2015 Coconut Grove Festival - Sponsor PackagesReneRodriguez
THE COCONUT GROVE ARTS FESTIVAL IS A YEAR-LONG CELEBRATION OF ART, CULINARY ARTS AND CULTURE IN SOUTH FLORIDA, CULMINATING IN ITS FIFTY-TWO-YEAR-OLD, THREE-DAY FESTIVAL ON PRESIDENTS’ DAY WEEKEND 2015.
2015 Coconut Grove Festival - Sponsor PackagesReneRodriguez
THE COCONUT GROVE ARTS FESTIVAL IS A YEAR-LONG CELEBRATION OF ART, CULINARY ARTS AND CULTURE IN SOUTH FLORIDA, CULMINATING IN ITS FIFTY-TWO-YEAR-OLD, THREE-DAY FESTIVAL ON PRESIDENTS’ DAY WEEKEND 2015.
This heritage music project at ommunity level aims to strengthen learning culture via heritage music live small group events in urban hub community strengthening appreciation and learning culture that adds to quality life styles in everyday living as we choose on a individual, family and community levels.
Barrett Wissman is an individual who sees innovation in differentiation. He brings us the concept of truly allowing ourselves to become absorbed in the arts. He has closely worked with and also supported organizations that promote arts education and diversity.
Barrett Wissman presents so many festivals celebrating arts, events, culture, music, food and much more. He believes that art shouldn’t be about money, profits and making a business. He thus wants to “have more and more people enjoy and love the arts.”
Mr. Wissman continues to blend music, culture and cuisine to forge new paths for festivals around the world.
Barrett Wissman - Founder of Slow Entertainment MovementBarrett Wissman
Barrett Wissman launched the slow entertainment movement. Barrett Wissman brings us the concept of truly allowing ourselves to become absorbed in the arts.
He has indeed made significant contributions towards developing the arts through his tireless fundraising efforts for arts education.
Lehigh Valley Underground First Friday Concert Series -- Partnership KitGerard Longo
On the First Friday of every month, South Bethlehem comes to life, celebrating our community, arts, and culture with the Lehigh Valley Underground First Friday Concert Series.
Presented in conjunction with SouthSide Arts District, the Lehigh Valley Underground First Friday Concert Series connects our community of musicians with performance opportunities at South Bethlehem venues, driving increased foot traffic and new business to locations including Godfrey Daniels, The Banana Factory, Comfort Suites Hill to Hill Grille, Molly’s Irish Grille and Sports Pub, and more.
While in town, residents and visitors are also invited to view and shop at local art galleries, unique boutiques, salons, and shops, all while enjoying food and wine samples, and specials from South Bethlehem bars and restaurants.
The Love Offering Tour was created by Jacob "Big Jake" Lawrence and the concept behind it is to allow Churches and Spiritual Organizations an opportunity to come together in one accord across the United States in order to allow the "Ministry of Music" to be openly shared with the people, as well as aid in missions of compasion.
This heritage music project at ommunity level aims to strengthen learning culture via heritage music live small group events in urban hub community strengthening appreciation and learning culture that adds to quality life styles in everyday living as we choose on a individual, family and community levels.
Barrett Wissman is an individual who sees innovation in differentiation. He brings us the concept of truly allowing ourselves to become absorbed in the arts. He has closely worked with and also supported organizations that promote arts education and diversity.
Barrett Wissman presents so many festivals celebrating arts, events, culture, music, food and much more. He believes that art shouldn’t be about money, profits and making a business. He thus wants to “have more and more people enjoy and love the arts.”
Mr. Wissman continues to blend music, culture and cuisine to forge new paths for festivals around the world.
Barrett Wissman - Founder of Slow Entertainment MovementBarrett Wissman
Barrett Wissman launched the slow entertainment movement. Barrett Wissman brings us the concept of truly allowing ourselves to become absorbed in the arts.
He has indeed made significant contributions towards developing the arts through his tireless fundraising efforts for arts education.
Lehigh Valley Underground First Friday Concert Series -- Partnership KitGerard Longo
On the First Friday of every month, South Bethlehem comes to life, celebrating our community, arts, and culture with the Lehigh Valley Underground First Friday Concert Series.
Presented in conjunction with SouthSide Arts District, the Lehigh Valley Underground First Friday Concert Series connects our community of musicians with performance opportunities at South Bethlehem venues, driving increased foot traffic and new business to locations including Godfrey Daniels, The Banana Factory, Comfort Suites Hill to Hill Grille, Molly’s Irish Grille and Sports Pub, and more.
While in town, residents and visitors are also invited to view and shop at local art galleries, unique boutiques, salons, and shops, all while enjoying food and wine samples, and specials from South Bethlehem bars and restaurants.
The Love Offering Tour was created by Jacob "Big Jake" Lawrence and the concept behind it is to allow Churches and Spiritual Organizations an opportunity to come together in one accord across the United States in order to allow the "Ministry of Music" to be openly shared with the people, as well as aid in missions of compasion.
Performance Impressions offers a variety of photography services. Photographer David Oppenheimer\'s work is featured in this gallery including photos from his work as a wedding photographer, live music photographer and corporate event photographer.
Prop Project - Metal Mania Festival - Team Absolute 0 (University project)Radu Stoica
Team Absolute 0, formed by students from Fontys University of Applied Sciences from Eindhoven, created this project for the course called "ProP" (Propedeutic Project). We had to create a system for a music festival that we called "Metal Mania 2014". This system consists of 1 website for registration and 8 applications used before, during and after the event, all of them using only one database.
This is a presentation covering some of the detail of Spirefest 2011 - an indoor rock event in aid of Cancer Research UK. This event is to be held in Chesterfield on the 9th of April 2011
Pre planning to organize a music festival - Barrett WissmanBarrett Wissman
Whether it's a music gig, a celebration, a gathering or an open address: all occasions require bunches of diligent work and individuals power. Here are some essential points shared by Barrett Wissman which one should have in his mind before organizing a music concert or festival.
MUSIC FESTIVALS: THE INDESCRIBABLE CONNECTION (PERSUASIVE ESSAY)Miranda Bator
April, 2015: This persuasive essay was written in ENG 205: Creative Writing at Schoolcraft College. The essay works to try to convince the reader to attend a summer concert or music festival. The central focus/ argument is based on the strong roots in American history, the welcoming atmosphere of music shows and the opportunity for listeners to discover new experiences.
Gala expressions case study by sorevellersZahmat Bashua
This event is being organized by Jewne Johnson (the founder, Stage Performance Teacher, Radio host of In Da Industry for CKCUFM) and Zahmat Bashua (Creative Director for the Society of Revellers, Advertising Manager for Boxhouse Apparel, Fall Down Gallery Art and Fashion show). The two who have several years’ experience in the fashion and Artistic worlds, have created an opportunity for those in the fashion, Art and music industry to network and gain exposure.
PROGRAM: 2022 Bloomington Early Music Festival: Celebrating Women in Early MusicBloomingtonEarlyMusi
Digital program book for the 2022 Bloomington Early Music Festival: Celebrating Women in Early Music! May 22-27: Visit www.blemf.org for more info and to watch the free concerts!
ALL EVENTS ARE FREE & OPEN TO ALL.
BLEMF 2022 is dedicated to celebrating women in early music, highlighting the presence, influence, and artistry of women across nine centuries of musical culture and music-making. From the convents of the medieval period through the salons of the early 19th century, women participated in music as composers, performers, poets, patrons, and listeners; from positions of political, religious, and social power; in front of audiences and behind the scenes.
BLEMF 2022 gives such women the stage—those long-remembered and those only recently rediscovered—to bring the music they made in their time to our audiences today.
Bands & Brands: A Guide to Experiential Activations at Music FestivalsPBJS
Music festivals are a great opportunity not just for bands, but for brands to reach new audiences. So how do companies avoid getting lost in the crowd?
In our guide to experiential activations at music festivals, we cover the current landscape and our five keys to making a lasting impression at fests large and small, along with shout-outs to companies who've crushed it at events like Lollapalooza, Coachella, Outside Lands and SXSW.
This is the first presentation in a series exploring what makes ideas stick.
PROGRAM: 2022 Bloomington Early Music Festival: Celebrating Women in Early MusicBloomingtonEarlyMusi
Digital program book for the 2022 Bloomington Early Music Festival: Celebrating Women in Early Music! May 22-27: Visit www.blemf.org for more info and to watch the free concerts!
ALL EVENTS ARE FREE & OPEN TO ALL.
BLEMF 2022 is dedicated to celebrating women in early music, highlighting the presence, influence, and artistry of women across nine centuries of musical culture and music-making. From the convents of the medieval period through the salons of the early 19th century, women participated in music as composers, performers, poets, patrons, and listeners; from positions of political, religious, and social power; in front of audiences and behind the scenes.
BLEMF 2022 gives such women the stage—those long-remembered and those only recently rediscovered—to bring the music they made in their time to our audiences today.
Music has always been an integral part of our lives, but today its impact is
being felt all over the world. In this blog post, we will explore the globalization
of music and how it has changed the way we experience it. We will look at
how music differs across cultures
Music and Culture combine to create the Soul Rebellion, the concert series with a cause.
Contributing to schools in need of some kind of infrastructural improvement, and presenting visitors with the various aspects of Jamaica\'s rich cultural legacy through food, dance, spoken word performances, and interactions with local school children and cultural ambassadors such as Miss Sonia, Maroons, and Rastafarian groups.
At night the event shifts into concert mode, presenting some of Jamaica\'s hottest reggae and dancehall acts.
Unit 8 - Information and Communication Technology (Paper I).pdfThiyagu K
This slides describes the basic concepts of ICT, basics of Email, Emerging Technology and Digital Initiatives in Education. This presentations aligns with the UGC Paper I syllabus.
2024.06.01 Introducing a competency framework for languag learning materials ...Sandy Millin
http://sandymillin.wordpress.com/iateflwebinar2024
Published classroom materials form the basis of syllabuses, drive teacher professional development, and have a potentially huge influence on learners, teachers and education systems. All teachers also create their own materials, whether a few sentences on a blackboard, a highly-structured fully-realised online course, or anything in between. Despite this, the knowledge and skills needed to create effective language learning materials are rarely part of teacher training, and are mostly learnt by trial and error.
Knowledge and skills frameworks, generally called competency frameworks, for ELT teachers, trainers and managers have existed for a few years now. However, until I created one for my MA dissertation, there wasn’t one drawing together what we need to know and do to be able to effectively produce language learning materials.
This webinar will introduce you to my framework, highlighting the key competencies I identified from my research. It will also show how anybody involved in language teaching (any language, not just English!), teacher training, managing schools or developing language learning materials can benefit from using the framework.
Acetabularia Information For Class 9 .docxvaibhavrinwa19
Acetabularia acetabulum is a single-celled green alga that in its vegetative state is morphologically differentiated into a basal rhizoid and an axially elongated stalk, which bears whorls of branching hairs. The single diploid nucleus resides in the rhizoid.
Embracing GenAI - A Strategic ImperativePeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
How to Make a Field invisible in Odoo 17Celine George
It is possible to hide or invisible some fields in odoo. Commonly using “invisible” attribute in the field definition to invisible the fields. This slide will show how to make a field invisible in odoo 17.
Honest Reviews of Tim Han LMA Course Program.pptxtimhan337
Personal development courses are widely available today, with each one promising life-changing outcomes. Tim Han’s Life Mastery Achievers (LMA) Course has drawn a lot of interest. In addition to offering my frank assessment of Success Insider’s LMA Course, this piece examines the course’s effects via a variety of Tim Han LMA course reviews and Success Insider comments.
Palestine last event orientationfvgnh .pptxRaedMohamed3
An EFL lesson about the current events in Palestine. It is intended to be for intermediate students who wish to increase their listening skills through a short lesson in power point.
The Roman Empire A Historical Colossus.pdfkaushalkr1407
The Roman Empire, a vast and enduring power, stands as one of history's most remarkable civilizations, leaving an indelible imprint on the world. It emerged from the Roman Republic, transitioning into an imperial powerhouse under the leadership of Augustus Caesar in 27 BCE. This transformation marked the beginning of an era defined by unprecedented territorial expansion, architectural marvels, and profound cultural influence.
The empire's roots lie in the city of Rome, founded, according to legend, by Romulus in 753 BCE. Over centuries, Rome evolved from a small settlement to a formidable republic, characterized by a complex political system with elected officials and checks on power. However, internal strife, class conflicts, and military ambitions paved the way for the end of the Republic. Julius Caesar’s dictatorship and subsequent assassination in 44 BCE created a power vacuum, leading to a civil war. Octavian, later Augustus, emerged victorious, heralding the Roman Empire’s birth.
Under Augustus, the empire experienced the Pax Romana, a 200-year period of relative peace and stability. Augustus reformed the military, established efficient administrative systems, and initiated grand construction projects. The empire's borders expanded, encompassing territories from Britain to Egypt and from Spain to the Euphrates. Roman legions, renowned for their discipline and engineering prowess, secured and maintained these vast territories, building roads, fortifications, and cities that facilitated control and integration.
The Roman Empire’s society was hierarchical, with a rigid class system. At the top were the patricians, wealthy elites who held significant political power. Below them were the plebeians, free citizens with limited political influence, and the vast numbers of slaves who formed the backbone of the economy. The family unit was central, governed by the paterfamilias, the male head who held absolute authority.
Culturally, the Romans were eclectic, absorbing and adapting elements from the civilizations they encountered, particularly the Greeks. Roman art, literature, and philosophy reflected this synthesis, creating a rich cultural tapestry. Latin, the Roman language, became the lingua franca of the Western world, influencing numerous modern languages.
Roman architecture and engineering achievements were monumental. They perfected the arch, vault, and dome, constructing enduring structures like the Colosseum, Pantheon, and aqueducts. These engineering marvels not only showcased Roman ingenuity but also served practical purposes, from public entertainment to water supply.
Biological screening of herbal drugs: Introduction and Need for
Phyto-Pharmacological Screening, New Strategies for evaluating
Natural Products, In vitro evaluation techniques for Antioxidants, Antimicrobial and Anticancer drugs. In vivo evaluation techniques
for Anti-inflammatory, Antiulcer, Anticancer, Wound healing, Antidiabetic, Hepatoprotective, Cardio protective, Diuretics and
Antifertility, Toxicity studies as per OECD guidelines
Music Event Grant - Vocal In The Valley - Claudia D'Amore - Student No. 3184284
1. VOCAL IN THE
VALLEY
MUSIC EVENT GRANT
CLAUDIA D’AMORE
STUDENT NO. 3184824
2. OUTLINE
Why A Music Festival? - What ‘Vocal In
The Valley’ will bring to the Hunter
Valley.
The Music & Its Audience
Musical Styles/Genres
Music Acts Featured
Audience
Subcultures
Location
Benefits of Community
Benefits of Tourism
Live Performance
Authenticity of Live
Performance
High Social Media Presence
From Live Performances
Economical Boost Due To
Festival Performances
Effective Advertising Campaign
References
3. Why A Music Festival?
‘Vocal In The Valley’ aims
to connect the community,
boost the economy in the
Hunter Valley, give a
memorable and authentic
experience whilst
celebrating the Australian
culture of musical talents.
Bowen describes music festivals in
a way that benefits the members of
the audience’s experience stating,
“Music festivals are unique special
events that attract audiences for a
variety of reasons. Unlike concerts,
where individuals are generally
drawn to her and view a live
performance of a specific artist,
music festivals often involve a
myriad of talent and may or may
not follow a particular genre. Music
festivals are further distinctive in
that music is an integral part of
4. Musical Styles/Genres
As Newcastle is the
predominant influence on the
Hunter region, it’s fitting that its
musical tastes also have a great
effect on the genres/musical
styles present at ‘Vocal In The
Valley’.
The selected genres include
alternative, indie pop, indie
rock, Australian hip-hop, and
electronic. Although it may
seem as a cluster of many
different genres, these are quite
popular amongst the charts and
intertwine quite well at music
festivals.
5. Music Acts Featured
Headlining Acts include Blue
Juice (as their musical
partnership is coming to an
end), Violent Soho, & Allday.
Other acts will include more
Australian musicians including
Sticky Fingers, Miracle, The
Preatures, The Jungle Giants,
Vance Joy & Andy Bull.
There will also be local N.S.W
artists to make a good name for
themselves including Just A
Gent, Julia Why?, I Know
Leopard, Little May, and The
Patriots.
6. Audience
The projected audience range will
be highly in the 18-25 mixed
gender spectrum. The reason for
this age range is due to their free
time (not as many work
commitments), more money to
spend (on wants rather than
necessities), their interest in
today’s music and for social
status.
Chart:
http://themusic.com.au/news/all/2013/10
/02/exclusive-why-australians-dont-go-to-
festivals-or-local-gigs
7. Subcultures
Hosting ‘Vocal In The Valley’
brings about subcultures of the
particular genres featured within
the festival. This experience of
identifying with a particular genre
or subculture can define whom
one is or how they would like to
be perceived.
Farrugia explains the meaning of
subcultures amongst audiences
within her journal article focusing
on EDM, “An understanding of
the intricacies by which musical
genres and subcultures develop
can help identify some of the
missing links that individuals,
especially youth experience in
their lives. It can also lead to a
more sophisticated
understanding of the ways in
which individuals use media such
as music to satisfy these needs,
giving an indication of the
potentially remedial qualities of
music.” (2003, p.4).
8. Social Practices
Music festivals have actually proven to increase a persons well-being as the
engagement with music has the power to exude emotional, social and
physical satisfaction, in which ‘Vocal In The Valley’ plans to do exactly that.
Packer & Ballantyne have commented thoroughly on this subject, “The
health benefits of musical engagement extend across the lifespan with
research documenting developmental and quality of life outcomes in
childhood, adolescence and senior adulthood, and positive impacts on
resilience within individuals and communities. Music theorists suggest that
active participation in music contributes to identity development by providing
a medium for self-expression, mood enhancement and spiritual functions,
terms and symbols for self-identity, and opportunities to create individual,
virtual worlds,” (2011, p. 165).
9. Location
The event will
be held at
Maitland
Showground in
the Hunter
Valley. There
will be four main
stages situated
around the
showground for
the acts to
simultaneously
perform giving a
range of options
and genres for
the audience’s
preferences.
10. Benefits of Location
Sense of Community
One of the many benefits of ‘Vocal in the Valley’ residing here besides its
spacious grounds is that it will bring forth a sense of community as audiences
and the acts will engage with the concept of place.
Straw found within in his study of other Canadian academics findings that the
artists, “each emerged within international industrial and cultural contexts which
shaped the conditions of existence and certain the ‘meanings’ of musical
localism throughout Western countries,” (1991, p. 370), in other words the
events provided benefits to both the local community and the artists. The
audiences’ support within the event strengthened the community, event and
artists stating the type of benefits that came with it, that we too could apply to
the outcomes of ‘Vocal In The Valley’, “…the criteria of public support for
popular recordings within Canada frequently presume patterns of career
development, forms of collaboration and a relationship between domestic and
international popularity,” (1991, p. 370).
11. Benefits of Location
Whilst music festivals give forth a
sense of community to the locals,
it also attracts tourism. Of course
it may seem as though tourists
wouldn’t be able to connect to
the space as comfortably as the
locals, but due to music’s ability
to bond with it’s listener, ‘Vocal In
The Valley’ will be a place of
welcoming for all.
This can be supported by Duffy’s
concluding statements in her
work on festival participation and
sense of place, “Meaning is
given to the musical
performances of the festival
because they operate and are
interpreted within particular
framing strategies… [it] is
embedded within a greater
context, enabling participants to
attach and reattach themselves
to a sense of place and to make
claims of belonging,” (2000, p.
63).
Tourists
12. Authenticity of Live Performance
The advantage of music
festivals derive from their
live performances; literally
any crazy occurrence can
happen at a music festival,
and it’s particularly why
people attend them. Not only
will the music be authentic at
‘Vocal In The Valley’ because
of the live performances, but
Hunter Valley will also
benefit in that authenticity
will thus be attached to the
region itself.
Frith expands on live
performance and the notion of
authenticity through the
experience, dedication and
individuality artists and fans
share, “Live musical
performance matters, then, for
two reasons… it is a public
celebration of musical
commitment, a deeply
pleasurable event at which our
understanding of ourselves
through music is socially
recognized… it is a site in which
to explore – for ourselves –how
performance works,” (2007,
p.14).
13. High Social Media Presence From
Live Performances
As the audience of this
festival will consist highly
of social media bloggers
because of the age
spectrum, the Hunter
Valley will be depicted as
an extremely popular
destination. The
engrossed commitment
of the audience and artist
has changed immensely
as the connectivity that
social media allows
increases music fandom;
and a bigger fan-base
means more people will
be attending festivals
Bennett depicts this expansion of
fans due to an Internet presence
stating, “The arrival and expansion
of the Internet have changed music
fandom quite significantly… In
recent years, the use of mobile
Internet and social networks such
as Twitter and Facebook has not
only allowed fans to find and
connect with each other at shows,
but also to tweet concert set-lists
and other information as they
happen, thereby allowing non-attendees
around the world to feel
part of the event,” (2012, p. 545).
While this may seem concerning, in
actuality, it puts the Hunter Valley on
the map (virtually) around the world.
14. Economic Boost Due To Festival
Performances
The most obvious benefit for hosting ‘Vocal In The Valley’ will be the
economical gains that the region will receive due to the number of
people attending the festival regarding ticket sales, food,
accommodation, etc.
In a recent article in Rolling Stone written by Steve Knopper, explains
the economical gains festivals offer to the industry and the artists, “All
of this is possible because festivals have come to dominate the music
industry… Thanks to hug competition for “event bookings” that sell
$300 tickets and even more expensive VIP packages, festivals can
afford to pay headliners up to $4 million… Even for baby bands – if
they get the right time slots and are able to play effectively to big
crowds – festivals can make the difference between just surviving and
thriving,” (2014, p.18-19).
15. Effective Advertising Campaigns
Addressing social media as it will be
where most of the targeted audience
derives from.
Other mediums including television,
radio and print (including billboards) will
be used for advertising.
Posters all around the Hunter region
including shopping centres,
cafes/restaurants, clubs and bars.
A featured app for festival set times and
stages constantly updating new artists
added each day to keep paying
customers or undecided goers
interested.
16. References
Bennett, L. (2012). Patterns of listening through social media: online fan engagement with the live
music experience. Social Semiotics, 22(5), 545-547.
Bowen, H. (2005).Does the music matter? Motivations for attending a music festival. Event
Management, 9, 155-164.
Duffy, M. (2000). Lines of drift: festival participation and performing a sense of place. Popular Music,
19(1), 51-64.
Farrugia, R. (2003). From Midnight to Broad Daylight: The constructive capabilities of techno.
International Communication Association, 14, 21-27.
Fitzsimons, S. (2013). The Music. Why Australians Don’t Go To Music Festivals (Australia) Chart:
http://themusic.com.au/news/all/2013/10/02/exclusive-why-australians-dont-go-to-festivals-or-local-
gigs
Frith, S. (2007). Live Music Matters. Scottish Music Review, 1(1), 1-17.
Knopper, S. (2014). Inside the Festival Economy. Rolling Stone Magazine, 1209, 18-19.
Packer & Ballantyne (2011). The impact of music festival attendance on young people’s psycohological
and social well-being. Psychology of Music, 39(2), 164-181.
Straw, W (1991). Systems of articulation, logics of change: communities and scenes in popular music.
Cultural Studies, 5(3), 368-388.
Editor's Notes
This template can be used as a starter file for a photo album.