Opening sequence analysis
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The document provides an analysis of the opening sequences of the films Mr. Brooks and Hannibal Rising. For Mr. Brooks, it describes how the opening establishes intrigue through cryptic writing, a suspicious man in a bathroom, and overheard conversations that build mystery. For Hannibal Rising, it explains that the opening depicts children playing peacefully before an explosion interrupts, subverting expectations of calm and hinting at the psychological thriller to come.
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Opening Sequence Analysis
The opening of Mr. Brooks establishes several enigmas through cryptic writing about a returning hunger and a suspicious man in a bathroom. Non-diegetic sounds of a conversation heighten the mystery of the scene. Low key lighting and a lack of action in the early scenes set the tone for a psychological thriller and will appeal to its target audience. The film then cuts between a meeting where one man speaks about another, using low angle shots to convey power.
The opening of Hannibal Rising shows children playing peacefully until an explosion interrupts, establishing tranquility followed by a mystery. Its setting in 1944 suggests it aims for an older audience who may enjoy the initial calm music giving way to potential action. Both films use calm
Opening sequence analysis
The document provides analysis of the opening sequences of the films Mr. Brooks and Hannibal Rising. For Mr. Brooks, it summarizes that the opening establishes enigmas through cryptic writing about a returned hunger and a suspicious man in a bathroom. For Hannibal Rising, it summarizes that the opening depicts a peaceful scene in the forest with children playing that is abruptly interrupted by an explosion, establishing this will not be a completely peaceful film. It also analyzes how both openings fit conventions of psychological thrillers by starting calmly before introducing disruption.
Production planning shot list
This document contains a shot list for a film production with 17 total shots organized by scene number and shot type. The shots include establishing shots of locations, mid shots and close ups of characters, and over the shoulder shots to show characters talking. Many of the shots will be still camera angles from a tripod to show characters interacting, arguing, working through emotions while sitting on a bench or in an office, and ultimately the female lead character slamming a door and walking away upset.
Horror film openings
This document discusses horror film openings and provides examples from Evil Dead, Ginger Snaps, and Seven. It notes that the Evil Dead opening establishes tension without revealing the story or characters by showing blood dripping down stairs in a dark scene. The Ginger Snaps opening depicts a death scene that raises questions about who died and why. The Seven opening features a close-up shot of a secret message being uncovered that hints at clues and raises mysteries about the plot.
The Window Scene List
The document describes 5 scenes of a potential film story. In scene 1, two men in a hospital room establish a daily routine where one describes the outside view from his window to the other. Scene 2 shows this routine over time through montage. In scene 3, the man without the window view grows resentful and jealous. Scene 4 takes place at night - the jealous man does not help the other man who is struggling, effectively killing him. In scene 5 the next morning, the jealous man takes the bed by the window, but finds only a brick wall outside.
Memento presentaion
The opening sequence of Memento uses extreme close-ups and point-of-view shots to immerse the audience and leave them with questions. It shows a man in a suit calmly shooting another man and taking a photo. The sequence is presented in reverse order and features a tense soundtrack. These techniques introduce the protagonist as a possible hired killer and pose questions about his motives and background to intrigue the audience.
Shot list
The shot list summarizes 45 shots that will be used to film a scene involving the abduction of a character named Penelope. It includes establishing shots, shots of Penelope with a friend and walking alone, shots of the abductor confronting and attacking Penelope in an alley, shots of him dragging her unconscious body and placing her in his car. It also includes shots at Penelope's family home showing their grief after she goes missing and shots of her mother remembering their last interaction before Penelope disappeared. The shots utilize a variety of camera angles, shots sizes and techniques to portray the tension and emotion of the abduction storyline.
Shot list
This shot list contains 30 scenes for a horror film. It includes various shot sizes ranging from close-ups to long shots in different locations such as a forest, train station, house, and white room. Many of the shots focus on a female protagonist who appears distressed and is being stalked by an unknown entity. She expresses to a friend that she feels someone is after her. Later shots show her looking frightened while whispering for someone to leave her alone in a white room. The list ends by transporting the story back 6 months earlier through a black screen title card.
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Opening Sequence Analysis
The opening of Mr. Brooks establishes several enigmas through cryptic writing about a returning hunger and a suspicious man in a bathroom. Non-diegetic sounds of a conversation heighten the mystery of the scene. Low key lighting and a lack of action in the early scenes set the tone for a psychological thriller and will appeal to its target audience. The film then cuts between a meeting where one man speaks about another, using low angle shots to convey power.
The opening of Hannibal Rising shows children playing peacefully until an explosion interrupts, establishing tranquility followed by a mystery. Its setting in 1944 suggests it aims for an older audience who may enjoy the initial calm music giving way to potential action. Both films use calm
Opening sequence analysis
The document provides analysis of the opening sequences of the films Mr. Brooks and Hannibal Rising. For Mr. Brooks, it summarizes that the opening establishes enigmas through cryptic writing about a returned hunger and a suspicious man in a bathroom. For Hannibal Rising, it summarizes that the opening depicts a peaceful scene in the forest with children playing that is abruptly interrupted by an explosion, establishing this will not be a completely peaceful film. It also analyzes how both openings fit conventions of psychological thrillers by starting calmly before introducing disruption.
Production planning shot list
This document contains a shot list for a film production with 17 total shots organized by scene number and shot type. The shots include establishing shots of locations, mid shots and close ups of characters, and over the shoulder shots to show characters talking. Many of the shots will be still camera angles from a tripod to show characters interacting, arguing, working through emotions while sitting on a bench or in an office, and ultimately the female lead character slamming a door and walking away upset.
Horror film openings
This document discusses horror film openings and provides examples from Evil Dead, Ginger Snaps, and Seven. It notes that the Evil Dead opening establishes tension without revealing the story or characters by showing blood dripping down stairs in a dark scene. The Ginger Snaps opening depicts a death scene that raises questions about who died and why. The Seven opening features a close-up shot of a secret message being uncovered that hints at clues and raises mysteries about the plot.
The Window Scene List
The document describes 5 scenes of a potential film story. In scene 1, two men in a hospital room establish a daily routine where one describes the outside view from his window to the other. Scene 2 shows this routine over time through montage. In scene 3, the man without the window view grows resentful and jealous. Scene 4 takes place at night - the jealous man does not help the other man who is struggling, effectively killing him. In scene 5 the next morning, the jealous man takes the bed by the window, but finds only a brick wall outside.
Memento presentaion
The opening sequence of Memento uses extreme close-ups and point-of-view shots to immerse the audience and leave them with questions. It shows a man in a suit calmly shooting another man and taking a photo. The sequence is presented in reverse order and features a tense soundtrack. These techniques introduce the protagonist as a possible hired killer and pose questions about his motives and background to intrigue the audience.
Shot list
The shot list summarizes 45 shots that will be used to film a scene involving the abduction of a character named Penelope. It includes establishing shots, shots of Penelope with a friend and walking alone, shots of the abductor confronting and attacking Penelope in an alley, shots of him dragging her unconscious body and placing her in his car. It also includes shots at Penelope's family home showing their grief after she goes missing and shots of her mother remembering their last interaction before Penelope disappeared. The shots utilize a variety of camera angles, shots sizes and techniques to portray the tension and emotion of the abduction storyline.
Shot list
This shot list contains 30 scenes for a horror film. It includes various shot sizes ranging from close-ups to long shots in different locations such as a forest, train station, house, and white room. Many of the shots focus on a female protagonist who appears distressed and is being stalked by an unknown entity. She expresses to a friend that she feels someone is after her. Later shots show her looking frightened while whispering for someone to leave her alone in a white room. The list ends by transporting the story back 6 months earlier through a black screen title card.
Dream eater script
This document appears to be a screenplay describing a horror scene involving a victim and a killer. The summary is as follows:
1) The screenplay begins with the victim going to bed alone in their dark bedroom as weather noises are heard outside.
2) The victim wakes up in a hospital confused about how they got there and calls out for help with no response.
3) Scenes then show the killer creeping towards the victim from different points of view, increasing the tension, until the killer catches the victim and they scream.
9 frame structure analysis
The document provides an analysis of the title sequences of the films Skyfall and Gone Girl. For Skyfall, the long opening shot establishes the location as James Bond's childhood home and foreshadows deaths. For Gone Girl, the title sequence introduces the main character Amy through shots of her writing in her bedroom and by a river at sunset, establishing the story of a missing woman. Camerawork uses extreme closeups and split screens to provide details. Amy's costume, demeanor and activities depict her as a normal person to contrast with the psychological thriller genre.
Shot list
The document contains a shot list for a film with 25 shots detailing the camera movements, locations, sounds, and brief details for each shot. The shots follow a character named Anna through her morning routine at home, starting with establishing shots of the town and her waking up in her bedroom. The shots then show her getting ready in the bathroom and bedroom, including showering, applying makeup, and getting dressed. Later shots depict her in the kitchen pouring milk and going back upstairs before crashing onto her bed in frustration.
Chopper
The opening scene of the film Chopper uses several camera techniques and shots that follow typical thriller conventions. Shots are taken from low angles looking up at buildings to create a sense of being trapped. The lighting and colors used make some shots seem surreal and unsafe. Additional shots of the prison show high fences with barbed wire and lights, reinforcing the theme that there is no escape. Throughout the opening, a song plays in the background with lyrics about freedom, contrasting ironically with the prison setting. Overall, the opening scene sets up the film to follow typical thriller conventions through its camerawork, lighting, and use of non-diegetic sound.
Human Behaviour Genre Reasearch
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Locations
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Script
Rosalyn is on her first night patrolling alone to investigate a suspicious venue. Her boss Francis warns her to be careful but doubts she will find anything. Rosalyn comes across a group called the Ravens who are planning to bomb the Houses of Parliament. When Rosalyn confronts them and asks them to surrender, their leader Liam refuses, leaving Rosalyn without any choice but to engage with them.
Content analysis
The document is a shot list from the trailer for the film Annabelle. It provides 49 shots that set up the plot, build tension, and introduce key characters. Shots 1-3 establish the setting and show a character who is expecting a child. Shots 4-10 focus on a doll being removed from a box and placed on a shelf. Subsequent shots show a couple being awakened by screams next door and investigating, with tension built through fades to black between scenes. Shots reveal an intruding woman holding the Annabelle doll as another character attacks. A struggle ensues over a knife. The trailer concludes by focusing on the creepy Annabelle doll rocking in a chair.
Written analysis of opening sequence
The opening scene of Scream establishes conventions of the thriller genre. It shows the movie title turning from white to red, symbolizing danger. Close-up shots of a ringing phone build suspense. A woman answers and has a seemingly friendly call but grows fearful. Continuity editing follows the woman through the house as she looks for the caller, building panic and suspense for the audience. Props like knives also symbolize violence typical of the genre.
Film opening analysis saw
The opening scene of Saw 1 is entirely in pitch black with only dialogue to provide context. One man is shouting while the other remains calm, indicating one has been there longer. When a light is turned on, it is revealed one man wears a white shirt with a red overlay, possibly suggesting guilt. The other wears light blue, implying greater innocence. When the dead body is shown, the camera speeds up and spins rapidly as a high-pitched noise plays, effectively conveying fear and mystery.
Hot fuzz blog
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Beckys script
Lauren recounts how she lost control of her life to someone else's desires. She doesn't remember exactly when it started, but knew once it began they wouldn't stop until getting what they wanted. When the day came, they had already caught her, but not before she did what she was told. He visited her in dreams each night, becoming more real until she was sure. Everything she knew changed because of one person and what they wanted. She had the knowledge, but not the voice. She hardly remembers her simple life before it, before him. What happened was not a prediction of authority, but only a prediction of hers. It has begun.
Content analysis
The document analyzes the shots in the trailer for the film Annabelle. It describes 49 different shots that vary in type (establishing shot, close-up, mid-shot, etc.), length (1 second to 14 seconds), and purpose (establishing setting, showing characters, building tension). It notes that the average shot length is around 3 seconds. It concludes that to make a successful production, it will need to use a variety of shot types and lengths, ensure continuity between shots, and include multiple scenes.
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Content analysis
The document provides a shot-by-shot breakdown of a trailer for the film Annabelle. It includes 49 shots ranging from close-ups to establishing shots. The shots vary in length from under 1 second to 14 seconds. Many shots are used to build tension through fades to black. The trailer establishes settings and characters, shows a family being murdered, and focuses on a creepy Annabelle doll. The breakdown demonstrates the need for varied shot types, lengths, and continuity between scenes when making a successful film production.
Textual analysis - Black Widow
The document provides a textual analysis of a student film called "Black Widow" focusing on its mise-en-scene, sound, editing, and camera work. It notes that the film opens with a character walking down a corridor to add seriousness. The character then enters a small, cramped room showing it is not a typical meeting place. Strange static-like sounds are used throughout for continuity. The film is edited in grey scale to increase mystery. Camera angles start with a close-up of feet walking and tilts up to show a hand opening a door where another person is waiting suspiciously. Extreme close-ups of mouths are used instead of shots and reverse shots to keep identities mysterious.
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This document contains a shot list for a film titled "Puzzle" that follows a detective investigating a serial murder case. The murderer leaves puzzle boxes at each crime scene that the detective must solve for clues. Over the course of 8 scenes, the detective examines multiple crime scenes and puzzle boxes, slowly piecing the clues together. However, upon opening the final box, the detective makes a horrifying discovery that leaves them in a state of shock.
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The document summarizes scenes from a Halloween movie. It describes a person hiding and watching a couple in their house. When the couple goes upstairs, the lights go out, creating an opportunity for the person to enter the house. Inside, they take a large knife from the drawer. The perspective then shows the person stabbing a woman while she screams. At the end, a boy in a clown costume is revealed to be the killer, holding a big knife in an emotionless way, showing he killed for entertainment.
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Dream eater script
This document appears to be a screenplay describing a horror scene involving a victim and a killer. The summary is as follows:
1) The screenplay begins with the victim going to bed alone in their dark bedroom as weather noises are heard outside.
2) The victim wakes up in a hospital confused about how they got there and calls out for help with no response.
3) Scenes then show the killer creeping towards the victim from different points of view, increasing the tension, until the killer catches the victim and they scream.
9 frame structure analysis
The document provides an analysis of the title sequences of the films Skyfall and Gone Girl. For Skyfall, the long opening shot establishes the location as James Bond's childhood home and foreshadows deaths. For Gone Girl, the title sequence introduces the main character Amy through shots of her writing in her bedroom and by a river at sunset, establishing the story of a missing woman. Camerawork uses extreme closeups and split screens to provide details. Amy's costume, demeanor and activities depict her as a normal person to contrast with the psychological thriller genre.
Shot list
The document contains a shot list for a film with 25 shots detailing the camera movements, locations, sounds, and brief details for each shot. The shots follow a character named Anna through her morning routine at home, starting with establishing shots of the town and her waking up in her bedroom. The shots then show her getting ready in the bathroom and bedroom, including showering, applying makeup, and getting dressed. Later shots depict her in the kitchen pouring milk and going back upstairs before crashing onto her bed in frustration.
Chopper
The opening scene of the film Chopper uses several camera techniques and shots that follow typical thriller conventions. Shots are taken from low angles looking up at buildings to create a sense of being trapped. The lighting and colors used make some shots seem surreal and unsafe. Additional shots of the prison show high fences with barbed wire and lights, reinforcing the theme that there is no escape. Throughout the opening, a song plays in the background with lyrics about freedom, contrasting ironically with the prison setting. Overall, the opening scene sets up the film to follow typical thriller conventions through its camerawork, lighting, and use of non-diegetic sound.
Human Behaviour Genre Reasearch
The document discusses the filming techniques used in the documentary series Big Brother. High angle shots from security cameras are often used, making the audience feel like they are surveilling the housemates. Long takes are also utilized to give unedited access to the people in the house. Sound includes diegetic speech from conversations and non-diegetic voiceovers. The iconic music and the house itself serve as key conventions that define the Big Brother format.
Locations
The document discusses location shots for the opening sequence of a movie about a house robbery. Shot 1 shows the exterior of the house and will be where the criminals are first seen and a chase scene occurs later. Shot 2 shows the doorbell and front door, which are important as that is how the criminals initially gain access. Shot 3 shows the landing where the initial attack and protagonist's chase down the stairs will happen. Shot 4 shows the bedroom and landing that will be used in the sequence. Shot 5 shows the protagonist's bedroom to establish his normality before the robbery. Shot 6 shows the kitchen, a key location where the woman is seen before answering the door and items are stolen. The locations were chosen to help spread out equipment
Script
Rosalyn is on her first night patrolling alone to investigate a suspicious venue. Her boss Francis warns her to be careful but doubts she will find anything. Rosalyn comes across a group called the Ravens who are planning to bomb the Houses of Parliament. When Rosalyn confronts them and asks them to surrender, their leader Liam refuses, leaving Rosalyn without any choice but to engage with them.
Content analysis
The document is a shot list from the trailer for the film Annabelle. It provides 49 shots that set up the plot, build tension, and introduce key characters. Shots 1-3 establish the setting and show a character who is expecting a child. Shots 4-10 focus on a doll being removed from a box and placed on a shelf. Subsequent shots show a couple being awakened by screams next door and investigating, with tension built through fades to black between scenes. Shots reveal an intruding woman holding the Annabelle doll as another character attacks. A struggle ensues over a knife. The trailer concludes by focusing on the creepy Annabelle doll rocking in a chair.
Written analysis of opening sequence
The opening scene of Scream establishes conventions of the thriller genre. It shows the movie title turning from white to red, symbolizing danger. Close-up shots of a ringing phone build suspense. A woman answers and has a seemingly friendly call but grows fearful. Continuity editing follows the woman through the house as she looks for the caller, building panic and suspense for the audience. Props like knives also symbolize violence typical of the genre.
Film opening analysis saw
The opening scene of Saw 1 is entirely in pitch black with only dialogue to provide context. One man is shouting while the other remains calm, indicating one has been there longer. When a light is turned on, it is revealed one man wears a white shirt with a red overlay, possibly suggesting guilt. The other wears light blue, implying greater innocence. When the dead body is shown, the camera speeds up and spins rapidly as a high-pitched noise plays, effectively conveying fear and mystery.
Hot fuzz blog
The document summarizes key elements of cinematography, mise-en-scene, sound, and editing in a scene from the movie Hot Fuzz. It describes the police station setting, the use of establishing shots, medium shots, and high angles. It notes that minimal background music is used so Nicholas Angel's voiceover can be clearly understood, informing the audience about events. Jump cuts are used frequently to show everything being described in the voiceover.
Beckys script
Lauren recounts how she lost control of her life to someone else's desires. She doesn't remember exactly when it started, but knew once it began they wouldn't stop until getting what they wanted. When the day came, they had already caught her, but not before she did what she was told. He visited her in dreams each night, becoming more real until she was sure. Everything she knew changed because of one person and what they wanted. She had the knowledge, but not the voice. She hardly remembers her simple life before it, before him. What happened was not a prediction of authority, but only a prediction of hers. It has begun.
Content analysis
The document analyzes the shots in the trailer for the film Annabelle. It describes 49 different shots that vary in type (establishing shot, close-up, mid-shot, etc.), length (1 second to 14 seconds), and purpose (establishing setting, showing characters, building tension). It notes that the average shot length is around 3 seconds. It concludes that to make a successful production, it will need to use a variety of shot types and lengths, ensure continuity between shots, and include multiple scenes.
Emil Script
The document appears to be a script for a short film. It describes scenes of a character named Anna running through a school corridor at night while being chased by another character, Anand. Anand is filming the chase and plans to kill Anna to create a movie. He catches up to her and slashes her with a knife while pointing to the camera, implying the murder was filmed. The last scene shows the camera viewpoint with Anna's body on the floor and no one else around.
Content analysis
The document provides a shot-by-shot breakdown of a trailer for the film Annabelle. It includes 49 shots ranging from close-ups to establishing shots. The shots vary in length from under 1 second to 14 seconds. Many shots are used to build tension through fades to black. The trailer establishes settings and characters, shows a family being murdered, and focuses on a creepy Annabelle doll. The breakdown demonstrates the need for varied shot types, lengths, and continuity between scenes when making a successful film production.
Textual analysis - Black Widow
The document provides a textual analysis of a student film called "Black Widow" focusing on its mise-en-scene, sound, editing, and camera work. It notes that the film opens with a character walking down a corridor to add seriousness. The character then enters a small, cramped room showing it is not a typical meeting place. Strange static-like sounds are used throughout for continuity. The film is edited in grey scale to increase mystery. Camera angles start with a close-up of feet walking and tilts up to show a hand opening a door where another person is waiting suspiciously. Extreme close-ups of mouths are used instead of shots and reverse shots to keep identities mysterious.
White house down
The document summarizes the opening scenes of the movie "White House Down". It shows the White House, then pans to a girl waking up to watch the President's helicopter arrive. The helicopter lands and the actor playing the President exits with soldiers providing security. The opening has a dark and moody tone through lighting and music, foreshadowing something going wrong.
Fmp shot list
This document contains a shot list for a film titled "Puzzle" that follows a detective investigating a serial murder case. The murderer leaves puzzle boxes at each crime scene that the detective must solve for clues. Over the course of 8 scenes, the detective examines multiple crime scenes and puzzle boxes, slowly piecing the clues together. However, upon opening the final box, the detective makes a horrifying discovery that leaves them in a state of shock.
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The document summarizes scenes from a Halloween movie. It describes a person hiding and watching a couple in their house. When the couple goes upstairs, the lights go out, creating an opportunity for the person to enter the house. Inside, they take a large knife from the drawer. The perspective then shows the person stabbing a woman while she screams. At the end, a boy in a clown costume is revealed to be the killer, holding a big knife in an emotionless way, showing he killed for entertainment.
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The story follows four characters - two mice named Sniff and Scurry, and two little people named Hem and Haw - who seek cheese at Cheese Station C to nourish themselves and be happy. One day, they discover the cheese at Station C is gone. While Sniff and Scurry quickly set off to find new cheese, Hem refuses to accept the change and Haw is initially reluctant but eventually decides to search the maze for new cheese. After facing his fears and changing his beliefs, Haw discovers a greater supply of new cheese where Sniff and Scurry are, having learned to anticipate and adapt to change.
Our Location
The document discusses three locations used in a documentary production: Embankment in central London was chosen for its street art; Avenues Youth Centre in central London was where the dance group Hypnotick was filmed and interviewed as it was their training place; Harlesden was another location where an interview with Derick took place.
The brief
Mr. Teddy is a film about a male figure who inherits his grandmother's job as a spy without realizing she was an undercover agent. He is informed after her funeral that he must stop disruptions and dangerous events with his physic, which puts their lives at risk. Throughout the film, the audience sees Mr. Teddy's progression as a spy as he learns to handle a gun professionally, overcoming his initial clumsy interactions. The film takes inspiration from comedy spy movies and aims to convey a serious character alongside the comedic elements of Mr. Teddy learning the role.
El arte de_aprender
Este documento resume las lecciones aprendidas a diferentes edades de la vida, desde la niñez hasta la vejez. Algunas de las lecciones clave incluyen aprender que es posible estar enamorado de varias personas a la vez a los 10 años, que los grandes problemas empiezan siendo pequeños a los 20 años, y que es importante disfrutar la vida y no esperar hasta la jubilación a los 67 años. El documento concluye que siempre estamos aprendiendo y que lo más importante no es la edad a la que vivimos sino sentir que hemos vivido con propósito
Btec level 3 ass 3 u4 5 and 62
This document provides the assignment brief for a digital video production project. The purpose is to introduce learners to producing and editing digital video for use in interactive media. It outlines 5 tasks for learners to complete, including importing footage, editing video, exporting the final product, collecting audience feedback, and evaluating the project. The tasks are mapped to grading criteria and learning outcomes. The deadline, assessor, and scenario are also included.
Question 5 how did you attract/address your audience?
The document summarizes how the title sequence of a film addressed its target audience through various elements. It used a sharp font to convey the brutal nature of the main character, a Hit Man, and attract the action genre audience. Two characters of similar age to the target 18-20 demographic were featured to make the audience feel like they are on the journey. Mysterious elements like the silent target and Hit Man's dark persona leave questions that intrigue the audience to watch the film. A fast-paced chase scene draws the audience in, as such scenes are popular genres for the target age group. Overall, the title sequence incorporated thriller and mystery tropes from films the target audience enjoys.
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Question 5 how did you attract/address your audience?
Question 5 how did you attract/address your audience?
Similar to Opening sequence analysis
Opening sequence analysis 3
The opening sequence of Dirty Harry establishes the film's setting of San Francisco and theme of honoring police officers who died in the line of duty. It shows a stone plaque with the names of fallen officers carved into it. The camera zooms in and uses a wiping technique to gradually reveal the full list of names and dates. This establishes the context of danger and sacrifice within the police force before the film's story begins.
Opening sequence analysis 33
The opening sequence of Taken establishes mystery and danger through a black background and white text. It then cuts to a home video showing a happy birthday celebration, highlighting the vulnerability of the girl through a shot of her blowing out candles. It jumps to the protagonist waking up abruptly, looking confused and tired in close-up before the camera zooms out to show he is alone. Dirty Harry begins with a plaque listing police officers who died in the line of duty, using a zoom and wipe to gradually reveal the names and dates, establishing the context of sacrificing cops. The Godfather opens with a slow-paced, quiet scene of a man asking the titular character for help, using lighting, blocking and gestures to introduce him
Film opening analysisi the godfather
The opening scene of The Godfather is slow paced, beginning with slow appearance of the title over a black screen with music. It then shows a 3 minute long take of a man asking the Godfather, still in shadow, for help with his daughter. Low lighting and lack of music create a quiet, secretive tone. Gradually, the Godfather is revealed to be calm, powerful, and superior through his opulent clothing, comfortable demeanor while stroking a cat, and the respect the man shows by kissing his hand. This establishes the Godfather as a mysterious yet powerful crime boss.
Saw opening analysis
The film opens with a close-up shot of an unconscious man in dark water, building tension through lack of lighting and diegetic water sounds. When the man's eyes open, dramatic music plays, emphasizing his gasping and splashing in desperation. As he escapes the bath, chains rattling and moving sounds indicate he is trapped with someone. A calm voice speaks, suggesting the speaker has given up hope of escape. Lights reveal a dirty, abandoned bathroom, conforming to thriller tropes. A corpse is then revealed, the mystery of how the two men ended up there leaving the audience on edge.
Task 2 copy
Hitchcock discusses how to create suspense by providing the audience with information and allowing tension to build over time. He gives the example of a bomb under a table that the audience is aware of from the beginning of a scene. Spielberg focuses on slowing down scenes and using close-ups and sounds to heighten tension, as seen in the shaving scene from The Color Purple. Del Toro emphasizes creating memorable characters that develop over the course of a film in order to engage audiences and form a connection between the characters and viewers.
Openings
The document summarizes the openings of four famous films: Pulp Fiction, The Godfather, The Dark Knight, and The Matrix. It describes how each opening establishes key elements like setting, characters, conflict and tone through the use of dialogue, lighting, music and visuals within the first few minutes. This introduces the audiences to the genres and central themes of crime, organized crime, superhero action and sci-fi that each film explores.
Shot by shot analysis of rockn rolla
The opening title sequence uses dull, beige colors and sans serif text to set an impression of crime and confinement. A slow zoom shows a solitary, muscular man who seems powerful yet like a nobody. Scattered light from a torn rag suggests a dark, impoverished place.
The title appears in the same style, implying criminal elements. An animated character holds guns ready for a fight, transitioning smoothly to the narrator in a suit with useful knowledge.
A well-dressed man in sunglasses and a suit stands out from his bodyguards with different attire, concealing his identity as a possible gang leader while narration discusses his importance. The introduction establishes the film's setting of London and
Question six
The document analyzes the use of sound and music in two movie trailers. In the first trailer for The Hunger Games: To Kill a Mockingjay, music builds tension and introduces characters. Dialogue is accompanied by decreasing music volume. Sounds of war include screams and explosions. In the second trailer for Horrible Bosses 2, prison sounds set the scene and dramatic music builds anticipation. Popular music plays throughout, with pauses for comedic dialogue. Both trailers effectively use music and sounds to engage audiences.
Saw i
The opening sequence of Saw introduces many questions to draw the audience in and create narrative enigma. It establishes three men in a dark, isolated basement bathroom who are chained up with no memory of how they got there. Lighting starts very dark to build mystery before harsh white lights reveal the grim setting and a dead body. Camera shots expose the frightened expressions and hopeless situation of the characters to immerse the viewer. Unusual for the genre, it does not immediately present conventional character types or themes, focusing instead on mystery and tension through visual and audio techniques.
Kathryn- Real media research
The opening title sequence of Fight Club begins inside the microscopic view of a body, immersed the viewer in the psychological inner workings. Shots progress through the body before emerging in a close up of a character's sweaty forehead with a gun in their mouth. This establishes the psychological thriller genre and sinister tone. The first line of dialogue references the mysterious Tyler Durden, hooking the audience's interest in this significant character.
Storyboard.
This storyboard outlines the opening scenes of a film about a zombie apocalypse. It begins with a news report of people being told to stay indoors for rescue as things become more panicked. The title "The Dead Returning" appears in red letters against a fuzzy screen. It then shows a couple watching a movie who receive a distressing phone call before finding themselves in a bloody car trying to escape a zombie attack. The storyboard cuts between different characters and times throughout the opening to build mystery and tension before the outbreak.
Zombieland analysis2
The title sequence of the film "Zombie Land" provides clues about the film's genre and tone. The title implies it will be a horror about zombies overrunning the world. The dark, heavy music sets a tense atmosphere. Scenes taking place in ordinary locations like streets and parks suggest the zombies will be everywhere. Shot angles and close-ups show the violence and gore in graphic detail, indicating the film will have those elements. However, some ironic or humorous scenes also point to it including comedic elements as well.
Zombieland analysis2
The title sequence of the film "Zombie Land" provides clues about the film's genre and tone. The title implies it will be a horror about zombies overrunning the world. The dark, heavy music sets a tense atmosphere. Scenes taking place in ordinary locations like streets and parks suggest the zombies will be everywhere. Shot angles and close-ups show the violence and gore in graphic detail, indicating the film will have those elements. However, some ironic or humorous scenes also point to it including comedic elements as well.
The Conjuring
The opening sequence of 'The Conjuring' sets an ominous tone through its dark color palette and unsettling string music. It introduces the main characters, paranormal investigators Ed and Lorraine Warren, through a flashback story told by other characters. Ed and Lorraine are depicted as respected experts in a university lecture scene. The sequence establishes that the film is based on real events involving the Warrens and their investigations. It hints that the film will be a scary supernatural thriller in the vein of 'The Exorcist' through visual cues and an increasing sense of tension and unease created by the music.
Textual analysis short film
The document summarizes and analyzes three short films: Connected, Apricot, and Sit in Silence. Connected is a Danish post-apocalyptic film about two survivors battling for oxygen. Apricot is an Australian film depicting a tense date where the man takes notes because he cannot remember. Sit in Silence is a British sci-fi horror film where a woman screams for help at a train station worker after an explosion, but he is unable to help before she is killed by an alien. The document discusses what elements of cinematography, sound design, and themes were well done in each film.
Analysis of a professional film opening.
The opening 2-5 minutes of the film Dragonfly introduces the main characters and establishes the central conflict. It shows the husband trying to get a flight to help his wife in South America. Scenes then show the wife helping people in the jungle, but floods occur and she dies when a bus crash causes by falling rocks. The opening establishes the wife as a doctor working internationally and her sudden death. It uses dramatic music, voiceovers, and quick cuts between locations to set the tense tone for the thriller genre.
Assessment 2: Detailed Analysis of Bugsy Malone
1) The opening sequence of Bugsy Malone uses establishing shots and camera techniques like crane shots to set the scene of an abandoned street at night. Sound effects like a crying baby and dripping water further set the atmosphere.
2) A character named Roxy Robinson is introduced in a state of panic, shown from a high angle shot to portray him as less important. He is chased down an alley by an unnamed gang and trapped with no escape.
3) The film's producer name is shown before the title to give the audience confidence in the quality of the film. Character Bugsy Malone is seen throughout the title sequence to set up his central role in the story. Flash forwards during the titles give the
Textual Analysis 2 – Insidious
The opening scene of Insidious establishes a horror tone with red titles against a black background. The boy's bedroom is shown to be dark and mysterious, with shadows that seem to move in sync with the camera. A woman holding a candle is revealed, appearing as a ghost or monster. This contrasts with the innocent sleeping boy and sets up common horror conventions. Later, establishing shots of a haunted house are shown in black and white, with supernatural occurrences happening as the names of actors appear. A slanted clock is zoomed into suddenly, hinting it may be possessed and important to the story.
Bourne supremacy Opening 2 minutes analysis
The document provides an analysis of the opening scenes of the film The Bourne Supremacy. It summarizes that the opening titles create a sense of mystery through scrambled letters and unsettling music. Rapid flashbacks shown in dark tones suggest the main character's memories are unclear and fragmented. Universal Pictures' credibility builds anticipation for the film. The character awakens from dreams of gunshots and a woman's muffled cries, reflecting his lack of understanding of the traumatic memories. While with his girlfriend, he remains troubled, keeping details of his dreams private as he isolates himself in the darkness.
Psycho
The opening sequence of Psycho establishes tension through high pitched violins and jumpy editing. Names appear on screen vertically and horizontally as the music builds anxiety in the audience. The camera then shows an aerial view of a city from a rooftop, with softer music despite the busy urban environment. It zooms into a hotel window where a arguing couple is getting dressed, with the woman wanting more respect from the man. Throughout, the sequence leaves viewers on a cliffhanger about where the plot will go, keeping them engaged in the thriller's conventions.
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Question 3
New Market Films would be a good choice to distribute the psychological thriller film because they have successfully distributed similar low-budget films in the past, such as Memento which had a $9 million budget and grossed $25 million. New Market Films aims to distribute diverse films from new directors and lesser known actors, fitting the described film. The film would stand out from psychological thrillers set in cities or prisons by being set in a house and town, with added elements of action.
Analysis of Soundtrack
The document provides an analysis of the soundtracks for the films Shutter Island and The Sixth Sense. For Shutter Island, the soundtrack uses a minor key and slowly builds tension through crescendo. It features non-diegetic violins to create a spooky atmosphere. For The Sixth Sense, the soundtrack also crescendos but has a rhythmic element as it lasts longer. It features violins and pianos to create a creepy, high-pitched sound. The music jumps suddenly before becoming more flowing to scare the audience. Both soundtracks are analyzed in how they complement the psychological thriller genre of the films.
Genre Conventions
This document discusses typical elements of psychological thriller narratives, iconography, characters, camerawork/editing, and locations. It notes that psychological thrillers often involve a protagonist trying to resolve a complex problem or enigma. Icons commonly used include shadows, confined spaces, and running water to create tension. Main characters are typically detectives or vulnerable males with families. Cinematography employs low key lighting, long shots, and diegetic/non-diegetic sounds. Films are frequently set in mental asylums or prisons to trap protagonists amid their troubles.
Target Audience Profile
The document discusses identifying the target audience for a new film. The target age range is between 15 and mid-30s as teenagers would find it creepy but need maturity to understand it, and older adults may not relate to the young adult characters. The audience is primarily male due to the male-dominated storyline and characters. Likely viewers enjoy tense television dramas and mystery films that keep them engaged. The target psychographic profiles are "Strugglers," who seek escapism, and "Aspirers," who enjoy unique genres for attention and respect.
Question 5
The document discusses how the opening sequence of a film would attract the target audience through including elements of action. It also notes that the ages and genders of relatable characters and visuals based in a regular town area would appeal to the target audience by feeling familiar. Additionally, a unique narrative structure is proposed to entice cinephiles by offering something different from standard films in the genre.
Question 3
New Market Films would be well-suited to distribute the film because they have successfully distributed similar psychological thriller films like Memento with low budgets. New Market Films focuses on acquiring and distributing diverse films from new directors and lesser known actors. They have a track record of films like Memento with budgets under $10 million grossing over $25 million, indicating they could successfully market a low budget psychological thriller.
Improved storyboard
This storyboard outlines 16 shots that depict a narrative. The shots are broken into pairs that show the progression of events through different stages. While the specific content of each shot is not described, the storyboard establishes the overall structure and flow of the story through these paired camera shots.
Representation of Characters
In psychological thrillers, characters are often vulnerable individuals who have lost something important, like their family, making them susceptible to manipulation. Main characters are usually males who are taken to their lowest point to engage the audience. Females sometimes take main roles but more often play supporting roles as vulnerable people the main character relies on, such as a mother or daughter. Other common representations include characters who are psychotic or of lower-middle class.
Genre conventions
This document discusses typical elements of psychological thriller narratives, iconography, characters, camerawork/editing, and locations. Psychological thrillers often involve complex stories of people trying to resolve problems or find answers. Icons include shadows, confined spaces, and running water to create tension. Characters are typically detectives or males with vulnerable families. Cinematography uses low lighting, establishing shots, and diegetic/non-diegetic sounds. Locations take place in mental asylums to reflect the mental state of characters.
Target audience profile
The document analyzes the target audience for a film. It identifies the target age range as 15 to mid-30s because teenagers would find it creepy but need maturity to understand it, while older adults may not relate to the young adult characters. It suggests the audience will be mostly male due to the male-dominated storyline. Likely viewers enjoy tense television dramas and mysteries that keep them intrigued and wanting to discover how situations resolve. The psychographic profiles selected are seen as the most obvious fits for this genre.
Character profiles
This document provides character profiles for three characters - Tom Hardwill, Alex Craven, and Ali Coulthard - who are involved in an argument scene. Tom Hardwill, in his early twenties, is one of the more prominent roles who enters the scene halfway through wearing jeans and a jacket. Alex Craven, around age 20, has the most minor role and watches as the two others argue; he is portrayed as immature through his grey hoodie and jeans. Ali Coulthard, the oldest, is the most dominant and gets angry, even pulling out a gun on Alex to show his dominance in the rivalry with Tom over who is the alpha male.
Story board
This storyboard document outlines 10 shots that will be filmed to tell a story. The shots are broken into pairs with shots 1 and 2 showing the beginning, shots 3 and 4 showing some middle portion, and shots 9 and 10 showing the ending of the story that will be filmed.
Story board
This storyboard document outlines 10 shots that will be filmed to tell a story. The shots are broken into pairs with shots 1 and 2 showing the beginning, shots 3 and 4 showing some middle portion, and shots 9 and 10 showing the ending or conclusion of the story.
Opening sequence analysis
The opening sequence creates intrigue by showing a man in a bathroom who seems suspicious while voiceover discusses an unexplained "hunger returning". It then cuts to a meeting where two important men are shown, one speaking while the other listens, establishing them as key figures. Low camera angles convey the power of those in the scene.
Analysis of Soundtrack
The document provides an analysis of the soundtracks for the films Shutter Island and The Sixth Sense. For Shutter Island, the soundtrack is in a minor key and builds tension slowly through crescendo. It uses low violin sounds and is non-diegetic, complementing the psychological thriller genre. For The Sixth Sense, the soundtrack also crescendos but has more of a rhythm as it lasts longer, using violins and pianos to create a creepy sound. It features a sudden jump in music before becoming more flowing to scare the audience. The Sixth Sense soundtrack is more complex and changing than the opening credits it accompanies.
Genre Research
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Syllabus
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Introduction to objective, scope and outcome the subject
Chapter 2
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Chapter 3
Surveying: Object Principles & Types of Surveying; Site Plans, Plans & Maps; Scales & Unit of different Measurements.
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Chapter 5
Transportation: Introduction to Transportation Engineering; Traffic and Road Safety: Types and Characteristics of Various Modes of Transportation; Various Road Traffic Signs, Causes of Accidents and Road Safety Measures.
Chapter 6
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1. Palancharmy, Basic Civil Engineering, McGraw Hill publishers.
2. Satheesh Gopi, Basic Civil Engineering, Pearson Publishers.
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Opening sequence analysis
- 1. OPENING SEQUENCE ANALYSIS Mr Brooks
- 2. MR BROOKS MR BROOKS: This film starts off with black on white CGI writing which automatically creates an enigma as people want to know what the writing is talking about when it says that the hunger has returned so people want to know what has happened before. Also the man in the toilet who should be assumed as Mr Brooks doesnt speak but we can see he looks suspicious as we know he is going to be of some importance to the nex scene and you can then hear an announcer in the background which builds to the enigma of what is this person doing and where is he. All the time you can hear the same voice, presumably Mr Brooks again who is talking over the scene so you know that the people within the scene can't hear it which allows for the film to move on and keep going on, he appears to be having a conversation with somebody which creates an enigma because people want to know what they're talking about. This then cuts to a meeting room where everybody is sat down, watching a man speak and it cuts back and forth between this man and another man so you know the stood up man is talking about the man who is sat down. In the beginning there are a lot of low angle shots to convey the power of the people within the scene so people can tell that these 2 people are the most important people within the room.
- 3. HANNIBAL RISING Hannibal Rising starts off with a scene in the forest which resembles the calmness which matches the music of a flute playing very sift high pitch tones which are very peaceful. It the fades to a scene of two children playing on a bridge which shows the peace which the scene is in because they can happily play without a care in the world, however this scene is quickly interrupted by an explosion which shows that this film is not going to be as peaceful as first imagined by the scene of tranquillity and peace. This is quite often seen in psychological thrillers because of how the opening scene starts off very calm and peaceful but is quickly interrupted by the start of an enigma such as in this scene where it is the explosion.