(Inside your head)
by
(Emil Tanev)
(Based on, If Any)
EE - Emil Enterprise
Address: My house
Phone Number: 07474331239

FADE IN:
EXT.SCHOOL CORRIDOR. NIGHT
Running through the corridor recording the legs scratched
up and bloody wearing white socks.
TV FLICKER EFFECT
EXT.COMPUTER ROOM.NIGHT
Anand watching the movie from previous night. We hear the
sounds but we don't see the screen.
HIS FACE IS PARTIALLY LIT FROM THE TV THE BACKGROUND
LIGHT IS BLACK OR RED.
TV FLICKER EFFECT
EXT.SCHOOL CORRIDOR.NIGHT
Back to Anna running down the corridor, constantly
turning around
WE SEE THE VICTIM’S FACE AND FEARED FACIAL IMPRESSION.
TV FLICKER EFFECT
EXT.SCHOOL CORRIDOR.NIGHT
Anand chasing his victim with a slow walk
ANAND’S POINT OF VIEW LOOKING AT ANNA RUNNING DOWN THE
CORRIDOR.
CUT TO:
EXT.END OF THE CORRIDOR BLOCKED.NIGHT
Anna looking back at the person chasing her who is slowly
coming closer.
CUT TO:
.2
CAMMERA LOKING AT ANNA AND HER CLOSE UP OF HER FACE WHILE
SHE IS DESPERATELY TRYING TO OPEN THE DOOR.
CUT TO:
TROMBONE SHOT AS ANNA REALISES THAT THE PERSON CHASING IS
GETTING CLOSER.
CUT TO:
BEHIND ANNA’S SHOULDER LOOKING AT THE PERSON CHASING HER
WHO IS COMING CLOSER WITH A SHADOWED FACE.
ANAND
‘LAUGHING QUIETLY’ JUST LIKE I
PLANNED IT.
ANNA
Planned what? Who are you?
‘confused’
CUT TO:
ANAND IS SLOWLY COMING UNDER THE LIGHT AND WE SEE A SMALL
PART OF HIS FACE.
ANAND
(creepy laugh)
you'll see, you'll see don't worry
CUT TO:
ANAND’S CAMERA POINT OF VIEW ‘REC’ ON THE SIDE OF THE
SCREEN SIDE VIEW OF BOTH OF THEM LOWER ANGLE.
CUT TO:
ANAND IS TRYING TO MOVE CLOSER TO ANNA. PULLS OUT A
KITCHEN KNIFE. (REVEALS HIS FACE).
ANAND
(mental look on his face)
.3
Lets finish this, its taking too
long this movie its not gonna
create itself.
CUT TO:
CAMERA MOVES TO ANNA BEHIND THE SHOULDER
ANNA
(confused)
What movie? What are you talking
about?
CUT TO:
ANAND’S CAMERA POINT OF VIEW
ANAND POINTS AT THE CAMERA AND AS ANNA LOOKS AT THE
CAMERA HE GOES TO SLASH HER WE ONLY SEE THE SWING FROM
ANNA’S POINT OF VIEW.
CUT TO:
WE SEETHE CAMERA POINT OF VIEW AND THERE IS ANNA’S BODY
ON THE FLOOR AND NO ONE AROUND IT
FADES OUT.
.i
SCENE INDEX
EXT.SCHOOL CORRIDOR. NIGHT 1..............................
EXT.SCHOOL CORRIDOR.NIGHT 1...............................
EXT.END OF THE CORRIDOR BLOCKED.NIGHT 1..................
CAMMERA LOKING AT ANNA AND HER CLOSE UP OF HER FACE WHILE
SHE IS DESPERATELY TRYING TO OPEN THE DOOR. 2............
TROMBONE SHOT AS ANNA REALISES THAT THE PERSON CHASING IS
GETTING CLOSER. 2.........................................
ANAND’S CAMERA POINT OF VIEW ‘REC’ ON THE SIDE OF THE
SCREEN SIDE VIEW OF BOTH OF THEM LOWER ANGLE. 2...........
ANAND IS TRYING TO MOVE CLOSER TO ANNA. PULLS OUT A
KITCHEN KNIFE. (REVEALS HIS FACE). 2......................
CAMERA MOVES TO ANNA BEHIND THE SHOULDER 3...............
ANAND POINTS AT THE CAMERA AND AS ANNA LOOKS AT THE
CAMERA HE GOES TO SLASH HER WE ONLY SEE THE SWING FROM
ANNA’S POINT OF VIEW. 3...................................
WE SEETHE CAMERA POINT OF VIEW AND THERE IS ANNA’S BODY
ON THE FLOOR AND NO ONE AROUND IT 3.......................

Emil Script

  • 1.
    (Inside your head) by (EmilTanev) (Based on, If Any) EE - Emil Enterprise Address: My house Phone Number: 07474331239

  • 2.
    FADE IN: EXT.SCHOOL CORRIDOR.NIGHT Running through the corridor recording the legs scratched up and bloody wearing white socks. TV FLICKER EFFECT EXT.COMPUTER ROOM.NIGHT Anand watching the movie from previous night. We hear the sounds but we don't see the screen. HIS FACE IS PARTIALLY LIT FROM THE TV THE BACKGROUND LIGHT IS BLACK OR RED. TV FLICKER EFFECT EXT.SCHOOL CORRIDOR.NIGHT Back to Anna running down the corridor, constantly turning around WE SEE THE VICTIM’S FACE AND FEARED FACIAL IMPRESSION. TV FLICKER EFFECT EXT.SCHOOL CORRIDOR.NIGHT Anand chasing his victim with a slow walk ANAND’S POINT OF VIEW LOOKING AT ANNA RUNNING DOWN THE CORRIDOR. CUT TO: EXT.END OF THE CORRIDOR BLOCKED.NIGHT Anna looking back at the person chasing her who is slowly coming closer. CUT TO:
  • 3.
    .2 CAMMERA LOKING ATANNA AND HER CLOSE UP OF HER FACE WHILE SHE IS DESPERATELY TRYING TO OPEN THE DOOR. CUT TO: TROMBONE SHOT AS ANNA REALISES THAT THE PERSON CHASING IS GETTING CLOSER. CUT TO: BEHIND ANNA’S SHOULDER LOOKING AT THE PERSON CHASING HER WHO IS COMING CLOSER WITH A SHADOWED FACE. ANAND ‘LAUGHING QUIETLY’ JUST LIKE I PLANNED IT. ANNA Planned what? Who are you? ‘confused’ CUT TO: ANAND IS SLOWLY COMING UNDER THE LIGHT AND WE SEE A SMALL PART OF HIS FACE. ANAND (creepy laugh) you'll see, you'll see don't worry CUT TO: ANAND’S CAMERA POINT OF VIEW ‘REC’ ON THE SIDE OF THE SCREEN SIDE VIEW OF BOTH OF THEM LOWER ANGLE. CUT TO: ANAND IS TRYING TO MOVE CLOSER TO ANNA. PULLS OUT A KITCHEN KNIFE. (REVEALS HIS FACE). ANAND (mental look on his face)
  • 4.
    .3 Lets finish this,its taking too long this movie its not gonna create itself. CUT TO: CAMERA MOVES TO ANNA BEHIND THE SHOULDER ANNA (confused) What movie? What are you talking about? CUT TO: ANAND’S CAMERA POINT OF VIEW ANAND POINTS AT THE CAMERA AND AS ANNA LOOKS AT THE CAMERA HE GOES TO SLASH HER WE ONLY SEE THE SWING FROM ANNA’S POINT OF VIEW. CUT TO: WE SEETHE CAMERA POINT OF VIEW AND THERE IS ANNA’S BODY ON THE FLOOR AND NO ONE AROUND IT FADES OUT.
  • 5.
    .i SCENE INDEX EXT.SCHOOL CORRIDOR.NIGHT 1.............................. EXT.SCHOOL CORRIDOR.NIGHT 1............................... EXT.END OF THE CORRIDOR BLOCKED.NIGHT 1.................. CAMMERA LOKING AT ANNA AND HER CLOSE UP OF HER FACE WHILE SHE IS DESPERATELY TRYING TO OPEN THE DOOR. 2............ TROMBONE SHOT AS ANNA REALISES THAT THE PERSON CHASING IS GETTING CLOSER. 2......................................... ANAND’S CAMERA POINT OF VIEW ‘REC’ ON THE SIDE OF THE SCREEN SIDE VIEW OF BOTH OF THEM LOWER ANGLE. 2........... ANAND IS TRYING TO MOVE CLOSER TO ANNA. PULLS OUT A KITCHEN KNIFE. (REVEALS HIS FACE). 2...................... CAMERA MOVES TO ANNA BEHIND THE SHOULDER 3............... ANAND POINTS AT THE CAMERA AND AS ANNA LOOKS AT THE CAMERA HE GOES TO SLASH HER WE ONLY SEE THE SWING FROM ANNA’S POINT OF VIEW. 3................................... WE SEETHE CAMERA POINT OF VIEW AND THERE IS ANNA’S BODY ON THE FLOOR AND NO ONE AROUND IT 3.......................