Conventions of an opening sequence
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The document discusses conventions for opening credits sequences in films. Typically, opening credits list the major actors and crew in order of appearance or importance, including the production company, director, producer, executive producer, and top billing actors. The credits are usually superimposed over a blank screen or static image and may or may not include accompanying music. Sometimes a brief scene or teaser precedes the credits to set the scene for the film. Cinematography and sound are also important elements that can foreshadow the theme and atmosphere of the film.
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Conventions of opening sequences
The document discusses conventions of film openings. It describes how title sequences present titles, key credits, productions, and cast members using visuals and sound. Opening credits shown at the beginning list important crew members and are typically superimposed on a blank screen, static pictures, or footage from the film, and may or may not have embedded audio. It also mentions film distribution companies, production companies, and directors in the credits.
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Film sound is carefully designed and added during post-production to emphasize important elements and set the atmosphere. Sound can be either diegetic, existing within the film's world, or non-diegetic, coming from outside the world. Selective sound is used to emphasize key sounds, while ambient sound creates a sense of place. Sound bridges and effects are also used to aid transitions and make actions more impactful.
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Conventions of opening sequences
The document discusses conventions of film openings. It describes how title sequences present titles, key credits, productions, and cast members using visuals and sound. Opening credits shown at the beginning list important crew members and are typically superimposed on a blank screen, static pictures, or footage from the film, and may or may not have embedded audio. It also mentions film distribution companies, production companies, and directors in the credits.
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It defines different types of sound used in films - diegetic/non-diegetic, synchronous/asynchronous, parallel/contrapuntal, ambient, sound bridges, voiceovers, and sound motifs.
It also explains common editing techniques - action match, cross cutting, cutaways, ellipsis, graphic matches, jump cuts, and montage. These techniques are used to seamlessly portray actions, link scenes, omit elements to speed up narratives, and show the passage of time in a concise manner.
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Thriller movies use both diegetic and non-diegetic sounds to create suspense, tension, and excitement in audiences. Diegetic sounds like bangs, ticking, and screams build suspense and tension as they are heard by both characters and audiences. Non-diegetic sounds also help set an uneasy tone, using drones and crescendos of music that increase in speed and intensity alongside rising action and tension in the film.
Sound overview
This document provides an overview of different types of sound techniques used in filmmaking and television production. It discusses diegetic and non-diegetic sounds, and categories of sound effects like background effects, Foley effects, and design effects. It also covers uses of music, dialogue, voiceovers, and silence in audio mixing and how sounds are used to direct audience attention and establish mood. Specific techniques discussed include sound bridges, stings, ambient sounds, synchronous sounds, themes, and internal diegetic sounds. The document is intended as instruction on sound elements and techniques exam questions may address.
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1. Sound plays a crucial role in films, with 90% of the experience coming from audio rather than visuals. Sound is used to simulate reality, add elements not visible, and set mood.
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Dukes of hazzard presentation
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Cinematography uses moving images and sounds to tell stories through various shots that can be classified by their angle and breadth, with different angles conveying different meanings. Shots include general shots that establish context, medium shots that show a person from head to waist, close-ups of body parts or facial features, and point-of-view shots that show a scene from a certain perspective.
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Codes and conventions of opening sequences
The document discusses the purpose and common elements of opening title sequences. Opening sequences are used to present the production crew and cast while setting the tone of the film through visuals and sound. Key information typically included in openings are the title, main cast and crew credits like the producer, director, and editor. Openings often feature theme music and shots that symbolize the film's violence, location, or main characters to provide context and introduce the audience to the story.
Key and conventions of opening title sequence
Opening title sequences introduce a film or television program by presenting key production credits and cast members using visuals and audio. Credits are shown at the beginning and typically include the production company, director, producer, executive producer, and top billed actors. Music may or may not accompany the credits, which can be superimposed over static or moving images related to the content of the film or show.
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The document outlines the planning process for a film noir version of Cinderella. It discusses creating a storyboard focusing on Cindy as the femme fatale character. It also describes deciding on camera angles and props based on inspiration from existing film noir stills. Key conventions of the film noir genre like contrasting lighting, shadows, alleys, and formal black and white attire with red accents are listed.
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The document discusses the conventions and purpose of title sequences in films. It explains that a title sequence introduces the audience to the characters, establishes the tone and genre of the film. Key information like the director, producers, executive producers, and those who worked on sound, music, visual effects, and main actors are typically included in the title sequence to give credit and context to the audience before the film begins. The colors, backgrounds, and other design elements of the title sequence also aim to reinforce the genre established by the film.
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Challenge 6 as film noir representation create a still image fairy story
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Studio logos and titles are usually one of the first things shown in films. Larger studios like Warner Bros. have consistent logos while smaller studios may just use titles. The logo or style it is presented in can suggest the genre, like a dark Warner Bros. logo hinting at a thriller. Films then aim to clearly set the genre through elements like titles, music, shots of actors to set expectations and keep audiences interested. They also typically introduce main characters in the first few minutes through mid and close up shots to establish who they are and what themes they relate to.
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Codes and conventions of trailers
1. Film trailers follow certain conventions including logos, rating cards, text displaying the film title and release date, and reviews from critics.
2. Trailers establish the basic plot and introduce main characters through clips from the film accompanied by a voiceover, music, and editing that build tension.
3. A turning point near the middle shifts the equilibrium in the trailer to represent a pivotal moment in the film's narrative.
The Conventions of a Title Sequence
A title sequence introduces a film by displaying the studio and distributor logos, main cast, film title, and credits for key crew members like producers and the director. It sets the tone for the genre and plot. Title sequences typically follow conventions, starting with logos and moving to cast and crew credits in a standard order, ending with the director's name. They aim to inform audiences about the film and credit those involved in its production.
Conventions of Title Sequences
Opening title sequences list the key production members and cast over visuals and sometimes music to establish the film's atmosphere. Common conventions include listing the production companies, director, producer, executive producer, top billed actors, and movie title either over a blank screen or during the opening action. The aim is to set the character, setting, genre, or mood for the film.
Four types of title sequences
The document discusses four types of title sequences: 1) Discrete title sequences which are separately filmed clips that set the mood before the film through visuals and music. Skyfall is provided as an example. 2) Stylized sequences rely on editing of text and fonts to convey mood. Zombieland is used as an example. 3) Credits over a blank screen use color, sound and minimal text to set the tone. 4) Narrative openings have a character speak directly to the audience to provide context before being introduced in the film.
Four types of title sequences
The document discusses four types of title sequences: 1) Discrete title sequences which are separately filmed clips that set the mood before the film through visuals and music. Skyfall is provided as an example. 2) Stylized sequences rely on editing of text and fonts to convey mood. Zombieland is used as an example. 3) Credits over a blank screen use color, sound and minimal text to set the tone. 4) Narrative openings have a character speak directly to the audience to provide context before being introduced in the film.
Film Trailers- Codes and Conventions
Film trailers tend to follow certain codes and conventions to attract audiences. They typically begin with the film studio logo to establish brand recognition. The film title is usually featured prominently near the end to be memorable. Trailers also include billing blocks with key cast and crew, genre-specific music and voiceovers to set the tone, and fast-paced editing with short clips to build intrigue without revealing too much of the plot. Common camera shots like establishing shots and close-ups of stars are also utilized. Overall, trailers aim to tease audiences and leave them wanting to learn more about the film.
Conventions of an opening sequence
The document discusses conventions for opening credits sequences in films. It defines opening credits as listing important production members at the beginning of a film, sometimes with accompanying visuals or music. Title sequences use conceptual visuals and sounds to present title, production members, and cast. Famous examples include Bond films with action sequences and theme music to grab audience attention. Opening credits typically include the film title, highest billed cast, director, producer, and production company. Examples provided show credits over dialogue, straight into action scenes, or characters interacting with environments related to the film's plot.
Opening credits asmedia2
The document discusses the different parts that typically make up opening credits in movies, television, and video games. It describes the studio or distribution company, production companies, director, main cast, title, supporting cast, music composer, production designer, art director, writers, director, costume designer, and other roles. It provides details on the typical order they are presented and guidelines from organizations like the Directors Guild of America on credit rules.
Opening credits asmedia2
The document discusses the different parts that typically make up opening credits in movies, television, and video games. It describes the studio or distribution company, production companies, director, main cast, title, supporting cast, music composer, production designer, art director, writers, director, costume designer, and other roles. It provides details on the typical order they are presented and guidelines from organizations like the Directors Guild of America on credit rules.
Film openings
The document discusses key elements that are commonly included in film openings. It notes that Mean Girls begins with narration from the main character Cady Heron to introduce her background. It also contrasts Cady's new school with her life in Africa to set the scene. The opening credits then provide information about the filmmakers and production details, followed by the bold and clear film title with accompanying music to give viewers a sense of the film.
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Conventions of an opening sequence
- 1. Conventions of an Opening Sequence Emilie Reeks
- 2. Opening Credits • Since the early 1980s the opening credits usually identify the major actors and crew usually listed in order or appearance and/or importance. The opening credits usually include the name of production company, the director, the producer, the executive producer, the top billing actors and not forgetting the movie title.
- 3. Distribution Company Executive producer Production Company Film Director Top Billing Actors Film Title
- 4. Opening Credits • The opening credits are usually shown as text superimposed on a blank screen or static image but sometimes it is shown on top of action in the show. It may or may not be accompanied with music.
- 5. Brief Scene • Sometimes the opening credits may be preceded by a brief scene or a teaser that helps set the scene for the film.
- 6. Cinematography • Cinematography could also be classes as a opening sequence convention. It can foreshadow what the theme of the film will be. For example, the opening sequence for a romantic film may use establishing/master shots to convey the setting.
- 7. Sound • The sound in a opening sequence could be very important as it sets the atmosphere for the whole film. For example, a thriller may be accompanied by eerie music in the opening sequence.