The film shoot featured Lily Potter, Adam Burton and Harley Goulder depicting characters from "The Three Little Pigs" fairy tale in a film noir style. Various techniques were used to establish the noir genre, including costuming with a pig nose and suit, manipulating aspects of mise-en-scene, and editing photos to add noir elements and obscure facial features. Lighting was also experimented with to draw attention to props and locations that further developed the classic and modern interpretations of the noir genre over time.
The document discusses the promotional package created for a horror film, including a trailer, magazine cover, and poster. For all elements, the creator used a masked villain image and edited it to be unrecognizable. Dark colors like grey, black, and red were used across elements to signify the horror genre. Fonts and layouts were designed to follow a consistent "house style" to tie the pieces together. Feedback indicates the tasks worked well together to promote the film as a horror project through shared visual cues and genre conventions.
The document analyzes the opening sequence of a thriller film called "Eighteen" based on several conventions of real media products. It discusses the use of low key lighting, establishing shots, score/music, camera shots, characters, camera movements, editing techniques, costumes, flashbacks, chasing scenes, and title sequences. It evaluates how the opening sequence develops, uses, or challenges common conventions to engage the target audience and build tension.
The document discusses the promotional package the author created for a horror film, consisting of a magazine cover, poster, and trailer. For both the magazine cover and poster, the author used the same cropped image of the villain's face to create recognition across the materials. The poster uses a dark color palette and fonts to indicate the horror genre, along with images suggesting someone is being watched. Both the poster and magazine cover follow this style. The trailer also uses musical and editing techniques typical of horror films to build tension. Overall, the author believes the main project and ancillary texts effectively convey the film is a horror genre piece through their shared visual elements and conventions.
The document discusses promotional materials created for a horror film, including a trailer, magazine cover, and poster. It analyzes how each component was designed to fit within a consistent "house style" to signal the film's genre and create a cohesive promotional package. Dark color palettes, masked or obscured villain imagery, and fonts that convey danger or sharpness were used across all pieces to identify the film as a horror project. Feedback is provided on iteration of the magazine cover and poster designs to refine the masked villain imagery and balance visibility with mystery.
The trailer for The Notebook uses various film techniques to portray romance and draw in audiences. Wide shots showcase the beautiful scenery and main character's desirability. Medium shots present the grand, romantic setting. Low angle shots make the male character appealing and romantic. The establishing shot provides relaxation. Clips throughout the film faded together reveal the emotions between the main couple without giving too much away.
This document outlines the key details of a film project. The film is a coming-of-age teen drama that follows a female protagonist who is an outcast at her school due to having OCD. She uses her camera to cope with her anxiety. The main character is witty, narcissistic, and the school photographer. Though confident, she yearns for someone to talk to. The promotional campaign will highlight the atypical portrayal of mental illness and use the camera as a motif. Elements like fonts, colors, and camera focus will remain consistent across the teaser trailer, poster, and magazine cover. The target audience includes teens, young adults, and those who can relate to themes of friendship and being an outsider.
This document summarizes how the media product challenges existing conventions and forms. It incorporates recognizable character archetypes but subverts expectations by making the protagonist also be the villain. It uses common horror film techniques like lighting and shot types to set mood but takes inspiration from other works to make some scenes its own. Elements like isolation and shadows fit with Burton's theory on creating unease. It challenges expectations by not using typical slasher film or male gaze tropes and having a psychologically complex plot. The narrative focuses on a man's involvement in murders while giving the audience insights into his memories and mental state through techniques like flashbacks. It deals with themes of mental health and its effects on individuals and society.
The film shoot featured Lily Potter, Adam Burton and Harley Goulder depicting characters from "The Three Little Pigs" fairy tale in a film noir style. Various techniques were used to establish the noir genre, including costuming with a pig nose and suit, manipulating aspects of mise-en-scene, and editing photos to add noir elements and obscure facial features. Lighting was also experimented with to draw attention to props and locations that further developed the classic and modern interpretations of the noir genre over time.
The document discusses the promotional package created for a horror film, including a trailer, magazine cover, and poster. For all elements, the creator used a masked villain image and edited it to be unrecognizable. Dark colors like grey, black, and red were used across elements to signify the horror genre. Fonts and layouts were designed to follow a consistent "house style" to tie the pieces together. Feedback indicates the tasks worked well together to promote the film as a horror project through shared visual cues and genre conventions.
The document analyzes the opening sequence of a thriller film called "Eighteen" based on several conventions of real media products. It discusses the use of low key lighting, establishing shots, score/music, camera shots, characters, camera movements, editing techniques, costumes, flashbacks, chasing scenes, and title sequences. It evaluates how the opening sequence develops, uses, or challenges common conventions to engage the target audience and build tension.
The document discusses the promotional package the author created for a horror film, consisting of a magazine cover, poster, and trailer. For both the magazine cover and poster, the author used the same cropped image of the villain's face to create recognition across the materials. The poster uses a dark color palette and fonts to indicate the horror genre, along with images suggesting someone is being watched. Both the poster and magazine cover follow this style. The trailer also uses musical and editing techniques typical of horror films to build tension. Overall, the author believes the main project and ancillary texts effectively convey the film is a horror genre piece through their shared visual elements and conventions.
The document discusses promotional materials created for a horror film, including a trailer, magazine cover, and poster. It analyzes how each component was designed to fit within a consistent "house style" to signal the film's genre and create a cohesive promotional package. Dark color palettes, masked or obscured villain imagery, and fonts that convey danger or sharpness were used across all pieces to identify the film as a horror project. Feedback is provided on iteration of the magazine cover and poster designs to refine the masked villain imagery and balance visibility with mystery.
The trailer for The Notebook uses various film techniques to portray romance and draw in audiences. Wide shots showcase the beautiful scenery and main character's desirability. Medium shots present the grand, romantic setting. Low angle shots make the male character appealing and romantic. The establishing shot provides relaxation. Clips throughout the film faded together reveal the emotions between the main couple without giving too much away.
This document outlines the key details of a film project. The film is a coming-of-age teen drama that follows a female protagonist who is an outcast at her school due to having OCD. She uses her camera to cope with her anxiety. The main character is witty, narcissistic, and the school photographer. Though confident, she yearns for someone to talk to. The promotional campaign will highlight the atypical portrayal of mental illness and use the camera as a motif. Elements like fonts, colors, and camera focus will remain consistent across the teaser trailer, poster, and magazine cover. The target audience includes teens, young adults, and those who can relate to themes of friendship and being an outsider.
This document summarizes how the media product challenges existing conventions and forms. It incorporates recognizable character archetypes but subverts expectations by making the protagonist also be the villain. It uses common horror film techniques like lighting and shot types to set mood but takes inspiration from other works to make some scenes its own. Elements like isolation and shadows fit with Burton's theory on creating unease. It challenges expectations by not using typical slasher film or male gaze tropes and having a psychologically complex plot. The narrative focuses on a man's involvement in murders while giving the audience insights into his memories and mental state through techniques like flashbacks. It deals with themes of mental health and its effects on individuals and society.
The document discusses various fonts and title sequences that could work for a supernatural horror film. It analyzes fonts used in films like "Blair Witch Project", "Paranormal Activity", and "Scream" that connote danger, loneliness, and screaming through visual elements of the fonts. Placement of credits in films like "Monsters Inc", "Panic Room", and "Psycho" are also examined for how they relate to the narrative. Potential scores using instruments like violins, atonal music, and cello/viola are suggested that could set the right mood and appeal to the intended audience.
The document discusses conventions of film title sequences. It provides examples of how title sequences have evolved from simple text cards in silent films to more elaborate sequences today. Specifically, it discusses how modern title sequences aim to grab audience attention, set tone or mood, and introduce key production details. Examples are given of unique and visually striking title sequences from films like Se7en, Gone Girl, and Sherlock that effectively establish genre and director style through their use of camera shots, editing, and incorporation of themes from the films.
The document discusses how the media product develops conventions of existing genres. It incorporates recognizable character archetypes like the protagonist initially appearing as a hero but revealed to be the villain. Various camera shots like high angles create tension. Inspiration is drawn from scenes in other works but made unique. Lighting uses shadows to set a creepy atmosphere. The setting of an isolated house suggests themes of madness. The narrative focuses on a man's involvement in murders while giving the audience insights into his thoughts through flashbacks. It challenges conventions by not using the male gaze or all expected characters but aims for intellectual challenge.
The document discusses editing a magazine poster image. It describes adjusting brightness, exposure, and vibrance in Photoshop to emphasize the red blazer and gun and make the image less dull. Layers were used to insert a masthead behind the image. The colors red and gold were isolated to convey fear and wealth, and the image was changed to black and white to emulate gangster film posters with a film noir look through chiaroscuro effects and a dramatic face. The title font was changed to better match the action genre over urban/gangster.
The document compares the opening title sequences of three films: Signs, Music and Lyrics, and The Chronicles of Narnia. It finds that all three follow a similar conventional order of credits but vary in other ways. Signs uses an intense, suspense-building title sequence alone. Narnia combines titles with train footage to introduce characters and settings. Music and Lyrics parodies a music video to set the comedic tone. The conclusion is that an effective title sequence can either focus on building tension or accompany footage to establish the narrative.
The document analyzes conventions commonly found in horror movie posters. It provides examples from the posters of the movies "You're Next" and "Sinister" to illustrate these conventions. Key conventions discussed include using a black, red, and white color scheme; featuring a large image of the main character(s); including the release date, credits, and a tagline. Both posters analyzed employ lighting, fonts, imagery, and other design elements to create a sense of fear, danger, and intrigue for the viewer.
The document discusses several key conventions that are commonly used in opening sequences of films. These include introducing the title and credits to inform viewers of the actors, directors, and producers involved. Establishing shots are often used to set the scene and location. Character introductions allow the audience to learn about who the protagonists are and get curious about their roles in the unfolding narrative. Production logos advertise the studio behind the film. And non-diegetic soundtracks, like theme music, are employed to set the mood and give clues to the genre and themes explored in the movie. Examples are given of how these conventions have been applied in the openings of films like "What Lies Beneath," "The Shining," and
The document analyzes and compares two soap opera trailers - Eastenders' "Who Killed Lucy Beale?" and Emmerdale's "Judgement Day." Both trailers effectively use technical elements like lighting, editing and soundtrack to create tension and intrigue. They also include a range of characters to represent different demographics and storylines to appeal to target audiences. The analysis concludes the document was inspired by the trailers' use of characters, close-ups, soundtracks and artificial lighting to set mood in its own productions.
The document analyzes two trailers for soap operas - Eastenders' trailer about the death of Lucy Beale and Coronation Street's "judgement day" trailer. It examines aspects like the channel, target audience, storylines/themes, technical codes used, and how each trailer persuades its audience. For both trailers, it finds similarities in their use of soundtracks, voiceovers, inclusion of multiple characters, close-up shots, and artificial lighting to set a tense, mysterious mood that draws in viewers. The analysis of the two trailers inspires the document's author to incorporate these same techniques in their own trailer.
The document analyzes and compares two soap opera trailers from EastEnders and Emmerdale. It discusses the channels they air on, their target audiences, storylines, and technical aspects like camerawork, editing, lighting, sound, and how they persuade viewers. Both target females aged 16-50 from socioeconomic classes C1 to E and use characters across age groups. Their storylines involve drama like murder and judgment. Technically, they use close-ups, slow motion, nighttime lighting, and tense soundtracks. These elements build suspense and intrigue audiences.
The document summarizes film and TV show openings for Skyfall, Friends, and Downton Abbey. For Skyfall, it describes scenes of James Bond sinking into the ocean while being pulled by a woman, followed by shots of cardboard cutouts of Bond being shot and guns falling into a graveyard. For Friends, it notes the catchy theme song syncs with shots introducing the characters and their relationships in New York. For Downton Abbey, it outlines establishing shots of a table being set and maids working, signaling an upper-class British family as the focus.
The document analyzes and compares the company idents used in the teaser trailers for Suicide Squad, Taken, and The House at the End of the Street. For Suicide Squad, the Warner Brothers logo was modified to fit the dark tone of the film by changing the background and colors. In Taken, the main production company ident appears for 1.5 seconds within the first 3 seconds to emphasize its importance. The House at the End of the Street features two company idents that each display for 1 second near the beginning of the trailer.
The document provides an evaluation of the opening sequence of a short film called "Steeze" that uses conventions of the urban drama genre. It summarizes the key elements of the opening including the title, locations, costumes, camera work, and lack of special effects. While most elements effectively set the scene for an urban drama, the evaluator notes some elements like locations and title effects could have been more challenging or captivating within the constraints of the project.
This teaser poster for the horror movie The Women In Black uses minimalistic design. It features a single shadowy image of an actor's face against a black background, with faded white text. By revealing very little information and not answering many questions, the poster generates interest among audiences who are familiar with the original story. It effectively uses contrast, fading, and shadows to match the horror genre while hiding details that could give away the plot.
The document analyzes two soap opera trailers - one for EastEnders about the death of Lucy Beale, and one for Emmerdale about a storyline called "Judgement Day". It examines aspects like the channel, target audience, storyline/themes, and technical codes like camerawork, editing, lighting, and sound used in each trailer. The document finds that both soaps target a wide audience, use dramatic storylines and nighttime lighting to create suspense. Technical elements like close-ups, soundtrack, and voiceover help persuade viewers to watch.
The document analyzes various elements of the trailer, poster, and magazine cover for the film The Woman in Black. The trailer uses long shots to make the main character seem vulnerable and alone. Shots of a creepy, abandoned house establish the film's setting. The poster features a mysterious close-up image and minimal text to intrigue audiences. The magazine cover maintains consistency with the trailer by featuring the main character and creepy house setting, further establishing the film's horror genre elements and mystery sub-genre.
The opening scene of The Shining establishes the isolated and mysterious atmosphere of the location through its visuals and audio. Wide shots of mountains and lakes show the isolation, while a lack of people or snow implies it is off-season. Shots of a moving car intrigue viewers about its occupants as they travel the empty landscape. Aerial shots from a distance and a lack of close-ups increase the suspense by showing little and leaving expressions unknown. Editing through dissolves and a soundtrack over multiple shots maintain the tension and sense of a journey through the unsettling surroundings.
This document summarizes the key elements and design choices in the title sequence for a student film project. The opening establishes the production company in title credits using simple white text on black. Scenes of a news report set the thriller genre and were styled after real news channels like BBC. The film title "Thr33" represents the number of kidnapped teenagers. Costumes were kept basic to seem realistic, while the kidnapper wore all black and had a concealed identity. Special effects drew attention to clues like a discarded cigarette. Credits and camera work maintained a consistent professional appearance. Locations advanced the plot and set the autumnal season.
Attas Fast Food aims to be the top fast food restaurant known for excellent service. Their vision is to be recognized domestically for quality products and service. Their values are commitment to good service, responsibility in satisfying customers, and efficiency in quality results. Their objectives are to adapt to customer needs, maintain a suitable restaurant, and offer competitive pricing.
Esta es la segunda edición de la revista hecha por IDEO.
Se trata de una revista seria sobre cómo ser menos serio ;)
En sus páginas pueden leerse las sabias palabras del Dr. Seuss, conocer a dos hermanos rusos construyendo espacios modulares con robots y explorar el Arte Japonés del "Chindogu" o "extrañas invenciones"
Síguenos en https://www.facebook.com/wif.ideas
The document discusses various fonts and title sequences that could work for a supernatural horror film. It analyzes fonts used in films like "Blair Witch Project", "Paranormal Activity", and "Scream" that connote danger, loneliness, and screaming through visual elements of the fonts. Placement of credits in films like "Monsters Inc", "Panic Room", and "Psycho" are also examined for how they relate to the narrative. Potential scores using instruments like violins, atonal music, and cello/viola are suggested that could set the right mood and appeal to the intended audience.
The document discusses conventions of film title sequences. It provides examples of how title sequences have evolved from simple text cards in silent films to more elaborate sequences today. Specifically, it discusses how modern title sequences aim to grab audience attention, set tone or mood, and introduce key production details. Examples are given of unique and visually striking title sequences from films like Se7en, Gone Girl, and Sherlock that effectively establish genre and director style through their use of camera shots, editing, and incorporation of themes from the films.
The document discusses how the media product develops conventions of existing genres. It incorporates recognizable character archetypes like the protagonist initially appearing as a hero but revealed to be the villain. Various camera shots like high angles create tension. Inspiration is drawn from scenes in other works but made unique. Lighting uses shadows to set a creepy atmosphere. The setting of an isolated house suggests themes of madness. The narrative focuses on a man's involvement in murders while giving the audience insights into his thoughts through flashbacks. It challenges conventions by not using the male gaze or all expected characters but aims for intellectual challenge.
The document discusses editing a magazine poster image. It describes adjusting brightness, exposure, and vibrance in Photoshop to emphasize the red blazer and gun and make the image less dull. Layers were used to insert a masthead behind the image. The colors red and gold were isolated to convey fear and wealth, and the image was changed to black and white to emulate gangster film posters with a film noir look through chiaroscuro effects and a dramatic face. The title font was changed to better match the action genre over urban/gangster.
The document compares the opening title sequences of three films: Signs, Music and Lyrics, and The Chronicles of Narnia. It finds that all three follow a similar conventional order of credits but vary in other ways. Signs uses an intense, suspense-building title sequence alone. Narnia combines titles with train footage to introduce characters and settings. Music and Lyrics parodies a music video to set the comedic tone. The conclusion is that an effective title sequence can either focus on building tension or accompany footage to establish the narrative.
The document analyzes conventions commonly found in horror movie posters. It provides examples from the posters of the movies "You're Next" and "Sinister" to illustrate these conventions. Key conventions discussed include using a black, red, and white color scheme; featuring a large image of the main character(s); including the release date, credits, and a tagline. Both posters analyzed employ lighting, fonts, imagery, and other design elements to create a sense of fear, danger, and intrigue for the viewer.
The document discusses several key conventions that are commonly used in opening sequences of films. These include introducing the title and credits to inform viewers of the actors, directors, and producers involved. Establishing shots are often used to set the scene and location. Character introductions allow the audience to learn about who the protagonists are and get curious about their roles in the unfolding narrative. Production logos advertise the studio behind the film. And non-diegetic soundtracks, like theme music, are employed to set the mood and give clues to the genre and themes explored in the movie. Examples are given of how these conventions have been applied in the openings of films like "What Lies Beneath," "The Shining," and
The document analyzes and compares two soap opera trailers - Eastenders' "Who Killed Lucy Beale?" and Emmerdale's "Judgement Day." Both trailers effectively use technical elements like lighting, editing and soundtrack to create tension and intrigue. They also include a range of characters to represent different demographics and storylines to appeal to target audiences. The analysis concludes the document was inspired by the trailers' use of characters, close-ups, soundtracks and artificial lighting to set mood in its own productions.
The document analyzes two trailers for soap operas - Eastenders' trailer about the death of Lucy Beale and Coronation Street's "judgement day" trailer. It examines aspects like the channel, target audience, storylines/themes, technical codes used, and how each trailer persuades its audience. For both trailers, it finds similarities in their use of soundtracks, voiceovers, inclusion of multiple characters, close-up shots, and artificial lighting to set a tense, mysterious mood that draws in viewers. The analysis of the two trailers inspires the document's author to incorporate these same techniques in their own trailer.
The document analyzes and compares two soap opera trailers from EastEnders and Emmerdale. It discusses the channels they air on, their target audiences, storylines, and technical aspects like camerawork, editing, lighting, sound, and how they persuade viewers. Both target females aged 16-50 from socioeconomic classes C1 to E and use characters across age groups. Their storylines involve drama like murder and judgment. Technically, they use close-ups, slow motion, nighttime lighting, and tense soundtracks. These elements build suspense and intrigue audiences.
The document summarizes film and TV show openings for Skyfall, Friends, and Downton Abbey. For Skyfall, it describes scenes of James Bond sinking into the ocean while being pulled by a woman, followed by shots of cardboard cutouts of Bond being shot and guns falling into a graveyard. For Friends, it notes the catchy theme song syncs with shots introducing the characters and their relationships in New York. For Downton Abbey, it outlines establishing shots of a table being set and maids working, signaling an upper-class British family as the focus.
The document analyzes and compares the company idents used in the teaser trailers for Suicide Squad, Taken, and The House at the End of the Street. For Suicide Squad, the Warner Brothers logo was modified to fit the dark tone of the film by changing the background and colors. In Taken, the main production company ident appears for 1.5 seconds within the first 3 seconds to emphasize its importance. The House at the End of the Street features two company idents that each display for 1 second near the beginning of the trailer.
The document provides an evaluation of the opening sequence of a short film called "Steeze" that uses conventions of the urban drama genre. It summarizes the key elements of the opening including the title, locations, costumes, camera work, and lack of special effects. While most elements effectively set the scene for an urban drama, the evaluator notes some elements like locations and title effects could have been more challenging or captivating within the constraints of the project.
This teaser poster for the horror movie The Women In Black uses minimalistic design. It features a single shadowy image of an actor's face against a black background, with faded white text. By revealing very little information and not answering many questions, the poster generates interest among audiences who are familiar with the original story. It effectively uses contrast, fading, and shadows to match the horror genre while hiding details that could give away the plot.
The document analyzes two soap opera trailers - one for EastEnders about the death of Lucy Beale, and one for Emmerdale about a storyline called "Judgement Day". It examines aspects like the channel, target audience, storyline/themes, and technical codes like camerawork, editing, lighting, and sound used in each trailer. The document finds that both soaps target a wide audience, use dramatic storylines and nighttime lighting to create suspense. Technical elements like close-ups, soundtrack, and voiceover help persuade viewers to watch.
The document analyzes various elements of the trailer, poster, and magazine cover for the film The Woman in Black. The trailer uses long shots to make the main character seem vulnerable and alone. Shots of a creepy, abandoned house establish the film's setting. The poster features a mysterious close-up image and minimal text to intrigue audiences. The magazine cover maintains consistency with the trailer by featuring the main character and creepy house setting, further establishing the film's horror genre elements and mystery sub-genre.
The opening scene of The Shining establishes the isolated and mysterious atmosphere of the location through its visuals and audio. Wide shots of mountains and lakes show the isolation, while a lack of people or snow implies it is off-season. Shots of a moving car intrigue viewers about its occupants as they travel the empty landscape. Aerial shots from a distance and a lack of close-ups increase the suspense by showing little and leaving expressions unknown. Editing through dissolves and a soundtrack over multiple shots maintain the tension and sense of a journey through the unsettling surroundings.
This document summarizes the key elements and design choices in the title sequence for a student film project. The opening establishes the production company in title credits using simple white text on black. Scenes of a news report set the thriller genre and were styled after real news channels like BBC. The film title "Thr33" represents the number of kidnapped teenagers. Costumes were kept basic to seem realistic, while the kidnapper wore all black and had a concealed identity. Special effects drew attention to clues like a discarded cigarette. Credits and camera work maintained a consistent professional appearance. Locations advanced the plot and set the autumnal season.
Attas Fast Food aims to be the top fast food restaurant known for excellent service. Their vision is to be recognized domestically for quality products and service. Their values are commitment to good service, responsibility in satisfying customers, and efficiency in quality results. Their objectives are to adapt to customer needs, maintain a suitable restaurant, and offer competitive pricing.
Esta es la segunda edición de la revista hecha por IDEO.
Se trata de una revista seria sobre cómo ser menos serio ;)
En sus páginas pueden leerse las sabias palabras del Dr. Seuss, conocer a dos hermanos rusos construyendo espacios modulares con robots y explorar el Arte Japonés del "Chindogu" o "extrañas invenciones"
Síguenos en https://www.facebook.com/wif.ideas
Smart City Challenge: A nationwide competition by Techfest, IIT Bombayyash_mehta9
1. Techfest Asia's largest science and technology festival will be held from January 2-4, 2015 under an unknown patronage.
2. In previous years, Techfest saw 135,000 attendees on 550 acres with 2500 sessions and 500 competitions worth 30 lakh rupees held in a 30,000 square foot exhibition space attended by 6000 people across 9 industries worth 2.4 crore rupees and 150 initiatives.
3. This year's Techfest will include a smart city challenge competition on topics like infrastructure, healthcare, trade, law, and aesthetics for students to solve urban problems and make cities more efficient.
The document discusses the considerations for choosing filming locations for a noir film project, including selecting easily accessible everyday locations like alleyways and houses that avoid anything modern in the background. The locations also needed to fit the specified time period and opening context. Three locations were finally chosen - a brick wall, white wall, and desk/office workspace - that matched the characters, time period, and fulfilled all the listed criteria.
A young 18-year-old student named Charlie develops an obsession with her English teacher, Scarlett Reed. Scarlett realizes she can manipulate Charlie and uses her seductive personality to blackmail Charlie into committing a crime. The story follows Charlie as she is manipulated by Scarlett and discovers Scarlett's secrets. Key characters include Charlie, the innocent teenage protagonist; Scarlett, the manipulative femme fatale teacher; and Richard Reed, Scarlett's abusive husband who is also a victim of her manipulation. The film will take place in locations like the school classroom and offices that subvert typical film noir as well as noir-inspired locations around Hitchin like alleyways and cafes.
This document discusses techniques of film noir photography and styles. It references Bruce Willis in the 2005 film Sin City, noir images taken in Paris in 2004, Hollywood films from the 1990s, brooding contemplation as a noir theme, New York subway scenes shot in noir style, the femme fatal character, classic noir lighting and themes, and the work and copyrights of photographer Joseph Cartwright from 2006 featuring noir still lifes and a femme fatal calendar.
The document provides instructions for students to shoot short noir-style video clips on their mobile phones in small groups. Students are told to plan and film establishing shots, dialogue, and acting in 60 minutes. Examples of shots include an establishing scene, short breathless dialogue like "I heard a scream from over there...", and cursory acting like "There were footsteps behind me, but when I looked no-one was there." Guidelines recommend recording audio inside, and getting permission to film on private property. The raw video clips will later be edited together and shared for the class.
The document discusses conventions for opening credits sequences in films. Typically, opening credits list the major actors and crew in order of appearance or importance, including the production company, director, producer, executive producer, and top billing actors. The credits are usually superimposed over a blank screen or static image and may or may not include accompanying music. Sometimes a brief scene or teaser precedes the credits to set the scene for the film. Cinematography and sound are also important elements that can foreshadow the theme and atmosphere of the film.
Esta es una revista hecha por IDEO.
"Puedes prototipar cualquier cosa" es la primera edición. Dentro de ella conocerás a dos amigos que probaron el concepto de restaurante en su habitación. También, la forma en que se probaron más de 100 modelos de mouse para llegar un insight clave de diseño.
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Film noir is a subgenre of crime films characterized by shadows, mean streets, weird camera angles, and chiaroscuro lighting. It conveys messages about the world not being a good place, everyone having flaws, there being no happy endings, and the American Dream being broken. Techniques commonly used in film noir like these are still employed in movies today. The Hays Code also influenced film noir by requiring implications rather than explicit content due to films being viewed by all ages.
Film noir is typically set in dark, gloomy locations like alleys and empty streets. Characters wear trench coats and hats, and themes involve greed, betrayal, and corruption. Visual styles that create mood include low-key lighting, shadows, and angled shots. Over time, the noir genre has expanded to include neo-noir films in various settings and subgenres like science fiction noir or horror noir.
Film noir cinematography is known for using distorted, uncomfortable angles and framing to put viewers on edge. It often features extreme close-ups, deep focus shots, and obscured views through objects. Mise-en-scene elements include everyday urban locations shot in low light with high contrasts between blacks and whites. Character archetypes regularly seen are down-on-their-luck private detectives and dangerously seductive femme fatales. The narratives typically involve crimes, double-crosses, and a downward spiral of events leading to misfortune.
While filming scenes for a crime thriller, the film crew used a workman's lamp as their primary lighting source. They first used it in the cellar scene to create shadows and set an ominous atmosphere. During filming of the cellar scene, the director wanted to portray the thrilling consequences of the crime world and add a sense of suspense by showing a woman being aggressively handled in the dark, run-down room. The lamp also provided lighting for the car scene, where it was mounted above the camera despite the difficulty of lighting outside at night with no surfaces for light reflection.
The document summarizes how a media project used conventions of real thriller films in its lighting, settings, cinematography, sound, and characters. It describes how the project opened with eerie lighting from computers to set the thriller genre. Settings like a deserted park heightened tension between the protagonist and antagonist alone in the location, similar to the film No Country For Old Men. Cinematography included shots of feet to compare the protagonist and antagonist. Sound switched between tense music and diegetic dialogue to signal changes. The antagonist was loosely based on a character from Skins to be an enigmatic stalker.
Evaluation question 1- In what ways does your media use, develop or challenge...Pip Cole
The student created a thriller opening for a media project that adhered to several thriller conventions including low-key lighting, suspense, enigma, and use of weapons. The opening depicted a male character who couldn't let go of his ex-girlfriend and showed what lengths he would go to keep her. While the project met some conventions through lighting, editing, and characters, the student noted areas for improvement like adding a darker music score, more varied camera shots, and tweaks to increase tension and pace. Overall, the student felt the opening could be classified as a thriller due to its use of enigma, suspense, and isolation, but may need further editing to more clearly fit the genre.
The document discusses the filming and production of a music video about a relationship that ends due to cyberbullying. It describes how various scenes were filmed, including setting up a slow pan shot in the graveyard at the beginning to set the scene. It also discusses the use of lighting, costumes, camera angles and other cinematic techniques to portray the characters' emotions and the overall themes of loneliness, regret and the negative impacts of cyberbullying.
The document discusses the filming and production of a music video about a relationship that ends due to cyberbullying. It describes how various scenes were filmed, including setting up a slow pan shot in the graveyard at the beginning to set the scene. It also discusses how different lighting and camera angles were used to portray happy versus depressed moods and the power dynamics between the two main characters. Intertextual references to the music video for "Love the Way You Lie" by Eminem and Rihanna are also mentioned.
The opening sequence establishes the amateur, documentary style of the film through shaky camerawork, lack of lighting and sound equipment, and casual clothing of the characters. It shows the characters preparing to investigate a local myth in the woods on Halloween, with dark lighting and dialogue hinting at something sinister. The sequence ends with a disturbing description of a graveyard in black and white, building an atmosphere of unease, death, and horror.
The document discusses the production of a music video. It describes how various scenes were filmed and edited to develop forms and conventions of real music videos. Key points include opening with a slow panning shot of a graveyard to set the scene, using lighting and camera angles to portray different moods and power dynamics between characters, and incorporating symbolic elements like a rose that represent the relationship. Intertextual references to music videos like "Love the Way You Lie" helped shape several scenes.
The document discusses the filmmaker's thriller film opening they created for a class project. They aimed to attract their target audience of young people by including unusual elements and an unexpected storyline. The opening establishes a young girl doing disturbing things while her ordinary sister watches. Special effects and editing techniques like quick cuts were used to build tension. Costumes and locations were chosen to appear realistic and keep the audience engaged throughout the short film opening.
1) The document provides an analysis of the shots and scenes in the opening of a thriller film. It summarizes each shot's purpose in building tension, introducing characters and settings, and revealing information gradually to immerse the viewer.
2) Key shots include an introduction to the main character in a dark room, security camera footage showing another victim, and a flashback showing one character being followed unknowingly.
3) Details like lighting, costumes, placements of titles are described as important to set the ominous tone and imply danger and vulnerability without revealing all the details at once.
The document discusses the production of a media project depicting a relationship that ends due to cyberbullying. It describes how various filming and editing techniques were used to effectively convey the relationship's progression from happiness to isolation and depression. Lighting, camera angles, music, and costuming were intentionally manipulated to realistically portray the intended mood and themes at each stage of the narrative. Intertextual references to other media helped inform the project's artistic choices.
The document discusses the production of a media project depicting a relationship that ends due to cyberbullying. It describes how various filming and editing techniques were used to effectively convey the relationship's progression from happiness to isolation and depression. Lighting, camera angles, music, and costuming were intentionally manipulated to realistically portray the intended mood and themes at each stage of the narrative. Intertextual references to other media helped inform the project's artistic choices.
The document discusses the production of a media project depicting a relationship that ends due to cyberbullying. It describes how various filming and editing techniques were used to effectively convey the relationship's progression from happiness to isolation and depression. Lighting, camera angles, music, and costuming were intentionally manipulated to realistically portray the intended mood and themes at each stage of the narrative. Intertextual references to other media helped inform the project's artistic choices.
The document discusses lighting issues encountered while filming at an outdoor location. As the sun was setting, it was difficult to get the correct lighting, camera settings, and angles before it became too dark. This required setting up the camera earlier and experimenting to get the establishing shot before the light disappeared quickly. Filming had to be done in the dark to maintain continuity with most of the footage. Natural lighting helped create an eerie tone fitting the narrative but background noise from a nearby road and passing people required retaking shots. Various lighting, camera focus, angles, and shots were tested to portray different meanings and hints to the audience. Refilming in darker conditions and scheduling issues with actors also presented challenges.
The document discusses the filming and production of a preliminary scene and subsequent main task scene for a film project. It provides details on:
1) Choosing to film a scene showing the protagonist isolating herself from friends to establish context in the preliminary.
2) Meeting technical requirements like match on action, shot reverse shot, and the 180 degree rule in the preliminary filming.
3) Facing issues with sound quality during preliminary filming due to a squeaky tripod, and solutions taken in post-production.
4) Carrying over casting, costumes, and location choices between the preliminary and main task to maintain continuity.
5) Applying the same technical skills like 180 degree rule and shot reverse
How does our product challenge conventions and howLiamW5
The document discusses how a student film project challenged conventions of the horror genre. It used classic horror themes like costumes, props, and an abandoned setting with minimal lighting to create tension. The narrative follows three reckless teenage boys who receive a mysterious note and go to an abandoned house, where they are stalked by a killer clown. During production, the student filmmakers made changes to improve the story and scare the audience, like making the clown an active killer rather than a ghost. Overall, the document analyzes how the film used genre conventions and character representations to create an effective short horror film.
This document analyzes how the author's horror film trailer uses, develops, or challenges conventions of real horror film trailers. It discusses elements of mise-en-scene, music and sound, characters, camera and editing, titles, and themes. For most elements, the author's trailer follows genre conventions but also challenges them in some ways. For example, costumes adhere to conventions but have unique styles, and settings are mysterious but not completely dark.
The document discusses a student film project titled "No Time for Goodbye" that was originally intended to be a thriller with romantic elements but ended up taking on more of a horror genre convention. The student analyzes how their film trailer and accompanying poster/magazine cover fit within the conventions of their chosen horror genre through their use of music, lighting, quick cuts, and ominous imagery while still developing their own style.
The document summarizes the filming day for a student film project. It discusses how the students followed their storyboard but found additional shot opportunities. Throughout the day, they got more creative and added shots while still sticking to the overall storyboard. It describes some specific shots that were added, like a close-up of a character's feet walking. The document also notes some technical problems encountered, like accidentally turning off exposure lock, and how the filmmaker gained skills in lighting, camera settings, and efficient production.
The document analyzes how the media product meets, develops, or challenges conventions of real media products. It discusses how the short film meets conventions regarding length, structure, titles, and credits. It also covers conventions around idents, target audiences, genres, narratives, characters, locations, lighting, and more. Overall, the analysis found the film meets many conventions but also challenges some, such as having an open-ended cliffhanger ending rather than resolution.
This document appears to be a questionnaire targeting children who have just watched a film. It asks questions about the child's age, gender, whether they enjoyed the film and why, what they didn't like, if they would watch it again, which settings and characters they enjoyed, if they learned anything from the film, if they thought the main character's actions were appropriate, and how scary they found it. The questions are seeking to understand how well children connected with the film and to evaluate aspects like its educational value and appropriate level of fear.
Little Beings Magazine Review (draft 1) lilypotterxo
This short film titled "Little Beings" tells the dark and mysterious story of a young girl named Aura whose inquisitive nature leads her into troubling situations. Directed by Lily Potter, the 5-minute stop-motion animation uses poetic narration and creepy lighting and sound design to draw viewers in. While dark in theme and meant for older audiences, it also aims to teach children the importance of obedience. Reviews praise the film's impressive technical qualities and ability to engage and unnerve audiences in just a few minutes, though some wish it was longer to further explore its mysterious world.
Lily Potter designed a magazine review spread for her short horror film in Adobe Illustrator. She researched conventions from the magazine Scream to design a layout that would appeal to its audience. For the article, Lily used Microsoft Word and had a peer review her draft before finalizing the double page spread. She included typical elements like the film title, genre, ratings, and a plot summary while limiting revealing details. Lily aimed her magazine review at a 16+ audience that might enjoy horror films across gender and social classes C1/C2 and below.
The document discusses adjustments made to characters in an animated film to adhere to age rating guidelines. The filmmaker gave a character eye injuries to make them appear darker but had to cover the blood with plasters to avoid showing gore. They also adjusted a science teacher character to have messy hair and props to represent his personality as an "unhinged individual." A gothic female protagonist was chosen because her shy and timid nature would fit the story's morals and relate to the target audience.
The document discusses the design of characters for a horror film targeted at 12-year-olds. It explores how to make the characters realistic and relatable to the target audience while still conveying horror genre conventions. Some fantasy-like characters are deemed inappropriate as they don't connect well to the audience. Nudity is also unsuitable for the school setting. Overall, the document focuses on developing realistic child characters that teach moral lessons through their backstories and appearances within the boundaries of a 12 rating.
Lily Potter edited photos from a photoshoot to create titles for her horror film production. She adjusted lighting, cropping, saturation and other effects to give the photos a clearer horror aesthetic and correct errors. For example, she darkened backgrounds and added shadows to make subjects more mysterious. She also experimented with obscure focusing, lighting techniques, and mismatched objects to create unease. However, some heavily edited photos may not fit well in the title sequence due to limited space. Further adjustments to photo scale and consistency may be needed to ensure professional quality and readability.
This short document promotes creating presentations using Haiku Deck on SlideShare. It features a stock photo and encourages the reader to get started making their own Haiku Deck presentation by clicking a button labeled "GET STARTED". In a single sentence, it advertises the ability to easily create visual presentations.
Brief 10: A short film in its entirety, lasting approximately five minutes, w...lilypotterxo
This short document promotes creating presentations using Haiku Deck, a tool for making slideshows. It encourages the reader to get started making their own Haiku Deck presentation and sharing it on SlideShare. In just one sentence, it pitches the idea of using Haiku Deck to easily create engaging slideshow presentations.
This short document promotes creating presentations using Haiku Deck, a tool for making slideshows. It encourages the reader to get started making their own Haiku Deck presentation and sharing it on SlideShare. In a single sentence, it pitches the idea of using Haiku Deck to easily create and share slideshow presentations online.
Key Conventions of Opening Title Sequencelilypotterxo
This short document promotes creating presentations using Haiku Deck, a tool for making slideshows. It encourages the reader to get started making their own Haiku Deck presentation and sharing it on SlideShare. In just one sentence, it pitches the idea of using Haiku Deck to easily create engaging slideshow presentations.
Noir Iconography presents common elements that are iconic in film noir, using Sin City as a case study. Some of the key iconic elements discussed are monochrome filters that add atmosphere and make photos more recognizable; the femme fatale, often associated with lust and danger, who gets the antihero into trouble; and mood lighting used with black and white to reinforce scenes and hide characters. Smoking and alcohol are also discussed as reinforcing ideas of pleasure and danger and sometimes being the source of violence in noir films.
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The cherry: beauty, softness, its heart-shaped plastic has inspired artists since Antiquity. Cherries and strawberries were considered the fruits of paradise and thus represented the souls of men.
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KALYAN MATKA | MATKA RESULT | KALYAN MATKA TIPS | SATTA MATKA | MATKA.COM | MATKA PANA JODI TODAY | BATTA SATKA | MATKA PATTI JODI NUMBER | MATKA RESULTS | MATKA CHART | MATKA JODI | SATTA COM | FULL RATE GAME | MATKA GAME | MATKA WAPKA | ALL MATKA RESULT LIVE ONLINE | MATKA RESULT | KALYAN MATKA RESULT | DPBOSS MATKA 143 | MAIN MATKA
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Noir photo shoot
1. Film Noir Style Shoot
Featuring: Lily Potter, Adam Burton and Harley Goulder,
2. This shoot was inspired by
‘The Three Little Pigs’ fairy
tale.
The costume used help to
establish this, such as the
Pig nose and the suit which
was the typical Noir style
3. Not only did we use
characters to create our
shoot but we also
experimented with aspects
of Mise-en-scene.
We added a
more modern
Noir take from
films such as
Sin City
because it
shows
development of
the genre over
time.
This was later edited...
4. We later edited some of
these photos so add
more of a Noir genre
instead of modern day
locations.
The light from the lighter here
creates a disorientating image
and mystery as we can’t see the
characters facial features
This is a very simple black
and white edit to recognise
the Noir genre in the early
periods before current
technology was used.
5. We also used a dark room studio and experimented with lighting and costume
This would be a better photo if it was a
close up
This lighting is the best out of all of our
photos because it draws attention to the
femme fatale and her association with
danger; highlighting the gun
The lighting here did
not enhance the
characters features.
The light is also in
shot
the lighting here did
have potential to
achieve a good focus on
the femme fatale
however the lighting and angle
of the camera could have been
changed for a better shot
6. we also edited our photos adding
aspects such as props and lighting
Added stereotypical props
We made the photo black and
white and the contrast here was
made darker drawing attention to
the flame and characters.
this is also quite disorientating
and dark like in post Noir films
7. These are some other photos that weren’t as good as the others and didn’t edit later
Lighting
issue
Too modern and not
well in shot
Not in focus
Not the right perspective and
facial expression takes away
seriousness of the photo