expected of action movies. Editing uses quick cuts between characters and settings to keep the audience engaged without missing any of the action. Suspenseful non-diegetic music and realistic diegetic sounds of guns and cars immerse viewers in the scene. Overall the opening entices audiences to continue watching through its skillful use of cinematic techniques.
Trailer analysis the shining
The document analyzes techniques used in the trailer for the film "The Shining" to build tension and atmosphere. It discusses how the trailer uses techniques like low camera angles, slow pacing with few cuts, dull color palettes, and ominous music and sounds to create an unsettling, ominous, and anxiety-inducing tone that draws in the audience and prepares them for a horror film. Close-ups of the protagonist's creepy face and inconsistent depictions of his character add to making him seem mysterious and unsettling.
Codes and conventions of thriller
The document discusses the codes and conventions of the thriller genre in film, TV, and writing. It aims to arouse feelings of ambiguity, shock, anxiety, fright and anticipation through the use of exciting, mysterious, tense, and suspenseful elements. Key conventions include the protagonist facing death, a focus on their point of view, credible representations of action and characters, themes of justice and morality, the presence of innocence in a corrupt world, and a mystery that must be solved. Locations, lighting, camera work, editing, sound, props, and costumes are all used to build atmosphere and suspense.
In what ways does your media product usedevelop or challenge forms and conven...
The media product, titled "Staircase", aims to explore the crime thriller genre by conforming to some of its conventions like low key lighting, while also challenging some aspects. It establishes equilibrium at the beginning according to Todorov's theory, and builds mystery through techniques like parallel editing and an obscured killer identity, creating narrative enigma per Barthes. Sound and lighting choices, as well as location and mise-en-scène selections, further develop tension and conceal information to stimulate audience questions.
Real media research | Carlie
The document analyzes the opening sequences of three thriller films - World War Z, Se7en, and The Dark Knight Rises. For each film, it discusses several shots or clips from the opening and how they set tension, create unease, or foreshadow danger, violence, or psychological themes in a way that is conventional for the thriller genre. Overall, the document shows how the openings draw in the audience through the use of music, lighting, colors, and imagery that leaves questions unanswered and builds a sense of mystery.
Mise En Scene Response for The Graduate
This document provides guidance on analyzing how mise en scene communicates ideas in scenes from the film The Graduate. It recommends choosing a scene with minimal editing and focusing the analysis on 2-3 key elements of mise en scene, like proxemics, territorial positioning, or camera movement. The introduction should identify the scene, elements analyzed, and idea communicated. Multiple viewings are important to closely examine how mise en scene informs the viewer's understanding. The document uses the "Party Scene" as an example and suggests the mise en scene in that scene communicates Ben's uncomfortable state of mind.
Skyfall Analysis
The opening sequence of Skyfall establishes the genre, protagonist, and tone through its visuals and sound. Through a surreal dreamscape featuring weapons and danger shown through dense shadowing and changing locations, the mise-en-scene conveys this is an action film. James Bond is clearly established as the protagonist through repeated close-ups and tracking shots that follow him. Additionally, Adele's powerful soundtrack reinforces the dark and tense atmosphere, setting the tone for the film through sound alone until dialogue begins after the opening titles.
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In what ways does your media product usedevelop or challenge forms and conven...
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Conventions of thriller films
Thriller films typically feature a battle between the protagonist and antagonist that builds tension towards a climactic ending. Common conventions include low key lighting and shadows to set a dark mood, quick cuts and tense music to heighten tension between characters, and changing shot angles and diegetic sounds to focus on key characters and signal danger. Black and white shots may also be used to distinguish good and bad characters as the protagonist seeks to gain power over the antagonist.
Preliminary project analysis
This document provides an analysis of a preliminary project involving Louis Price and Molly portraying characters in a hospital scene. Key points:
- The costumes and props like a hospital gown and clipboard helped set the scene in a hospital.
- They successfully showed the story and followed rules like the 180 degree rule, but could improve on elements like shot reverse shot.
- Louis learned about scheduling, teamwork, and using lighting textures to create meaning and authenticity.
- Settings, props, and costumes further demonstrated the hospital setting and characters' roles.
- Shots were chosen to focus on Louis as the main character and question his condition in the hospital.
- Editing combined footage and lighting textures to fit both
Screenplay
Vanessa Hope visits her parents' gravesite, bringing flowers and telling them about fighting at school to defend them. She cleans their plaque which lists their dates of death as the same day in April 2015. As Vanessa places a family photo and speaks about wishing her parents could meet her friend John Dean, an ominous figure watches her from a distance. The camera switches between Vanessa and the figure, building a connection. The figure is revealed to be 66-year-old Samuel Crooke, who writes down John's name in a small book before walking away.
Looking back on your preliminary task what do you feel you have learnt in the...
The document reflects on the growth the student has experienced in planning and executing film projects from their preliminary task to their full film project called "Insomnia". For the preliminary task, they had only 1-2 weeks to plan with limited resources and shot options. They have since learned how important planning, costuming, shot composition, audio, and storyboarding are to effectively communicate meaning. Their skills in editing, setting tone through lighting and color, and overall production quality have improved substantially. The student recognizes how far they have come and hopes to continue progressing in their filmmaking abilities.
Recording scheduel
Vanessa and Sam will film scenes at Coleshill Parish Church on Monday November 19th from 1:20pm to 4pm. Vanessa will wear jeans and a t-shirt while Sam wears a grey wig, jumper and denim jeans. They will use flowers, a picture, notebook and pen as props along with a camera and tripod. A school mini bus will provide transport. They will also film additional scenes at the same location on Saturday November 26th from 10am to 2pm using the same costumes, props and transport.
Focus group questions
This document contains questions for a focus group about a potential thriller film with a female lead character. It asks what the audience thinks about having a female protagonist, what she might look like and be like, and how various elements like her characterization, an older male watching a young girl, using a graveyard location, and tension-building music choices could impact the audience and make the film more interesting.
Media essay q2
The document discusses how the opening two minutes of the psychological thriller film Sweet Insanity represented various social groups through the use of stereotypes. It portrayed characters of different ages, genders, and ethnicities in an attempt to connect with different audiences. Specifically, it showed a married couple in their early 20s, Grace who fits the stereotype of a "homemaker" staying at home in her pajamas, and her husband Carter who watches over their house, possibly showing his role as a protector. An antagonist of a different ethnicity is also shown suspiciously outside their home, playing on stereotypes of criminality. The filmmakers aimed to both follow and subvert expectations around these common stereotypes to intrigue audiences.
Screenplay
Vanessa Hope visits her parents' gravesite, bringing flowers and telling them about fighting at school to defend them. She cleans their plaque which lists their dates of death as the same day in April 2015. As Vanessa places a family photo and speaks about missing her parents and wishing they could meet her friend John Dean, an ominous figure watches her from a distance. The camera switches between Vanessa and the figure, building a connection. The figure is revealed to be 66-year-old Samuel Crooke, who writes down John's name in a small book before walking away.
Insomnia crooke and hope
Sam Crooke is introduced as a 66-year-old former marine who may suffer from PTSD. He watches over John in the graveyard to ensure his safety, as John's family is one of the few social connections Sam has since his wife passed away. Vanessa Hope is introduced as the new 15-year-old main character. She lives alone in a social home after her parents were murdered when she was young. She has mental health issues and trusts few people due to being an only child whose parents were killed by an unknown man.
Document 8
Vanessa is the 15-year-old main character who has brown hair, light green eyes, and lives alone in a social home in the UK after her parents were killed when she was young. She has a declining mental condition that makes it difficult for her to form connections with others. She talks to herself and blames herself for her parents' death. Vanessa is devoted to finding the killer of her parents, as the man closest to them at the time had a scar under his eye. Due to her mental state, Vanessa tends to jump to conclusions and make accusations without knowing people, which could get her into trouble. She has no other relatives and was an only child, so feels more anti-social and awkward
Bad Blood Shot list
The document provides a shot list for a film scene involving characters Riley, Taylor, and Charlie. The shots show Riley preparing for a meeting while being watched by Taylor and Charlie. Riley is then followed and confronted by the twins, leading to a standoff between the three characters under an overpass. The final shots show the confrontation escalating as Riley holds a gun to his head while Taylor and Charlie close in with their weapons raised.
Synopsis
Vanessa Hope is sent into turmoil over the death of her parents. She is hit with desperation as she deals with the loss of her mother and father. The document discusses Vanessa experiencing turmoil and desperation after her parents pass away.
Font research
The document discusses several fonts that a film production group tested for their title. They found that the "Font research" font was hard to read, the "2loco in crime" font looked childish, and the "Action comics" font was better suited for superhero films rather than their genre. The "Action of the time" and "!The trouble" fonts were considered tacky and messy. The "Drama type" and "Bloody" fonts were found to be distracting, childish, and unprofessional and did not fit the film or its genre. The group ultimately chose the "True crimes" font as it looked nice, fit the genre, and was pleasant to read.
Question one - In what ways does your media product use, develop or challenge...
Question one - In what ways does your media product use, develop or challenge...smiths wood sport college
Question one - In what ways does your media product use, develop or challenge forms and conventions of real media products?Metrodome productions
Metrodome Distributors will release the film in theaters from August 10th to October 5th 2017 at Odeon Cinemas. DVD release will be from November 10th to December 24th 2017 allowing profits from DVD sales in stores like Asda and HMV. Airline release will be from December 12th 2017 to April 10th 2018 to capture audiences traveling throughout the year. Metrodome Productions was chosen as the distributor as they previously distributed a low budget thriller film called Coherence in 2013. The filmmakers will receive a 60% cut of profits to be split, allowing funds for a higher budget future film, with DVD retail prices starting at £10 then dropping to £5 after one month.
BAD BLOOD - Storyboard
The storyboard is for a short film titled "Bad Blood". It will tell a story through a series of illustrated panels and captions without any dialogue. The plot involves two neighbors who begin feuding over a property line dispute that escalates into further conflict between their families.
Question 2
The document discusses how the film represents different social groups through stereotypes. The male character Carter is represented as dominant, powerful, and mysterious through close-up shots, loud music, and brief appearances. The female character Grace is shown as vulnerable, fragile in her pajamas, romantic by waiting for Carter, and soft through her music. Both characters conform to stereotypes to make the story easily understood by the target audience. The document argues this stereotypical representation is effective and the audience will be able to relate well and stay engaged with the familiar tropes.
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Skyfall Opening Sequence Review
The opening sequence of Skyfall establishes it as an action-packed thriller through exciting CGI scenes and hints about Bond's possible death. It features fast-paced editing, tense music, and dark, gloomy colors to build tension. Various shots symbolize themes like Bond's mental state and foreshadow locations important to the film's plot. The title sequence uses mise-en-scene elements like weapons, a recurring house, and a dark color palette to set the tone for an action-focused James Bond adventure.
Skyfall Film Opening Title Sequence Analysis Report
In the opening title sequence of Skyfall, a variety of camera techniques like POV shots, close-ups, and aerial shots are used to exaggerate supernatural events happening to James Bond and make them seem realistic. The visual effects are not meant to be realistic, like weapons plunging into the ground. The dark, shadowy color scheme of black and red focuses attention on the bright red representing blood. While there is no narrative, editing techniques like fades are used to transition between items and title credits identify the production company, stars, and other details.
Trailer analysis
The document provides an analysis of the trailer for the James Bond film Skyfall across several elements:
- Text on screen includes the production logos, film title/logo, and release date/social media promotion.
- Sound design uses diegetic effects to immerse the audience and non-diegetic music to build tension.
- Camera work employs various shots and angles like midshots, closeups, and tracking shots to put the audience in the action.
- Editing cuts between clips quickly to pack in content but builds anticipation with slower early pacing.
- Mise-en-scene establishes the spy genre through Bond's suit, a femme fatale, lighting that suggests danger, guns as
Evaluation: Question 1
The document summarizes how the opening sequence of a student film project uses and develops conventions of the action-adventure genre. It discusses the use of shots like establishing shots, tracking shots, and over-the-shoulder shots. It also covers editing techniques, soundtrack, costumes, and narrative elements like good vs evil characters and an object that drives the adventure. One way the project challenges conventions is by having a female protagonist rather than the typical older male hero.
Essay on three openings
The opening scene of Quantum of Solace establishes the action genre through shots of a car chase with guns and bullets. James Bond is shown narrowly escaping pursuers around various locations. The soundtrack and editing build tension. When the music and lighting change, the chase intensifies with shots from the moving cars. Bond gains the upper hand and discovers a captive in the boot.
The opening scene of Shutter Island sets a tense atmosphere with non-diegetic music and shots of men on a deck and in a vehicle. A character is focused on through close-ups. Signs and shots of the location suggest it may be a memorial or graveyard. Disorienting shots build mystery about what is happening.
Inception's
Macketly Entertainment - Treatment
The opening sequence will begin with an establishing shot of Bangkok before cutting to the stalker attending her camera equipment. It will then be revealed that she is spying and taking photos of a man through her lens. She will then pack up her equipment and begin walking through the city while a narration plays, tracked by drone shots. She will enter a dark room and turn on a light, revealing a large pinboard covered in photos of the man, cueing the title sequence.
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The document discusses how the media product conforms to conventions of real action/adventure films. It describes researching films like Batman and Star Wars to inform conventions used, such as credits, titles and color grading. Locations, props, costumes, characters and narrative were designed to match these genres. Cinematography employed various shots seen in high-budget films. Editing used techniques like fast pacing and sound effects to immerse the audience. Overall, the product strived to emulate the visual style and storytelling conventions of real action/adventure media through its production choices.
127 hours Still Image Analysis
The document provides an analysis of the trailer for the film 127 Hours. It summarizes various scenes and shots in the trailer:
The trailer begins like a found footage film, showing the protagonist in an enclosed dark space. Subsequent scenes show him jumping from a van on a bike, suggesting adventure. Wide shots show the isolated landscape setting. Editing moves between times of day to progress the story. New characters are introduced in a group shot. A scene shows the characters scaling a canyon, introducing danger. Shots zoom between the protagonist trapped under a rock and the isolated desert landscape, setting up the film's story.
Question 1.
This document analyzes how the media product uses, develops, or challenges conventions of real action/adventure movies. The narrative focuses on a student tasked with retrieving a USB stick containing secret coding. Camera techniques like low angles were used to convey dominance. The characters and gritty environment aim to be relatable and support genre stereotypes. Diegetic sounds and a loud soundtrack create intensity to entertain the audience, aligning with action/adventure movie conventions.
Eavaluation question 1 (3)
Our media product challenges some conventions while developing and following others. We could not use the common convention of white text on black for our titles due to time restrictions. Instead, we used titles over gameplay, similar to the film The Drive. We developed camera conventions to suit our thriller genre, using techniques like POV shots, tracking shots during chases, and angles that identify characters' power levels. We followed conventions like starting with an establishing shot and using settings and costumes that define characters and set the crime thriller tone. We also developed some conventions to keep viewers engaged, like hiding details around why the main character left the police force.
Eavaluation question 1
Our media product challenges some conventions while developing and following others. We did not use the common convention of white text on a black background for the opening titles due to time restrictions. Instead, we used titles over gameplay, similar to the film The Drive. We followed conventions for camerawork, including establishing shots, point-of-view shots, and high and low angles to set tone and power dynamics. We also developed settings and costuming to give the film a modern thriller feel while hiding details about a character to intrigue audiences, following conventions of mystery.
Eavaluation question 1 (1)
Our media product challenges some conventions while developing and following others. We did not use the common convention of white text on a black background for the opening titles due to time restrictions. Instead, we used titles over gameplay, similar to the film The Drive. We followed conventions for camerawork, including establishing shots, point-of-view shots, and the use of low and high angles to convey power dynamics. We also developed settings and costumes to give the film a modern, realistic feel while still portraying the villain in darker colors traditionally used. The film follows conventions like maintaining mystery around a character's backstory and having an initial equilibrium disrupted and restored by the end.
Kingsman Trailer Analysis
The trailer provides information through on-screen text to introduce the production companies, establish themes of royalty and status, and display the film's release date. Sound elements like music, voiceover, explosions, and dialogue are used to set the tone and build tension. Fast-paced editing, flash cuts, and shots that frame the protagonist as powerful drive the action-oriented narrative. Props, settings, training sequences, fights, and low-lighting reinforce the action genre through conventions seen in action films and trailers. The overall summary establishes the film as an action thriller through its presentation of production details, character development, and excitement-generating elements designed to attract audiences.
Spider (short) analysis
The short film "Spider" uses an unsteady, documentary-style of filmmaking with unnatural camera angles and shots held for long periods to create a sense of dread, tension, and unease. While the story begins slowly with a couple driving along an unknown road, the precise editing and effective use of prosthetics makes the ending shocking as all the built-up tension is relieved. Mise-en-scene takes a lesser role, but the dark lighting and everyday clothing of the middle-class characters makes their horrific experiences more relatable to the average audience member.
Lighting in Post-Apocalyptic film openings
The document discusses the lighting techniques used in the opening sequences of several post-apocalyptic films. In "I Am Legend", the protagonist drives through a brightly lit abandoned New York City, which is unusual for the genre that typically features dark and dreary openings. "The Terminator" opens in a dark, dull, and tense future Los Angeles. "The Road" has a washed-out brown tone to portray a bleak post-apocalyptic world. And "Mad Max 2: The Road Warrior" opens in daylight but still builds tension through a car chase, setting the tone and engaging audiences.
Evaluation 1
The document discusses how the student's film uses, develops, and challenges conventions of real media products. It summarizes that the film matches typical cinematography conventions but also includes some unconventional elements like fourth wall breaks. It also discusses the film's use of various camera angles, comedy genre conventions like setting and costumes, and lighting and genre theory. The student analyzes how their hybrid comedy-sci fi film both parodies conventions and merges genres through the use of time travel.
Horror trailer marking and analysis
This document contains analyses of two student-created horror movie trailers. For the first trailer by Shaun Liddle, the summary notes that the editing was the biggest weakness, with shots fading together lacking professional quality. Overall it was assessed as level 2 out of 5. For the second trailer by Olivia Dixon, the summary states it effectively uses lighting, sound, and a variety of shots, earning it a level 3 rating and 13-14 out of 20 marks.
Horror Trailer Marking and Analysis
This document contains analyses of two student-created horror movie trailers. For the first trailer by Shaun Liddle, the summary notes that the editing was the biggest weakness, with shots fading together lacking a professional quality. Overall it was assessed as level 2 out of 5. For the second trailer by Olivia Dixon, the summary states it effectively uses lighting, sound, and a variety of shots, earning it a level 3 rating and 13-14 out of 20 marks.
Horror trailer marking and analysis
This document analyzes and provides feedback on two student-created horror movie trailers. For the first trailer by Shaun Liddle, the document notes good use of mise-en-scene but poor editing and font choice. It receives an overall level 2 and 10/20 marks. For the second trailer by Olivia Dixon, the document praises the effective color scheme, sound, and cinematography, but notes it lacks horror conventions. It receives an overall level 3 and 13-14/20 marks.
9 frame analysis
The document provides a frame-by-frame analysis of a film trailer created by the author. It examines 9 frames total. Frame 1 introduces the production company, New Line Cinema. Frame 2 displays text referring to the makers of The Texas Chainsaw Massacre. Frame 3 shows an establishing shot of the film's location. Subsequent frames analyze shots, angles, sound effects, and transitions used to build tension, mystery, and depict a murder scene. The final frame reveals the film's title - "The Walk" - in blood red letters to match the intensity of the trailer.
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