Modernism
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The document discusses the rise of modernism in art, music, and architecture between 1890-1920 in Europe and America in response to industrialization. Modernist artists rebelled against tradition and embraced new social and political ideas. Developments included impressionism, photography, which became recognized as an art form, and early motion pictures. Ragtime music also emerged and influenced the development of jazz. Overall, the period saw rapid technological, entertainment, and artistic changes that created a new modern era.
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Modernism vs postmodernism
Modernism and Postmodernism are two cultural movements that show differences. Modernism occurred between the 1860s-1940s and valued original works and logical thinking. Postmodernism began after 1968 and questioned modernism, believing thinking was irrational and there was no absolute truth. It favored applied art over original works and used digital media.
Postmodern presentation
Postmodernism literature emerged in the 1940s as a reaction to modernism. It lacks unified principles and is characterized by irony, playfulness, and black humor. Postmodern works blend genres and reference pop culture. Influential authors include Joseph Heller, Kurt Vonnegut, Thomas Pynchon, and Tim O'Brien, who use metafiction and paranoia in novels like Catch-22, Slaughterhouse Five, and The Things They Carried.
Modernism
Modernism was a loose collection of artistic movements and styles in the early 20th century that rejected historical styles and applied ornament. It embraced abstraction and believed that design and technology could transform society. Some key aspects of Modernism included Suprematism's use of basic geometric shapes, Constructivism's view of art as an instrument for social purposes, and the Bauhaus school's goal of combining all the arts in an ideal unity.
Postmodernism lesson 2 ppt
Postmodernism emerged after modernism and is characterized by:
1) A rejection of grand narratives and embracing complexity, ambiguity and contradiction.
2) Self-reflexivity, irony, parody and a breakdown of high/low cultural forms.
3) Using styles from the past out of their original contexts and questioning traditional ideas about realism.
4) A fear of late capitalism, technology and surveillance coupled with a sense of disorientation.
Introduction to post modernism
Postmodernism is difficult to define but can be understood through three approaches: historical, stylistic, and theoretical. Historically, it emerged as a reaction against modernism and its ideals of progress, reason, and objective truth. Theoretically, thinkers like Lyotard, Baudrillard, and Jameson analyzed postmodernism's rejection of "grand narratives" and emphasis on surface and pastiche over depth. Stylistically, postmodern texts play with conventions, embrace uncertainty, and reference other works through parody and pastiche.
Modernism Ppt
Modernism emerged in the early 20th century as artists and thinkers began questioning traditional standards and forms of literature and art. Modernist works reflected the social and intellectual upheavals of the time including the decline of rural life, rise of scientific thinking and psychology, and Marxist influences. Modernist literature was characterized by innovations in form like stream of consciousness, an anti-realistic style, use of everyday language, and exploration of sexuality and disillusionment. Some of the prominent Modernist authors mentioned are T.S. Eliot, James Joyce, Virginia Woolf, Joseph Conrad, and D.H. Lawrence across poetry, novels, and drama. Literary criticism also changed with new approaches informed by fields like psychology, anthropology
modernism
Modernism was an artistic movement that rejected Victorian standards and flourished in the early 20th century in response to World War I and social/economic upheaval. It developed new complex forms that disturbed readers by challenging traditions. Modernist writers explored the inner lives of characters and criticized society through techniques like stream of consciousness and multiple perspectives. They addressed themes of alienation, lost community, and the contradictions of modern life.
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Modernism vs postmodernism
Modernism and Postmodernism are two cultural movements that show differences. Modernism occurred between the 1860s-1940s and valued original works and logical thinking. Postmodernism began after 1968 and questioned modernism, believing thinking was irrational and there was no absolute truth. It favored applied art over original works and used digital media.
Postmodern presentation
Postmodernism literature emerged in the 1940s as a reaction to modernism. It lacks unified principles and is characterized by irony, playfulness, and black humor. Postmodern works blend genres and reference pop culture. Influential authors include Joseph Heller, Kurt Vonnegut, Thomas Pynchon, and Tim O'Brien, who use metafiction and paranoia in novels like Catch-22, Slaughterhouse Five, and The Things They Carried.
Modernism
Modernism was a loose collection of artistic movements and styles in the early 20th century that rejected historical styles and applied ornament. It embraced abstraction and believed that design and technology could transform society. Some key aspects of Modernism included Suprematism's use of basic geometric shapes, Constructivism's view of art as an instrument for social purposes, and the Bauhaus school's goal of combining all the arts in an ideal unity.
Postmodernism lesson 2 ppt
Postmodernism emerged after modernism and is characterized by:
1) A rejection of grand narratives and embracing complexity, ambiguity and contradiction.
2) Self-reflexivity, irony, parody and a breakdown of high/low cultural forms.
3) Using styles from the past out of their original contexts and questioning traditional ideas about realism.
4) A fear of late capitalism, technology and surveillance coupled with a sense of disorientation.
Introduction to post modernism
Postmodernism is difficult to define but can be understood through three approaches: historical, stylistic, and theoretical. Historically, it emerged as a reaction against modernism and its ideals of progress, reason, and objective truth. Theoretically, thinkers like Lyotard, Baudrillard, and Jameson analyzed postmodernism's rejection of "grand narratives" and emphasis on surface and pastiche over depth. Stylistically, postmodern texts play with conventions, embrace uncertainty, and reference other works through parody and pastiche.
Modernism Ppt
Modernism emerged in the early 20th century as artists and thinkers began questioning traditional standards and forms of literature and art. Modernist works reflected the social and intellectual upheavals of the time including the decline of rural life, rise of scientific thinking and psychology, and Marxist influences. Modernist literature was characterized by innovations in form like stream of consciousness, an anti-realistic style, use of everyday language, and exploration of sexuality and disillusionment. Some of the prominent Modernist authors mentioned are T.S. Eliot, James Joyce, Virginia Woolf, Joseph Conrad, and D.H. Lawrence across poetry, novels, and drama. Literary criticism also changed with new approaches informed by fields like psychology, anthropology
modernism
Modernism was an artistic movement that rejected Victorian standards and flourished in the early 20th century in response to World War I and social/economic upheaval. It developed new complex forms that disturbed readers by challenging traditions. Modernist writers explored the inner lives of characters and criticized society through techniques like stream of consciousness and multiple perspectives. They addressed themes of alienation, lost community, and the contradictions of modern life.
Postmodernism
The document discusses key concepts and characteristics of postmodernism including:
- Fragmented and shifting identities defined by consumption rather than background.
- Borrowing of images and elements from different cultures through increased globalization and media.
- Simulacra and hyperreality where the representation or simulation of reality becomes indistinguishable from reality itself.
- Intertextuality and pastiche where new works reference and combine elements from other works and genres.
Postmodernism presentation
Postmodernism rejects the central tenets of modernism, namely that knowledge is certain and objective. It is skeptical of grand narratives and universal truths, instead focusing on relative and local interpretations. Postmodernism celebrates difference and rejects rationality and science. In literature, postmodern works employ techniques like pastiche, parody, intertextuality and self-reflexivity. They question notions of reality, genre and the separation between high and low art. While postmodernism dominated from the late 20th century, more recent trends suggest a partial return to sincerity and meaning in a movement called post-postmodernism or new sincerity.
Post Modernism
Post-Modernism is an art style that emerged in the late 20th century as a departure from modernism. It is characterized by a mix of different art forms, bright colors, irregular shapes with few straight lines, and a twist on conventional design. Rather than logical rational thinking, postmodernism embraces irrational thinking and combines or imitates old art forms. It questions the idea that art must present new ideas or art forms.
Modernism and Postmodernism
Modernism and postmodernism are literary movements that experimented with form and style in response to social and historical conditions. Modernism flourished in the early 20th century as writers explored fragmented perspectives and psychological theories. Postmodernism emerged after World War II and further challenged conventions through genres like the absurd and antinovel. Theorists like Lyotard and Baudrillard analyzed how postmodernism questions metanarratives and the distinction between reality and simulations.
POSTMODERNISM
1) Postmodernism rejects the idea that there is objective truth and reality, instead believing that truth is subjective and based on individual interpretation.
2) It critiques modernism's belief in grand narratives, rationality, and absolute knowledge, instead embracing uncertainty, irrationality, and subjective experience.
3) Postmodern thinkers like Foucault argued that truth is defined by the specific contexts in which we exist rather than being universal, leading to a rejection of objective reality.
The Romantic Movement
The Romantic Movement was a revolt against classicism and rationalism in the late 18th and early 19th centuries. Romantics valued emotion, individualism, nature, and history over order and reason. They stressed imagination and spontaneity in their literature, art, and music. Some key figures were Wordsworth, Coleridge, Delacroix, and Beethoven.
Postmodernism
Postmodernism emerged in the late 20th century as a departure from modernism, characterized by a distrust of grand theories and ideologies. It began as a reaction against modernism in the 1970s, rejecting dogma and principles of established modernism. The term was first used in the late 19th century in various fields like painting and religion to describe changes beyond previous movements. Postmodernism applies to many artistic and literary movements that reacted against tendencies of modernism under capitalism. Postmodern literature relies on techniques like fragmentation and uses unreliable narrators.
Modernism overview pptx
Modernism emerged between 1914-1945 in response to major events like World Wars and the Great Depression. This led artists and thinkers to recognize that the stable, orderly world of the 19th century no longer existed. Modernist works portrayed a pessimistic view of a culture in disarray without traditional values or centers. They focused on individual subjectivity, alienation, and humanity's loss of meaning and purpose in a new relativistic universe. Common themes included despair, violence, discontinuity with history, and a sense of living in a wasteland.
Postmodernism features
The document discusses key themes and devices of postmodern literature, comparing it to modernism. Postmodern literature continues modernism's tendencies of alienation, discontinuity, and social individualism. It focuses on fragmentation, pastiche, and presenting unordered universes. Postmodernist critics like Jacques Lacan and Michel Foucault were academically trained in philosophy including Nietzsche, Marx, and Heidegger. The term "postmodernism" began being used in literature in the 1960s to describe styles like "black humor" and "fabulism".
Modernism in a Literature.
This document defines and discusses Modernism in literature. It began in the late 19th/early 20th century in France and spread to England and America. Modernist works were influenced by developments in fields like physics, psychology, anthropology and used techniques like stream of consciousness. Modernist literature features unconventional structures, a breakdown of conventions of time and space, and a focus on individual experiences over social values. It includes styles like Imagism, Symbolism, and Expressionism. Prominent Modernist writers mentioned include James Joyce, Virginia Woolf, William Faulkner and T.S. Eliot.
Postmodernism
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Modernism
Modernism was a literary movement between 1915 and 1965 that rejected traditional forms and conventions. Modernist writers experimented with stream of consciousness writing and non-linear structures to challenge readers. They consciously warped traditional forms to create something new and rejected realism and naturalism. Modernist works often have a pervasive sense of doubt and darker themes as the writers challenged everything from point of view to the nature of the hero.
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Classicism
Classicism refers to the admiration and imitation of ancient Greek and Roman styles and forms. During the Renaissance, classicism saw a revival as humanists collected and studied classical works. This led to the formation of schools of art and music applying classical orders of architecture and proportions. In the 17th-18th centuries, classicism strongly influenced French and English literature, exemplified by playwrights like Shakespeare, Jonson, and Racine adhering to Aristotle's rules of drama. In architecture, classicism developed during the Renaissance based on the writings of Alberti and Brunelleschi's works, employing classical columns and orders.
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The document provides an overview of literary modernism in the early 20th century. It defines modernism as an international movement characterized by experimentation with form and a rejection of absolute knowledge. The document lists some key dates and developments in modernist literature, painting, music, and thought. It discusses some of the major themes, techniques, and influential figures of modernism, including a rejection of tradition, focus on individual experience, and interest in the unconscious and primitive cultures.
Postmodernism
Postmodernism emerged in the late 20th century as a departure from modernism in the arts, characterized by the mixing of different styles and genres, self-referentiality, and skepticism of absolute truths. Postmodern works blur fiction and reality, use appropriation and pastiche, and bring together high and low cultural forms. In film, postmodernism subverts narrative conventions and challenges notions of genre, time, and social divisions through works like Pulp Fiction that combine styles from different eras.
John ruskin
John Ruskin was an English art critic and social thinker from 1819-1900 who had a significant influence on architecture in Victorian England. He championed Gothic architecture and medieval styles over classical styles, helping spark the Gothic Revival. Ruskin believed that architecture should incorporate handcrafted details and reflect local culture and history. He articulated seven principles or "lamps" of architecture - sacrifice, truth, power, beauty, life, memory, and obedience. Ruskin rejected mass production and the loss of craftsmanship, instead valuing individual artistry. His writings shaped aesthetic tastes and values in Britain by linking art to morality and spiritual health.
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The document discusses key concepts and characteristics of postmodernism including:
- Fragmented and shifting identities defined by consumption rather than background.
- Borrowing of images and elements from different cultures through increased globalization and media.
- Simulacra and hyperreality where the representation or simulation of reality becomes indistinguishable from reality itself.
- Intertextuality and pastiche where new works reference and combine elements from other works and genres.
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Postmodernism rejects the central tenets of modernism, namely that knowledge is certain and objective. It is skeptical of grand narratives and universal truths, instead focusing on relative and local interpretations. Postmodernism celebrates difference and rejects rationality and science. In literature, postmodern works employ techniques like pastiche, parody, intertextuality and self-reflexivity. They question notions of reality, genre and the separation between high and low art. While postmodernism dominated from the late 20th century, more recent trends suggest a partial return to sincerity and meaning in a movement called post-postmodernism or new sincerity.
Post Modernism
Post-Modernism is an art style that emerged in the late 20th century as a departure from modernism. It is characterized by a mix of different art forms, bright colors, irregular shapes with few straight lines, and a twist on conventional design. Rather than logical rational thinking, postmodernism embraces irrational thinking and combines or imitates old art forms. It questions the idea that art must present new ideas or art forms.
Modernism and Postmodernism
Modernism and postmodernism are literary movements that experimented with form and style in response to social and historical conditions. Modernism flourished in the early 20th century as writers explored fragmented perspectives and psychological theories. Postmodernism emerged after World War II and further challenged conventions through genres like the absurd and antinovel. Theorists like Lyotard and Baudrillard analyzed how postmodernism questions metanarratives and the distinction between reality and simulations.
POSTMODERNISM
1) Postmodernism rejects the idea that there is objective truth and reality, instead believing that truth is subjective and based on individual interpretation.
2) It critiques modernism's belief in grand narratives, rationality, and absolute knowledge, instead embracing uncertainty, irrationality, and subjective experience.
3) Postmodern thinkers like Foucault argued that truth is defined by the specific contexts in which we exist rather than being universal, leading to a rejection of objective reality.
The Romantic Movement
The Romantic Movement was a revolt against classicism and rationalism in the late 18th and early 19th centuries. Romantics valued emotion, individualism, nature, and history over order and reason. They stressed imagination and spontaneity in their literature, art, and music. Some key figures were Wordsworth, Coleridge, Delacroix, and Beethoven.
Postmodernism
Postmodernism emerged in the late 20th century as a departure from modernism, characterized by a distrust of grand theories and ideologies. It began as a reaction against modernism in the 1970s, rejecting dogma and principles of established modernism. The term was first used in the late 19th century in various fields like painting and religion to describe changes beyond previous movements. Postmodernism applies to many artistic and literary movements that reacted against tendencies of modernism under capitalism. Postmodern literature relies on techniques like fragmentation and uses unreliable narrators.
Modernism overview pptx
Modernism emerged between 1914-1945 in response to major events like World Wars and the Great Depression. This led artists and thinkers to recognize that the stable, orderly world of the 19th century no longer existed. Modernist works portrayed a pessimistic view of a culture in disarray without traditional values or centers. They focused on individual subjectivity, alienation, and humanity's loss of meaning and purpose in a new relativistic universe. Common themes included despair, violence, discontinuity with history, and a sense of living in a wasteland.
Postmodernism features
The document discusses key themes and devices of postmodern literature, comparing it to modernism. Postmodern literature continues modernism's tendencies of alienation, discontinuity, and social individualism. It focuses on fragmentation, pastiche, and presenting unordered universes. Postmodernist critics like Jacques Lacan and Michel Foucault were academically trained in philosophy including Nietzsche, Marx, and Heidegger. The term "postmodernism" began being used in literature in the 1960s to describe styles like "black humor" and "fabulism".
Modernism in a Literature.
This document defines and discusses Modernism in literature. It began in the late 19th/early 20th century in France and spread to England and America. Modernist works were influenced by developments in fields like physics, psychology, anthropology and used techniques like stream of consciousness. Modernist literature features unconventional structures, a breakdown of conventions of time and space, and a focus on individual experiences over social values. It includes styles like Imagism, Symbolism, and Expressionism. Prominent Modernist writers mentioned include James Joyce, Virginia Woolf, William Faulkner and T.S. Eliot.
Postmodernism
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Postmodernism
The PPT throws light on these aspects viz, Postmodernism as a theory and as a movement, thematic features, characteristics, issues and problems in a nutshell.
Modernism
Modernism was a literary movement between 1915 and 1965 that rejected traditional forms and conventions. Modernist writers experimented with stream of consciousness writing and non-linear structures to challenge readers. They consciously warped traditional forms to create something new and rejected realism and naturalism. Modernist works often have a pervasive sense of doubt and darker themes as the writers challenged everything from point of view to the nature of the hero.
Postmodernism
The document provides an overview of modernism and postmodernism in architecture from the late 19th century to the mid-1990s. It discusses how the Industrial Revolution led to new building materials and styles like iron, concrete and glass constructions. Modernism emerged in the early 20th century with architects like Le Corbusier, Mies van der Rohe, and Gropius establishing the International Style characterized by rectilinear forms. Postmodernism arose in the 1960s-70s as a rejection of modernism's austerity, reintroducing ornament and historical references. Key figures discussed include Robert Venturi, Philip Johnson, Charles Moore, and Michael Graves.
Classicism
Classicism refers to the admiration and imitation of ancient Greek and Roman styles and forms. During the Renaissance, classicism saw a revival as humanists collected and studied classical works. This led to the formation of schools of art and music applying classical orders of architecture and proportions. In the 17th-18th centuries, classicism strongly influenced French and English literature, exemplified by playwrights like Shakespeare, Jonson, and Racine adhering to Aristotle's rules of drama. In architecture, classicism developed during the Renaissance based on the writings of Alberti and Brunelleschi's works, employing classical columns and orders.
Postmodernism
.A run down of PoMo which can be covered in a 1 hour lesson, an enrichment for those not doing the Po-Mo option
John ruskin
John Ruskin was the leading English art critic of the Victorian era, also an art patron, draughtsman, watercolourist, a prominent social thinker and philanthropist.
Modernism In Literature
The document provides an overview of literary modernism in the early 20th century. It defines modernism as an international movement characterized by experimentation with form and a rejection of absolute knowledge. The document lists some key dates and developments in modernist literature, painting, music, and thought. It discusses some of the major themes, techniques, and influential figures of modernism, including a rejection of tradition, focus on individual experience, and interest in the unconscious and primitive cultures.
Postmodernism
Postmodernism emerged in the late 20th century as a departure from modernism in the arts, characterized by the mixing of different styles and genres, self-referentiality, and skepticism of absolute truths. Postmodern works blur fiction and reality, use appropriation and pastiche, and bring together high and low cultural forms. In film, postmodernism subverts narrative conventions and challenges notions of genre, time, and social divisions through works like Pulp Fiction that combine styles from different eras.
John ruskin
John Ruskin was an English art critic and social thinker from 1819-1900 who had a significant influence on architecture in Victorian England. He championed Gothic architecture and medieval styles over classical styles, helping spark the Gothic Revival. Ruskin believed that architecture should incorporate handcrafted details and reflect local culture and history. He articulated seven principles or "lamps" of architecture - sacrifice, truth, power, beauty, life, memory, and obedience. Ruskin rejected mass production and the loss of craftsmanship, instead valuing individual artistry. His writings shaped aesthetic tastes and values in Britain by linking art to morality and spiritual health.
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Modernist Photography emerged in Australia between 1920 and 1970 as an international artistic movement influenced by Modernism. Modernism sought to depict a forward-looking vision of the 20th century through abstraction and functional design. Modernist Photography broke with past conventions to freely capture the modern city, industrialization, and everyday life through a determined artistic attitude. Key Australian modernist photographers included Max Dupain, who famously photographed Sydney landmarks like the Harbour Bridge and Opera House under construction to represent Australia's progress and changing urban landscape.
Modernism And The Bauhaus
1) The Bauhaus school was established in 1919 by architect Walter Gropius with the aims of integrating the fine arts and applied arts through teaching and addressing concerns about craftsmanship and mass production.
2) Artists like Laszlo Moholy-Nagy and Man Ray experimented with photography at the Bauhaus, creating abstract images through techniques like photograms that explored elements of space, movement, time and structure.
3) Other artists mentioned who created photograms using the emerging photographic medium include Floris Neusuus, Megyik Janos, Marcelyn Gow, Gottfried Jager, and Christian Schad.
Post modernism powerpoint
1. Postmodernism emerged in the period following World War II and is characterized by a shift away from modernist paradigms.
2. Key aspects of postmodern art discussed include the rejection of notions of progress, originality, and the death of the artistic aura. Postmodern artists sought to transfer the aura through performance, installation, and conceptual works.
3. The document traces the development of modern art movements like cubism, abstract expressionism, and conceptualism and discusses how postmodern theorists have analyzed language, culture, and the mind.
History Of Photography Presentation
The history of photography began in ancient times with the use of camera obscuras to project images. In the early 19th century, Nicéphore Niépce and Louis Daguerre developed early photographic processes allowing the creation of permanent images. William Henry Fox Talbot's invention of the calotype process in the 1840s allowed for the mass-production of photographs. In 1888, George Eastman introduced the Kodak camera, making photography widely popular. Throughout the 20th century, technological advances such as roll film, 35mm cameras, and digital cameras transformed photography.
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2) Realism sought to represent subjects truthfully and avoid artistic conventions through works depicting ordinary contemporary life.
3) Impressionism originated among Paris-based artists and used vivid colors and real-life subjects to capture fleeting visual impressions.
4) Post-Impressionism extended Impressionism through thicker paint application and greater emphasis on geometric forms and unnatural colors.
Chapter 2 the search for truth
The document provides an overview of the development of photography and realist painting from the early to late 19th century in Europe and America. It discusses key figures and works that advanced realism and naturalism in art, moving from romanticized depictions to more objective styles influenced by photography. These include Daguerre, Niepce, Courbet, Manet, Monet, Degas, and Eakins among others. It also covers the emergence of impressionism from realism and its rejection of academic styles in favor of capturing fleeting visual impressions of light and motion.
20s Realism
American art underwent important changes in the 1920s. As more Americans could afford to buy art, sixty new museums opened and Americans learned about serious art. Known as the Ashcan school, American Realist artists sought to portray everyday American life in a realistic style rather than idealized scenes. They depicted urban scenes and immigrants in New York City. A 1913 exhibition introduced modern European styles like Cubism to Americans, though they were initially controversial. American artists like Charles Demuth and Georgia O'Keeffe began producing works in these new styles.
Chapter 15 american art before world war ii
This document provides an overview of American art before World War II. It summarizes key artistic movements and artists of the time period. The 1920s saw the rise of regionalism in response to a search for national identity. The Great Depression of the 1930s dominated the arts and saw government support for art projects. Photographers like Riis, Hine, Stieglitz documented social issues. Modernist painters like Dove, Hartley, and O'Keeffe experimented with abstraction. Regionalists like Benton and Wood captured American scenes and culture.
AGNY Study Pack # 1Tenth Street Studios, 51 West 10th .docx
AGNY Study Pack # 1
Tenth Street Studios,
51 West 10th 1857-1956
2
The Heart of the Andes, 1859 Frederic Edwin Church
3
William Merritt Chase, Interior of the Artist’s Studio, 1882
4
James Abbott McNeill Whistler, Nocturne in Black and Gold: The Falling Rocket, ca. 1875
5
Cassatt, Little Girl in a Blue Armchair, 1878
6
Tanner, View of the Seine Looking Toward Nôtre Dame, 1896
7
Romaine Brooks,
Self-Portrait, 1922
8
Hopper, Steps in Paris, 1906
9
Edward Hopper: The Paris YearsFebruary 22 - June 1, 2003ﾊEdward Hopper was the J.D. Salinger of American painters, an extremely private man who granted few interviews. Much of what scholars know about his work comes from his wife Jo Nivison-Hopper's journals. Edward Hopper: The Paris Years, organized by the Whitney Museum of American Art of New York, provides a tantalizing look at the early work of one of America's best known figurative painters. The exhibition of 45 paintings and 10 works on paper opens at Charlotte, NC's Mint Museum of Art on February 22 and runs through June 1, 2003. (left: Edward Hopper (1882-1967), Steps in Paris, 1906, oil on wood, 13 x 9 3/16 inches, Collection of the Whitney Museum of American Art, New York, from a 1970 bequest from Josephine N. Hopper)Hopper said little about even his most accomplished paintings, believing the work should speak for itself. Scholars have been left to speculate on influences on his career, from his realist art instructors Robert Henri, William Merritt Chase andKenneth Hayes Miller at the New York School of Art to the psychological reaction of a young man raised in a small town coming to grips with isolation and loss of community in the urban modern age that was New York City at the turn of the century. The answer may be found in Paris, in verse rather than on canvas. (right: Edward Hopper (1882-1967), Notre Dame, No. 2, 1907, oil on canvas, 23 1/2 x 28 3/4 inches, Collection of the Whitney Museum of American Art, New York, from a 1970 bequest from Josephine N. Hopper)Edward Hopper's early talent for drawing and painting was encouraged by his mother Elizabeth. The family's middle class concern for his future financial security influenced Edward to attend The New York School of Illustrating before transferring to the New York School of Art. Hopper would work more than fifteen years as a commercial illustrator, work that he despised. His skill at painting watercolors, however, is attributed to the years spent as an illustrator. He was able to master strokes with the brush and had a remarkable eye for being able to adjust a composition to where it would have the most immediate anddramatic impact on the viewer.After six years of study at the New York School of Art, Hopper left for France in October, 1906. His Paris studies coincided with an exciting era in the history of the Modern movement. Hopper, however, was untouched by Fauvist and Cubist art popular at the time, continuing instead to follow.
AGNY Study Pack # 1Tenth Street Studios, 51 West 10th .docx
AGNY Study Pack # 1
Tenth Street Studios,
51 West 10th 1857-1956
2
The Heart of the Andes, 1859 Frederic Edwin Church
3
William Merritt Chase, Interior of the Artist’s Studio, 1882
4
James Abbott McNeill Whistler, Nocturne in Black and Gold: The Falling Rocket, ca. 1875
5
Cassatt, Little Girl in a Blue Armchair, 1878
6
Tanner, View of the Seine Looking Toward Nôtre Dame, 1896
7
Romaine Brooks,
Self-Portrait, 1922
8
Hopper, Steps in Paris, 1906
9
Edward Hopper: The Paris YearsFebruary 22 - June 1, 2003ﾊEdward Hopper was the J.D. Salinger of American painters, an extremely private man who granted few interviews. Much of what scholars know about his work comes from his wife Jo Nivison-Hopper's journals. Edward Hopper: The Paris Years, organized by the Whitney Museum of American Art of New York, provides a tantalizing look at the early work of one of America's best known figurative painters. The exhibition of 45 paintings and 10 works on paper opens at Charlotte, NC's Mint Museum of Art on February 22 and runs through June 1, 2003. (left: Edward Hopper (1882-1967), Steps in Paris, 1906, oil on wood, 13 x 9 3/16 inches, Collection of the Whitney Museum of American Art, New York, from a 1970 bequest from Josephine N. Hopper)Hopper said little about even his most accomplished paintings, believing the work should speak for itself. Scholars have been left to speculate on influences on his career, from his realist art instructors Robert Henri, William Merritt Chase andKenneth Hayes Miller at the New York School of Art to the psychological reaction of a young man raised in a small town coming to grips with isolation and loss of community in the urban modern age that was New York City at the turn of the century. The answer may be found in Paris, in verse rather than on canvas. (right: Edward Hopper (1882-1967), Notre Dame, No. 2, 1907, oil on canvas, 23 1/2 x 28 3/4 inches, Collection of the Whitney Museum of American Art, New York, from a 1970 bequest from Josephine N. Hopper)Edward Hopper's early talent for drawing and painting was encouraged by his mother Elizabeth. The family's middle class concern for his future financial security influenced Edward to attend The New York School of Illustrating before transferring to the New York School of Art. Hopper would work more than fifteen years as a commercial illustrator, work that he despised. His skill at painting watercolors, however, is attributed to the years spent as an illustrator. He was able to master strokes with the brush and had a remarkable eye for being able to adjust a composition to where it would have the most immediate anddramatic impact on the viewer.After six years of study at the New York School of Art, Hopper left for France in October, 1906. His Paris studies coincided with an exciting era in the history of the Modern movement. Hopper, however, was untouched by Fauvist and Cubist art popular at the time, continuing instead to follow.
The French Art Nouveau Movement And The International...
The document discusses the French Art Nouveau movement and the International Typographic Style and how they reflect their social environments. It provides examples of works that demonstrate the techniques and qualities of each style - Henri de Toulouse-Lautrec's 1891 poster "La Goulue au Moulin Rouge" represents Art Nouveau, while works by Josef Müller-Brockmann and Carlo L. Vivarelli represent the International Typographic Style. The document then discusses characteristics of "La Goulue au Moulin Rouge" and how it exemplifies qualities of Art Nouveau style.
Chapter 15 globalism 20 21st century
Satellite television, the internet, and colonialism helped drive the evolution of globalism. Several key figures and events influenced changes in racial equality, gender equality, and other social movements in the latter half of the 20th century, including Martin Luther King Jr., the women's movement, and the gay rights movement. Abstract Expressionism emerged as the dominant art movement in the 1940s-1960s in New York, pioneered by artists like Jackson Pollock, Willem de Kooning, and Franz Kline who experimented with action painting and color field techniques.
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AGNY Study Pack # 1Tenth Street Studios, 51 West 10th .docx
AGNY Study Pack # 1Tenth Street Studios, 51 West 10th .docx
AGNY Study Pack # 1Tenth Street Studios, 51 West 10th .docx
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The French Art Nouveau Movement And The International...
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Modernism
- 1. The European and American artistic world that came about between 1890 and 1920
- 2. Professor Jeffery B. Cooks IR376: History of Modern Europe By: Rozelyn N. Parker 03 August 2008
- 7. The pedestal of Statue of Liberty Carnegie Hall Metropolitan Museum of Art Metropolitan Museum of Art Biltmore Estates U.S. Naval Observatory
- 8. The Card Players, 1890’s Paul Cézanne
- 9. Pablo Picasso (1881 – 1974) These portraits are Picasso’s early paintings starting from 1895 to 1909. A Spanish child prodigy well gifted in the arts was well known for his art throughout in his life time. Picasso’s late paintings are known as “neo expressionism” , which was discredited before his death, but later recognized as art before his time.
- 11. The Scream is, as Edvard Munch said himself, "a bitterly earnest scene — and a child of sleepless nights, which have taken their toll in blood and nerves". From around 1889 onwards, Edvard became increasingly depressive, suffering from occasional fits of terror. Yet, by the age of seventeen, he had discovered another language with which to express his feelings of desperation: painting. It promised relief, consolation and hope. Edvard Munch Death in the Sick-Room 1893/94 Painted after the deaths of his mother and sister.
- 13. Arts and Crafts: A movement that sought to restore the medieval tradition of handicraft in reaction to the spread of mass production, originating in late 19th century Great Britain. Designs were based on simple forms and natural materials, as much for purposes of social reform. In America, the movement became less an idealization of the skilled craftsperson than a democratic interest in embedding the honest, simplicity in everyday high-quality design. American
- 14. By far the most significant event in the history of amateur photography was the introduction of the Kodak #1 camera in 1888. Invented and marketed by George Eastman (1854–1932)
- 15. “ Art is not so much a matter of methods and processes as it is an affair of temperament; of taste and of sentiment. . . . In the hands of the artist, the photograph becomes a work of art. . . . In a word, photography is what the photographer makes it—an art or a trade.” William Howe Downes, 1900
- 16. The Beginning of the 1900’s
- 17. Now realism was ‘reality’. Capturing one’s thought and vision in a photography. ALFRED STIEGLITZ. Waiting for the Return, c. 1895.
- 18. Motion Pictures
- 21. The fast pace of technology, entertainment, and art moved swiftly throughout the end of the 19 th century and beginning of the 20 th century. The art revolution created a new era of idealist; photography, and motion pictures gave people visions of what awaited on the other side of the world. Like the internet as done for us. The world is forever changing and as well as modernism. Rozelyn Parker