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Ulf Grüner | www.ulfgruener.de | 2015
how to build the most stunning multi-media story:
a short guide to
ONE-PAGE-STORYTELLING
types – workflow – storyline – storyboard – examples
1
Ulf Grüner | www.ulfgruener.de | 2015
3 different types
1. one page
2. parallax
3. dossier
2
4. deep
Ulf Grüner | www.ulfgruener.de | 2015
3 different types
1. one page
2. parallax
3. dossier
3
completely linear: 1 storyline
> example "the guardian“(Firestorm)
linear with sidesteps: 1 storyline with parallel 

additional parts. two or more storylines possible
> example NYT „Snowfall“
package of linear stories
> example ikrk.srf.ch
4. deep one linear story with in depth extensions
> https://fold.cm/
Ulf Grüner | www.ulfgruener.de | 2015
the structure | do you have a story, really?
a real story needs at least*
• someone
• doing something
• with one clear objective and/or problem
that’s the short version ;-)
a real story needs
• central character with motivation and specific characteristics
• action (a plot)
• main problem
• outcome
• judgement
• narrator
• frame
(*) for more details on concepts of a story see – for example –:
http://visual.ly/kurt-vonnegut-shapes-stories-0?utm_source=visually_embed and
http://www.openculture.com/2014/02/kurt-vonnegut-masters-thesis-rejected-by-u-chicago.html
4
Ulf Grüner | www.ulfgruener.de | 2015
the structure | plan your story
first check these 3 steps to an amazing story:
• 10 keywords
• what are the essential words for our story? 

without these keywords our story could not be told.
• 1 sentence (the take away)
• what should your audience take away from your story?
• write it in just 1 sentence or a tweet
• 2 plot points
• plot points are events (i.e. action, quote, observation) 

that spins your story in a new and/or unexpected direction (*)
• find at least 2 plot points in your story
(*) for more details on the concept of „plot points“ see „Syd Field's Paradigm“
and https://en.wikipedia.org/wiki/Screenwriting_theories#Theories_on_writing_a_screenplay
5
Ulf Grüner | www.ulfgruener.de | 2015
the media | enrich your story
surprise your audience (and sometimes disturb)
• look for extraordinary pictures:
• emotion
• action
• prefer detail/close ups
• one point to focus
• the main object or person is on the right or the left side, 

never in the middle
• want to place text in photos? 

check in advance in which part of the photo your text is visible 

(white text on dark photo?)
6
Ulf Grüner | www.ulfgruener.de | 2015
the media | enrich your story
• use effects carefully
• slow motion
• HD video
• color splash
• stop trick
• time-lapse
• use interactivity: scroll animation
7
Ulf Grüner | www.ulfgruener.de | 2015
the narrative | tell your story
you‘re going to tell a story. not to build a picture gallery.
so, do it like Hollywood, write a screenplay.
and make it more parallax, more interactive.
8
Ulf Grüner | www.ulfgruener.de | 2015
the narrative | think mobile first
how about the mobile experience?
think mobile first:
plan your story to be as immersive as possible
on small screens
9
Ulf Grüner | www.ulfgruener.de | 2015
the narrative | storyline | structure
start
story
end
10
Ulf Grüner | www.ulfgruener.de | 2015
start
intro
info
cliffhanger
page 1
page 2
page 3
start quickly
do not bore your audience with traditional heading and
introduction:
• surprise your audience
• start with close-up, with details
• start right in the middle of your story
the narrative | storyline
11
Ulf Grüner | www.ulfgruener.de | 2015
start
intro
jump into your story with (i.e.)
info
cliffhanger
• quote
• detail (photo)
• action (video)
• surprising fact
(text or graphic)
page 1
page 2
page 3
do not bore your audience with traditional heading and introduction:
• surprise your audience
• start with close-up, with details
• start right in the middle of your story
the narrative | storyline
12
Ulf Grüner | www.ulfgruener.de | 2015
start
intro
jump into your story with (i.e.)
info
cliffhanger
• quote
• detail (photo)
• action (video)
• surprising fact (text or graphic)
add some orientation with (i.e.): • map
• bullet points for
quick overview
• personal welcome
message (video)
page 1
page 2
page 3
do not bore your audience with traditional heading and introduction:
• surprise your audience
• start with close-up, with details
• start right in the middle of your story
the narrative | storyline
13
Ulf Grüner | www.ulfgruener.de | 2015
start
intro
jump into your story with (i.e.)
info
cliffhanger
• quote
• detail (photo)
• action (video)
• surprising fact (text or graphic)
add some orientation with (i.e.): • map
• bullet points for quick overview
• personal welcome message (video)
make your readers curious with (i.e.): • quote
• first part of a
stunning picture
• collage
• text
page 1
page 2
page 3
do not bore your audience with traditional heading and introduction:
• surprise your audience
• start with close-up, with details
• start right in the middle of your story
the narrative | storyline
14
Ulf Grüner | www.ulfgruener.de | 2015
start
intro
jump into your story with (i.e.)
info
cliffhanger
• quote
• detail (photo)
• action (video)
• surprising fact (text or graphic)
add some orientation with (i.e.): • map
• bullet points for quick overview
• personal welcome message (video)
make your readers curious with (i.e.): • quote
• first part of a stunning picture
• collage
• text
page 1
page 2
page 3
mind the gap:
the „bail out point“ comes at 80 seconds – at the latest
do not bore your audience with traditional heading and introduction:
• surprise your audience
• start with close-up, with details
• start right in the middle of your story
the narrative | storyline
15
Ulf Grüner | www.ulfgruener.de | 2015
story
page 4 etc.
the narrative | storyline
• it‘s a story to scroll – so, use the
transition from page to page as part of
your narrative
• it‘s an interactive story – use animation
parallel to your text
• again: it‘s a story, not a picture gallery –
your narrative must be concise, strong
and tight
16
Ulf Grüner | www.ulfgruener.de | 2015
story
page 4 etc.
set plot points:
events (i.e. action, quote, observation) that
spins your story in a new and/or unexpected
direction
the narrative | storyline
• it‘s a story to scroll – so, use the transition from page to page as part
of your narrative
• it‘s an interactive story – use animation parallel to your text
• again: it‘s a story, not a picture gallery – your narrative must be
concise, strong and tight
17
Ulf Grüner | www.ulfgruener.de | 2015
story
page 4 etc.
set plot points:
events (i.e. action, quote, observation) that spins your story in a new and/or
unexpected direction
the narrative | storyline
• it‘s a story to scroll – so, use the transition from page to page as part
of your narrative
• it‘s an interactive story – use animation parallel to your text
• again: it‘s a story, not a picture gallery – your narrative must be
concise, strong and tight
use magic moments:
_ quotes, facts, pictures
_ catharsis, clearing, aha!
18
Ulf Grüner | www.ulfgruener.de | 2015
story
page 4 etc.
do not link outside your story
• show additional material inside
your story as a sidestep or a little
break
• offer additional material exactly
when it is needed
set plot points:
events (i.e. action, quote, observation) that spins your story in a new and/or
unexpected direction
the narrative | storyline
• it‘s a story to scroll – so, use the transition from page to page as part
of your narrative
• it‘s an interactive story – use animation parallel to your text
• again: it‘s a story, not a picture gallery – your narrative must be
concise, strong and tight
magic moments:
quotes, facts, pictures
catharsis, clearing, aha!
19
Ulf Grüner | www.ulfgruener.de | 2015
the 2 types of interactivity
the narrative | interactive
it‘s an interactive story – use animation parallel to your text and add interactivity:
20
Ulf Grüner | www.ulfgruener.de | 2015
the 2 types of interactivity
your audience can only
control the speed of your
story:
1. slow down your
audience reading by using
transition effects between
2 or more pictures (again:
it‘s an image-led story)
2. use flipbook-effects
besides or in between your
main storyline
the narrative | interactive
21
Ulf Grüner | www.ulfgruener.de | 2015
the 2 types of interactivity
your audience can only control the speed of
your story:
1. slow down your audience reading by
using transition effects between 2 or more
pictures (again: it‘s an image-led story)
2. use flipbook-effects besides or in between
your main storyline
the narrative | interactive
your audience can control
the speed and the depth of
your story:
1. offer some choices in
some parts of your story:
additional reading,
interactive map etc.
2. call to action: let your
audience participate, start
a dialogue or a quiz or a
survey
22
Ulf Grüner | www.ulfgruener.de | 2015
the 2 types of interactivity
the narrative | interactive
23
! make sure these extras will be readable on small mobile
screens as well
! choose these extras carefully, do not overload your story
! place them carefully, do not break the flow of your story
Ulf Grüner | www.ulfgruener.de | 2015
end
the last page
the narrative | storyline
24
Ulf Grüner | www.ulfgruener.de | 2015
end
the last page
the narrative | storyline
short version
_ offer a quick overview
_ „this story in 10 seconds“
25
Ulf Grüner | www.ulfgruener.de | 2015
end
the last page
• link back to 

the most amazing parts of your story
• link to related content on your website
• link to related content on the web
the narrative | storyline
short version
offer a quick overview, „this story in 10 seconds“
26
Ulf Grüner | www.ulfgruener.de | 2015
end
the last page
• link back to the most amazing parts of your story
• link to related content on your website
• link to related content on the web
the narrative | storyline
short version
offer a quick overview, „this story in 10 seconds“
27
offer dialogue:
invite to comment
invite to talk
Ulf Grüner | www.ulfgruener.de | 2015
end
the last page
• link back to the most amazing parts of your story
• link to related content on your website
• link to related content on the web
the narrative | storyline
short version
offer a quick overview, „this story in 10 seconds“
28
offer dialogue:
invite to comment
invite to talk
call to action:
motivate to share this story
Ulf Grüner | www.ulfgruener.de | 2015
storyboard | the narrative | storyline
p 1
p 2
last
start:
thrill
29
Ulf Grüner | www.ulfgruener.de | 2015
storyboard | the narrative | storyline
p 1
p 2
last
start quickly
your first 3 pages are extremly intuitive,
easy and fast to read
show emotions
start:
thrill
intro
info
cliffhanger
30
Ulf Grüner | www.ulfgruener.de | 2015
storyboard | the narrative | storyline
p 1
p 2
last
start:
thrill
story:
depth
31
Ulf Grüner | www.ulfgruener.de | 2015
storyboard | the narrative | storyline
p 1
p 2
last
deliver more
indepth reporting
worth to read
slow down,
but use different speed during this main part of your story
ensure diversity
from page to page with tough changes
i.e. from pure text to stunning action video etc.
start:
thrill
story:
depth
intro
info
cliffhanger
32
start quickly
your first 3 pages are extremly intuitve, easy and fast to read
show emotions
Ulf Grüner | www.ulfgruener.de | 2015
storyboard | the narrative | storyline
p 1
p 2
last
start:
thrill
story:
depth
end:
action
33
Ulf Grüner | www.ulfgruener.de | 2015
storyboard | the narrative | storyline
p 1
p 2
last
start quickly
your first 3 pages are extremly intuitve, easy and fast to read
show emotions
deliver more
indepth reporting
worth to read
slow down,
but use different speed during this main part of your story
ensure diversity
from page to page with tough changes
i.e. from pure text to stunning action video etc.
start:
thrill
story:
depth
end:
action
stop your readers
best-of-show (i.e. videos)
link back to the most emotional parts of your story
fun fact or other suprise (i.e quote, fact)
call-to-action (let them share your story)
intro
info
cliffhanger
34
Ulf Grüner | www.ulfgruener.de | 2015
storyboard | the narrative | storyline
p 1
p 2
last
start:
thrill
story:
depth
end:
action
35
Ulf Grüner | www.ulfgruener.de | 2015
storyboard example | the narrative | storyline
p 1
p 2
last
36
Ulf Grüner | www.ulfgruener.de | 2015
storyboard | the narrative | storyline | copy template
p 1
p 2
last
37
Ulf Grüner | www.ulfgruener.de | 2015
• SRG: Qualität im Journalismus http://www.srginsider.ch/qualitaet/
• SRF: ikrk.srf.ch („dossier“, produced by a web-agency)
• SRF: Die Menschen von Maracana http://www.srfcdn.ch/srf/news/kultur/maracana/f5dba9bc6eb14ec5b084ff24b3742e05/
• SRF: Nationalpark – Hier wird‘s wild http://www.srfcdn.ch/srf/news/nationalpark/
• Firestorm The Guardian http://www.theguardian.com/world/interactive/2013/may/26/firestorm-bushfire-dunalley-holmes-family
• Snowfall NYT: http://www.nytimes.com/projects/2012/snow-fall/#/?part=tunnel-creek
• http://powering-people-city.theguardian.com/
•  The Reykjavik Confessions
• http://pitchfork.com/features/cover-story/
• Helmand's Golden Age. Afghanistan once faced the future with confidence. Caught here on film, it's an era the world has forgotten.
http://www.bbc.co.uk/news/special/2014/newsspec_8529/index.html
• River City Ingenuity
• http://deutschlandradiokultur.pageflow.io/thementag-le-corbusier#24163
• https://fold.cm/read/pbernier1/fold-une-nouvelle-plateforme-de-storytelling-35ZaZTm5
• https://fold.cm/read/Rochelle/the-magicians-inside-the-internet-22oB7wX6
• WDR: Auftaktrennen des Super Gravity NRW Cup http://reportage.wdr.de/gravity
• WDR: Parabelflug http://reportage.wdr.de/parabel#13816
• WDR: Jacques Tilly baut seit 30 Jahren Karnevalswagen für den Düsseldorfer Rosenmontagszug http://reportage.wdr.de/jacques-tilly
• Examples from Shorthand (http://www.pinterest.com/shorthand101/):
◦ ESPN: http://review.espn.co.uk/football/index.html
◦ The Guardian: http://www.theguardian.com/sport/interactive/2013/jul/08/england-v-australia-history-rivalry-interactive
◦ BBC: http://www.bbc.co.uk/news/special/2014/newsspec_7141/index.html
◦ Centre For Public Integrity: http://eagleford.publicintegrity.org/
◦ Art Gallery NSW: http://projects-origin.artgallery.nsw.gov.au/afghanistan/
◦ Alice In Wonderland: http://story.sh/alice/
examples | resources
38
Ulf Grüner | www.ulfgruener.de | 2015
Software:
http://shorthand.com
http://pageflow.io/
https://www.storehouse.co/
https://fold.cm/
https://creatavist.com/ (https://atavist.com/)
https://exposure.co/
http://story.br.de/linius/
https://prinzhorn.github.io/skrollr/
https://www.thinglink.com/
Platforms:
Jeremy Caplan’s 18 new digital storytelling platforms noted here
https://twitter.com/jeremycaplan/lists/coolest-digital-platforms/members
examples | software
39
Ulf Grüner | www.ulfgruener.de | 201540
Thanks for great discussions, feedback and additions:
Jeremy Caplan,
Director of Education, Tow-Knight Center Entrepreneurial Journalism, 

CUNY Graduate School of Journalism (http://www.jeremycaplan.com),
Rachel Bartlett,
Editorial planning and training manager for @Shorthand_, 

former editor of http://Journalism.co.uk (https://twitter.com/rachelabartlett)
thanks |

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Immersive Storytelling: Scrollytelling One-Page Parallax - a short guide how to build the most stunning multi-media story

  • 1. Ulf Grüner | www.ulfgruener.de | 2015 how to build the most stunning multi-media story: a short guide to ONE-PAGE-STORYTELLING types – workflow – storyline – storyboard – examples 1
  • 2. Ulf Grüner | www.ulfgruener.de | 2015 3 different types 1. one page 2. parallax 3. dossier 2 4. deep
  • 3. Ulf Grüner | www.ulfgruener.de | 2015 3 different types 1. one page 2. parallax 3. dossier 3 completely linear: 1 storyline > example "the guardian“(Firestorm) linear with sidesteps: 1 storyline with parallel 
 additional parts. two or more storylines possible > example NYT „Snowfall“ package of linear stories > example ikrk.srf.ch 4. deep one linear story with in depth extensions > https://fold.cm/
  • 4. Ulf Grüner | www.ulfgruener.de | 2015 the structure | do you have a story, really? a real story needs at least* • someone • doing something • with one clear objective and/or problem that’s the short version ;-) a real story needs • central character with motivation and specific characteristics • action (a plot) • main problem • outcome • judgement • narrator • frame (*) for more details on concepts of a story see – for example –: http://visual.ly/kurt-vonnegut-shapes-stories-0?utm_source=visually_embed and http://www.openculture.com/2014/02/kurt-vonnegut-masters-thesis-rejected-by-u-chicago.html 4
  • 5. Ulf Grüner | www.ulfgruener.de | 2015 the structure | plan your story first check these 3 steps to an amazing story: • 10 keywords • what are the essential words for our story? 
 without these keywords our story could not be told. • 1 sentence (the take away) • what should your audience take away from your story? • write it in just 1 sentence or a tweet • 2 plot points • plot points are events (i.e. action, quote, observation) 
 that spins your story in a new and/or unexpected direction (*) • find at least 2 plot points in your story (*) for more details on the concept of „plot points“ see „Syd Field's Paradigm“ and https://en.wikipedia.org/wiki/Screenwriting_theories#Theories_on_writing_a_screenplay 5
  • 6. Ulf Grüner | www.ulfgruener.de | 2015 the media | enrich your story surprise your audience (and sometimes disturb) • look for extraordinary pictures: • emotion • action • prefer detail/close ups • one point to focus • the main object or person is on the right or the left side, 
 never in the middle • want to place text in photos? 
 check in advance in which part of the photo your text is visible 
 (white text on dark photo?) 6
  • 7. Ulf Grüner | www.ulfgruener.de | 2015 the media | enrich your story • use effects carefully • slow motion • HD video • color splash • stop trick • time-lapse • use interactivity: scroll animation 7
  • 8. Ulf Grüner | www.ulfgruener.de | 2015 the narrative | tell your story you‘re going to tell a story. not to build a picture gallery. so, do it like Hollywood, write a screenplay. and make it more parallax, more interactive. 8
  • 9. Ulf Grüner | www.ulfgruener.de | 2015 the narrative | think mobile first how about the mobile experience? think mobile first: plan your story to be as immersive as possible on small screens 9
  • 10. Ulf Grüner | www.ulfgruener.de | 2015 the narrative | storyline | structure start story end 10
  • 11. Ulf Grüner | www.ulfgruener.de | 2015 start intro info cliffhanger page 1 page 2 page 3 start quickly do not bore your audience with traditional heading and introduction: • surprise your audience • start with close-up, with details • start right in the middle of your story the narrative | storyline 11
  • 12. Ulf Grüner | www.ulfgruener.de | 2015 start intro jump into your story with (i.e.) info cliffhanger • quote • detail (photo) • action (video) • surprising fact (text or graphic) page 1 page 2 page 3 do not bore your audience with traditional heading and introduction: • surprise your audience • start with close-up, with details • start right in the middle of your story the narrative | storyline 12
  • 13. Ulf Grüner | www.ulfgruener.de | 2015 start intro jump into your story with (i.e.) info cliffhanger • quote • detail (photo) • action (video) • surprising fact (text or graphic) add some orientation with (i.e.): • map • bullet points for quick overview • personal welcome message (video) page 1 page 2 page 3 do not bore your audience with traditional heading and introduction: • surprise your audience • start with close-up, with details • start right in the middle of your story the narrative | storyline 13
  • 14. Ulf Grüner | www.ulfgruener.de | 2015 start intro jump into your story with (i.e.) info cliffhanger • quote • detail (photo) • action (video) • surprising fact (text or graphic) add some orientation with (i.e.): • map • bullet points for quick overview • personal welcome message (video) make your readers curious with (i.e.): • quote • first part of a stunning picture • collage • text page 1 page 2 page 3 do not bore your audience with traditional heading and introduction: • surprise your audience • start with close-up, with details • start right in the middle of your story the narrative | storyline 14
  • 15. Ulf Grüner | www.ulfgruener.de | 2015 start intro jump into your story with (i.e.) info cliffhanger • quote • detail (photo) • action (video) • surprising fact (text or graphic) add some orientation with (i.e.): • map • bullet points for quick overview • personal welcome message (video) make your readers curious with (i.e.): • quote • first part of a stunning picture • collage • text page 1 page 2 page 3 mind the gap: the „bail out point“ comes at 80 seconds – at the latest do not bore your audience with traditional heading and introduction: • surprise your audience • start with close-up, with details • start right in the middle of your story the narrative | storyline 15
  • 16. Ulf Grüner | www.ulfgruener.de | 2015 story page 4 etc. the narrative | storyline • it‘s a story to scroll – so, use the transition from page to page as part of your narrative • it‘s an interactive story – use animation parallel to your text • again: it‘s a story, not a picture gallery – your narrative must be concise, strong and tight 16
  • 17. Ulf Grüner | www.ulfgruener.de | 2015 story page 4 etc. set plot points: events (i.e. action, quote, observation) that spins your story in a new and/or unexpected direction the narrative | storyline • it‘s a story to scroll – so, use the transition from page to page as part of your narrative • it‘s an interactive story – use animation parallel to your text • again: it‘s a story, not a picture gallery – your narrative must be concise, strong and tight 17
  • 18. Ulf Grüner | www.ulfgruener.de | 2015 story page 4 etc. set plot points: events (i.e. action, quote, observation) that spins your story in a new and/or unexpected direction the narrative | storyline • it‘s a story to scroll – so, use the transition from page to page as part of your narrative • it‘s an interactive story – use animation parallel to your text • again: it‘s a story, not a picture gallery – your narrative must be concise, strong and tight use magic moments: _ quotes, facts, pictures _ catharsis, clearing, aha! 18
  • 19. Ulf Grüner | www.ulfgruener.de | 2015 story page 4 etc. do not link outside your story • show additional material inside your story as a sidestep or a little break • offer additional material exactly when it is needed set plot points: events (i.e. action, quote, observation) that spins your story in a new and/or unexpected direction the narrative | storyline • it‘s a story to scroll – so, use the transition from page to page as part of your narrative • it‘s an interactive story – use animation parallel to your text • again: it‘s a story, not a picture gallery – your narrative must be concise, strong and tight magic moments: quotes, facts, pictures catharsis, clearing, aha! 19
  • 20. Ulf Grüner | www.ulfgruener.de | 2015 the 2 types of interactivity the narrative | interactive it‘s an interactive story – use animation parallel to your text and add interactivity: 20
  • 21. Ulf Grüner | www.ulfgruener.de | 2015 the 2 types of interactivity your audience can only control the speed of your story: 1. slow down your audience reading by using transition effects between 2 or more pictures (again: it‘s an image-led story) 2. use flipbook-effects besides or in between your main storyline the narrative | interactive 21
  • 22. Ulf Grüner | www.ulfgruener.de | 2015 the 2 types of interactivity your audience can only control the speed of your story: 1. slow down your audience reading by using transition effects between 2 or more pictures (again: it‘s an image-led story) 2. use flipbook-effects besides or in between your main storyline the narrative | interactive your audience can control the speed and the depth of your story: 1. offer some choices in some parts of your story: additional reading, interactive map etc. 2. call to action: let your audience participate, start a dialogue or a quiz or a survey 22
  • 23. Ulf Grüner | www.ulfgruener.de | 2015 the 2 types of interactivity the narrative | interactive 23 ! make sure these extras will be readable on small mobile screens as well ! choose these extras carefully, do not overload your story ! place them carefully, do not break the flow of your story
  • 24. Ulf Grüner | www.ulfgruener.de | 2015 end the last page the narrative | storyline 24
  • 25. Ulf Grüner | www.ulfgruener.de | 2015 end the last page the narrative | storyline short version _ offer a quick overview _ „this story in 10 seconds“ 25
  • 26. Ulf Grüner | www.ulfgruener.de | 2015 end the last page • link back to 
 the most amazing parts of your story • link to related content on your website • link to related content on the web the narrative | storyline short version offer a quick overview, „this story in 10 seconds“ 26
  • 27. Ulf Grüner | www.ulfgruener.de | 2015 end the last page • link back to the most amazing parts of your story • link to related content on your website • link to related content on the web the narrative | storyline short version offer a quick overview, „this story in 10 seconds“ 27 offer dialogue: invite to comment invite to talk
  • 28. Ulf Grüner | www.ulfgruener.de | 2015 end the last page • link back to the most amazing parts of your story • link to related content on your website • link to related content on the web the narrative | storyline short version offer a quick overview, „this story in 10 seconds“ 28 offer dialogue: invite to comment invite to talk call to action: motivate to share this story
  • 29. Ulf Grüner | www.ulfgruener.de | 2015 storyboard | the narrative | storyline p 1 p 2 last start: thrill 29
  • 30. Ulf Grüner | www.ulfgruener.de | 2015 storyboard | the narrative | storyline p 1 p 2 last start quickly your first 3 pages are extremly intuitive, easy and fast to read show emotions start: thrill intro info cliffhanger 30
  • 31. Ulf Grüner | www.ulfgruener.de | 2015 storyboard | the narrative | storyline p 1 p 2 last start: thrill story: depth 31
  • 32. Ulf Grüner | www.ulfgruener.de | 2015 storyboard | the narrative | storyline p 1 p 2 last deliver more indepth reporting worth to read slow down, but use different speed during this main part of your story ensure diversity from page to page with tough changes i.e. from pure text to stunning action video etc. start: thrill story: depth intro info cliffhanger 32 start quickly your first 3 pages are extremly intuitve, easy and fast to read show emotions
  • 33. Ulf Grüner | www.ulfgruener.de | 2015 storyboard | the narrative | storyline p 1 p 2 last start: thrill story: depth end: action 33
  • 34. Ulf Grüner | www.ulfgruener.de | 2015 storyboard | the narrative | storyline p 1 p 2 last start quickly your first 3 pages are extremly intuitve, easy and fast to read show emotions deliver more indepth reporting worth to read slow down, but use different speed during this main part of your story ensure diversity from page to page with tough changes i.e. from pure text to stunning action video etc. start: thrill story: depth end: action stop your readers best-of-show (i.e. videos) link back to the most emotional parts of your story fun fact or other suprise (i.e quote, fact) call-to-action (let them share your story) intro info cliffhanger 34
  • 35. Ulf Grüner | www.ulfgruener.de | 2015 storyboard | the narrative | storyline p 1 p 2 last start: thrill story: depth end: action 35
  • 36. Ulf Grüner | www.ulfgruener.de | 2015 storyboard example | the narrative | storyline p 1 p 2 last 36
  • 37. Ulf Grüner | www.ulfgruener.de | 2015 storyboard | the narrative | storyline | copy template p 1 p 2 last 37
  • 38. Ulf Grüner | www.ulfgruener.de | 2015 • SRG: Qualität im Journalismus http://www.srginsider.ch/qualitaet/ • SRF: ikrk.srf.ch („dossier“, produced by a web-agency) • SRF: Die Menschen von Maracana http://www.srfcdn.ch/srf/news/kultur/maracana/f5dba9bc6eb14ec5b084ff24b3742e05/ • SRF: Nationalpark – Hier wird‘s wild http://www.srfcdn.ch/srf/news/nationalpark/ • Firestorm The Guardian http://www.theguardian.com/world/interactive/2013/may/26/firestorm-bushfire-dunalley-holmes-family • Snowfall NYT: http://www.nytimes.com/projects/2012/snow-fall/#/?part=tunnel-creek • http://powering-people-city.theguardian.com/ •  The Reykjavik Confessions • http://pitchfork.com/features/cover-story/ • Helmand's Golden Age. Afghanistan once faced the future with confidence. Caught here on film, it's an era the world has forgotten. http://www.bbc.co.uk/news/special/2014/newsspec_8529/index.html • River City Ingenuity • http://deutschlandradiokultur.pageflow.io/thementag-le-corbusier#24163 • https://fold.cm/read/pbernier1/fold-une-nouvelle-plateforme-de-storytelling-35ZaZTm5 • https://fold.cm/read/Rochelle/the-magicians-inside-the-internet-22oB7wX6 • WDR: Auftaktrennen des Super Gravity NRW Cup http://reportage.wdr.de/gravity • WDR: Parabelflug http://reportage.wdr.de/parabel#13816 • WDR: Jacques Tilly baut seit 30 Jahren Karnevalswagen für den Düsseldorfer Rosenmontagszug http://reportage.wdr.de/jacques-tilly • Examples from Shorthand (http://www.pinterest.com/shorthand101/): ◦ ESPN: http://review.espn.co.uk/football/index.html ◦ The Guardian: http://www.theguardian.com/sport/interactive/2013/jul/08/england-v-australia-history-rivalry-interactive ◦ BBC: http://www.bbc.co.uk/news/special/2014/newsspec_7141/index.html ◦ Centre For Public Integrity: http://eagleford.publicintegrity.org/ ◦ Art Gallery NSW: http://projects-origin.artgallery.nsw.gov.au/afghanistan/ ◦ Alice In Wonderland: http://story.sh/alice/ examples | resources 38
  • 39. Ulf Grüner | www.ulfgruener.de | 2015 Software: http://shorthand.com http://pageflow.io/ https://www.storehouse.co/ https://fold.cm/ https://creatavist.com/ (https://atavist.com/) https://exposure.co/ http://story.br.de/linius/ https://prinzhorn.github.io/skrollr/ https://www.thinglink.com/ Platforms: Jeremy Caplan’s 18 new digital storytelling platforms noted here https://twitter.com/jeremycaplan/lists/coolest-digital-platforms/members examples | software 39
  • 40. Ulf Grüner | www.ulfgruener.de | 201540 Thanks for great discussions, feedback and additions: Jeremy Caplan, Director of Education, Tow-Knight Center Entrepreneurial Journalism, 
 CUNY Graduate School of Journalism (http://www.jeremycaplan.com), Rachel Bartlett, Editorial planning and training manager for @Shorthand_, 
 former editor of http://Journalism.co.uk (https://twitter.com/rachelabartlett) thanks |