Lyric ideas
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The document provides lyric ideas and concepts for a music video to accompany the lyrics. It describes scenes of a female artist practicing her lyrics and walking confidently through an alleyway and woods while lip syncing. It then shows her competing in a basketball game against a male artist, with cuts between the game and her continuing to lip sync in different locations. Through the competitive game and her confident performance, she asserts herself as the "boss" and in control until she ultimately wins the game at the end.
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A2 Media Studies: Existing Music Video Analysis - All Time Low
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The document outlines a 5 day shooting schedule and location plan for a music video. Day 1 would involve filming in an alleyway with just the artist and camera crew. Day 2 would take place at an arcade, filming a narrative scene between the artist and a rival, with the full crew. Day 3 would film performance elements in Ruislip Woods with just the artist and camera crew, using smoke bombs as a prop. Days 4 and 5 would film additional scenes at a playground and house with the full crew. Adjustments between filming days would focus on better organizing cast, checking weather, and potentially refilming scenes to improve lip syncing or get different shots.
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The document summarizes the health and safety plans for a film shoot in Ruislip, London on December 17th-18th. It notes that filming locations will be an arcade, alleyway, and Ruislip woods. Equipment will include cameras and props handled by members of Passion Productions and actors. Hazards include injuring others in busy areas, isolation dangers, and falling trees. Smoke bombs and paint bombs will only be used in isolated areas away from the public. Equipment will be carefully stored in protective cases when not in use, and stored overnight at a group member's home.
Digipak layout
The front cover of the album features a picture of the artist's face along with their name and the album title. The inside pages contain pictures related to the themes of the album and lyrics to the songs. The back cover lists all the songs included on the album.
Ancillery task poster layout
This document contains information about an artist including their name, a main song or album, any sponsors, and additional details. An image of the artist is also included.
Real Media Research
The document discusses characteristics of pop music videos based on analysis of several songs. It finds that pop videos commonly include: narrative storylines; depictions of performers and audiences as happy through dancing, bright lighting, and mainstream fashion; lyrics about relationships and love; and elements meant to engage teenage audiences through themes like romance, everyday life, and high-energy rhythms portrayed through editing techniques. Characteristics like surprise elements and depictions of action are also discussed in the context of relating to modern audiences.
Target audience psychographic profile
Bob is a young person living in an urban area suburbs who enjoys spending time with friends going to the cinema or hanging out. He wears branded, expensive fashion and dislikes classical music, preferring pop artists like Coldplay for their interesting themes. Bob aspires to be a Formula 1 driver like his hero Lewis Hamilton and spends his money on trendy clothes, shoes, and fitness equipment. Maintaining his car and gym membership are most important as they reflect his hobbies and future goals. In his spare time, he watches teen dramas and popular shows like Game of Thrones.
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The document analyzes the results of a survey about music video preferences. It finds that the target audience is ages 15-25, most interested in pop music. Respondents watched 5-10 music videos per week on average and music videos influence song purchases. Storyline, action, visual effects, and love stories are the most enjoyed video elements. The video's artist should wear casual clothes and the video should take place in an urban or woodland setting featuring a female artist to appeal to the target audience.
Ancillary task research Regan
This document summarizes and analyzes the album packaging and promotional materials for several pop albums. It discusses design elements and how they relate to pop music conventions or subvert expectations. Key aspects like color schemes, use of the artist's image, layouts, and font choices are examined for how they portray the artist and sell the music. Comparisons are drawn between albums to highlight what makes some more typical or unique within the genre.
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The document is a mood board of brand design ideas created by Luis Grifo. It contains visual concepts and inspirations for developing a brand identity through colors, fonts, logos and other graphic elements. The mood board acts as a starting point to explore different aesthetic directions for representing a company or product through visual design.
Digipak
This short document describes the layout of a lyric book or album. It lists Front Cover on the outside left page, Disk on the inside right page, and Back Cover on the outside right page.
Ancillary conventions
This document discusses conventions found in magazine advertisements, album covers, and digipak packaging. For magazine advertisements, common conventions included the artist's name, album/single name, main image, website, and what is being advertised. Album covers generally included the artist's name and album name on the front, and a tracklist, record label, barcode, website, and copyright information on the back. Digipak spines typically list the artist, album name, and a code, while interiors continue themes and colors from the covers.
Ancillary research
This document discusses how artists create synergy between different media to promote their brand. It analyzes several bands' album covers, music videos, and websites to see how they maintain a consistent style and atmosphere. Radiohead, for example, uses a cold, abstract aesthetic across their album "OK Computer" and website. The Arctic Monkeys maintain a simple black-and-white style in their "AM" album artwork, videos, and website. Artists aim to make all aspects of their image easily identifiable to audiences.
Mise En-Scene Planning
The document outlines the mise-en-scene plan for an indie music video for the song "Everywhere I Go" by Lissie. The video will feature the artist Cerys having fun with friends in locations around London like Camden and an arcade to convey her personality. A stalker character played by Blixa Aguerreberry will represent the lurking danger mentioned in the song by stalking Cerys without showing his face. Cerys will wear simple indie-style clothing like mom jeans, jacket, and natural makeup and hair to develop her image for the audience.
Pitch
This group's music video project features the song "Everywhere I Go" by Lissie, reinterpreted in an indie genre style. Their artist, Cerys George, is a new female indie singer whose image they aim to craft as relatable. The video will have a narrative of Cerys being stalked by an ex, amplifying the song's lyrics of "danger will follow". Stylistic influences include walking montages and filters similar to other indie videos. They will create synergy across the video, digipack, and poster to help establish Cerys' image for their target teenage indie audience.
Ancillary Research
The document discusses research conducted on indie artists' websites and album covers in order to inform the marketing of an artist named Cerys. It examines several indie bands' online presence and physical media to understand conventions of the genre. Key findings include the importance of consistency across websites and album covers to build an artist's recognizable identity and the use of websites to share news, music and tour dates to engage fans.
Audience survey results
We conducted a survey of 500 people who had attended our last event. Most respondents said they enjoyed the speaker and found the topic interesting and informative. However, 40% said the venue was too small and crowded. For future events, respondents recommended booking a larger venue to accommodate more people comfortably.
Ancillary
The document discusses analyzing various artists' branding across different mediums such as music videos, websites, and album covers. It examines several indie artists, including Haim, Nina Nesbitt, The Neighbourhood, and Bat for Lashes. For each, it analyzes how their website and album covers relate to each other and portray the artist's image, noting things like consistent themes, colors, and styles. It stresses that creating synergy between an artist's various products through a consistent theme makes it easier for audiences to recognize their brand.
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The document provides planning details for a music video production, including:
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Sent out to all collaborators through email attachment. This is my written treatment which is to give my actors and helpers some information prior to filming.
Music video treatment
This document provides a treatment for a music video for the Blur song "Badhead." It consists of a narrative portion and performance portion by the band. The narrative follows a character named Sam who is feeling empty and directionless. Scenes show him lying in bed and bored in his living room. The performance portions feature the band lip syncing with close-ups of their instruments and scruffy clothing to match the downbeat mood. Shots alternate between the narrative and performance to contrast the emptiness of the story with the band's livelier performance. The video aims to represent the song's genuine lyrics through a claustrophobic and dimly lit style while also entertaining viewers with the band's performance.
Music video treatment
This document provides a treatment for a music video for the Blur song "Badhead". The treatment calls for intercutting between performance shots of the band and narrative shots telling a story. For the performance shots, the band will be shown lip syncing with close-ups of the instruments and band members. For the narrative, an actor will be shown lying in bed and sitting bored in his empty living room, signifying a lack of direction in his life to match the mood of the downbeat song. The video aims to balance the performance with the narrative through isolating the two elements and focusing camera shots on conveying the song's emptiness and boredom through claustrophobic framing.
Analysis Of Existing Products
The document analyzes conventions in R&B music videos. It discusses how R&B breakup videos typically feature flashbacks in black and white, rough camerawork to convey emotion, and showing the main characters with their social groups. The locations usually change with each verse before ending in a contrasting location. Slow pans are also used to fit the rhythm of the song. Color shots from the past further the narrative. This is contrasted with rock/indie breakup videos which have faster pacing, rougher camerawork and cuts, and more emphasis on band performance.
James bay presentation
The document provides information about James Bay's song "Best Fake Smile" including the lyrics and genres it falls under such as indie pop. It then discusses the concept and target audience for a proposed music video for the song. The concept would follow a female protagonist who breaks free from a strict lifestyle imposed by her parents through changes to her costume, makeup, hair, and location. It would show her progression through closeups. Conventions like matching lyrics to visuals through actions and changing aspects based on the music's tempo would also be used.
Music 2010
This document provides an overview of a music presentation from the 2010s. It lists the top 10 hits from 2010 and provides the lyrics for some of the songs, including "Wavin' Flag" by Knaan, "Waka Waka" by Shakira, and "We No Speak Americano" by Yolanda Be Cool. The presentation aims to showcase popular music from that time period for enjoyment.
Music video treatment
The music video treatment is for the song "Figure.09" by Linkin Park. It will tell the story of a teenage protagonist who encounters a supernatural figure. Throughout the night, the figure stalks the man in his bedroom and around his neighborhood. The man tries to escape by running into a nearby woodland area. During the climax of the song, the man is able to overcome the figure's possession and banish it, though it remains unclear if the threat is truly gone. The video will feature gritty scenes of the band performing in a garage as well as locations showing the man's paranoia and encounters with the figure.
Media presentation
The document outlines a student's proposed music video for the song "Moving On" by the band Steriogram. The student proposes shooting narrative scenes of a man acting out and getting into trouble after a breakup, intercut with performance scenes of the band playing. The video aims to have an upbeat, comedic tone despite the unfortunate events, and ends with the man finding solace playing music with friends again.
Actors, Costume, Props
The document discusses casting choices for a music video. Rowan Elwell was chosen as the lead male role of "the clown" because of his acting experience and ability to develop his character. Jasmine Stickley was chosen as the lead female/antagonist role because she is a skilled dancer and trained actress. Both actors are within the target age range and appearance. Costumes were selected to reflect the target audience and differentiate between conceptual and narrative scenes. Props like a necklace and flowers will symbolize the relationship and its deterioration over the video.
Selena gomez
Selena Gomez's song "The Heart Wants What It Wants" describes her struggling with her emotions in a relationship. The introduction shows her alone and feeling lonely as she deals with the situation by herself. Throughout the song, she expresses that there are reasons she should end it but her heart wants to stay with her boyfriend despite becoming unhappy. In the video, she is shown crying while unable to escape the relationship. Near the end, it depicts happy memories with him but acknowledges there won't be a happy ending. The song expresses that she can't imagine life without him, even as she knows he isn't good for her.
All I Want by Kodaline Music Video Analysis
The document provides a detailed analysis of the camera shots, sound, mise-en-scene, and editing techniques used in a music video. It notes that close-ups are used to show the isolation of the main character and the judgmental expressions of others. Shots also establish the normal office setting and convey the strong bond between the main character and his dog. The mise-en-scene depicts normal work attire and settings to show the main character can live a normal life despite his deformed face, while dark lighting sets a sad mood. Editing includes jump cuts during a fight scene and filters during park scenes to portray different atmospheres.
Task 3 music pitch
The document proposes three music video ideas for songs:
1) "Six Billion" by Nothing But Thieves, about a psychopathic male character stalking a woman. Shots would imply loss but reveal his stalking.
2) "No Answers" by Amber Run, about a divorcing couple. Scenes would flip between their angry phone call and memories of their toxic relationship.
3) "Silk" by Wolf Alice, about a depressed woman who loves her friend, but finds out at a meeting the friend is engaged. Shots imply her daily sadness and reaction to the revelation.
Music Video Narrative Analysis
The song describes a relationship that has ended due to cheating. The singer acknowledges that the cheater cannot resist temptation and looks at the mess that has been caused by revealing the truth. Throughout the song, the hurt partner is seen crying and dancing alone on stage to express her pain, while also building strength to let the cheater go. In the end, the hurt partner kisses the cheater in an act of sabotage as the other woman discovers the betrayal, mirroring the cheater's selfish actions.
4. pre production mv
The document provides planning information for filming a music video, including visual planning, pre-production tasks, and organizational planning. It outlines pre-visualization concepts, storyboarding, and shot listing. It also includes a production group contact table and initial location information, noting permission to use a home office space and potential dog interference issues. A college backup location is also proposed.
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The document summarizes how a music video will illustrate the lyrics of the song "Dollhouse" using Goodwin's theory of music video analysis. Key points include:
1) The video will match shots to lyrics and music through techniques like changing shots when lyrics or beats change.
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Dollhouse Lyrics & Goodwin's Principles
The document discusses applying Goodwin's theory of music video analysis to a music video being created for the song "Dollhouse" by an emerging pop artist. It examines each line of the song lyrics and proposes visuals that would illustrate, amplify, or contradict the lyrics according to Goodwin's principles. These include matching the visuals and shots to the music, incorporating close-ups of the artist, using notions of looking, and making intertextual references through themes and imagery. The document aims to fit the music video interpretation closely to Goodwin's analytical framework to help establish the new artist.
Music video analysis (waiting all night)
This document provides a summary and analysis of scenes from a music video. It describes the narrative of a BMX biker who gets into an accident and loses his leg. Through close-ups and shaky camera work, the video realistically depicts his struggle with his injury and determination to get back to BMX riding. Symbolically, the final scene shows birds flying away as the main character achieves his goal of returning to his passion. Overall, the video uses its story and cinematography to send a message of overcoming hardship.
Music video pitch
The song is about a man who has realized his mistakes in his relationship and wants his girlfriend to give him another chance. He acknowledges that he hasn't been faithful and has "dug his own grave," but now wants to be honest about what he wants. He hopes that with time his girlfriend's "heart opens" and she can forgive him so they can recapture the happiness of their relationship, represented by memories of their favorite song "Chicago."
Script
The document provides details for filming a music video featuring 5 dancers. It will be filmed in a warehouse and follow Ellie venting to her friends about a boy. During the verse, Ellie will use props to speak to her friends. In the chorus, the dancers will begin an aggressive and feminine choreography while the camera uses close-ups. During the second verse, Ellie will sing alone with blurry lighting while the other dancers move aside. The bridge includes a close-up of Ellie's ringing phone displaying subtitles of a voicemail.
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This document discusses the mise en scene elements that will be used to define the creative vision and appeal to the target audience. It outlines several key locations that will be filmed at: a dark forest with a bench to convey isolation, a graveyard to represent loss and death, and a home designed to feel intimidating and uncomfortable to show the character's pain. Costumes will use specific colors - the main character in blue for sorrow and the artist in white for purity. Lighting will also be used metaphorically, with dull filters and low key lighting setting an overall tone that provides insight into the characters and how they view the world.
Ancillary Task Research
The album cover has a gritty, desaturated look with limited colors to give a serious tone. The main image is a sci-fi gun reflecting the rock genre. The band's name is printed in a minimalist, clean font. Details like fake scuffs and a neglected look portray the band as underdogs in the music world. The album and band have the same name, giving a confident air that the name is recognizable.
Ancillary pre
This document contains a track list for an album with 8 main tracks and 1 bonus track. The track list is repeated twice with the same song titles in the same order for the main tracks and bonus track.
Ancillary pre
This document contains a track list for an album with 8 main tracks and 1 bonus track. The track list is repeated twice with the same song titles in the same order for the main tracks and bonus track.
Ancillary pre
This document contains a track list for an album with 8 main tracks and 1 bonus track. The track list is repeated twice with the same song titles in the same order for the main tracks and bonus track. The album contains a variety of songs including "Bloodstream", "Without you", "Before you go", "Fast Car", "Today", "Somebody To Love", "Lather", and "Wooden Ships" with a bonus track called "When the earth moves again".
Jaymes - Real Media Research
This document analyzes and summarizes several music videos based on their genre, mise-en-scene, and message. The videos discussed include "False 9 - AJ Tracey", which promotes Tottenham Hotspur's 2017/18 kit through AJ Tracey's performance. "Side to Side - Ariana Grande" features Ariana Grande and Nicki Minaj as commercial exhibitionists promoting the Guess brand. "A-Team - Ed Sheeran" focuses on the narrative of a young girl struggling through life, with Ed Sheeran playing a minor role. "Question Time - Dave" sees Dave performing while addressing various UK political issues through background videos. "May I Have This Dance - Francis & The Lights
Individual Timeline - Olivia
The document outlines a timeline for a video that includes a voiceover reading a letter from 0.00-0.30 and 2.30-2.40, a performance by an artist from 1.00-1.20, and shots cross-cutting between the performance and someone suffering from mental health issues from 1.20-1.40.
Individual pitch - Olivia
This document outlines a rough pitch idea for a music video for the song "Revenge" by XXXTentacion. The narrative music video will follow the relationship between two friends, one dealing with mental illness, and how the friend's death from their illness affects the other. Scenes will be filmed at the home of the character with mental illness to show their private struggle, and at school to depict happier times between the two friends. Clothing will be kept casual and dark to subtly signify the character's depression and mental health issues.
Jaymes - Pitch To Group
The video will tell the story of two childhood best friends who grew apart after college, with one friend spiraling downward and taking his own life, as reflected in the song lyrics "I've dug two graves for us". The proposed artwork for the single would be in a grayscale, vintage style to suit both the melancholy nature of the song and the artist's overall style, presented neatly with minimal text on the covers.
Jaymes - Ancillary Research
The document discusses the marketing campaigns for several music albums and tours:
- Ed Sheeran's album used orange and white tones on the album cover and posters to reference his ginger hair color as part of branding him as an artist.
- Sampha's album artwork and tour poster featured simple but bright designs with calm colors to represent his soulful music style.
- Drake's "Views" album cover showed him sitting on the CN Tower but the tour poster had no imagery, though both used consistent color schemes.
- Dave's black album cover and tour poster featured the same font and black/yellow color scheme to represent the serious nature of his songs and make text stand out.
Ancillary Research- Olivia
The document discusses the album artwork and branding conventions for several artists. It analyzes how Ed Sheeran, Hozier, McFly, and P!nk use color palettes, fonts, symbols and imagery in their album covers and posters to convey aspects of their artistic style and brand. Key details like Sheeran's orange hair color, Hozier's quirky font choice, McFly's simple black and white photo, and P!nk's bright colors and tattoos are examined in terms of how they relate to genre conventions and the artists' personas.
Ancillary Rough Draft- Olivia
The poster will promote an artist's new album using similar colors and style as the music video and album to make the work recognizable. It will include tour dates to promote the album and social media links to look realistic. A blurred photo of the anonymous artist will also appear to maintain the brand of being unknown to the audience.
Og pictures used for digipak
This one sentence document appears to be referring to original tree pictures that are intended for some ancillary or secondary task. No other context is provided about the pictures, task, or purpose.
Lyric Analysis
This document outlines a plan for a music video to accompany an album. It will tell a narrative story through cinematic shots that reflect the artist's experiences with depression and relationships. It analyzes each song and section, proposing visual elements and techniques to represent the lyrics and emotions conveyed. These include flashbacks, burning photographs, and fading to white at the end to symbolize a new beginning. The goal is to help listeners feel less alone and to numb their own depression through sharing the artist's pain.
Digipack research
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
Media A2 Evaluation Planning/Draft - Alfie
The document discusses the student's media product project, which included a music video as the main product and a digipak as the ancillary product. For the music video, the student researched conventions of rap and indie music video genres. The video uses a hybrid approach, incorporating conventions from both genres such as close-up camera shots and casual clothing. For the digipak, the student researched indie rock designs and took influence from Twenty One Pilots, using bold black, white, and gray colors and artwork to communicate the album's theme of mental health and depression. The student aims to create a consistent brand identity across products but worries the somber color scheme may not appeal to a wide audience.
Media evaluation - Tanya
The document discusses conventions in music videos and how the media production challenges some conventions while conforming to others. It aims to create a cohesive brand identity across the main video and ancillary materials like the album cover and poster. Audience feedback helped ensure the video appealed to the target demographic despite breaking some alternative genre conventions. Various technologies were used effectively at different stages of planning, production, and evaluation, with YouTube, editing software, and mobile devices proving particularly useful.
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This document summarizes the results of an audience survey conducted to help decide the final design elements for a digipak. The survey asked audience members whether they preferred a pink/white or black/grey color scheme, and they voted for the black/grey scheme. This color scheme was then used for the digipak design and poster. The survey also helped determine the album name, which was changed from "Blood on Me" to "The Explanation" based on audience feedback that the new name was bolder and better fit the targeted genre.
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Lyric ideas
- 1. Lyric Ideas By Luis G
- 2. Confident Lyric annotation! Are you ready? Ha It's time for me to take it I'm the boss right now Not gonna fake it Not when you go down Cause this is my game And you better come to play I used to hold my freak back Now I'm letting go I make my own choice Bitch, I run this show So leave the lights on No, you can't make me behave Starts off with the male character practising. Different shots of him “shooting hoops”. Main artist walks in. camera focuses on shoes and progresses to her face. She lip syncs the “are you ready? ha” She is walking towards the Camera in an alleyway lip syncing this part of the Song. she would be wearing the rebellious clothing such as leather jacket or over the top makeup She’s at the woods showing numerous cuts of her dancing and lip syncing the song and we will have a shot where 2 people walk past and look at her funny but she doesn’t care cause she's confident! :D
- 3. So you say I'm complicated That I must be outta my mind But you've had me underrated Rated, rated What's wrong with being, what's wrong with being What's wrong with being confident? (Ah ha) What's wrong with being, what's wrong with What's wrong with being confident? (Ah ha) It's time to get the chains out Is your tongue tied up? Cause this is my ground And I'm dangerous And you can get off But it's all about me tonight She is lip syncing, still in the woods. But the camera would focus on her. Shes singing seriously and the camera may focus on her body movement and lips. Cuts to her in the basketball court. She walks in and takes the ball from the guy which starts the competition she throws it in and then he does it and the game starts to get serious. - during this scene it may have a small cut to her singing the song She is still on the court and the game has gotten more dynamic and faster the cuts are occasionally sped up to show the story of her and him playing the game competing without it being long and boring. It also makes the video more as the audience can see the narrative
- 4. So you say I'm complicated That I must be outta my mind But you've had me underrated Rated, rated What's wrong with being, what's wrong with being What's wrong with being confident? (Ah ha) What's wrong with being, what's wrong with being What's wrong with being confident? (Ah ha) What's wrong with being, what's wrong with being What's wrong with being confident? (Ah ha) What's wrong with being, what's wrong with being What's wrong with being confident? (Ah ha) Ah ha, yeah So you say I'm complicated But you've had me underrated It cuts to her at a set location most likely the woods where she would be sitting down singing the song From now on most of the shots are in the basketball court but with cuts to her at a location lipsyncing. The performance elements are becoming more dynamic with more visual effects being added. She is knocked down by the guy but one of her friends reach out to her to help her up and towards the end of the instrumentals and the end of verse she grabs the ball and throws it in / dunks it and therefore wins the Game
- 5. Yeah yeah What's wrong with being, what's wrong with being What's wrong with being confident? (Ah ha) What's wrong with being, what's wrong with being What's wrong with being confident? (Ah ha) What's wrong with being, what's wrong with being What's wrong with being confident? (Ah ha) What's wrong with being, what's wrong with being What's wrong with being confident? (Ah ha) This verse would mostly be performance in a designated area mixed with Singing, visual effects and fast cuts. It may end with the two main artists shaking hands and walking away