Making the radio trailer music
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Kelly Hockaday selected an apple loop bass track to use as background music for a radio trailer. She added guitar and piano loops to make the music unique. By adjusting sound levels and fading out the music after the voice over, she was able to create music that attracted the target audience while reflecting the documentary's tone.
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Making a radio documentary
A radio documentary is a non-fictional radio program that provides an in-depth exploration of a particular topic through a mix of commentary, interviews, and audio clips. It aims to present facts and reality without fictional elements. Producing a radio documentary involves roles like a director/producer, researcher, interviewer, and editor. Strong research, thoughtful interview questions, and skilled editing are essential to creating an engaging radio documentary.
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The document summarizes Lauren Morgan's editing process for a music video and album packaging. It describes renaming video files for easier navigation, using subtle transitions like clip dissolves and fades to black/white to link scenes and reflect the song's mood. For the album packaging, Morgan increased contrast and brightness on images, erased distractions, changed fonts for clarity and added explanatory text about the band to interior pages.
Edits
The document summarizes Lauren Morgan's editing process for a music video and album packaging. It describes renaming video files for easier navigation, using subtle transitions like clip dissolves and fades to black/white to link scenes and reflect the song's mood. For the album packaging, Morgan adjusted colors, contrast and fonts on cover images, added a black background and text layouts. Information on the band was also included for context.
Sound editing
Josh Rose created a two-minute audio sequence to accompany his final film project by editing a four-minute backing track. He used cross fades and cuts to piece the track together within the required time and ensured the music communicated with the visuals by matching piano beats to shot cuts. He also experimented with diegetic sound effects by lowering the music volume during a lighter clicking sound effect and fading the tracks in and out smoothly. The lighter and fire creation sounds were placed on the voice track and increased in volume over the lowered music.
6. production reflection
The document summarizes the production process of Adele Rolf's podcast. It discusses how she organized audio files onto multiple tracks for layout and editing. Effects were added to voices and music was faded in/out or overlaid at various points to enhance the listening experience and keep the podcast interesting. Volume levels were manually adjusted throughout to maintain consistent audio balance.
Sound journal
The document discusses the sound design aspects of a documentary film project created by Minoli De Silva and Alice Lupton. It explains that they divided the sound role between them to gain experience and evenly distribute the workload. They needed to record a voiceover, find background music, and ensure consistent sound levels across interview clips recorded in different locations. Holly Essex recorded the voiceover. Sound levels were adjusted for each interview clip to be within the proper range. Upbeat ukulele music was used for the background to set a positive tone. Only one typing sound effect was used. While matching sound levels across clips took time, overall sound issues were minor and easily addressed.
Jack dixon review
The document summarizes a radio program review for an assignment to create demos for different types of radio. The student created a Friday night dance/house music show for broadcast radio at 8pm, targeting 18-24 year olds going to clubs. They considered conventions of similar shows and included some underground songs. The software made it easy to mix tracks, play songs at the right volume, and avoid errors. While the song selection worked well, the student felt there could have been more varied speech between songs to make the show more engaging.
Evaluation question 1
The document describes the various elements used in creating a music video and accompanying media products for a rock song. It discusses the locations, costumes, props, lighting, camera techniques, editing, narrative, target audience, digipak design, and website design. Key conventions and influences discussed include using dark locations and costumes to match the rock genre, natural lighting with color correction, a range of shots and editing techniques, and including photos, track listings, and band information based on examples of other music videos and album packaging. The target audience is identified as people aged 16-40, primarily males.
Audio pro forma
The audio story tells a ghost story about Humpty Dumpty. It uses sound effects like cracking eggs and screaming to support the story. Different voices are used for characters to distinguish them. While the sound effects help the story, the author feels they could have added more detail. More focus on the target audience also could have improved audience appeal. Overall, sound effects engage the listener but leaving some room for enhancement in future projects.
Production experiments - FMP
Joy Buck conducted experiments using GarageBand to create music, record voice tracks, and produce ads/sponsorships for a talk show. In the music experiments, Joy created intro/ending songs using various instruments and effects. For the voice experiments, Joy recorded voice tracks for different talk show hosts and guests, manipulating voice qualities to characterize each person. In the ad experiment, Joy produced a nursing home ad using acoustic guitar and spoken word to match the caring theme. In the reflection, Joy plans to incorporate rhythmic sequences, theme picking, and accents in the final product to engage the audience.
Podcast.pptx............................
The document summarizes the process of editing a podcast in Adobe Audition. It describes importing audio, cutting unnecessary sections, adding markers, finding music, adding intro/outro music, adjusting levels, and testing. Feedback was received recommending adding more to the ending. The creator added a re-recorded ending mentioning the band's social media and music, and also added a sign off mentioning who produced the podcast.
Music for the documentary
The document discusses Karen Pang exploring documentary music to find suitable pieces for an upcoming documentary. Karen describes listening to and analyzing several documentary music tracks from a website, including "Beyond the Blue", "Evergreen", and "Lost Garden". Karen also discusses creating some of her own instrumental music tracks in GarageBand to have options to choose from for the documentary, including beats made with acoustic guitar.
Post production sound
The document discusses post-production sound editing for a film trailer. It describes choosing an instrumental hip hop song by Lethal Bizzle that fits the trailer shots and target audience. The sound editor used Final Cut Pro to fade between diegetic dialogue and non-diegetic soundtrack, adjusting volumes to keep the dialogue clear. Feedback indicated the trailer lacked tension, so the editor built it up by fading out the music, focusing on diegetic sounds, and then fading in a heartbeat with shorter shots.
Reubens radio programme review
The document summarizes the process of creating two radio shows for different audiences. For the first show aimed at college students, the creator conducted a survey to determine students preferred a variety of music genres. For the second show created for Tesco shoppers, music was selected by analyzing the genres played on other retail store radio stations. The creator used editing software to create jingles and practiced using the studio equipment to minimize dead air during recordings. While some improvements could be made, like reducing dead spots between songs, the shows engaged the target audiences through music selection and on-air discussions.
Radio programme review
The document summarizes a student's experience producing two radio shows for different audiences. For the first show aimed at college pupils, the student created a survey to determine the target audience preferred a variety of music genres. For the second show promoting products at Tesco, the student researched songs that fit the target customers and practiced using studio equipment to minimize dead air during broadcasts. While parts of the recorded shows could have been improved, the student believes both shows would appeal to their intended listeners.
SS4
The document describes the various editing techniques used to create a short film, including:
- Cropping and locking music to fit the desired emotion
- Speeding up or slowing down footage to match the music
- Adding cross dissolves between the first three clips
- Adding additive dissolves between still images to create a flashbulb effect
- Locking and muting original audio from film clips
- Adding a title page with a quote from Thomas Carlyle
- Fading the title page into the first clip with a film dissolve
- Rendering pieces together to make edits and changes easier
- Fading out the ending of the music with a constant gain audio transition
- Adding a dip
Question 8
The document analyzes the use of sound and music in the trailers for Horrible Bosses 2 and San Andreas. For Horrible Bosses 2, the trailer uses contrasting dark then upbeat music to shift between serious and comedic tones. Dialogue with rhymes and references to the previous film enhance comedy. San Andreas uses a slow, ominous version of "California Dreaming" to build suspense without effects initially. Slow music and shots maintain tension, while voiceover at the end enhances realism and draws the audience in. Both trailers effectively employ music and sound design to engage audiences in their respective genres.
Film Soundtrack Production Analysis
Harry Allinson produced a soundtrack for his film that featured fantasy and time travel elements. He used automation tools in GarageBand to fade layers and manipulate reverb and EQ over time to create atmospheric transitions between sounds. While the soundtrack featured a variety of instruments like synths and beats that flowed well together, Allinson notes it could be improved with more diverse segments, extended atmospheres, and variation in the core melody to better suit the film's mystical themes. Overall, he was pleased with how the contrasting dark and uplifting sounds reflected the film's tone but sees room for refinement.
6. Production Reflection (audio)
The document describes Tamzin Twose's process of creating intro and outro music tracks and sound effects for her podcast. She initially tried to create tracks using beepbox.co but found it too difficult. She then sourced music from Bensound.com that she edited down and used for her intro and outro. She recorded her voiceovers and added sound effects between sections. After multiple iterations of editing and mixing the audio clips, she assembled the final podcast product in Adobe Premiere Pro.
Research and Effects
The document discusses various creative and technical choices made in developing a music video. It describes selecting typical clothing for the female character to make her relatable. It also discusses taking style influences from the band Arctic Monkeys. Various locations were chosen to depict realistic urban streets while contrasting with a nice house. Quick cuts and black and white were used to depict memories and create tension. Effects like color passes, cross dissolves, and reversing clips were applied to achieve specific narrative and aesthetic goals.
Music Research
This document discusses different music genres and their effects, and provides examples of how music is used in film trailers. It notes that genres like jazz, classical, pop, rock, and gospel can be used separately or combined. Classical music creates an old-fashioned effect and elegance, while gospel gives a heavenly aspect. Film examples demonstrate how music rises and falls with dramatic moments. The document concludes that for the author's own production, they will use a range of instruments and classical and gospel genres to match different scenes and create gentle and tense tones.
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Making the radio trailer music
- 1. Making the radio trailer music Kelly Hockaday
- 2. First I selected an apple loop that I thought would make a nice bass to play as the background song. I dragged it onto the work area and spread it across so it was just longer than the voice over so it would play through out the trailer
- 4. I added some guitar and piano loops over the bass to make the music unique and my own. I found the three sounds above worked well together. The use of bass, similar to mainstream music will attract the attention of our target audience whilst the soft and serious sounds reflect the tone of our documentary.
- 5. I was able to use the above button to adjust the sound levels and clicking on a pint on the yellow line allows me to change the volume of the sound throughout the trailer. I was able to make the song slightly louder over the voice over as well as bringing down the volume for audio clips from the documentary that are featured in the documentary.
- 6. Here I have faded out the music after the voice over at the end of the trailer