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This document discusses typical elements of psychological thriller narratives, iconography, characters, camerawork/editing, and locations. Psychological thrillers often involve complex stories of people trying to resolve problems or find answers. Icons include shadows, confined spaces, and running water to create tension. Characters are typically detectives or males with vulnerable families. Cinematography uses low lighting, establishing shots, and diegetic/non-diegetic sounds. Locations take place in mental asylums to reflect the mental state of characters.
This document discusses typical elements of psychological thriller narratives, iconography, characters, camerawork/editing, and locations. It notes that psychological thrillers often involve a protagonist trying to resolve a complex problem or enigma. Icons commonly used include shadows, confined spaces, and running water to create tension. Main characters are typically detectives or vulnerable males with families. Cinematography employs low key lighting, long shots, and diegetic/non-diegetic sounds. Films are frequently set in mental asylums or prisons to trap protagonists amid their troubles.
This document analyzes the mise en scene elements in a cave scene from a film. It discusses how the lighting uses infrared night vision to depict the limited light inside the cave. It also notes how a flare is later used as another light source. The location of the dark, cramped cave creates a scary environment and props like bones on the floor add to the fear. Costumes show the characters are prepared for hiking and makeup makes the goblin prosthetics look deformed. Character movements express their states of injury or adaptation to the space, while acting conveys emotions like terror at their situation.
The document discusses various film techniques used to create mystery and suspense in psycho-thriller films. It describes how fading titles can represent blood or ink stains, isolating cold settings leave characters alone with no one else around, and extreme close-ups on a character's eyes or a prop related to the crime can provoke questions and suspense about what occurred. Over-the-shoulder shots through mirrors also generate mystery about what is reality.
Research and planning involve looking at other horror films and trailers for inspiration and ideas. Planning involves writing out what will be done to ensure the trailer is organized and makes sense. Conventions of a horror trailer include being set in deserted places like forests or old buildings to isolate characters, using silence with one unsettling recurring noise to make viewers nervous, and including text with a scary font and unsettling background sound effect to have more impact.
The document discusses potential settings for a horror film, including an empty field, firework display, open country road, and river or waterfall. These settings are analyzed for how they fit horror conventions by creating feelings of isolation, anxiety, and mystery for the audience. Each setting is said to generate enigma codes that make the audience wonder why the characters are there and what could happen.
This document discusses Harry Ellis' assignment to create an original horror scene within the paranormal genre. It provides examples of 5 paranormal films and conventions of the genre including demonic possessions, unnatural movements, subtle props, varied lighting, tense music, screams, and suburban settings. Harry's outline describes an establishing shot of a house, character introduction in bed, noises heard downstairs, investigation of the room, a messy room with no one there, a jump scare behind the character. Harry analyzes how their scene meets genre conventions and identifies narrative enigmas around the ghost and character's survival. Their goals are unconventional camerawork, a gripping yet simple story, and effective editing to create a scary rather than funny scene.
The document discusses how writers set the scene or setting in a story. It explains that setting provides the time and place for a story. By describing the location in detail, writers can create suspense, excitement and imagery. Specific words and phrases that describe surroundings can build atmosphere and mood. The document then provides examples from H.G. Wells' short story "The Red Room" to illustrate how setting is used to create a spooky atmosphere.
This document discusses typical elements of psychological thriller narratives, iconography, characters, camerawork/editing, and locations. Psychological thrillers often involve complex stories of people trying to resolve problems or find answers. Icons include shadows, confined spaces, and running water to create tension. Characters are typically detectives or males with vulnerable families. Cinematography uses low lighting, establishing shots, and diegetic/non-diegetic sounds. Locations take place in mental asylums to reflect the mental state of characters.
This document discusses typical elements of psychological thriller narratives, iconography, characters, camerawork/editing, and locations. It notes that psychological thrillers often involve a protagonist trying to resolve a complex problem or enigma. Icons commonly used include shadows, confined spaces, and running water to create tension. Main characters are typically detectives or vulnerable males with families. Cinematography employs low key lighting, long shots, and diegetic/non-diegetic sounds. Films are frequently set in mental asylums or prisons to trap protagonists amid their troubles.
This document analyzes the mise en scene elements in a cave scene from a film. It discusses how the lighting uses infrared night vision to depict the limited light inside the cave. It also notes how a flare is later used as another light source. The location of the dark, cramped cave creates a scary environment and props like bones on the floor add to the fear. Costumes show the characters are prepared for hiking and makeup makes the goblin prosthetics look deformed. Character movements express their states of injury or adaptation to the space, while acting conveys emotions like terror at their situation.
The document discusses various film techniques used to create mystery and suspense in psycho-thriller films. It describes how fading titles can represent blood or ink stains, isolating cold settings leave characters alone with no one else around, and extreme close-ups on a character's eyes or a prop related to the crime can provoke questions and suspense about what occurred. Over-the-shoulder shots through mirrors also generate mystery about what is reality.
Research and planning involve looking at other horror films and trailers for inspiration and ideas. Planning involves writing out what will be done to ensure the trailer is organized and makes sense. Conventions of a horror trailer include being set in deserted places like forests or old buildings to isolate characters, using silence with one unsettling recurring noise to make viewers nervous, and including text with a scary font and unsettling background sound effect to have more impact.
The document discusses potential settings for a horror film, including an empty field, firework display, open country road, and river or waterfall. These settings are analyzed for how they fit horror conventions by creating feelings of isolation, anxiety, and mystery for the audience. Each setting is said to generate enigma codes that make the audience wonder why the characters are there and what could happen.
This document discusses Harry Ellis' assignment to create an original horror scene within the paranormal genre. It provides examples of 5 paranormal films and conventions of the genre including demonic possessions, unnatural movements, subtle props, varied lighting, tense music, screams, and suburban settings. Harry's outline describes an establishing shot of a house, character introduction in bed, noises heard downstairs, investigation of the room, a messy room with no one there, a jump scare behind the character. Harry analyzes how their scene meets genre conventions and identifies narrative enigmas around the ghost and character's survival. Their goals are unconventional camerawork, a gripping yet simple story, and effective editing to create a scary rather than funny scene.
The document discusses how writers set the scene or setting in a story. It explains that setting provides the time and place for a story. By describing the location in detail, writers can create suspense, excitement and imagery. Specific words and phrases that describe surroundings can build atmosphere and mood. The document then provides examples from H.G. Wells' short story "The Red Room" to illustrate how setting is used to create a spooky atmosphere.
This document provides information about key elements of film making including lighting, camera angles, audio, pre-production, production, post-production, roles, storyboarding, elements of an effective story, and common mistakes. It discusses pre-production elements like developing the story, target audience, and storyboarding. It also outlines important production aspects such as lighting, camerawork, audio, and pacing. Finally, it briefly mentions post-production and some top mistakes to avoid.
The document describes the opening sequence of the production "Lazarus" with 3 shots. Shot 1 is a tracking shot of circus equipment on a table that ends with a close-up of a jumping hand. Shot 2 shows a close-up of the protagonist in a mask under a spotlight, with the camera circling before the mask is removed. Shot 3 simply displays the title "Lazarus" in the center of the screen in a circus font color.
This document analyzes the film techniques used in a scene set on the moon to create fear and tension. It discusses the use of spacesuits, low key lighting, handheld camerawork, zooming, birds eye views, dramatic music building in pace, characters' fearful dialogue, fast editing, and cross cutting between identical characters to transfer fear and anxiety to the audience and build tension as something ominous is about to happen.
The document outlines the production details of a short film titled "A Fear of Outside" which follows a young man who refuses to leave his room, convinced that the world outside has ended, as he records his days in isolation. The film will be directed by Alasdair Richards and shot to appear as one continuous long take through the use of hidden cuts, with experimental lighting and projections used to reflect the character's fractured mental state. Key roles like director, producer, cinematographer, and sound department are defined, along with influences, tone, technical considerations, and examples of similar long take techniques.
We researched conventions from famous thrillers like The Usual Suspects to understand how to craft mystery and tension in our project. We used camera angles like tracking dead bodies and showing a blurred protagonist's face to keep the scene's focus mysterious. Mise-en-scene elements like a blurred body seen through a bottle incorporated character details while setting up a false villain. Minimal dialogue and tense music throughout increased the atmosphere of mystery without enlightening the audience.
This document analyzes the cinematography, mise-en-scene, editing, and sound techniques used in the horror film trailers "As Above, So Below", "Paranormal Activity", and "The Haunting in Connecticut". It discusses how the films employ techniques like handheld cameras, close-ups, jump cuts, and ominous music to create realistic, tense atmospheres and build suspense and fear in the audience.
The title sequence of the film SE7EN utilizes unconventional camera angles and extreme close-ups of hands and objects to explore themes without revealing details. It focuses on a character's hands and implies the passing of time through repeated images. Sound and lyrics are used to create tension and hint at themes of religion, corruption, and sin that are addressed in the film. The sequence introduces themes but does not reveal the narrative, maintaining mystery and leaving the audience to decipher images and piece together meaning.
The document discusses screenplay structure and the key elements that make up a good movie. It states that there are endless ways to tell a story as long as there is logic. However, each approach must concern itself with three storytelling conventions: point of view, chronology, and genre conventions. It then provides more details about each of these elements and how they relate to crafting an effective screenplay structure.
This document discusses three key aspects of horror film soundtracks: music, voices, and sound effects. It explains that music helps set mood and elicit emotions from audiences through techniques like isolated instruments before events and changes in pitch. Voices in horror films are often chosen to reflect fear through qualities like a distinctive and husky tone. Common sound effects that enhance horror include animals associated with fear and echoed voices that create an eerie atmosphere.
The document discusses several key aspects of mise-en-scene in filmmaking, including setting, props, lighting, costume/makeup, facial expressions, and positioning. Settings can be either interior, exterior, locations, or natural environments, and props are used to manipulate scenes. Lighting and color are important for mood, while costumes, hair, and makeup reflect the genre and characters. Facial expressions and body language convey a character's emotions. Lastly, positioning of cameras, actors, and props is crucial for each shot.
The scene isolates the main character in a small, dark, and claustrophobic space. Various cinematography techniques like close-ups, soft focus, and frequent camera movements disorient the audience and reflect the character's confusion and fear. The lighting is initially very dark and switches to bright lights, further disorienting the character. Minimal props and costumes, lack of color, and ordinary clothing aim to create realism and tension. Sound design uses silence, loud noises, echoing effects, and asynchronous sound to build an eerie atmosphere and put the audience in the character's perspective. The scene deals with disturbing themes of kidnapping, torture, power, and lack of escape that are conventional of the thriller genre.
The movie Monster uses lighting, costumes, sounds and camera techniques to build tension and create a creepy atmosphere. A creepy doll under the stairs begins terrorizing a family at night, feeding off their fear and growing larger. The lighting is dim to make scenes mysterious. Costumes conform to the myth of white representing good and black representing evil. Sounds like boiling water and screams heighten anxiety. Camera shots like close-ups and low angles make the monster seem threatening. Slow, tension-building editing is used between shots.
The document analyzes shot types used in thriller film openings. It discusses how various shots like extreme close-ups, close-ups, and long shots are used to set mood, focus on important details, and create mystery. Color schemes, camera angles, blurred images, and ambiguous figures are employed to establish an eerie or sinister atmosphere typical of the thriller genre. In conclusion, the document states that carefully selected shots work together in thriller openings to generate a dark, mysterious sense that leaves the audience with unanswered questions.
The opening scene of the film SAW shows a character waking up in a dark, dirty bathroom. They are trapped inside a bathtub filled with water. As they struggle to get out, they realize they are trapped in the room with no clear way to exit. The character panics and shouts for help, confused and scared by their unknown surroundings in the extremely dark and underexposed scene.
The document discusses key conventions of the horror genre including sound, technical codes, and title sequences. Regarding sound, horror films use diegetic and non-diegetic sounds to create atmosphere and suspense. Technical codes like camera angles, point-of-view shots, depth of field, handheld shots, and editing are used to build tension and indicate danger. Title sequences are often short to immediately draw the audience in without waiting for credits.
The document analyzes key techniques used in the film The Sixth Sense to create tension and fear. It discusses the use of a blank screen during the opening credits to force the audience to listen to creepy music. Zooming into a woman's face suggests a sudden realization. Creepy score and ambient sounds create an uneasy atmosphere and sense of realism. Fades between titles and long takes build mystery and tension as the audience waits for something to happen.
1) The document discusses location, lighting, and mise-en-scene planning for a thriller film trailer. It identifies several key locations that will be used, including the protagonist's bedroom, a busy town center, isolated fields, and shots from Greece.
2) It outlines different lighting techniques that will be employed, including low-key lighting to set a dark atmosphere, as well as other lighting like key, back, and filler lights.
3) For mise-en-scene, everyday clothing will be used but makeup will vary between characters - the victim will appear bloodied while the villain will have blood on their hands. Props will be kept simple to maintain realism, like a backpack and
This document provides notes on 5 psychological thriller films: Black Swan, Vacancy, Memento, Fatal Attraction, and Se7en. For each film, it lists the director, distributor, and one element of the film's visual style or editing that was particularly effective in building mystery or suspense, such as the use of titles, transitions, Polaroids, close-ups, or shadows.
This document summarizes genre research on horror films. It outlines the origins of the horror genre in 18th century gothic novels. It then describes common conventions of horror film trailers, including establishing shots, logos, fast editing, narratives, and title screens. Finally, it details other frequent horror conventions like isolated settings, dark color schemes, masked or supernatural killers, and the use of sound, camerawork techniques, posters, magazines, and typical trailer structure.
The document outlines the storyboard for a 1-minute film about "A Day in the Life of a Pen". It describes 6 scenes from the pen's point of view: 1) Inside a zipped bag while being carried, 2) Being taken out of the bag, 3) Writing credits on a page, 4) Being tapped repeatedly on a page, 5) Being chewed in an extreme close-up, 6) Being put back in the bag at the end of the school day. Sound effects and camera angles were used to immerse the viewer in the pen's perspective for each short scene.
The document provides a list of concepts and ideas for a horror mood board including children, supernatural strength, masks, and darkness. It appears to be brainstorming visual elements that evoke fear or horror such as threatening supernatural abilities, the vulnerability of children, the anonymity and menace of masks, and the sense of unknown that darkness brings.
This document provides information about key elements of film making including lighting, camera angles, audio, pre-production, production, post-production, roles, storyboarding, elements of an effective story, and common mistakes. It discusses pre-production elements like developing the story, target audience, and storyboarding. It also outlines important production aspects such as lighting, camerawork, audio, and pacing. Finally, it briefly mentions post-production and some top mistakes to avoid.
The document describes the opening sequence of the production "Lazarus" with 3 shots. Shot 1 is a tracking shot of circus equipment on a table that ends with a close-up of a jumping hand. Shot 2 shows a close-up of the protagonist in a mask under a spotlight, with the camera circling before the mask is removed. Shot 3 simply displays the title "Lazarus" in the center of the screen in a circus font color.
This document analyzes the film techniques used in a scene set on the moon to create fear and tension. It discusses the use of spacesuits, low key lighting, handheld camerawork, zooming, birds eye views, dramatic music building in pace, characters' fearful dialogue, fast editing, and cross cutting between identical characters to transfer fear and anxiety to the audience and build tension as something ominous is about to happen.
The document outlines the production details of a short film titled "A Fear of Outside" which follows a young man who refuses to leave his room, convinced that the world outside has ended, as he records his days in isolation. The film will be directed by Alasdair Richards and shot to appear as one continuous long take through the use of hidden cuts, with experimental lighting and projections used to reflect the character's fractured mental state. Key roles like director, producer, cinematographer, and sound department are defined, along with influences, tone, technical considerations, and examples of similar long take techniques.
We researched conventions from famous thrillers like The Usual Suspects to understand how to craft mystery and tension in our project. We used camera angles like tracking dead bodies and showing a blurred protagonist's face to keep the scene's focus mysterious. Mise-en-scene elements like a blurred body seen through a bottle incorporated character details while setting up a false villain. Minimal dialogue and tense music throughout increased the atmosphere of mystery without enlightening the audience.
This document analyzes the cinematography, mise-en-scene, editing, and sound techniques used in the horror film trailers "As Above, So Below", "Paranormal Activity", and "The Haunting in Connecticut". It discusses how the films employ techniques like handheld cameras, close-ups, jump cuts, and ominous music to create realistic, tense atmospheres and build suspense and fear in the audience.
The title sequence of the film SE7EN utilizes unconventional camera angles and extreme close-ups of hands and objects to explore themes without revealing details. It focuses on a character's hands and implies the passing of time through repeated images. Sound and lyrics are used to create tension and hint at themes of religion, corruption, and sin that are addressed in the film. The sequence introduces themes but does not reveal the narrative, maintaining mystery and leaving the audience to decipher images and piece together meaning.
The document discusses screenplay structure and the key elements that make up a good movie. It states that there are endless ways to tell a story as long as there is logic. However, each approach must concern itself with three storytelling conventions: point of view, chronology, and genre conventions. It then provides more details about each of these elements and how they relate to crafting an effective screenplay structure.
This document discusses three key aspects of horror film soundtracks: music, voices, and sound effects. It explains that music helps set mood and elicit emotions from audiences through techniques like isolated instruments before events and changes in pitch. Voices in horror films are often chosen to reflect fear through qualities like a distinctive and husky tone. Common sound effects that enhance horror include animals associated with fear and echoed voices that create an eerie atmosphere.
The document discusses several key aspects of mise-en-scene in filmmaking, including setting, props, lighting, costume/makeup, facial expressions, and positioning. Settings can be either interior, exterior, locations, or natural environments, and props are used to manipulate scenes. Lighting and color are important for mood, while costumes, hair, and makeup reflect the genre and characters. Facial expressions and body language convey a character's emotions. Lastly, positioning of cameras, actors, and props is crucial for each shot.
The scene isolates the main character in a small, dark, and claustrophobic space. Various cinematography techniques like close-ups, soft focus, and frequent camera movements disorient the audience and reflect the character's confusion and fear. The lighting is initially very dark and switches to bright lights, further disorienting the character. Minimal props and costumes, lack of color, and ordinary clothing aim to create realism and tension. Sound design uses silence, loud noises, echoing effects, and asynchronous sound to build an eerie atmosphere and put the audience in the character's perspective. The scene deals with disturbing themes of kidnapping, torture, power, and lack of escape that are conventional of the thriller genre.
The movie Monster uses lighting, costumes, sounds and camera techniques to build tension and create a creepy atmosphere. A creepy doll under the stairs begins terrorizing a family at night, feeding off their fear and growing larger. The lighting is dim to make scenes mysterious. Costumes conform to the myth of white representing good and black representing evil. Sounds like boiling water and screams heighten anxiety. Camera shots like close-ups and low angles make the monster seem threatening. Slow, tension-building editing is used between shots.
The document analyzes shot types used in thriller film openings. It discusses how various shots like extreme close-ups, close-ups, and long shots are used to set mood, focus on important details, and create mystery. Color schemes, camera angles, blurred images, and ambiguous figures are employed to establish an eerie or sinister atmosphere typical of the thriller genre. In conclusion, the document states that carefully selected shots work together in thriller openings to generate a dark, mysterious sense that leaves the audience with unanswered questions.
The opening scene of the film SAW shows a character waking up in a dark, dirty bathroom. They are trapped inside a bathtub filled with water. As they struggle to get out, they realize they are trapped in the room with no clear way to exit. The character panics and shouts for help, confused and scared by their unknown surroundings in the extremely dark and underexposed scene.
The document discusses key conventions of the horror genre including sound, technical codes, and title sequences. Regarding sound, horror films use diegetic and non-diegetic sounds to create atmosphere and suspense. Technical codes like camera angles, point-of-view shots, depth of field, handheld shots, and editing are used to build tension and indicate danger. Title sequences are often short to immediately draw the audience in without waiting for credits.
The document analyzes key techniques used in the film The Sixth Sense to create tension and fear. It discusses the use of a blank screen during the opening credits to force the audience to listen to creepy music. Zooming into a woman's face suggests a sudden realization. Creepy score and ambient sounds create an uneasy atmosphere and sense of realism. Fades between titles and long takes build mystery and tension as the audience waits for something to happen.
1) The document discusses location, lighting, and mise-en-scene planning for a thriller film trailer. It identifies several key locations that will be used, including the protagonist's bedroom, a busy town center, isolated fields, and shots from Greece.
2) It outlines different lighting techniques that will be employed, including low-key lighting to set a dark atmosphere, as well as other lighting like key, back, and filler lights.
3) For mise-en-scene, everyday clothing will be used but makeup will vary between characters - the victim will appear bloodied while the villain will have blood on their hands. Props will be kept simple to maintain realism, like a backpack and
This document provides notes on 5 psychological thriller films: Black Swan, Vacancy, Memento, Fatal Attraction, and Se7en. For each film, it lists the director, distributor, and one element of the film's visual style or editing that was particularly effective in building mystery or suspense, such as the use of titles, transitions, Polaroids, close-ups, or shadows.
This document summarizes genre research on horror films. It outlines the origins of the horror genre in 18th century gothic novels. It then describes common conventions of horror film trailers, including establishing shots, logos, fast editing, narratives, and title screens. Finally, it details other frequent horror conventions like isolated settings, dark color schemes, masked or supernatural killers, and the use of sound, camerawork techniques, posters, magazines, and typical trailer structure.
The document outlines the storyboard for a 1-minute film about "A Day in the Life of a Pen". It describes 6 scenes from the pen's point of view: 1) Inside a zipped bag while being carried, 2) Being taken out of the bag, 3) Writing credits on a page, 4) Being tapped repeatedly on a page, 5) Being chewed in an extreme close-up, 6) Being put back in the bag at the end of the school day. Sound effects and camera angles were used to immerse the viewer in the pen's perspective for each short scene.
The document provides a list of concepts and ideas for a horror mood board including children, supernatural strength, masks, and darkness. It appears to be brainstorming visual elements that evoke fear or horror such as threatening supernatural abilities, the vulnerability of children, the anonymity and menace of masks, and the sense of unknown that darkness brings.
Este proyecto busca revitalizar el hábito de la lectura entre profesores, estudiantes y padres de familia en la sede Nuevo Siglo de Garbado a través del uso de las TIC. Se realizará un diagnóstico de los niveles de lectura, luego se formularán campañas de lectura utilizando herramientas digitales como un blog y materiales impresos. El objetivo es motivar a la comunidad educativa a leer más y usar mejor las TIC para la investigación y el aprendizaje.
Un screencast es una grabación digital de la pantalla de una computadora que a veces incluye audio narrativo. Los screencasts son útiles para demostrar características de software o para capacitación. Los vodcasts son similares a los podcasts pero incluyen video. Los vodcasts y screencasts pueden usarse para educación a bajo costo al permitir que los seminarios y lecciones sean accesibles a una audiencia más amplia.
El Renacimiento fue un movimiento cultural que surgió en Europa en el siglo XIV y se caracterizó por su admiración por las culturas clásicas de Grecia y Roma. Aspiró a renovar todas las áreas de la cultura humana, incluida la filosofía, la ética y la ciencia, con el objetivo de crear un hombre integral que combinara la perfección física e intelectual. El Renacimiento dio lugar a figuras universales como Leonardo da Vinci, Miguel Ángel y Rafael.
Microsoft es una empresa estadounidense fundada por Bill Gates y Paul Allen dedicada al desarrollo de software como el sistema operativo Windows y la suite Office. Los principales navegadores web son Safari de Apple, Firefox de código abierto, y Opera de la empresa noruega Opera Software. El acceso a Internet puede ser por cable a través de la infraestructura de televisión por cable, inalámbrico o mediante satélite para zonas rurales. El software libre como OpenOffice puede ser utilizado y distribuido libremente.
Este documento presenta una serie de proyectos de diseño industrial realizados por Andrea Quintana Jácome. Los proyectos incluyen el diseño de una jarra eléctrica basada en la identidad arquitectónica de la Ciudad Universitaria, el diseño de mobiliario urbano para el Jardín Botánico de la UNAM, el diseño de una banca inspirada en el automóvil Porsche 911, y el diseño de un sistema y contenedor hidropónico. Otros proyectos incluyen el diseño de una mesa plegable, un monedero
The document provides a brief history of social media, from early platforms like CompuServe in 1969 to the growth of the internet and websites in the 1990s and 2000s. It notes that 3.7 million people watched a simple $500 YouTube video. It emphasizes the importance of listening to customer conversations on social media and building trust through character and competence, as 90% of consumers trust peer recommendations compared to 14% who trust traditional advertising. The document advises being grounded like the Flintstones rather than distant like the Jetsons.
Jose Lizier Corbetto - Resumen ejecutivo Lote XII Piurajoselizier
Autor: Jose Lizier Corbetto
Resumen Ejecutivo del Poryecto de Explotación de Gas y Petróleo Lote XIII - Piura. Operadora: Olympic Oil & Gas Corporation
Este documento presenta un seminario introductorio sobre e-learning. Define el e-learning como una modalidad de formación educativa a distancia que utiliza Internet como herramienta de aprendizaje, permitiendo al alumno formarse desde cualquier lugar y hora con solo un ordenador y conexión a Internet. Destaca sus ventajas como la flexibilidad y acceso universal, pero también sus desventajas como la mayor inversión de tiempo y esfuerzo requerido.
Este documento proporciona instrucciones sobre cómo crear una cuenta en Twitter y personalizar el perfil de usuario. Explica los pasos para ingresar a la página web de Twitter, completar el registro e ingresar información de perfil como una foto, nombre, ubicación y biografía. Además, describe cómo Twitter puede usarse para mantenerse actualizado sobre tendencias, eventos y actividades de amigos y familiares.
El documento discute cómo el poder ya no está basado en el acceso a la información, sino en saber qué hacer con ella. Afirma que el valor de la información puede ser como mercancía, producto, servicio u experiencia, y que este valor aumenta a lo largo de este continuo. También señala que las grandes fortunas del mundo están ligadas al manejo de la información y que las redes sociales han aumentado el poder económico.
El documento presenta información sobre el Operativo Nacional de Evaluación ONE en Argentina. Resume que la evaluación busca mejorar la calidad educativa considerando diseños curriculares, aprendizajes prioritarios y resultados previos. Evalúa ciencias sociales, naturales, matemática y lengua en 3o y 6o grado. Proporciona ejemplos de ítems para mostrar cómo evalúa conceptos y capacidades cognitivas en diferentes niveles de desempeño.
El documento discute cómo el poder ya no está basado en el acceso a la información, sino en saber qué hacer con ella. Afirma que el valor de la información puede ser como mercancía, producto, servicio u experiencia, y que este valor aumenta a lo largo de este continuo. También señala que las grandes fortunas del mundo están ligadas al manejo de la información y que las redes sociales han aumentado el poder económico.
The document contains 76 file names with the prefix "BnW ISO AP RESO20121003" and extensions of ".jpg" files. The file names include a number indicating the file number and resolution information ranging from approximately 3,000 to 11,000 pixels per inch.
El documento describe los diferentes tipos de calentamiento, incluyendo el calentamiento general, el calentamiento específico y el calentamiento preventivo. Explica que el calentamiento consiste en ejercicios para los músculos y articulaciones y tiene beneficios como prevenir lesiones. También detalla algunos efectos del calentamiento en el organismo como aumentar la temperatura corporal y la velocidad de contracción muscular.
Este documento describe una investigación sobre las dificultades en la coordinación psicomotora de niños de 5 años en la Unidad Educativa "Pedro Poveda" en La Paz, Bolivia. Presenta antecedentes sobre la ubicación y fundación de la unidad educativa, e identifica la importancia del desarrollo psicomotor en la niñez. Luego, describe una encuesta realizada a los niños para evaluar su coordinación psicomotora y analizar los resultados. El objetivo es conocer las dificultades y proponer soluciones para mejorar el
The document analyzes the cinematography, editing, sound, and mise-en-scene techniques used in the 2002 horror film The Ring. It discusses how camera shots, angles, and movements are used to set atmosphere and build suspense. Editing techniques like jump cuts and quick cuts are employed to shock and confuse viewers. Diegetic sounds like ringing phones and non-diegetic music are integral to scaring both characters and audiences. Important film locations like islands and psychiatric hospitals contribute to the unsettling tone.
Conventions of phycological horrors ( Mise - en - scene)sophie jeffrey
This document discusses conventions of psychological horror films seen in the trailers for Shutter Island, The Autopsy of Jane Doe, and Split. It analyzes the similarities in their use of isolated settings, dark blue-tinged lighting, realistic costumes, neutral hair and makeup, fearful facial expressions and body language of characters, and props that establish danger. Overall, it finds that psychological horror films often place characters in isolated, unsettling locations with abnormal lighting and cues like props to build fear and mystery for the audience.
Horror films employ several cinematography, sound, and editing techniques to increase tension and frighten audiences. Close-ups are used to heighten emotions and create discomfort by showing graphic details. Non-diegetic sounds like loud music build tension, while screams and effects scare viewers. Fast editing, like quick montages or cross-cutting between scenes, stresses audiences and tricks them. Common settings isolate characters in frightening locations. Costumes become torn throughout to indicate danger, while villains have dark, masked appearances to blend into scenes.
The document analyzes the opening scenes of 4 films: Jurassic Park, Jaws, E.T., and Indiana Jones. For Jurassic Park, it discusses how the lighting creates tension and focuses attention on the box. It also notes the realistic props and costumes that convey danger. For Jaws, it describes how the lighting shifts from calm to dark and scary as the scene escalates. Props are also used to set a youthful normal scene at first. For E.T., the lighting is dark and mysterious to set an alien tone, while the ship stands out brightly. Props and shots are used to portray the secretive and strange setting. For Indiana Jones, the bright lighting emphasizes the action and location,
The document proposes a psychological thriller film opening set entirely within one room where a man is being held and experimented on by scientists. Key elements include flashbacks showing the man's kidnapping, the scientists observing the man from a surveillance room, and an unsettling atmosphere created through lighting, sound effects, and camerawork meant to make the audience uneasy about why the man is being held captive. The film aims to engage younger adult and adult audiences with its dark and mysterious tone.
The document outlines a pitch for a psychological thriller film called "The Room". It will follow a man trapped in a room by scientists experimenting on him and other subjects. Key elements include flashbacks showing the man's kidnapping and testing occurring in both the room and a surveillance room. The film will use various on-campus locations and have a dark, mysterious tone to engage audiences in the man's physical and mental struggle.
Opening sequence analysis- What Lies Beneath kanda11821
The opening sequence of What Lies Beneath establishes the setting, characters, genre, and themes through various film techniques. It introduces the protagonist through a reaction shot in the bath and establishes the importance of water through title cards and camerawork. Low key lighting and isolation of the house location communicate the psychological thriller genre and dark themes. Characterization of the leading couple's happiness sets up the story's equilibrium before it is disrupted.
The document discusses various camera shots, techniques, and elements used in the opening sequence of the film Shutter Island to set the tone and build suspense for a psychological thriller genre. It describes shots like extreme long shots to set the background, close-ups to show facial expressions, medium shots to provide context, and long shots to show full-body language. It also discusses camera movements like pans, tilts, and zooms and how cut pace can manipulate speed and confusion. Additionally, it outlines the use of diegetic and non-diegetic sounds, mise-en-scene, and actor performances to immerse the audience and effectively launch the thriller story.
The trailer for Shutter Island abides by the codes and conventions of the thriller genre. It builds tension and mystery through techniques like quick cuts, low key lighting, ominous music, and ambiguous dialogue. While no antagonist is clearly shown, the protagonist appears vulnerable and confused within the dark and isolated setting of a mysterious asylum. Hints are provided that he may himself be the source of the disruption. The trailer aims to draw in 14-22 year old audiences through its use of suspense, romance, and a seemingly powerless yet relatable main character trapped in a perilous situation.
Analysis of film openings AS Media Studiesyazzflowers12
The opening scene of Jurassic Park establishes a dark, tense atmosphere as the audience wonders what is making noises in the trees. The lighting then focuses on a box, drawing the audience's attention. Workers surrounding the box wear protective gear like hats and hold tasers, suggesting the contained animal is dangerous. Shots like extreme close-ups are used to show emotions on characters' faces and reveal the creature.
The opening of Jaws starts with relaxed lighting by a beach fire but turns darker when the main character runs into the ocean, heightening tension. Minimal props establish a youthful party atmosphere before something ominous occurs. Shot types like close-ups emphasize the character's pain and isolation when attacked alone in the water.
The film Shutter Island follows U.S. Marshal Teddy Daniels who is investigating the disappearance of a woman from a hospital for the criminally insane located on a remote island. Teddy realizes the investigation will force him to confront his own fears. The opening sequence uses dark lighting and ominous music to set an unsettling tone. Long shots establish the isolated island setting and prison-like hospital. Mystery is built through withholding the identities of characters and keeping the plot ambiguous. These elements effectively introduce the psychological thriller genre and intrigue audiences to continue watching.
The film Shutter Island follows U.S. Marshal Teddy Daniels who is investigating the disappearance of a woman from a hospital for the criminally insane located on a remote island. Teddy realizes the investigation will force him to confront his own fears. The opening sequence uses dark lighting and ominous music to set an unsettling tone. Long shots establish the isolated island setting and prison-like hospital. Mystery is built through withholding the identities of characters and keeping the plot ambiguous. These elements effectively introduce the psychological thriller genre and intrigue audiences to continue watching.
The film Shutter Island follows U.S. Marshal Teddy Daniels who is investigating the disappearance of a murderer from a hospital for the criminally insane located on a remote island. Teddy realizes the investigation will force him to confront his own fears. The opening sequence uses dark lighting and ominous music to set an unsettling tone. Camera shots like long takes and close-ups maintain audience attention while hiding character identities. The prison-like buildings and cells establish the film's genre as a psychological thriller and hint that secrets lurk within the walls of the asylum.
The opening credits feature distorted text to foreshadow confusion and an uneasy feeling for the characters and audience. Eerie sounds set the tone for a thriller. Shots focus on a necklace/key underwater, highlighting its importance. A man is shown trapped in a dirty bathtub in a close-up shot, establishing his panic and that he was placed there against his will. Fast editing between the man and key increases the sense of panic and vulnerability as his fate depends on the lost key. Minimal sound increases the tension as he is alone in the dark room.
The opening scene of Jurassic Park establishes tension through its title colors of red and orange, dark lighting, and mysterious sounds coming from behind the trees. As the scene progresses, the lighting brightens to focus attention on a moving box in the trees, making the audience wonder what is inside. Special effects like aggressive dinosaur sounds and workers carrying tasers further suggest danger. In Jaws, the opening scene uses relaxing orange campfire lighting but this also connotes danger. When a girl enters the water, tense music plays to increase the heart rate of viewers. Both films employ a variety of techniques in the opening scenes to engage audiences and set the tone for threats present in the story without revealing full details.
The document analyzes key elements of a Saw film through props, locations, lighting, costumes, character movements, sound, camera work, and editing. Props like a mask indicated a character's mission to survive or die. Locations like a police office created safety while a basement isolated characters. Lighting in the police scene was bright but added blue for unease. A character's clothing like a black jacket foreshadowed capture. Character movements showed fear through shaking and smoking. Sound design heightened tension through non-diegetic noises and diegetic cues like ticking. Camera work like panning captured confusion while close-ups emphasized important props. Editing started slow but sped up during flashbacks and chaotic scenes.
The document discusses various elements of horror film trailers and films that are intended to frighten and unsettle audiences. Locations shown in trailers are often dark and isolated to build tension and a sense of unpredictability. Horror films also use everyday locations like supermarkets to make the threat of danger seem more realistic. The mask and title sequence for the film My Bloody Valentine help set the tone that evil will dominate in the film through their dark and ominous visuals.
This document discusses various techniques used in the mise-en-scene of horror films to create fear and tension in audiences. It explains that low-key lighting is commonly used to make scenes darker and scare audiences by hiding what they cannot see. Props like weapons are used to associate characters and signify violence. Facial expressions of fear shown by characters help audiences connect and feel scared for them. Costumes are also used to indicate whether characters are good or bad. Isolated house settings at night create tension by trapping characters without help or escape. These mise-en-scene elements manipulate human psychology and put audiences on edge.
The document summarizes techniques used in film openings to set mood and introduce characters. It discusses how non-diegetic music, camera shots, lighting, settings, and other elements are employed to convey emotion, establish genre, hint at danger or intrigue, and begin developing character roles and relationships without fully revealing plot details. Todorov's theory of equilibrium and Propp's concept of character archetypes are also referenced in relation to analyzing these opening sequences.
New Market Films would be a good choice to distribute the psychological thriller film because they have successfully distributed similar low-budget films in the past, such as Memento which had a $9 million budget and grossed $25 million. New Market Films aims to distribute diverse films from new directors and lesser known actors, fitting the described film. The film would stand out from psychological thrillers set in cities or prisons by being set in a house and town, with added elements of action.
The document provides an analysis of the soundtracks for the films Shutter Island and The Sixth Sense. For Shutter Island, the soundtrack uses a minor key and slowly builds tension through crescendo. It features non-diegetic violins to create a spooky atmosphere. For The Sixth Sense, the soundtrack also crescendos but has a rhythmic element as it lasts longer. It features violins and pianos to create a creepy, high-pitched sound. The music jumps suddenly before becoming more flowing to scare the audience. Both soundtracks are analyzed in how they complement the psychological thriller genre of the films.
The opening of Mr. Brooks establishes several enigmas through cryptic writing about a returning hunger and a suspicious man in a bathroom. Non-diegetic sounds of a conversation heighten the mystery of the scene. Low key lighting and a lack of action in the early scenes set the tone for a psychological thriller and will appeal to its target audience. The film then cuts between a meeting where one man speaks about another, using low angle shots to convey power.
The opening of Hannibal Rising shows children playing peacefully until an explosion interrupts, establishing tranquility followed by a mystery. Its setting in 1944 suggests it aims for an older audience who may enjoy the initial calm music giving way to potential action. Both films use calm
The document provides analysis of the opening sequences of the films Mr. Brooks and Hannibal Rising. For Mr. Brooks, it summarizes that the opening establishes enigmas through cryptic writing about a returned hunger and a suspicious man in a bathroom. For Hannibal Rising, it summarizes that the opening depicts a peaceful scene in the forest with children playing that is abruptly interrupted by an explosion, establishing this will not be a completely peaceful film. It also analyzes how both openings fit conventions of psychological thrillers by starting calmly before introducing disruption.
The document discusses identifying the target audience for a new film. The target age range is between 15 and mid-30s as teenagers would find it creepy but need maturity to understand it, and older adults may not relate to the young adult characters. The audience is primarily male due to the male-dominated storyline and characters. Likely viewers enjoy tense television dramas and mystery films that keep them engaged. The target psychographic profiles are "Strugglers," who seek escapism, and "Aspirers," who enjoy unique genres for attention and respect.
The document discusses how the opening sequence of a film would attract the target audience through including elements of action. It also notes that the ages and genders of relatable characters and visuals based in a regular town area would appeal to the target audience by feeling familiar. Additionally, a unique narrative structure is proposed to entice cinephiles by offering something different from standard films in the genre.
New Market Films would be well-suited to distribute the film because they have successfully distributed similar psychological thriller films like Memento with low budgets. New Market Films focuses on acquiring and distributing diverse films from new directors and lesser known actors. They have a track record of films like Memento with budgets under $10 million grossing over $25 million, indicating they could successfully market a low budget psychological thriller.
This storyboard outlines 16 shots that depict a narrative. The shots are broken into pairs that show the progression of events through different stages. While the specific content of each shot is not described, the storyboard establishes the overall structure and flow of the story through these paired camera shots.
In psychological thrillers, characters are often vulnerable individuals who have lost something important, like their family, making them susceptible to manipulation. Main characters are usually males who are taken to their lowest point to engage the audience. Females sometimes take main roles but more often play supporting roles as vulnerable people the main character relies on, such as a mother or daughter. Other common representations include characters who are psychotic or of lower-middle class.
The document analyzes the target audience for a film. It identifies the target age range as 15 to mid-30s because teenagers would find it creepy but need maturity to understand it, while older adults may not relate to the young adult characters. It suggests the audience will be mostly male due to the male-dominated storyline. Likely viewers enjoy tense television dramas and mysteries that keep them intrigued and wanting to discover how situations resolve. The psychographic profiles selected are seen as the most obvious fits for this genre.
This document provides character profiles for three characters - Tom Hardwill, Alex Craven, and Ali Coulthard - who are involved in an argument scene. Tom Hardwill, in his early twenties, is one of the more prominent roles who enters the scene halfway through wearing jeans and a jacket. Alex Craven, around age 20, has the most minor role and watches as the two others argue; he is portrayed as immature through his grey hoodie and jeans. Ali Coulthard, the oldest, is the most dominant and gets angry, even pulling out a gun on Alex to show his dominance in the rivalry with Tom over who is the alpha male.
This storyboard document outlines 10 shots that will be filmed to tell a story. The shots are broken into pairs with shots 1 and 2 showing the beginning, shots 3 and 4 showing some middle portion, and shots 9 and 10 showing the ending of the story that will be filmed.
This storyboard document outlines 10 shots that will be filmed to tell a story. The shots are broken into pairs with shots 1 and 2 showing the beginning, shots 3 and 4 showing some middle portion, and shots 9 and 10 showing the ending or conclusion of the story.
The document provides an analysis of the opening sequences of the films Mr. Brooks and Hannibal Rising. For Mr. Brooks, it describes how the opening establishes intrigue through cryptic writing, a suspicious man in a bathroom, and overheard conversations that build mystery. For Hannibal Rising, it explains that the opening depicts children playing peacefully before an explosion interrupts, subverting expectations of calm and hinting at the psychological thriller to come.
The opening sequence creates intrigue by showing a man in a bathroom who seems suspicious while voiceover discusses an unexplained "hunger returning". It then cuts to a meeting where two important men are shown, one speaking while the other listens, establishing them as key figures. Low camera angles convey the power of those in the scene.
The document provides an analysis of the soundtracks for the films Shutter Island and The Sixth Sense. For Shutter Island, the soundtrack is in a minor key and builds tension slowly through crescendo. It uses low violin sounds and is non-diegetic, complementing the psychological thriller genre. For The Sixth Sense, the soundtrack also crescendos but has more of a rhythm as it lasts longer, using violins and pianos to create a creepy sound. It features a sudden jump in music before becoming more flowing to scare the audience. The Sixth Sense soundtrack is more complex and changing than the opening credits it accompanies.
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2. TYPICAL NARRATIVE
In psychological thrillers the narrative is usually very complex which involves
many enigmas which people and they have similar conventions to thriller and
horror. Often they are stories about a person trying to resolve a problem such as in
Shutter Island which involves a person trying to resolve a problem whilst also
finding themselves. This is shown also in The Sixth Sense because the little boy
has to learn to cope with a problem that he has whilst trying not to go insane from
it. In The Lazarus Project it is a man who is taken to an asylum (similar to Shutter
Island) and has to try and find out why he’s hallucinating. Therefore this shows that
often people are trying to resolve there own problems.
3. ICONOGRAPHY
In Psychological Thrillers I wold expect to see lots of shadows because they are very useful for
creating enimgas, this is used a lot in Shutter Island because it creates the creepy atmosphere of the
mental asylum. There are usually lots of confined spaces and restrictions on where people can as this
means that they are trapped which makes the atmosphere much more tense as in The Lazarus Project
as the main character is stuck in the ‘Prison’ area and is unable to leave under threat of death. Often
running water is used especially through rain which is in Shutter Island because they are surrounded by
the sea and it rains a lot and this naturally causes people to get nervous as it creates tension.
4. CHARACTERS
The typical characters which people would find in a psychological
horror would be a detective or alpha male because they often get
tormented because people get nervous when a main character and a
‘dominant’ male gets bullied because it means that they are powerless.
Often there is a woman in there life and a child because having a
family makes the character much more vulnerable.
5. CAMERAWORK, SOUND
LIGHTING AND EDITING
Often there is low key lighting, especially found in Shutter Island they use this often
because the darkness creates lots of enigmas as the shadows cause enigmas to be made. The
camera work involves lots of extreme long shots and establishing shots because people can find
out the scene and it means people can try to get to know the surroundings so they are in the
characters shoes. There are often lots of diegetic sounds because that way the characters are able
to establish their surroundings much better and also the audience become much more established
with the characters but also there would be a lot of non-diegetic sound e.g. music because the
slower paced music in a minor key creates the tension which Psychological Thrillers aim to make.
Often there is minimal editing involved in the actual film because often the steadicam and the
minimal editing makes the film much more minimal and raw which means that people get
tension because it means they feel more like they are in the characters shoes.
6. LOCATIONS
Often the location of psychological thrillers is in places such as
mental asylums as the films often are made around a character is
mental so they fit in around the surroundings, this is used in the case
of Shutter Island and The Lazarus Project this is used because it
means the character is surrounded and enclosed in an area usually
with people who you would not desire to be around.